A record / program of the 1994 College production "My Fair Lady" detailing all College students and staff involved in the productionCollege HistoryMy Fair Lady Production Program - 20 pagescast, 1994, ringwood secondary college, college productions, my fair lady, cast photos

Cast photo of Cherry Blossom performers, taken on stage with set features in the background.tatura, hall, festivals, costume, female, male, performing, arts, theatrical, plays

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of cast exterior water pipe party obscured by vegetation.villa alba museum, conservation photographs, victorian architecture, drain pipes

16 page soft cover programme for the Bendigo Theatre Company's performance of 'Oklahoma' in Aug/Sept 2007 at the Capital Theatre. Lists and B&W photos of cast, crew, orchestra and producers etc. Coloured rural picture on front coverBendigo Theatre Company

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of cast iron exterior water pipes located beside a glass louvre window.villa alba museum, conservation photographs, victorian architecture, louvre windows, drain pipes

The Desert Song" is an operetta based on the uprising of a Berber group against French Colonial rule in Morocco. The music was by Sigmund Romberg and the lyrics were a collaboration between Oscar Hammerstein II, Harbach and Mandel. It opened on Broadway in 1926.Bendigo Operatic Society Program for the production of The Desert Song White & orange/pink front page with a picture image of a desert scene Information on front cover: At the Capital Theatre for a five night season commencing 14th Nov, 1969 8 double sided pages with black & white photos of cast & production teamsouvenir programme, bendigo operatic society

Items belonged to a Bendigo woman, born in 1919 who lived in Bendigo all her life and died at the age of 94 years. Program is for Bendigo Operatic Society's performance of H.M.S. Pinafore at Flora Hill High School Auditorium, for 5 nights commencing Tues 26th June (year not mentioned) consists of 4 pages, double sided print, folded in half & stapled in centre. Pink colored cover/back page & centre page. Black/white & some red ink print Program includes: names of Committee, Cast, black/white photos of production team & cast, synopsis of story & list of musical numbers & local advertisements souvenir programme, bendigo operatic society

"The Mikado" is a two act comic opera with the music by A. Sullivan and the libretto by W. S. Gilbert. It is a satire of late 19th century British society set in a fantasy Japan. It opened in March 1885.Bendigo Community Theatre & Arts program for 'The Mikado' production Green coloured program, title of The Mikado in red ink on front cover Red ink details of The Story, Characters & Cast names on inside page. No photos of cast members A4 size program folded in half (2 double sided pages), Program made from light cardboard. No dates mentioned souvenir programme, bendigo community theatre

Belonged to a lady born in Bendigo in 1919, lived all her life in Bendigo, died aged 94 years. Program for Bendigo Operatic Society, production of Camelot, at The Capital Theatre, commencing 9th June 1976 for 8 nights 4 pages, double sided print, folded in half & stapled in the centre. Pink coloured front cover & middle page. Program includes: black/white photos of cast, list of musical numbers & synopsis of scenes & local advertisements. 2 X Ticket stubs, numbered 19LL & 20LL for performance on Wednesday 16th June 1976souvenir programme, tickets

black and white photo: large weatherboard building with central doorway, 4 arched windows and panelled doorway to right of photo. Two males standing in doorway. Trunks, prams, rocking chairs in front of photo, also cast iron cookware. MP 99 top right hand corner. On paper enclosed with photo : ' this large weatherboard building was Charlie Button's Secondhand Furniture Store at 204 Williamson Street next to Jones Miller's Store formerly Pickles' large rolling stock works' ( BHS Inc. )organization, business, charlie button's store

"Showboat" was based on a novel by the same name and follows the lives of the crew and performers on the "Cotton Blossom", a Mississippi River showboat from 1887-1927. The music was written by Jerome Kern and the lyrics by Oscar Hammerstein II. It was first produced by Ziegfield in 1927. It was considered the first of the new genre of Light Opera as opposed to operettas or musical comedies.Bendigo Theatre Co. Inc: Program & 2 X blue colored Tickets (seats L5 & L6 for 16/6/11988) for the production of 'Showboat' White paper program with blue ink writing on front cover. Information on front cover: J. B. Osborne Theatre, Kangaroo Flat for dates of June 9th, 10th, 11th, 16th, 17th & 18th at 8.00pm 10 double sided pages with black & white photos of cast & production team Program made of paper, folded & stapled in the middle.souvenir programme, bendigo operatic society

Items were personal items retained by a lady born in Bendigo in 1919 and who lived in Bendigo all her life until her death, aged 94 years.Program for Bendigo Operatic Society's production of The Music Man, at The Capital Theatre, Bendigo Commencing Wed 12th June 1974 for 8 nights 4 pages of paper, folded in half, stapled in the middle with double sided print on each page. Program is in black print with some red ink on middle & back pages, black & white photos of cast. Small labelled envelope with contents of 2 X tickets (orange colored) for performance on Thurs 13th June 1974, Ticket No's 17MM & 18MM. souvenir programme, bendigo operatic society

