This all-metal centre pop punch tool has a rounded point, thick body and flat round head. The centre of the body is concave to allow a strong grip. This also creates a flat side and would prevent the tool from rolling off the workbench. The ‘centre pop’ in a shipwright’s toolbox may have been used as a punch to remove the ‘eyes’ from a ‘dead eye’ pulley or other jobs that needed a hole removed from the work. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Centre pop tool; all metal punch with a flat head, wide handle section and a shaft that tapers inwards towards the end. It is shaped for a good grip. It once belonged to shipwright Laurie Dinks.flagstaff hill, warrnambool, great ocean road, shipwreck coast, maritime museum, maritime village, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, ship maintenance, cooper, tool, marine technology, shackle punch, breakdown tool, chains, links, centre pop, punch, laurie dilks, l dilks, port and harbours melbourne

This small glass has been kept as a souvenir of the Warrnambool Criterion Hotel by a local resident, James Godfrey. The Criterion Hotel opened in Kepler Street, Warrnambool in April 1872. The first licensee was John Tate and the Humm family members of Woodford and the McGennan family of Warrnambool were prominent licensees and owners in the late 19th and 20th centuries. In the second half of the 20th century the hotel was an important centre in Warrnambool for live pop music. The hotel closed in 2008. The building was partially destroyed by fire in 2010 and the remaining structure was demolished in 2013. This glass is significant because it has local provenance as a memento of a hotel in Warrnambool prominent in the local business world for 136 years and as an example of the souvenirs kept of this hotel by Warrnambool residents.This is a small clear glass tumbler with a heavy base and a slightly tapered neck and a circular open top. The name ‘Criterion Hotel’ has been etched on to the side of the glass.Criterion Hotelcriterion hotel warrnambool, history of warrnambool, glass

Heavy copper medallion commemorating 50th Year Gallipoli landing. Circular pattern with a crown on top. Centre motif is an image of Simpson & his donkey. The bottom has a wreath & a banner with the word ANZAC. The reverse shows a map of Australia & New Zealand & the Southern Cross. On the bottom banner is engraved the name "T H POCOCK" The metal case is covered in black vinyl. Inside lid has purple silk. A pop up floor, covered in velvet, has an indentation the shape of the medallion."T H POCOCK"government - federal government - mementoes, anzac, passchendaele barracks trust.

Heavy copper medallion commemorating 50th Year Gallipoli landing. Circular pattern with a crown on top. Centre motif is an image of Simpson & his donkey. The bottom has a wreath & a banner with the word ANZAC. The reverse shows a map of Australia & New Zealand & the Southern Cross. On the bottom banner is engraved the name J G BOND. The metal case is covered in black vinyl. Inside lid has purple silk. A pop up floor, covered in velvet, has an indentation the shape of the medallion.“J G BOND”government - federal government - mementoes, military history, anzac, passchendaele barracks trust

Black and white photograph mounted on brown frame. 14 Police officers posing for photograph on 2 row structure. They all wear suits and look cheerful - On the middle, sitting is Pop Downie and they are all part of Wireless Patrol crew. Handwritten: (top left) 31 (top right) AP 84 (centre) WIRELESS PATROL CREWS OUTSIDE THEIR OFFICE // INSP F.W. DOWNIE MIDDLE FRONT ROW.victoria police museum, police officers, police academy, police force, wireless patrol, pop downie, d24

Promotion of health: Family Medicine Programme, Graeme Davies give us... The case against "Soda pop", Food additives, Pharmacists can help, T.A. and you, Eltham Living & Learning Centre, This and that, Letters to the Editor, The Penguin Club, Recreation study for Region 14, Diamond Valley Learning Centre, Federal government Assistance to Diamond Valley, Kalparrin, Remember the Progress Association, Nursing Mothers Association, School and Kinder news, Scout news. A digital copy of this Newsletter is available from Greensborough Historical Society. Newsletter, 32 p., illus.greenhills and north greensborough progress association, greenhills, apollo parkways progress association, apollo parkways

