Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles.Obverse Description Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail Reverse Description Stake supporting plant; above, CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; Artist's initials to left of stake. Edge Description PlainObverse Description: Equity and Justice Through Freedom Reverse Description: Centenary of the Government of Victoria 1851 - 1951; inscribed, Presented to the / Shire of Strathfieldsaye/ 1951andor mészáros, centenary of government of victoria, shire of strathfieldsaye, city of greater bendigo medals

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles.Obverse Description Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail Reverse Description Stake supporting plant; above, CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; Artist's initials to left of stake. Edge Description: Plain. Boxed. Obverse Description: Equity and Justice Through Freedom Reverse Description: Centenary of the Government of Victoria 1851 - 1951; inscribed, Presented to / the City of /Bendigo/ 1951andor mészáros, centenary of government of victoria, city of greater bendigo medals

Presented to the Borough of Ringwood in 1951 by the State Government to celebrate 100 years of government in Victoria 1851 - 1951.1. Round medal of bronze coloured metal; 2. Presentation box - black with metal clasp, lined with green velvet and cream silk in lid.Centenary of the Government of Victoria 1851 - 1951. Presented to the Borough of Ringwood 1951; Obverse side: Equality and Justice through Freedom.

The item is a Plaque struck in 1951 to celebrate the Centenary of Government in Victoria and the Centenary of the discovery of gold.A round bronze medallion set in a green baize lift out in a black presentation case. It is a 1951 Commemorative Plaque to mark the Centenary of Government in Victoria and Centenary of the Discovery of Gold. There is a printed insert card describing the obverse and reverse sides of the Medallion."Presented to the Shire of Ballan 1951" is engraved on the reverse side. "1851" and "1951" are marked on the lining of the cover of the box.medallion, plaque, shire of ballan, centenary of government

MEDAL PRESENTED TO THE BOROUGH OF CLUNES 1991 TO CELEBRATE THE CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951 BY THE STATE GOVERNMENT OF VICTORIA.EMBOSSED - ROUND ENGRAVED COMMEMORATIVE MEDAL PRESENTED TO THE BOROUGH OF CLUNES 1951 CELEBRATING CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951. ENGRAVED ON BACK OF MEDAL MOTTO - EQUALITY AND JUSTICE THROUGH FREEDOM. ON FRONT OF MEDAL . HOUSED IN PRESENTATION CASE.PRESENTED TO THE BOROUGH OF CLUNESlocal history, numismatic, commemorative, medal, civil state government

The bronze medal commemorates the centenary of the government of Victoria from 1851 to 1951, as well as the centenary of the discovery of gold and was presented to the Shire of Wodonga in 1951. It was commissioned by the Victorian Government in 1951 to commemorate 100 years of the separation of Victoria from the colony of New South Wales in 1851. The medal was designed by the sculptor Andor Mészáros (1900-1972) and minted by K.G. Luke in Melbourne. The bronze medal has local, state and national significance, as it commemorates the centenary of 100 years of government in Vctoria. It also has aesthetic and social significance as an example of a limited edition bronze medal designed by the prominent sculptor Andor Mészáros, who is known for his work depicting the history, culture and sporting life of Australia.Bronze medal commemorating the centenary of the government of the State of Victoria from 1851 to 1951, and the centenary of the discovery of gold. Obverse: In the centre of the medal, a man and a woman riding a horse and the inscription "EQUALITY AND JUSTICE / THROUGH FREEDOM" in raised letters around the edge. The man is holding a torch representing equality and the woman is blindfolded holding a sword representing justice. The horse has broken free of its shackles representing freedom. Reverse: A stake surrounded by Australian floral motifs in the lower part of the medal; the inscription "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951" in raised letters around the top edge, and "Preseneted to / The Shire of / Wodonga / 1951" in engraved letters in the centre. The medal is in a small presentation box with dark green velvet lining an insert for the medal in the lower part and a light coloured textile printed with the dates 1851 and 1951 printed in the lid. A piece of paper with a text about the meaning of the inscriptions accompanies the medal and fits inside the lid of the small presentation case.Obverse: "EQUALITY AND JUSTICE / THROUGH FREEDOM" in raised letters around the edge. Reverse: "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951" in raised letters around the top edge, and "Presented to / The Shire of / Wodonga / 1951" in engraved letters in the centre of the medal. medals, australian commemorative medals, centenary of victoria, numismatics, shire of wodonga, wodonga, centenaries, gold, andor mészáros