The Student Prince, Capital Theatre, View Street, Bendigo. For a six night season: Thursday 15th, Friday 16th, Saturday 17th and Thursday 22nd, Friday 23, Saturday 24th June, 1972. Bendigo Operatic Society: Mr J McK. Cannon, Mr F Trewarne, Miss Ann Ball, Mr L Spencely, Mrs P Lyon. Committee: Mesdames J Cannon, M Reed, Misses P McCraken & M Welch, Messrs. J Beaumont, J Boquest, G Daws. Photos: Producer-Max Collis, Assistant Producer, Ballet & Wardrobe Mistress-Madge Welch, Assistant Pianist-Edith John, Musical Director-Gwen Grose, Society Pianist- Ruth Gorman. Photos of cast: Margaret McQueenie, John Boquest, John McCormack, Graham Bumford, Graeme Daws, Annette Beckwith, Jill James, Ferd Lorenz, Shane Brennan, Patricia Lyon, Max Rule, Ian Beckwith, John Tonkin, Michael Filippini, Valerie Griffiths, Jim Feteris. Synopsis if Story. Synopsis of Scenes. Bendigo Operatic Society Presents by arrangement with Allan's Music (Australia) Pty. Ltd. ''The Student Prince'' A Max Collis Production. Music by Sigmond Romburg. Book & Lyrics by Dorothy Donnelly. Stage Manager Malcolm Cannon. Musical Director Gwen Grose. Choreography Madge Welch. Wardrobe Miss M Welch, Mrs A Ball. Cast: Kerry Hogan Brian Fitzpatrick, Garry Burns, Alan Petrie, Graham Bumford, John McCormick, John Boquest, Graeme Daws, Annette Beckwith Margaret McQueenie, Michael Filippini, Nicholas Kasterovic, Max Rule, Graham Bumford, Ian Beckwith, Ferd Lorenz, Shane Brennan, Jill James, Patricia Lyon, Valerie Griffiths, Jim Feteris, John Tonkin. Time _ Spring 1860. Female Chorus: Marion Alcock, Ann Ball, Wilma Baldwin, Dorothy Field, Ann Garrat, Dawn Moncrieff, Coral Rivett, Lois Semmens, Marilyn Storey, Marion Wright. Male Chorus: Garry Burns, Edmund, Burke, Peter Edgley, Brian Fitzpatrick, Jim Feteris, Kerry Hogan, Ross Jones, Nicholas Kasterovic, Bernie Keogh, John Keogh, Alan Petrie, Fred Trewarne, Philip Wilkin. Ballet: Dianne Austin, Annette Basset, Wendy Kent, Jocelyn Lyon, Lyn Rowe, Ann Rendell, Helen Southby, Pauline Waugh. Publicity Officer: Mrs J Cannon. Scenery & Properties: M & J Cannon, J Moncrieff, R Spicer. Art Work: M Cannon, S James, B Agnew, Tony Lorenz, J Hall, Karl Steinberg. Prompt: Mrs J Cannon. Lighting: L Reed, H Bridges & T Vincent. Make-up: Mrs H Cannon & Mrs D Coia. Hairdressing: Ross Coiffure. House Manager: Garry McDonald. Bendigo Concert Orchestra Violins: Mrs R Weldon, Mrs A Boulton, Mrs M Robbins, Mrs C Messer, Mr C Gill, Mr J Jordan, Mr P Phillips, Mr T French. Violas: Mr E Jarrett, Mr H Werry. Cellos: Mrs C Bubb. Bass: Mr S Anderson. Flute: Mr C Bubb. Clarinets: Mr R Holyoake. Trombones: Mr W Neuman. Trumpets: Mr D Gray, Mr David Gray, Mr Ian De Araugc. Percussion: Mr Brian Beale. Pianoforte: Mrs P Gorman. Songs From ''The Student Prince'' (wording). Acknowledgement; Bendigo Advertiser, BCV8, 3BO, 3CV, St Mary's. Advertisements through last half of program: Don Semmens Photographic Studio, The Copper Pot Licensed Restaurant, Ross Coiffure Beatty Salon. A and b are both the same copy a in the better of the copies as b is lightly faded. Otherwise excellent condition.program, music, bedigo operatic society, the student prince, capital theatre, view street, bendigo. 15th, 16th, 17th 22nd, 23, 24th june, 1972. bendigo operatic society: mr j mck. cannon, mr f trewarne, miss ann ball, mr l spencely, mrs p lyon. committee: mesdames j cannon, m reed, misses p mccraken & m welch, messrs. j beaumont, j boquest, g daws. photos: producer-max collis, assistant producer, ballet & wardrobe mistress-madge welch, assistant pianist-edith john, musical director-gwen grose, society pianist- ruth gorman. photos of cast: margaret mcqueenie, john boquest, john mccormack, graham bumford, graeme daws, annette beckwith, jill james, ferd lorenz, shane brennan, patricia lyon, max rule, ian beckwith, john tonkin, michael filippini, valerie griffiths, jim feteris. synopsis if story. synopsis of scenes. bendigo operatic society presents by arrangement with allan's music (australia) pty. ltd. ''the student prince'' a max collis production. music by sigmond romburg. book & lyrics by dorothy donnelly. stage manager malcolm cannon. musical director gwen grose. choreography madge welch. wardrobe miss m welch, mrs a ball. cast: kerry hogan brian fitzpatrick, garry burns, alan petrie, graham bumford, john mccormick, john boquest, graeme daws, annette beckwith margaret mcqueenie, michael filippini, nicholas kasterovic, max rule, graham bumford, ian beckwith, ferd lorenz, shane brennan, jill james, patricia lyon, valerie griffiths, jim feteris, john tonkin. time _ spring 1860. female chorus: marion alcock, ann ball, wilma baldwin, dorothy field, ann garrat, dawn moncrieff, coral rivett, lois semmens, marilyn storey, marion wright. male chorus: garry burns, edmund, burke, peter edgley, brian fitzpatrick, jim feteris, kerry hogan, ross jones, nicholas kasterovic, bernie keogh, john keogh, alan petrie, fred trewarne, philip wilkin. ballet: dianne austin, annette basset, wendy kent, jocelyn lyon, lyn rowe, ann rendell, helen southby, pauline waugh. publicity officer: mrs j cannon. scenery & properties: m & j cannon, j moncrieff, r spicer. art work: m cannon, s james, b agnew, tony lorenz, j hall, karl steinberg. prompt: mrs j cannon. lighting: l reed, h bridges & t vincent. make-up: mrs h cannon & mrs d coia. hairdressing: ross coiffure. house manager: garry mcdonald. bendigo concert orchestra violins: mrs r weldon, mrs a boulton, mrs m robbins, mrs c messer, mr c gill, mr j jordan, mr p phillips, mr t french. violas: mr e jarrett, mr h werry. cellos: mrs c bubb. bass: mr s anderson. flute: mr c bubb. clarinets: mr r holyoake. trombones: mr w neuman. trumpets: mr d gray, mr david gray, mr ian de araugc. percussion: mr brian beale. pianoforte: mrs p gorman. songs from ''the student prince'' (wording). acknowledgement; bendigo advertiser, bcv8, 3bo, 3cv, st mary's. advertisements: don semmens photographic studio, the copper pot licensed restaurant, ross coiffure beatty salon.

