Showing 141 items matching "carson"
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Dandenong & District Historical SocietyCarson family, William (Bill) Carson 2013 speech on Carson family and links to Dandenong; his life and association with Dandenong Technical School; 25 slides accompanying presentation; Family tree: Descendants of John Carson b:1818/1820
William (Bill) Carson 2013 speech on Carson family and links to Dandenong; his life and association with Dandenong Technical School; 25 slides accompanying presentation; Family tree: Descendants of John Carson b:1818/1820.dandenong technical school, dandenong tafe -
Kew Historical Society IncDrawing - Property Illustration, Margaret Picken, 38 Carson Street, Kew, 2004
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 38 Carson Street, Kew by Margaret Picken.38 CARSON ST., KEW / PICKEN (c) 2004 / FLETCHERSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 38 carson street -- kew (vic.) -
Kew Historical Society IncDrawing - Property Illustration, Margaret Picken, 18 Carson Street, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Carson Street, Kew by Margaret Picken.18 CARSON ST., KEW / MARGARET PICKEN ~92/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 carson street -- kew (vic.) -
Kew Historical Society IncDrawing - Property Illustration, Margaret Picken, 18 Carson Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Carson Street, Kew by Margaret Picken.18 CARSON ST., KEW / MARGARET PICKEN ~94/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 carson street -- kew (vic.) -
Kew Historical Society IncDrawing - Property Illustration, Margaret Picken, 21 Carson Street, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 21 Carson Street, Kew by Margaret Picken.21 CARSON ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 21 carson street -- kew (vic.) -
Hawthorn Historical SocietyDrawing - Property Illustration, 12 Carson Crescent, Hawthorn
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 12 Carson Crescent, Hawthorn by Margaret Picken.12 Carson Cres, Haw, Margaret Picken '96. Woodards - Haw. artist - margaret picken 1950- -
Kew Historical Society IncDrawing - Property Illustration, Margaret Picken, 4/40 Carson Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 4/40 Carson Street, Kew by Margaret Picken.4/40 CARSON ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/40 carson street -- kew (vic.) -
Kew Historical Society IncDrawing - Property Illustration, Margaret Picken, 2/11 Carson Street, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/11 Carson Street, Kew, Kew by Margaret Picken.2/11 Carson St., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/11 carson street -- kew (vic.) -
Ballarat Heritage Servicesdigital photographs, Lisa Gervasoni, Archibald Prize entry 2017 - Kevin Carson, 2017
Detective Sergeant Carson has been a serving member of Victoria Police for 40 years, and is known for being involved with the investigation into child sexual abuse within the Catholic Church in Ballarat.Colour photograph of Detective Kevin Carson shaking hands with the Commissioner of Victoria Police, Graham Ashton, in front of a portrait of Kevin Carsons which was entered into the Archibald Prize in 2017. The portait is by Milivoj Micich.2017, archibald prize, entry, policy museum, kevin carson, chief commissioner, victoria police, milivoj micich -
![John Carson, Mayor [of Kew] 1863-4](/media/collectors/550653872162f11fb04854aa/items/592282b6d0cef20e04ba4996/item-media/5c195ed521ea6b0dac5e4dd3/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, J E Barnes, John Carson, Mayor [of Kew] 1863-4, 1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John Carson, Mayor of Kew 1863-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Carson / Mayor 1863-4mayor of kew, cr. john carson, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection -
Warrnambool and District Historical Society Inc.Plaque - Brass Plate, The Samuel Carson Childrens' Ward, C 1925
Samuel Carson was a local farmer who in the late 1800's acquired land to the West of Warrnambool in the Farnham park estate and towards Tower Hill near Gorman's lane. By the time of his death on May 23, 1920 he left an amount of 11666 pounds. Apart from amounts left to individuals, he bequeathed one hundred pounds each to ten different orphanages, and homes for neglected children and the blind and leaving the remainder to charitable organisations at the discretion of his trustees.The donation of 3500 pounds in August 1922 was in the latter category. This plaque commemorates Samuel Carson's generosity to the newly refurbished Warrnambool Base Hospital. He left a son William who farmed at Yangery at the time of his father's death. This item is significant in that it links a local identity through his generous donation to the local hospital. It therefore has strong social,historical and interpretative value. His generosity is a significant part of the history of Warrnambool Base Hospital.Heavy rectangular cast brass plate with raised edge and text in capitals. Corners have rounded cutouts and there is a hole in each corner for attachment. The Samuel Carson Childrens' Ward.warrnambool, warrnambool base hospital, samuel carson, samuel carson warrnambool, childrens' ward warrnambool 1928 -