1951 Commemorative Plaque (Centenary of Government in Victoria and Centenary of the Discovery of Gold) THE obverse side of this Medallion represents the three qualitities of democratic Government which makes the citizen's life worth living. Freedom, Justice and Equality. But the basic quality, through which Equality and Justice can be achieved or which results in Equality and Justice is FREEDOM. So the artist, in agreement with the sub-committee, selected a beautiful horse, gallantly bounding forward, his broken shackles still on his foreleg, carrying a woman representing Justice and a man representing Equality on its back. Without Freedom there is no Justice and Equality, but if there is Freedom, Justice and Equality are its natural results. The Stake on the reverse side represents strong democratic Government. Supported by it society grows and blossoms freely.Medal: OBVERSE: Depiction of a bucking horse with two nude riders. The first rider is a man wielding what appears to be a torch. The second rider is a blind folded woman wielding a sword. The horse has a broken shackle on the left foreleg. Information sheet in case. Case: Black leather, white satin lining and green velvet insert. Top bears gold coat of arm of Government of Victoria.Front: Equality and Justice through freedom. Back: CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951 (edge) Presented to THE TOWN OF PORTLAND 1951 (engraved, centre)medal, commemorative, centenary, victoria

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

The medallion is a 1951 Commemorative being 100 years of Government and discovery of gold in Victoria. The winner K.M. Mcleod is believed to be Kenneth Meadowbank McCleod. He enlisted initially in 1915 but was discharged medically unfit in 1916, re enlisted in 1917 No 3840 and served in the 4th LH Regt, discharged from the AIF on 6.12.1919. Refer Cat No 1805P. There were two Billiard Tables in the Soldiers Memorial Institute in what was called the Billiard room. This was a source of income for the Bendigo Branch for some 70 years. One table was sold in 1967 as usage had declined and the last one was sold in 1994..1) Medallion circular bronze, front depicts 2 gold miners, oround outside is text, centre is engraved with details of who was presented with the item. Rear has a depiction of a horse carrying a man and a woman which depicts "Equality & Justice is Freedom" .2) Container for the medallion, rectangular shape brown colour, front has in gold a Coat of Arms with "Victoria" under. inside lid is a cream silk lining with the makers details in gold, medallion is set in red velvet. lid is hinged in brass with a brass closing catch.On face of Medallion, "Centenary of Government of Victoria 1851 - 1951". Centre of Medallion, "Awarded to K.M. McLeod Bendigo RSL Centenary Billiards Champion"brsl, smirsl, medallion, billiards

A magazine titled ' Victorian Commemoration Year-1951.' It is a programme for the Centenary of Government in Victoria, Centenary of Gold Discovery in Victoria and the Jubilee of the Commonwealth of Australia. 11th November, 1950 - 23rd December, 1951. Victoria, J. J. Gourley, Govt. Printer, Melbourne.event, entertainment, centenary, lydia chancellor collection, collection, celebrations, victoria, gold discovery victoria, jubilee, government, australia, history

The medal was designed by Andor Meszaros and made by K. G. Luke(Medal Makers) of Melbourne, Victoria. This medal was presented to the Shire of Ballarat in 1951 and is now house in the Old Ballarat SHire Building at Learmonth, Victoria.This medal represents the 100 years of "Government in Victoria", also the "Discovery of Gold".A large round bronze medal with a horse bounding left, broken shackles on foreleg, carrying woman holding sword (Justice) and man holding torch (Equality).The front features a man holding a torch and a woman on a horse holding a sword. The horse has a shackle on its front left leg, surrounded by the words "EQUALITY AND JUSTICE THROUGH FREEDOM". On the back at the bottom is flowers and leaves with the words "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951.shire ballarat government victoria gold discovery 100 years