This is a set of seven photographs taken during the filming of the Man from Snowy River television series at the at Fortuna Villa, Bendigo on the 9th of September 1995. Of the 65 episodes filmed from 1994 to 1996 it is unclear which episodes footage taken was used. SGT Dale Hudson from the Army Survey Regiment appeared as an extra during filming.This is a set of seven photographs taken during the filming of the Man from Snowy River television series at the Army Survey Regiment at Fortuna Villa, Bendigo, on the 9th of September 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The colour photographs were scanned at 300 dpi. .1) - Photo, colour 1995. Horses and carriages on the Army Survey Regiment’s parade ground. .2) - Photo, colour 1995. Unidentified driver takes a horse and carriage pass Fortuna Villa’s front steps. .3) - Photo, colour 1995. Lead actress Ms Wendy Hughes in a horse and carriage pass Fortuna Villa’s front entrance. .4) - Photo, colour 1995. L to R: Lead actor Mr Andrew Clarke with production staff on Fortuna Villa’s front entrance. .5) - Photo, colour 1995. L to R: Army Survey Regiment’s SGT Dale Hudson with an unidentified actor/extra on Fortuna Villa’s front entrance. .6) - Photo, colour 1995. Fortuna Villa’s front foyer with period furniture in readiness for filming. .7) - Photo, colour 1995. Cast and crew taking a lunch break on the Army Survey Regiment’s parade ground.Annotated on back of photos: .1P, .2P, .6P ‘Man from Snowy River 9 Sep 95’ .3P ‘Actor Wendy Hughes in carriage, Man from Snowy River 9 Sep 95’ .4P ‘Shooting of episode Man from Snowy River 9 Sep 95, Actor Andrew Clarke’ .5P ‘SGT Dale Hudson (left) dressed for part as extra Man from Snowy River 9 Sep 95’ .7P ‘Cast and crew having lunch break on the parade ground, Man from Snowy River 9 Sep 95’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

Mt Beauty Drama groupMt Beauty formed a drama group to entertain the community as they lived in a small remote town. Collection consists of: 1. Six typed A4 sheets - 'Out in the Cold Cold Snow' 2. Blue booklet A5 94 pages 'Sailor, Beware' and 3 copies of the handout to the audience including the cast 3. Orange booklet A5 8 pages 'Red Hot Cinders' and a copy without the orange cover. 4. Foolscap size with yellow pages at the front followed by 42 white pages 'Babes in the Wood' 5. A white card listing the cast for 'The Importance of Being Earnest' 6. Colored pages of handout for 'Cinderella' including the cast and dated 1959 7. 3 newspaper cuttings 8. 4 photos - Sailor Beware Photos are labelledmt beauty, drama group, entertainment, organisation, the arts

Ascot Vale is an inner suburb 6 km north-west of Melbourne, Victoria, Australia in the local government area of the City of Moonee Valley. Ascot Vale police station was opened on 31 October 1887 in the Melbourne Police District. From 1900-1905 it was located at 54 Parade, Ascot Vale; from 1910-1925 at 71 St Leonards Road; from 1930-1953 at 37 St Leonards Road. In 1953 it was relocated to government owned premises at 111 Union Road until the police station closed on 1st May 1970 and the Sub-district was divided between Flemington and Moonee Ponds police stations. The former police station was used by the Crime Car Squad until about 1987 when the premises were damaged by fire. The police station at 37 St Leonards Road was described as a six-roomed brick dwelling with slate and iron roof on land measuring 150' x 50'. There was also a bathroom and W.C., wash-house, office and lock-up with one cell. It was staffed by one second-class sergeant and four foot constables. The purpose-built police station at 111 Union Road included a four-roomed residence with the exterior clad in rough cast Conite and a tile roof. There was also a kitchen, bathroom, laundry and separate garage. 4 black and white photospolice stations; ascot vale police station

The book was collated by Debbie Hall. Orbost Fire brigade was founded in 1919. The first captain was George Hodgson, assisted by Lieutenant Reg Macalister, Secretary J.F.McCoy and fifteen members. .As there was no fire station the ree l ( a cast off fro m the Bairnsdale Brigade ) w as kep t in the shed at the back of the Council Chambers until the present Station was built in 1922 in its present location in Gladstone Street, Orbost. This book is a written record of the first one hundred years of the Orbost Fire Brigade.Two copies of a paperback book with a white cover and red print. On the cover is a photo of a fire truck in a rectangular frame. The book was produced for the 75th Anniversary of Orbost Fire Brigade 1919-1994. The book contains black and white photographs of Fire brigade activities and extracts from the "Snowy River Mail".In blue pen - "Presented to the Orbost Historical Society from Orbost Fire Brigade - November 12th 1994"book orbost-fire-brigade