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Colour photo of Marine Parade from the Pier, Worthing Addressed to Mr & Mrs H. G. Littler (?), 32 Brunel St, Mornington, Dunedin, New Zealand Message dated 6/6/61to Mum & Dad from Popspostcard, collector, alice mcgregor

Copied during development of Fisher Folk of Fishermens Bend. Peter James, a Bend fisherman, built this boat. This image used in 'Historic Port Melbourne' calendar 2005B&W photo of Peter James' boat, with family and friends from The Bend. Peter sitting, father (also Peter James) squatting in centre on sand. Boat is on slip logs. 1936fishermans bend, peter james, peter 'pop james, sol ireton, dave turnbull, ballast ground, the bend

Glenelg Shire Council RecordsFront: Portland City Council 1992/93, Councillors and Corporate Team (upper centre, label) Left to Right/Back Row: Greg Trevaskis (Chief Executive), Cr. Robert Menzel (Deputy Mayor), Trevor Hornby (Director Corporate Services), Cr. Phillip Kelly, Bill Hebb (Director Community Services) and Ross Morgan (Director Technical Services). Middle Row: Cr. Lynn Murrell, Cr. Des Hein, Cr. Bernard Wallace, Cr. Jeffrey Baulch. Front Row: Cr. Darrell Morrison, Cr. Mike Noske (Mayor), Lelia Pop (Town Planner) and Cr. Keith Wilson.

Glenelg Shire Council RecordsColour photograph of 13 men and 2 women standing or seated behind a long curved table, in front of blue curtains.Front: Portland City Council, 1991/92 / Councillors and Corporate Team (top centre, typed). Left to Right: Back Row Standing - Cr. Robert Menzel, Ross Morgan (Director Technical Services), Cr. Bernard Wallace, Cr. Murray Box, Bill Hebb (Director Community Services) and Trevor Hornby (Director Corporate Services). Centre Row Standing: Cr. Bill Collett, Cr. Lynn Murrell, Cr. Keith Wilson and Lelia Pop (Town Planner). Front Row Seated - Greg Trevaskis (Chief Executive), Cr. Kay Frankcom, Cr. Jeffrey Baulch (Mayor), Cr. Michael Noske (Deputy Mayor) and Neil Buckingham (Director Planning & Development).

Information outlining exhibitions, urban art, popup events, performances, music, etc., centred around Maroondah Federation Estate Gallery, Ringwood Town Square, Ringwood Library and ArtSpace at Realm.One of 2019's highlights is the highly regarded R & M McGivern Prize, opening at ArtSpace at Realm and Maroondah Federation Estate Gallery in November. The theme for this year's Prize is 'The Anthropocene', and entries from artists across Australia will respond to the environment, colonialism, sustainability, geology and ecology. Throughout the year there's also a rich array of pop-up performances, street art, exhibitions, arts incubators, events, workshops and activities. Explore some of what's on offer and keep in touch with a whole lot more by following Arts in Maroondah on Facebook and Instagram or visiting our website.