This object was part of various pieces enclosed in a folio entitled "ANZAC centenary : 2014-2018 sharing Victoria's stories &​ making connections : their journey is our story" produced by the Victorian State Government which was distributed as a free resource in 2014 at the beginning of the Anzac Centenary. Original condition would have included a clear cellophane enclosure. One side of the medal appears on the card. This features a symbolic female figure of Peace, holding a sword and standing on a plinth marked 'PEACE 1919'. Behind her flies a dove, and at her left and right feet are two figures freed from their shackles. (AWM description). The medals were originally suspended from a narrow piece of red, white and blue striped cotton ribbon which appears as illustration on the card. In 1919, Australian children under 16 received a silver-coated medallion – a special reminder of the service and sacrifice of Australians at war. Round medal stuck on coloured card with text on back and front. Card Front: Between 1914 and 1918, men and women from the State of Victoria volunteered their service in the First World War. Between 2014 and 2018, Victorians honour their service and sacrifice. Lest We Forget. Anzac Centenary 2014-2018 Sharing Victoria's stories & making connections Card Back: 1919 Children's Peace Medal In 1919, Australian children aged 16 and under received a silver coated medallion. For such a small object, it carried a large responsibility - to remind a generation of the service and sacrifice of Australians throughout the First World War. The Children's Peace Medal was a reminder that peace had been achieved, but at great cost. Now, 100 years on, this replica medallion serves to connect Victorians to the Anzac Centenary, teach them about our service history and encourage them to share their stories with future generations. Learn more at https://anzaccentenary.vic.gov.au/ Anzac Centenary 2014-2018 Sharing Victoria's stories & making connections Medal : Peace 1919 Australiamedallion, medal, medalet, anzac centenary, commemoration

Red cover with the title and volume on the spine. non-fictionA centenary history of state education in Victoriaeducation, state education, victoria, history

Red cover with the title and volume written on the spine in gold lettering. Both front and back inside covers have a photograph of 'The school at Drummond North' Photo: Geoff Maugernon-fictionA centenary history of state education in Victoriaeducation, state education, victoria, history, glenelg, wimmera, mallee, loddon, central highlands, corangamite, barwon

Red cover with the title and volume written on the spine in gold lettering. Both front and back inside covers have a photograph of 'The school at Drummond North' Photo: Geoff Mauger non-fictionA centenary history of state education in Victoria.education, state education, victoria, history, port phillip western, port phillip eastern, upper goulburn, goulburn, upper murray, east gippsland, west gippsland

Written for the centenary of Shire of Phillip Island and WoolamaiHistoricalHard cover book with dust cover in pale blue. Black and white with photos.Stamped 'Phillip Island & District Historical Society'. Signed by ? 11 councillors?phillip island, victoria, history, woolamai, shire, bass, joseph white, local government, phillip island shire councillors, grantville

Booklets entitled: World War One history: Victoria's story; Victoria's World War One legacy: recipients of the Victoria Cross; Community Resource guide. Medal is a replica of the Children's peace Medal distributed in 1915 to Australian children aged 16 and under.Folder containing 3 booklets and 1 replica medal. With covering letter from the Premier of Victoria, Daniel Andrewsworld war 1

This book was written by Alexander Sutherland from the discovery of Australia, through to the exploration of Victoria and the first settlers to the pioneers. It then continues on to discuss immigration, the era of gold, the development of government, agriculture, music and art, literature and the metropolis of Melbourne. There were two volumes. It was published to co-incide with the centenary of Australia's first settlement.This book is a history of Victoria and Melbourne to 1888 and is useful resource for all local and social historians of Victoria and the metropolis of Melbourne.A very large book. It has no cover. Pages are gold edged and there is string in the binding.history-victoria sutherland-alexander melbourne-history

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

Booklet of loose pages held together with yellow ribbon. Photographs of Buninyong.non-fictioncentenary, fisken, shire council, district road board, buninyong, 1958, dallas brookes, governor of victoria, archibald fisken

The Geelong West Coat of Arms is divided into four sections representing Transport, Industry, Shipping and Agriculture. For Transport (top left) a steam train typified the Geelong-Melbourne railway. Top right showed a factory, bottom left was a sailing clipper and bottom right had bales of wool. The modern adaptation of the official Coat of Arms is used in the booklet.1 Booklet pages are edged with gold with banner at top. Yellow ribbon at spine. Photographs of councillors and Governor of Victoria .2 Thick paper with red writinggeelong west, coat of arms, transport, industry, agriculture, louis keavy, mayor, centenary, governor of victoria, sir henry winneke, government gazette

31 pages : portraits Includes bibliographical references.non-fictionThe following 26 stories are about outstanding valour on the battlefields of the Great War. They tell the story of men who were recipients of the Victoria Cross, the British Empire’s highest award for bravery in wartime, and now Australia’s pre-eminent award for conspicuous gallantry in combat. Inside cover.australian army, soldiers, world war one, victoria cross, military decorations

42 pages : illustrations, map, portraits non-fictionworld war one, victoria, anzac, soldiers