Reports published in The Courier newspaper of performances by Ballarat Academy of Performing Arts, including items naming students past and present of the University of Ballarat during 1997 plus articles of people and events connected to the Arts Academy. Also contains information about Ballarat University courses for performing arts. Articles are mostly from the Ballarat Courier newspaper in chronology year (1997) order with no page numbers. Two items are from December 1996 and three articles in October 2001. PRODUCTIONS : *' Pericles' performed by Ballarat's Ozact Theatre Company at Port Fairy's Battery Point. *'Maelstrom' written by Chris Dickens and directed by Peter Tulloch performed by BAPA third year students.(Oct. 28th - Nov 1st) Some cast members were: James McLaverty, Melissa Casey, Linda Judd, Angela Coad, Sarah Griffin, Kathy Lucas, Melissa Casey, Laura Hill, Grant Hickey, Jamie Robertson, Jon Catanzariti, Steve Kerr, Jeff Parker Natalie Zappulla. Performed at Ballarat University Studio Theatre (Nov 4th -8th) and also at Melbourne's CUB Malthouse (Nov. 25th-29th) *"7 Deadly" directed by Chris Dickens and performed in The Chapel at the Academy's Victoria Street campus by 1st year Ballarat University students. Some cast members were: Ash Abdou, Niniane Le Page, Alex Meerbach, Adam Davies and Elicia Bolger. *"Sounds of Broadway and Off' (Oct 9th - 11th) directed and choreographed by Judith Roberts and performed at the Studio Theatre , University of Ballarat, by 1st year students of Musical Theatre at BAPA. Some cast members were Paul Thomas, Shannon Palmer, Aakash Andrews, Justine Schnellbeck, Erica Chestnut,, Rebecca McGuinness, Matthew Heyward, Kellie Rode. Tickets cost $5.00 *'Bewitched" "a parody of the original television series" directed and produced by Ballarat performing arts graduates Adam Turnbull and Claire O'Sullivan. Most of the cast and crew were graduates from the University of Ballarat. Some cast members were: Katherine Evans as Samantha and Martin Cole as Darren. Simon Buckle was responsible for his original music, songs and special effects. *Concert: Featuring pianist Slavomir Zumis and cellist Robert Ekselman (Oct. 3rd) *"Charley's Aunt" by Brandon Thomas, performed by 2nd year Ballarat Academy of the Arts 2nd Year Company at The Venue Studio Theatre, University of Ballarat (Sept. 23rd-27th). Cast members: Derren Jackson, Ross Larkin, Kevin Dee, Adelle Gregory, Colette Bruggeman, Luke Doxey, Gavin Fenech, Dennis Marinovic, Nadia Andary, Narelle Werner. Cost: Adults $10, Concession $7.50, Bookings at Majestix. *'The Importance of Being Ernest' (by Oscar Wilde), performed by second year theatre company of the University of Ballarat, directed by Maureen Edwards, designed by Andrew Arney. Cast members included Narrell Werner as Gwendolen, Tim Haymes as Jack, Mark Gambino as Algermon, Adelle Gregory as Cecily and Heather Kent as Lady Bracknell. The production was at the Studio Theatre, University of Ballarat, September 16th-20th , 8pm. Ticket costs: $10 Adult, $7.50 Pensioners/students. Double bill tickets for The Importance of Being Ernest and Charley's Aunt (Sept.23-27) costs: $15 Adults,$10 Concession. *"The Man From Muckinupin' (by Dorothy Hewett), directed by Chris Dickens and performed by University of Ballarat 3rd Year Performing Arts at Studio Theatre, University of Ballarat from Aug 26th - Aug 30th 1997. Cast members: Lisa Judd as Polly, James McLaverty as Jack, Jamie Robertson, Natalia Rose, Steven Kerr, Jon Catanzariti, Melissa Casey, Grant Hickey, Sarah Griffin, Laura Hill, Kathy Lucas, Angela Coad, and Jeff Parker. Ticket costs: $10 Adults, $7.50 Concession from MajesTix *'The Inspector' (by John Cousins) director Bruce Widdop, performed by the Third Year Graduating Company, University of Ballarat, Ballarat Academy of Performing Arts; at Studio Theatre, University of Ballarat, Aug 19th-23rd, 1997. Cast: Jamie Robertson as the mayor, Jeff Parker as the supposed government inspector, Grant Hickey as Sidney, Melissa Carey as Rose, and Sarah Griffin as Rose's daughter, Laura Hill as the postmaster and Linda Judd as the headmistress. Some 1st year students had cameo roles - Adam Parsons and Adam Davies. *'Cosi' directed by Andrew Seeary and performed by Theatre Movement at the Grainery Lane Theatre, Doveton Street, Balarat. The story has a young, nervous director Lewis, played by Brett Edginton, arrive in a mental home to produce a play with the inmates. Other cast members are Karl Hatton (Roy), Miranda Crellin (Cherry), Rob MacLeod (Henry), Ray Craven (Zac), Narrell Werner (Julie), Nadia Andary (Ruth), Mark Gambino (Doug), Elizabet Stewart and Michael Cooper (Lewis' unsympathetic friends) and Bob House (the Social Worker). Nadia, Mark and Narelle are Ballarat University performing arts students. Season: July 24th,25th 26th and 31st and August 1st and 2nd, 1997. Tickets at the door or through Majestix. Cost: Adults $16; Concession $11. Reviewer: Barry Breen, a Ballarat author, poet and performance artist. *'New Works' involves two plays - 'The Inside Out', director Melissa Casey and 'Secrets'. director Jeff Parker, presented by Ballarat Academy of Performing Arts Third Year Company, both written and directed by third year students. All production areas handled by students of BAPA. Cast members: 'The Inside Out' - Jamie Robertson, Laura Hill. 'Secrets' - Sarah Griffin, Linda Jude, Steven Kerr, Angela Coad, Natalie Zappulla. Staged at University of Ballarat's Studio Theatre. Bookings MajesTix - $10 or $7.5 *Euripide's, 'The Bacchae', a tale of revenge, directed by Bruce Widdop and performed by 2nd year students from the University of Ballarat Performing Arts Department and the BAPA. Assistant directors' Tim Haymes and Derren Jackson. Cast members: Richard DiGregorio (Dionysus), Chris Stipic (Cadmus), Colette Brugman (Agaue), Denis Marinovic (Pentheus), Mark Gambino (Teiresias) and Ross Larkin as the messenger. Other supporting performers are Luke Doxey, Brendan Mayne, Heather Kent, Kevin Dee, Gavin Fenech, Nadia Andary, Karissa Clarke, Adelle Gregory and Narrell Werner. The play was performed at the Studio Theatre, Ballarat University, June 3rd-6th, 1997.Tickets MajesTix or at the door - $10 Adult, $7.50 Concession. *'Back to the Tivoli' School of Performing Arts - June 10th -14th. Venue: Academy of Performing Arts, Victoria Street, 8pm *Aristophane's 'Lysistrata', an anti-war comedy. Performed by first year drama students from the University of Ballarat and BAPA at the Studio Theatre, University of Ballarat, Mount Helen, on May 27th-30th, 1997. Cast members: Niniane Le Page (Lysistrata), Fiona Russell (Calonice), Anne Winter (Myhrrine), Dominic Phelan (Cinesias), Alex Meerbach (Stratyllis), Michael Rafferty (Leader), Melissa Lowndes (Lampito), Renee Francis (Ismenia), Kathryn Martin (Corinthian), Geoffrey Spink (doorman), Adam Parsons (magistrate), Adrian Dart (policeman), David Kambouris (policeman two), Max Grarock (negotiator), Phol Crompton (ambassador) and Ross Farrell (herald). Male chorus members: Paul Thomas, Adam Davies, Ashraf Abdou, Karan Khanna. Female chorus members: Lauren Oliver, Suzie, Lewis and Lindy Kerr. Tickets MajesTix - $10 Adults, $7.50 Concession; or $12 special double bill price including The Bacchae. *Roger Woodward Recital - a piano recital by the internationally acclaimed Australian pianist to launch the Ballarat Academy of the Arts asset drive. He performed on the University's historic Erard Grand Concert piano on stage in Founders Hall, describing it as "absolutely amazing.' The instrument was 93 years old and hadn't been played for more than eighty years. An audience of 500 were entertained with pieces by Schubert and Bach for the first half of the program and Waltzes, Mazurkas, and Polonaises by Chopin after the interval. Fittingly an encore of the Minuet in G by Paderewski was played on the very piano the composer had brought from England for his Australian tour in 1906. *'The Merry Wives of Windsor' by William Shakespeare; directed by Beth Child; designer Damian Muller; Production by Third Year Graduating Company, University of Ballarat Performing Arts Department. This play is a comedy not performed very frequently. Cast members: Angela Coad (Mistress Page), Laura Hil (Mistress Quickly), Gavin Fenech (Falstaff), Kathy Lucus (Justice Shallow), Melissa Casey (Mistress Ford), Jeff Parker (Mr Ford), Jamie Robertson ( Mr Page) and Karrissa Clarke (Simple). Staged at the Studio Theatre, University of Ballarat, May 6th-10th 1997 at 8pm. Tickets $10. Concession $7.50. *"Ship of Fools" SMB Performing Arts. Grainery Lane Theatre, 9th-10th May 1997 Cast members: Chris Lytas (Mac & Convinso), Kate Edwards (Mayor & Rachel), Ruth Sheridan (numerous characters) *'Lola Montez - The Musical' author Alan Burke; director Peter Tulloch; choreographer Fred Fargher; designer Damian Muller, musical director Graeme Vendy. Performed by twenty-eight second year Performing Arts students with Nadia Andary in the lead role of Lola,, Grant Hickey as Henry Seekamp the Ballarat