Hughes Fruit Shop and Milk Bar, Main Road, Eltham, c.1949 promoting Peters Ice Cream Immediately to the right of the shop is a bootmaker factory that employed 15 people. It was situated on the corner of Pryor Street and is the site of the present-day Westpac Bank. To the left of the shop are four vacant blocks stretching to Luck Street where Mr and Mrs Britton had a house. On the other side of Pryor Street is the original Blue Gum Cafe and Milk Bar advertising Swallow's Ice Cream. Atr the time it was operated by Pop Warner. Behind the shop is a tall Bluegum tree. This was the tree that the Bluegum Cafe was originally named after. Miss Barber's 'Blue Gum' Soda Fountain opened October 1922 and was the first shop on the eastern side of Main Road following Luther Haley's Bakery and General Store on the other side adjacent to the railway station in 1902. The Bluegum was felled in the early 1960s when Burge's Blue Gum Cafe and milkbar was sold and demolished in September 1960 to make way for a new store, Mr. J. Millet's Foodland. OLD LANDMARK GOES Perhaps the most famous landmark in Eltham's' business section disappeared last Wednesday when the towering blue gum in Pryor Street at the rear of Main Road shops was felled. The tree, stated to be more than 80 feet high, was the one for which the adjoining café was named, when that business was Eltham’s only provision store, long before the turn of the century. Mr. J. Millett, who now owns the property on which the tree stood, deeply regretted its removal, but was mindful of the need for expansion in the business area. The "Old Blue Gum" was removed by Mr. A. Wilson, expert tree feller, from Heidelberg. Its proportions might be assessed by these facts – it took a gang of experienced men two days to completely fell and clear the tree, and, falling sections being brought down by cable tipped electricity wires on the opposite side of Pryor Street. Images from the private collection of Mrs Noel Williams (nee Hughes) Noel’s parents, George Elgar Hughes and Jean Alice Hughes had a combined milk bar and fruit shop in Main Road, Eltham. Noel worked in the shop after leaving Eltham High School aged 15 (1950), until she married George Williams in 1956, whose grandparents, Violet and Will Williams, owned the Bellevue estate in Livingston Road, Eltham. Her father, then sold the property. George and Noel raised 3 children on their farm in Kangaroo Ground and Noel, who turned 90 years old in July 2025, is a life member of the Andrew Ross Museum.hughes fruit shop and milk bar, main road eltham, george elgar hughes, jean alice hughes, 1949, blue gum (eucalyptus globulus), blue gum milk bar (eltham), eltham shopping centre, eltham shops, fruit shop, green grocer, milk bar, peter's ice cream, pryor street, shoe factory., swallow's ice cream, bedford truck, pop warner, bootmaker's shop

George Smith came to Wodonga c.1885 and carried on a business as a blacksmith and wheelwright in Hume Street. He subsequently erected the very substantial Federal Coach Factory in High Street. In 1901 the Coach Factory was sold to Mr C. E. Jones, but within three or four years George Smith again found himself in the establishment he had built. In 1907/8 Marcus Buntz partnered by a G. F. Simpson took possession of the Federal Coach Factory. In 1912 Buntz bought out the interest of Simpson and engaged a first-class wheelwright to do the woodwork. In 1912 a buggy could be had from £40 and a sulky £18. The business over many years developed from a shoeing forge and wheelwright business to a more modern day garage, keeping abreast with mechanisation. Marcus Buntz was joined in the business by his three sons, George, an A grade mechanic, Edward an auto-electrician and Henry, a blacksmith’s striker. The sons eventually took over the garage and handled both coach building and general service work. The firm also maintained the Wodonga Water Pump for many years, ensuring the town’s water supply. In 1948 the old established motor garage was purchased by Mr Jack Mylon. In July 1960 the building became Wodonga Market, housing a butcher, snack bar, milk bar, fruit and veg, Bill Dunstan’s Boat Centre and an Auction Mart. These images have local significance as they document a long-standing business in central Wodonga.2 black and white photos depicting Buntz Federal Coach Factory at different stages during its period of operation,Photo 1: Above building: FEDERAL COACH FACTORY/ M.H. BUNTZ/ GEORGE SMITH/ COACH BUILDER & BLACKSMITH On side of coach: DRAPERY/ FANCY GOODS Photo 2: BUNTZ BROS" MOTOR GARAGE / ATLANTIC MOTOR OIL On the window: BUNTZ'S COACH FACTORY/ Rubber Tyres Fitted Below image on mounting: BUNTZ BROS. MOTOR GARAGE L to R. Pop Buntz, George Buntz, Les Easto, D. Zeinert, H. Buntz, Ted Buntz. Doug Zeinert buntz federal coaches, wodonga businesses, wodonga pioneers

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Children’s two-piece outfit set, consisting of a top and leggings. Knitted in colour blocks of navy, red and white. Top has ribbed navy bodice section with white stripe separating red skirt and closes at back neck with two navy plastic buttons. Leggings are primarily red, with a white stripe at the ankle and navy-blue feet. Leggings are constructed primarily as one piece and seamed up at centre back and inseam, with additional gusset piece..1) [tag stitched into back neck of top] KATHRYN REGD 100% ACRYLIC FIBRE SIZE 0 WEIGHT 10 LENGTH 76 MADE IN AUSTRALIA .3) [blue sample label] STYLE 574/ Pop Top and B’tts S.26. Acrylic. SIZES: 00 0 PRICE: $8.95 COLORS: Navy/Wht/Red Red/Wht/Navy P.Blue/Wht/Navy Dec on Del.knitwear, clothing, children's knitwear, children's clothing, manufacturing, fashion textile production, machine knitting, clothing set