Mission to Seafarers VictoriaArticle - Newspaper clipping, The Age, Riverside Tower Go Ahead, 28 February 2001
The article was written by Andrea Carson and published in the Age 2001The article relates to the renewal of the warves and the impact of the modernisation.Newspaper clipping from the Age 2001, with a sketch of a new development near the Mission.yarra river, australian wharf, residential, siddeley street -
Bendigo Military MuseumAward - MEDAL SET WW2, Post 1945
Noel Carson No VX8214 enlisted in 2nd AIF on 14.5.40. At discharge from the AIF he was a Sgt in 2/7th Aust General Hospital. Medal set, court mounted, set of (6) Re N. CARSON. 1. 1939 - 45 2. Africa star with clasp "8th Army" 3. Pacific Star 4. Defence Medal 5. War Medal 1939 - 45 6. Australian Service Medal 1939 - 45"VX 8214 N. CARSON"medals, military, history, passchendaele barracks trust -
Bendigo Historical Society Inc.Document - LANSELL COLLECTION: LETTER: RE FAMILY HISTORY LANSELL FAMILY, 2007
Letter: re family history Lansell family prepared by Beryl Margaret Carson. Describes items enclosed in parcel sent:Beryl Margaret Carsonplace, fortuna, family history, lansell, fortuna, george lansell -
Bendigo Historical Society Inc.Document - LANSELL COLLECTION: LANSELL FAMILY TREE, 2007
Document: Lansell family tree, prepared by Beryl Margaret Carson, descendant of William Lansell and Elizabeth Ramells. ( George Lansell's parents )Beryl Margaret Carsonplace, fortuna, family history, lansell, fortuna, george lansell -
Bendigo Historical Society Inc.Document - LANSELL COLLECTION: LETTER: BERYL MARGARET CARSON RE LANSELL FAMILY, 2007
Letter: sent to Bendigo Historical Society 26th. October, 2007 by Beryl Margaret Carson, P.O. Box 39, Culburra Beach, NSW 2540. Re possessions of Mavis Jean Gould that relate to the Lansell family.Beryl Margaret Carsonplace, fortuna, family history, lansell, fortuna, bendigo -
Wooragee Landcare GroupDocument - Personal Recollection, Wooragee Landcare Early Days by Pauline Carson
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Federation University Historical CollectionBook - Booklet, Seriously History Press et al, The Astonishing History of Ballarat Volume 2: 1856-1883, 2018
Book with greenand white cover.non-fictionballarat, sebastopol hill, lydiard street, powder magazine, deep leads, james oddie, mortality, statistics, shares, stock market, alexander dewar, old gravel pits, koh-i-noor, cobb corner, wesleyan church, henry richards caselli, band of hope mine, sir william don, mine sites -
Federation University Historical Collection
Book - Booklet, Seriously History Press et al, The Astonishing History of Ballarat Volume 1: 1879-1959
Book with blue and white cover.non-fictionballarat -
Federation University Historical CollectionBook - Booklet, Seriously History Press et al, The Astonishing History of Ballarat: 1851-1855, 2018
Book with red and white cover.port phillip, california, ballarat, thomas chapman, john kelly, strath loddon, louis michel, william habberlin, james esmond, george bruhn, thomas hiscock, john dunlop, james regan, james oddie, herbert swindell, tom toddleton, buninyong, tom brown, squatters, alfred clarke, paul gooch, john hall, eureka stockade, harrie wood, william akehurst, monster nuggets, john evans, daniel evans, thomas george gough, william john gough, sarah sands, john lees, william green, canadian nugget, bob fee, henry gunn, michael welsh, benjamin robertson, thomas carroll, white horse ranges, little bendigo, red hill, john vinvent brewer, george noble, w.h. ferrier, john alloo, peter lalor, john basson humffray, raffaello carboni, james rice, john yates, thomas bath, gum-tree flat -
Robin Boyd FoundationBook, Carson McCullers, The Ballad of the Sad Cafe, 1952
Hardcover, No Dust Jacket"Patricia Boyd" inside front covergothic short story southern usa , walsh st library -
Robin Boyd FoundationBook, Carson McCullers, The Member of the Wedding, 1969
Softcoverwalsh st library -
Wangaratta Art GallerySculpture, Tulla Carson, Gathering - How to Walk in Two Worlds, 2017
Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson -
Wangaratta Art GallerySculpture, Tulla Carson, Gathering - Desert Tracts and Straight Lines, 2017
Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery CollectionA contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with alpaca fibre, mounted upon a limestone base.tulla carson, sculpture -
Unions Ballarat
The astonishing history of Ballarat 1851-1855, Bradby, Doug, 2018
Chapters Chapter 1. 1848-50. The Discovery of Gold in the Port Phillip District. How a shepherd found Victoria’s first gold but failed to produce a goldrush. Chapter 2. The Discovery of Gold in Victoria. How a publican, a squatter, some more shepherds, a doctor, and an ex mailman, found the gold that produced the Victorian goldrush. Chapter 3. The Discovery of Gold at Ballarat. How the Ballarat gold field was discovered by Thomas Hiscock at Buninyong, and by old John Dunlop and young James Regan at Poverty Point, and by Old Tom Brown of Connor’s Party at Golden Point. Chapter 4. The Genesis of Ballarat. How the diggers arrived, mined, lived, and governed themselves at Ballarat. Chapter 5. The Exodus from Ballarat. Why the diggers left Ballarat when they had found less than 1% of Ballarat’s gold. Chapter 6. The Monster Nuggets. Why Sarah Sands from Ballarat was introduced to Queen Victoria at Windsor Castle. Chapter 7. Settling Down on Ballarat. How and why some diggers settled permanently at Ballarat as miners. Mining in the year of Eureka. How the miners tackled the problems of shepherding and the mining consequences of the Eureka Stockade. Chapter 8. The Gravel Pits. How the miners of Ballarat Flat learnt to work ‘in the water.’ Chapter 9. Towards the Tableland. What the miners did when they hit a ‘wall of rock.’Relevance to the history of Ballarat, gold mining, Sovereign Hill and the Eureka Stockade.Paperback book; 176 pages. Front cover: red background; illustration of miners in white; author's and illustrator's names and title. btlc, ballarat trades and labour council, ballarat trades hall, history - ballarat, history - gold mining, eureka stockade -
Queen Victoria Women's CentreNewspaper clipping, Wayne Taylor, $600m plan for Queen Victoria site unveiled, 21 February 2001
Unveiling of the QV plans by Groconnewspaper clipping from The Age. Graphic representing the works to be done on the QV block between Swanston street and Russell street. Black and white photo at the bottom of page of Premier Steve Bracks with director of Grocon, Daniel Grollo after the plans for QV were announced. building construction, historic building, civic centres, town planning -
Kilmore Historical SocietyReadings From American Authors, 1884
Selected readings from American authors., "humorous and pathetic".Yellow board cover, worn, loss of colour, torn spine. Foxing throughout. 256 pp. plus advertisements. Fair condition.label on front cover, 'VICTORIAN RAILWAYS BOOKSTALLS./W.M.BAIRD Lessee'. Inside front cover, '1134' underlined.american literature -
Bendigo Historical Society Inc.Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Note written on a piece of paper, dated ? 10 71 agreeing to accept ? Carson as a Member of the Foresters Club. Illegible signature.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, carson -
Kew Historical Society IncPhotograph - Road works in the City of Kew, 1968-9
One of a series of photographs donated by the City Engineer of the former City of Kew, showing road works. The photos variably include council workers, signage and equipment.One of a series of photographs of core local government services as practised by the City of Kew. The photographs are an accurate record of street works of the period. Original black and white photographic positive of a road works in the former City of Kew. The photo shows an excavation in Studley Park Road near the corner of Carson Street in 1968/9. A Council officer and worker inspect the pit. Excavation equipment and a Council truck are at the back of the view. STUDLEY PARK ROAD AT CARSON STREET 1968/9city of kew, local government -- city of kew, road works, street works, kew city depot, studley park road -- kew (vic.) -
Bendigo Military MuseumAccessory - IDENTITY DISCS WW1, c.1914 - 1919
William Victor Carson No 3132, enlisted on 20.1.1916 age 18 years 2 months in the 8th reinforcements 57th Bn AIF. Embarked for England 16.12.1916, embark for France 14.5.1917, WIA 30.9 1918 GSW Face, as he moved through the system it was altered to Face and head then to GSW to eye on 9.10.1918 with Right Eye removed, embark for Australia 9.12.1918, discharged from the AIF on 8.3.1919 medically unfit. .1) ID Disc, fibre, octagonal, light brown, 1 hole on L & R sides. .2) ID Disc, fibre, round, dark brown, 1 hole at top..1) Stamped: “CARSON. W. V. 3132 57 BN AIF PRES” .2) Stamped: “W. V. CARSON 3132 57 BN AIF PRES”administrative record, identity disc’s,