Times editor who receives a whipping from Lola for his criticism of her. Tim Haymes is the character Smith, Karissa Clarke plays nurse Jane Oliver and Ross Larkin plays soldier Daniel Brady. Other cast members were Luke Doxey, Richard Di Gregorio, Chris Stipic and Brendan Mayne. A feature of the show is Lola's celebrated Spider Dance which was acknowledged many years ago by the crowd throwing gold nuggets onto the stage. Presented by the Hugh Williamson Foundation in association with the Begonia Festival organizers the performance was at Her Majesty's Theatre, Ballarat nightly from 12th-15th March at 8pm with a matinee at 2pm on the 15th. Tickets at Majestic: Adult $18.50, Concession $13.50, Group Adult $15.50, Group Concession $10.50, Culture Vulture $12.00 Family $46 Season 97. *' 2001- 'On The Town' a musical comedy performed by graduating Ballarat Academy of Performing Arts and directed by course coordinator Kim Durban from the Victorian Theatre Company; and BAPA assistant production manager Jo Pearson. It features a cast of 30 and music from a 15 piece band. Photo depicts three cast members: Keith Miles, Adam Lubicz and Glenn Quinn. It was performed in America in 1944 and tells the story of three sailors who arrive in New York on 24-hour shore leave. It was performed at Founder's Hall, University of Ballarat, Mount Helen campus. Tickets $15 adults, $10 concession and $7 for children and students. Family tickets were available. Bookings MajesTix. *'Play With Your Food' a new theatre restaurant show performed by SMB Performing Arts students at Craig's Cellar, Lydiard Street, Ballarat. It was an original show devised and written by Second Year SMB Performing Arts students. following their sold-out touring show 'unplugged' and Book Week play 'SapceDust'. There are also articles about people involved with the University of Ballarat Performing Arts course and the courses in the Arts. Lady Lush's world of unusual characters presented jokes, songs, music whisked together into a bizarre story for audiences to enjoy and even be tie up. Cast members: Melissa Porritt, Loenne Whitecross, Jess Matthews, Kristie Glab and Julia McNamee. It was performed over five nights, 7th-8th-9th-15th and 16th November, 2001. Cost $20. NEWSPAPER ARTICLES: Directors for University of Ballarat 2nd Year Performing Arts Maureen Edwards (photo) An advertisement for BA Visual Arts - Studio Studies available for Ceramics / Drawing / Graphic Design / Print Making /Painting / Multi-Discipline - Undergraduate and Post Graduate Studies. Also for BA Performing Arts - Major Studies available: Performance Acting, Theatre Production, Performance Music Theatre. Ballarat Academy of Performing Arts - New lecturers 1997: Lecturer in Design and theatre crafts - Damian Muller; lecturer in production and stage management - Leonard Bauska; and lecturer in theatre technology - Matthew Heenan. Ballarat Academy of Performing Arts - 1 st article in 'The Flag' Alumni Newsletter, University of Ballarat, Issue June, 1997 re 1st intake of students in February, 1997. 2nd article 'Where Are They Now' - Amanda Sandwith. Event - 'Lydiard Street Alive' : firebreathing act 'David and Goliath' performed by David Patullo. Article with information (includes advertisment for course) about the 3 year performing arts degree at Ballarat consisting of performance acting, theatre production and performance music theatre which are part of Ballarat Academy of Performi8ng Arts which resources from three institutions - University of Ballarat, Australian Catholic University and the School of Mines. BAPA launch: Photos of some attendees - June 3rd 1997 Ballarat Courier. Performers featured Erica Chestnut and Sue-Ann Thomas. Amy Young - Up Close and Personal article - Ballarat Courier - Saturday June 14 1997. Amy Young was the director and conductress of Ballarat 'Y" Choir for 45 years. In 1996 she donated her husband's (Dr Keith Young) Steinway grand piano and musical collection to BAPA. This article is about her life. Events calendar for the Month of May, 1997. Peter Tulloch ( University of Ballarat Performing Arts Co-ordinator 1997) Newspaper article - interview by Elise Sullivan that appeared in The Ballarat Courier Saturday May 3rd 1997 Weekend Edition . Many articles on Roger Woodward and a $3 million asset drive for the Ballarat Academy of Performing Arts. Advertisement for 3 Arts positions at the University of Ballarat - Lecturers in Theatre for Movement/Dance; Design, Theory and Craft; and Theatre Technology Article: 'Who's Who at the Academy' - A list of First Year, Second Year, Third Year, Performing Arts Staff (University of Ballarat and Australian Catholic University). Article about the Erard Concert Grande piano and its acquisition by the University of Ballarat. There are several articles linked to the production of "Lola Montez the Musical' including: *Lola Montez's life in a timeline -1818 to 1861 compiled by Peter Freund, Her Majesty's Theatre historian on behalf of Ballarat Begonia Festival. * A radio show in 1952 performed by Ballarat's "Y" Drama Group featuring 16 year old Joy Brehaut as Lola Montez and directed by 3BA's Ted Furling *Ballarat's Most Famous Scandal Advertising Poster for Lola Montez *Lola Whips In * Lola to Tread the Boards Again * Lola to Return to Ballarat - The "Minister for Purity, The Reverend John Potter" - (actor Jamie Robertson) * Veteran Takes His First Look at Lola * First Stage Lola meets the New Lola - Nadia Andary meets 1967 Lola, Nancy Brauer. * Lola Returns Home An article listing the 12th Annual Encore Awards held at Ballarat Village on Wednesday 5th March 1997. * Advertisement for major studies available in 1998 -Theatre Performance; Music Theatre Performance and Theatre Production plus upcoming productions - Aug - The Inspector and The Man From Muckinup; Sept - The Importance of Being Ernest and Charley's Aunt; Oct- The London Blitz Show and They Shot Horses Don't They? Nov - Graduate Exhibition * Article 3/12/1996: Amy Young donates her husband Dr. W. H. Keith Young's Steinway grand piano and studio stacked with historic documents to the jointly run Performing Arts Academy following his death. The book consists of A4 paper sheets, heat bound with blue card front and back cover with a plastic overlay. The pages contain photocopied articles printed in the Ballarat Courier during 1997. Two articles are from December 1996.bapa, pericles, ozact theatre company, ozact, maelstrom, chris dickens, joan petering, peter tulloch, 7 deadly, ballarat academy of performing arts, bpca, ballarat college of performing arts, sounds of broadway and off, judith roberts, graeme vendy, bewitched, adam turnbull, claire o'sullivan, katherine evans, martin cole, simon buckle, charley's aunt, brandon thomas, derren jackson, ross larkin, kevin dee, adelle gregory, colette bruggeman, luke doxey, gavin fenech, dennis marinovic, nadia andary, narelle werner, the importance of being ernest, maureen edwards, andrew arney, tim haymes, mark gambino, heather kent, performing arts courses 1997, the man from muckinupin, dorothy hewett, chris dickins, linda judd, james mclaverty, jamie robertson, natalia rose, steven kerr, jon catanzariti, grant hickory, sarah griffin, laura hill, kathy lucas, angela coad, jeff parker, john cousins, bruce widdop, melissa carey, adam parsons, adam davies, damian muller, leonard bauska, matthew heenan, cosi, grainery lane theatre, andrew seeary, brett edginton, karl hatton, miranda crellin, rob macleod, ray craven, elizabeth stewart, michael cooper, bob house, barry breen, the flag, performing arts academy - ballarat, bert labont'e, lydiard stree alive, david and goliath, david patullo, amanda sandwith, bapa launch, erica chestnut, sue-ann thomas, amy young, dr keith young, ballarat "y" choir, the bacchae, richard digregorio, chris stipic, colette brugman, denis marinovic, brendan mayne, karissa clarke, narrell werner, niniane le page, fiona russell, anne winters, melissa lownds, renee francis, kathryn martin, michael rafferty, dominic phelan, geoffrey spink, paul thomas, ashraf abdou, karan khanna, alex meerbach, lauren oliver, suzie lewis, lindy kerr, adrian dart, david kambouris, max grarock, phil crompton, ross farrell, roger woodward, erard grand concert piano, karrissa clarke, beth child, chris lytas, kate edwards, ruth sheridan, ballarat academy of performing arts asset drive, positions - school of arts, erard concert grande piano, ignace paderewski, professor david james, david james, robert allen, bapa opening, gabrielle mcmullen, dr ron wild, graham clarke, michael faulkner, sacred heart convent of mercy ballarat, lola montez the musical, spider dance, lola montez, grant hickey, fred fargher, peter freund, ballarat begonia festival, nancy brauer, james robertson, jo pearson, on the town, keith miles, adam lubicz, glenn quinn, play with your food, melissa porritt, loenne whitecross, jess matthews, kristie glab, julia mcnamee, smb performing arts students, the london blitz show, they shoot horses don't they?, graduate exhibition