Rodney FORBES (1951- ) Born Melbourne Rodney Forbes' work is figurative narrative painting and uses autobiographical and incident-as-metaphor methods to explore wider issues of knowing and belonging in oral traditions such as working class, children’s and artisan subcultures. His practice draws on pop, cartooning and joke narrative structures within contemporary culture. (http://www.australiangalleries.com.au/artists/rodney-forbes/, accessed 07 April 2017)A large painting showing aspects of a printery. Rodney Forbes and fellow student Linda Karklins worked on this painting as an undergraduate student at the Gippsland School of Art (Gippsland Institute of Advanced Education, now the Gippsland Centre for Art and Design, Federation University Gippsland Campus). The painting hung for many years in the campus printery. The Gippsland Gippsland Centre for Art and Design is now part of Federation University Gippsland Campus.rodney forbes, printery, gippsland campus, churchill, linda karklins, gippsland school of art, gippsland institute of advanced education, printing

Simple day dress constructed from feedsack cotton fabric: Short, puffed sleeves, small opening with slight V neck and pointed collar. Centre front fold with red plastic buttons - the originals were missing but these are period correct replacements that match the red plastic buckle. Two front pockets on the bodice shaped like flower pots. No openings, pops over your head. Self-covered belt has a different material underneath: a smaller blue and white floral print. None

Darley football club was formed in 1919. Darley lies on the northern side of the township of Bacchus Marsh. It is part of the overall township of Bacchus Marsh but forms a distinct community within Bacchus Marsh especially in the early period of its history. The area is known as a football breeding ground and has produced many champion players at VFL and AFL level and the club has had sustained success over many decades in various competitions. For many years it played in the Bacchus Marsh District Football Association. From the mid 1990s it has competed in the Ballarat Football League.A black and white photograph print mounted on mounting board, showing a group of 19 players, 3 non playing officials and one child acting as the mascot arranged in three rows. A player in the centre holds a football with D.F.C. Premiers 1939 written upon it. Nineteen men are in football Guernseys, 3 are in civilian clothes. Two of these have towels over their shoulders and are probably trainers. In the centre is the third non-player who is presumably the coach. The photo is taken in an outdoor setting. The child is a young boy dressed in the clubs uniform and sits in the front row between the legs of another player. At the foot of the photo is, "Darley F. B. C. Premiers 1938-39". On the reverse are written some of the players names. Back row: 1. C. Lillburn, 2. ? Cook. 3 Skinner. 4 -----------. 5 Jimmy Younger. 6. Barry. 7. Albie Jones: Middle Row: 1. ----------. 2. McMahon. 3. Ray Closter. 4. Pop Closter. 5 ----------. 6. Mickey Dix. 7 ---------. 8. Densley. Front Row: 1. -----------. 2. Hartley Younger. 3. Whelan. Darley Football Club 1938-39. At to of reverse: 'Donated by the Wittick Family 12 - 1 - 2004. Marie Wittick'.darley football club, australian rules football