Program produced as part of the open air play peformed in Hurstbridge twice on the 4th and 12th of October 2024. Contents include: Allwood history - Allwood today - Construction of The Bridge - Cast - Synopsis - Directors - Crew - Hearfelt thanks and tribute to Pam Lawson. The Premiere of the open air play The Bridge performance at Hurstbridge was by members of the Allwood Neighbourhood House and the Hurstbridge Community. To commemorate 100 years of Hurstbridge township, the production was led by local historian David Kerrigan who co-wrote the play with Keira de Hoog. The quiet life of the Diamond Creek district was shattered on the 4th October 1866 when a visitor arrived seeking food and shelter. What followed has become part of the Hurstbridge story. The death of Henry Hurst by the bushranger Robert Burke and the subsequent inquest, trial and execution of Burke captured the attention of the nation. News of the event was reported nationally and in UK newspapers. Rain at sunset on opening night set the scene for the sombre story which opened with clap sticks and imagery as part of the acknowledgement of country. Attention to detail in Act One included the enactment of writing a letter that Ellen Hurst had actually written back to her family in England, days before the incident, which set the scene – and choreography of the “capture” of Burke immediately following the shooting as drawn by the engraver Robert Bruce and published in 1866. The cast, crew and audience moved around the actual physical site the altercation took place till the final act and judgement of Sir Redmond Barry to execute Burke. The souvenir program given to ticket holders includes photos and biographies of the cast taken in costume at Gulf Station, Yarra Glen, together with background information and the narrative of the play. Guests on opening night – 158 years ago to the day of the event included Dianne Switzer, descendent of pioneer Cornelius Hailley and Rob Fergusson, descendent of Henry Hurst. plays, hurstbridge, allwood neighbourhood house

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. National Trust - 9 Lynedoch Avenue, CAULFIELD NORTH VIC 3161 - Property No B3310 https://vhd.heritagecouncil.vic.gov.au/places/65663 - this record is just one photo with no text; the photo is almost identical to the photograph of the smaller gate on this album page. Page 124 of Photograph Album with two square photographs of gates.Handwritten: Lynedoch Avenue [top right] / 124 [bottom right]trevor hart, gates, cast iron gate, caulfield north, gate, hedge, cast iron spears, stone plinths, masonry column, masonry pillar, lynedoch avenue, st kilda east

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass. From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 128 of Photograph Album with four photographs (two portrait and two landscape) of Labassa.Handwritten: "Labassa" 4 Manor Grove [top right] / Neg 232 8 Oct 1966 [under bottom right photo] / 128 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, victorian, cast iron work, john koch, richard billing, architects, electrification, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass.From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 129 of Photograph Album with three landscape photographs of Labassa. One of the photographs is of Labassa's drive and gates.Handwritten: 4 JUNE 1910 / SALE JUNE 28 1910 "LA BASSA' / "AUSTRALASIAN" FORMERLY "ONTARIO"/ RES OF JOHN B WATSON / 15 ACRES 3 ROADS [under bottom left photo] / 4 JUNE 1910 [under bottom right photo] / 129 [bottom left]trevor hart, bracketed eaves, intricate lacework, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, gates, cast iron work, richard billing, architects, john koch, electrification, victorian style, drives, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 132 of Photograph Album with two photographs (one landscape, one portrait) of "Maysbury".Handwritten: "Maysbury" Maysbury Street/Avenue [top right] / 1972 Neg 47 [under top photo] / 132 [bottom right]trevor hart, windows, victorian, 1880's, maysbury, maysbury mansions, flats, decorative brackets, double storey, italianate, cast iron stair balustrading, cast iron balustrading, bay window, protruding rooms, bluestone fence, elsternwick, maysbury avenue, mansion, victorian style, arches, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Houses shown at 35, 58 and 32 Murray Street Elsternwick are still all extant (Google map image capture Dec 2018). Victorian Heritage Database - HO130 32 Murray Street Caulfield https://vhd.heritagecouncil.vic.gov.au/places/35535 (at 14/08/2021) No. 32 Murray Street is locally distinguished as the most imposing villa of its period in Murray Street whilst its association with J. W. Doyles, builder of several houses in the same street, is of interest. Its importance is enhanced by its substantially intact state.Page 138 of Photograph Album with four photographs (three landscape, one portrait) of 3 different houses on Murray Street. Handwritten: Murray Street [top right] / 35 [under top left photo] / 58 [under top right photo] / 32 [under bottom left photo] / 32 [under bottom right photo] / 138 [bottom right]trevor hart, garden, verandah, murray street, elsternwick, victorian style, houses, cast iron work, bay windows

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. 63 and 117 Murray Street houses are extant (Google maps image capture Dec 2018).Victorian Heritage Database - HO131 63 Murray Street Caulfield https://vhd.heritagecouncil.vic.gov.au/places/35569 (as of 14/08/2021) "Marston" at no. 63 Murray Street, Caulfield South, was built by J.E. Guest, a contractor resident in nearby Downshire Road, in 1889-90, presumably as a speculative venture together with the extant house at adjoining No.61. It is aesthetically significant. It is aesthetically significant (Criterion E) as an exceptionally richly ornamented medium sized Boom period villa in Caulfield South, being unusual in this respect in its locale and comparing with nearby "Sprouston" at 19 Blanche Street (1887). Important contributory elements include the polychrome brickwork, frieze and verandah including the half timbered gablet which would have been stylistically innovative in its day.Page 139 of Photograph Album with two landscape photographs of two different houses in Murray Street. Handwritten: 63 MURRAY STREET [under top photo] / 117 MURRAY STREET [under bottom photo] / 139 [bottom left]trevor hart, garden, verandah, murray street, elsternwick, victorian style, houses, marston, house names, j e guest, verandahs, polychrome bricks, cast iron work, chimneys

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Heatherbrae HO46 https://vhd.heritagecouncil.vic.gov.au/places/120933 as at (28/10/2020) "Heatherbrae" at 73 Neerim Road, Glenhuntly, is a substantial Victorian residential complex made up of two principal construction stages (pre 1876 and c. 1890) and outbuildings including stables. It is aesthetically, historically and socially significant. Its aesthetic value is demonstrated by the manner in which the two periods of construction survive, the earliest being of greater architectural interest on account of its tower and facade treatment, the latter phase adopting a common villa form. The importance of the complex is heightened by its intact state and surviving outbuildings. "Heatherbrae's" historical significance lies in its link with locally known business man and Shire of Caulfield councillor, John Charles Holland. Its social value rests on its ability to demonstrate a past lifestyle. Page 143 of Photograph Album with 2 landscape photographs of Heatherbrae on Neerim Road - paving insignia and side view.Handwritten: "HEATHERBRAE" 73 NEERIM ROAD [top] / STABLE [under bottom photo] / 143 [bottom left]trevor hart, chimneys, cast iron columns, return verandah, garden, 1870's, neerim road, booran road, 1880's, 1890's, mansion, john c. holland, bluestone foundations, italianate, iron roofed balcony, cast iron balustrade, mosaic tiles, cast iron lookout, flagpole, george f griffiths, residential villa, caulfield, heatherbrae, victorian style, cast iron work, stables, outbuildings, john holland, george griffiths, councillors, mansions