659.01 - Nettlefolds Collection - Presenting First Edition Nettlefolds News June 1954 659.02 - Nettlefolds Collection - Nettlefolds News 659.04 - Nettlefolds Collection - Ajax Fasteners 25 Year Club Dinner 1982 659.05 - Nettlefolds Collection - Crossthreads Newsletter Issue 4 Vol 2 October 1975 659.06 - Nettlefolds Collection - Plate Fasteners By Nettlefolds 659.07 - Nettlefolds Collection - Factory 659.08 - Nettlefolds Collection - Manufacturing Workshop 659.09 - Nettlefolds Collection - Factory 659.10 - Nettlefolds Collection - Staff In Front Of Factory 659.11 - Nettlefolds Collection - Electrical Switchboard 659.12 - Nettlefolds Collection - Manufacturing Workshop 659.13 - Nettlefolds Collection - Manufacturing Workshop 659.14 - Nettlefolds Collection - Manufacturing Workshop 659.15 - Nettlefolds Collection - Staff In Front Of Office Front Lying - Arch Noble, Jack Davey, ? 2nd Row Sitting - 2 Jack O'Haloran, 3 Mona Tribe, 8 Dave Picken, 10 Alf Stark, 13 Tom Clayton 3rd Row Sitting - 3 Mrs Campbell, 4 Jim Campbell, 6 Bill Norton, 8 Nicholls, 10 Meridith, 12 Stokes, 12 Florrie Holden, 13 Mary Holden 4th Row - 6 Charlie Jones, 11 Ron Marsh, 12 Elsie Quick, 14 Ada Clayton, 15 Frank Smith, 17 Jack McGovern 5th Row - 6 Olive Heiffer, 7 Annie Heiffer, 8 Maude Heiffer, 9 Joyce Scobie, 11 Phoebe Holden, 17 Lil Scobie, 18 Lois Carter 659.16 - Nettlefolds Collection - Picnic Early 1940's Sitting - Jean Lowe, Florrie Holden, Gladys Craddock Kneeling - Alf Stark, Jim Allen, Frank Smith, Ossie Dwyer, Arch Noble Standing - ?, ?, Nicholls. Jim Campbell, Elgar, Bill Norton, David Milburn, Ivan Carland (Last in row) 659.17 - Nettlefolds Collection - Seaford Picnic Front Sitting Right - 1 Arch Noble, 2 Jack Davey 2nd Row - 6 Myrtle Craddock 3rd Row - 8 Saliba, 12 Mary Holden, 13 Phoebe Holde, 14 Jean McInstosh 4th Left Post - Olive Heiffer, Maude Heiffer, Annie Heiffer, 8 Kitty Hand Standing Under Roof - 7 Margaret Picken, 12 Len Duxson 659.18 - Nettlefolds Collection - Sports & Social Club Dance 1937 Front - 3rd from right Maud Heiffer Front - ?, ?, Jack Davey (Centre), Arch Noble, Maud Noble 3rd Row - 3 Beau McPherson, 11 Myrtle Craddock Back Row - 12th from right Ann Heiffer, (Towards Left) Ron Duxon (Prominent) 659.19 - Nettlefolds Collection - Soccer Team 659.20 - Nettlefolds Collection - Soccer Team 659.20 - Nettlefolds Collection - Soccer Team Names Back Row (L-R) - Pop Davies, Arch Noble, Laurie Finn, ?, ? Centre Row (L-R) - Dave Picken, ?, Eric Taylor, Jack Davey, ? Front row (L-R) - Harry Taylor, Taylor, Jim Allen, Tom Higgins, Rex Halles 659.22 - Nettlefolds Collection - Picnic C1940's Front (Adults) - 5 Marj Grimley, 12 Yvonne Chenery, 13 (In Front) Dot Legg, 13 (In Front) Thelma Legg, 17 Phoebe Holden, 18 Evelyn Nankervis 2nd Row - 6 Nancy Drennan, 7 Margaret Picken, 14 Laurie Finn, 15 Florrie Finn, 18 Maude Noble, 23 Mary Holden, 30 Jessie Hoskins, 34 Lil Scoble, 37 Kitty Marsh, 38 Des Taafe, Right End Joyce Scobie, Bill Sloman, Kate Sloman, Irene Scoman, Alf Gayle 3rd Row - 3 Ivan Carland. 19 Jean Wittingha, 21 Alf Stark, 26 Bob Cornish 4th Row - 9 Jim Campbell, 10 Florrie Holden, 11 Arch Noble 659.22 - Nettlefolds Collection - Picnic C1940's Names 659.23 - Missing 659.24 - Missing 659.25 - Nettlefolds Collection - Picnic 659.26 - Nettlefolds Collection - Entertainment Night 659.27 - Nettlefolds Collection - Picnicnettlefolds, ballarat road, sunshine north