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. "Edenkillie" was the home of Frederick Jowett, Caulfield's shire secretary and town clerk from 1887 to 1921. The Outer Circle Railway's Oakleigh section opened 1890 and closed 1895. Victorian Heritage database (as of 26/10/2021) HO45 Edenkillie https://vhd.heritagecouncil.vic.gov.au/places/35545 "Edenkillie" at 37 Neerim Road, Glenhuntly, is a substantial two storeyed polychrome brick villa, built for Frederick Jowett, municipal secretary, in 1890. It has aesthetic, historical and social significance. "Edenkillie's" aesthetic value derives from its survival as a substantially intact example of a common villa form expressed in polychrome brickwork. Its historical significance lies in its association with Frederick Jowett, Shire of Caulfield secretary and town clerk for over three decades. Its social significance is derived from the building's ability to demonstrate the kind of lifestyle which a local government administrator could enjoy during the Land Boom.Page 145 of Photograph Album with four landscape photographs from Neerim Road: two photographs of No 37 and two of the Outer Circle Railway Reserve.Handwritten: Neerim Road [top left] / 37 NEERIM ROAD 1OCT 1972 [under top left photo] / 37 NEERIM RD 1 OCT 1972 [under top right photo] / OUTER CIRCLE RAILWAY RESERVE MURRUMBEENA [under bottom left photo] / 145 [bottom left]trevor hart, neerim road, murrumbeena, caulfield, edenkillie, glen huntly, polychrome brick, mansions, frederick jowett, town clerks, shire of caulfield, outer circle railway, railways, parks and reserves, outer circle railway reserve, cast iron work, verandahs, balconies

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property is included the City of Glen Eira's Amendment C190glen as HO177 Ida Villa. As of 18/03/2021, Amendment C190 is noted as "Approval Under Consideration" by the Minister of Planning.Page 147 of Photograph Album with one landscape photograph of a Victorian brick house on Neerim Road.Handwritten: Neerim Road [top left] / 234 [under photo] / 147 [bottom left]trevor hart, neerim road, arched windows, verandah, porch, decorative brackets, bull nosed verandah, cast iron columns, ross land sales, ross, carnegie, victorian style, cast iron work, polychrome bricks, brick houses, tessellated tiled deck, ida villa

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for 84 Orrong Crescent https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) "St. Reliers" at 84 Orrong Crescent is important as an unusually excessively enriched asymmetrical villa residence of the Boom period. From Victorian Heritage Database citation for HO50 84 Orrong Crescent Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) An imposing Italianate two storeyed asymmetrical villa with overpainted stuccoed surfaces to the facade, distinguished by their ornate treatment. Unusually rich ornamentation includes the acanthus leaf impost capitals, aedicules with swags and volutes, foliated panels to the frieze, ashlar treatment to the lower level and quoins above. The two storeyed cast iron verandah with timber frieze rail protects a black and white tiled floor. The hipped roof has patterned slates.Page 152 of Photograph Album with two landscape photographs of Bonhurst on Orrong Crescent.Handwritten: 84 Orrong Crescent [top right] / NOW 84 - PREVIOUSLY 120 ORRONG CRESCENT / "BONHURST" [under bottom photo] / 152 [bottom right]trevor hart, verandah, porch, slate roof, garden, decorative brackets, fanlight, protruding bay, bay window, garden lamp, asymmetrical, bonhurst, st reliers, rendered, orrong crescent, caulfield north, cast iron work, victorian style, mansions, house names, slate roofs, italianate style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO40 Craigellachie 2b & 2c Lynedoch Avenue Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35209 as at (28/10/2020) Craigellachie" is situated at No. 2B Lynedoch Avenue, Caulfield North, and was built for the noted investor, pastoralist and politician, William Pearson, not earlier than 1864 and possible in 1876, undergoing several substantial and contributory extensions during the nineteenth century. It is historically and aesthetically significant. From Victorian Heritage Database citation for HO40 Craigellachie https://vhd.heritagecouncil.vic.gov.au/places/35209 as at (28/10/2020) It is historically significant (Criterion A) as the Melbourne home of William Pearson, MLA, MLC and principal shareholder in Walhalla's Long Tunnel Extended Gold Mining Co. which sustained the township well past the turn of the twentieth century and occupied fifth place amongst Victoria's richest mines. It is aesthetically significant (Criterion E) for its capacity to demonstrate Pearson's continuing financial success throughout the mid to late nineteenth century, the additions associated with the tower being most noteworthy as an example of the lasting appeal of the Italian Style, popularized in the pattern books of the day. The Ailanthus altissima (Tree of Heaven) is significant as an outstanding example of a species that is rare in cultivation, as well as for its very high aesthetic value. The Araucaria bidwilli is notable as a fine example of a species infrequently planted in Melbourne and rarely found in private suburban gardens.Page 157 - four photographs of Craigellachie - exterior views. Handwritten: CRAIGELLACHIE [top left] / Neg 212 1973 [under bottom right photo] / 157 [bottom left]trevor hart, verandah, orrong road, tower, cast iron lacework, curved windows, decorative brackets, italianate, mansion, 1870's, william pearson, inkerman street, apartments, spire, decorative plaster work, rendered walls, arched windows, moulded ornaments, 1860's, lynedoch avenue, classical style, caulfield north, craigellachie, st kilda east, late victorian style, garages (private), gardens, cast iron work, ailanthus altissima, araucaria bidwilli, trees