Partial manufacturer's stamp on side near base not yet identified reads 'Port... das OLASO... Pottery'. Further research needed.Pale coloured, bottle shaped ceramic jar with no stopper. Has a partial but illegible maker's mark. Further identification required.'Port... das OLASO... Pottery'.pottery, containers, jars, ceramics

Made in the old Buninyong Library building which leased rooms to the potter. Small clay jar with brown glaze and bat-like red coloured figure patterning. Small stopper and handle at the top. Old Library Pottery, G.S.C., Buninyongceramics, pottery, old library pottery

Lidded Ceramic Jarceramics, australian studio pottery

BHS CollectionDouble glazed ceramic jar. Main body beige colour, top light brown. The jar is 14 cm tall with a diameter at the bottom of 10.5 cm. The opening is 6.5 cm. There are no marks on this jar. from George Harris estatedomestic equipment, food storage & preservation

BHS CollectionLarge double glazed round ceramic jar. The main body is beige in colour, the top is light brown. The mark 2P is on the top side. The jar is 17 cm. tall, the diameter at the bottom is 11.4 cm, the mouth opening is 7cm. from George Harris estatedomestic equipment, food storage & preservation

This item is a demijohn. The name demijohn is believed to have come from the French "dame-jeanne" or Lady Jane, with the term first being used in the 17th century.Large double glazing ceramic jar with handle. The main body is beige the mouth, the handle and the top of the jar are light brown. The number 1 is imprinted on the mouth near the handle. The diameter at the bottom is 17.5 cm. The mouth opening is 2.5 cm. From the George Harris estatedomestic equipment, food storage & preservation

Ceramic Snuff Jar (Previously # 90 from Mechanics Institute Eaglehawk ) Ceramic jar decorated with 'Taddy and Company, Wholesale Manufacturers of Tobacco and Snuff. For Exportation, 45 minories, London' Label attached H.J.G.Biggs , Eaglehawktobacco, taddy and company

The 1846 London Directory lists David Bumsted & Co., trading at 86 Lower Thames Street, 35 Bridge Wharf, City Road Basin & 338 Wapping High Street Droitwich, as a salt merchant. The London Gazette had the following announcement dated 30th November 1887 advising his partnership with John Campbell Bumsted, carrying on business at 36, King William-street, in the city of London, as Salt Merchants, is dissolved as and from this date; and that the business will be continued to be carried on by the said John Campbell Bumsted alone.A rare item now sought after by collector of ceramics and significant as a collectors item from the late 19th century.Glazed Container; cream coloured ceramic salt jar, round shaped, Has lion and unicorn emblem and inscription impressed on outside. "D.BUMSTEAD & CO.\ ROYAL BRITISH TABLE SALT \ 86 LOWER THAMES ST \ LONDON"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ceramic container, salt jar, d. bumstead & co, london salt merchant, food and drink, doulton & co

Ceramic jar, cylindrical, stone colourSticker with 66 underlined on basewalsh st furnishings, robin boyd

This amphora or jug has a silhouette shaped like a woman with her hands on her hips, wearing a long, flared-out skirt. The design was used in ancient Greece for pottery storage jars, the neck being narrower than the body. According to reports, this amphora was discovered in 1934 by Joe O'Keeffe, in a sand blowout, or sand hummocks, west of Levy's Point, west of Warrnambool, while he was planting marram grass for Mr Duncan. An article in the Warrnambool Standard newspaper of December 21, 1985, states that the amphora may be linked to the wooden sailing ship called the Mahogany Ship (also called the Ancient Wreck). Thermoluminescence testing indicates the relic was made in the mid-to-late 19th century, and experts suggest it was of North African origin. The presence of the amphora in the dunes, and the amphora itself, is still a mystery. The amphora was donated to Flagstaff Hill on a long-term loan by the Duncan family and displayed to the public for the first time on December 21, 1985. The exhibition continued until February 2023, when the objects on display in the Assistant Lighthouse Keepers Cottage (Shipwreck Museum) were returned to storage to rest, and the redevelopment of the Cottage began. A search for members of the Duncan Family was undertaken by Flagstaff Hill and stakeholders to resolve the loan term, but the family at that time was unknown. As such, to properly care for the amphora, it has been registered until ownership can be determined. The amphora is currently on display in the Great Circle Gallery, where members of the Duncan family recognised it and have since made contact with the museum. The amphora's presence in the hummocks remains an intriguing and tantalising mystery, yet to be solved!The amphora is significant for the mystery it holds. Its origin and connection with the local area have led to local speculation since it was discovered in 1934. Amphora or jug; earthenware, orange clay with areas of cream. The vessel has a wide mouth, a deep lip, two opposing handles between the neck and shoulder, and a bulbous body. The curved handles have a design of six bands between them. There are three rings of small dots encircling the body. The underside has concentric circles in the clay, an uneven edge and pinhole markings. The amphora is kindly on loan from the Duncan family.Pinhole patterns: [3 holes above 3 holes] opposite [3 holes above 3 holes], 1 hole] [ 1 hole above 2 holes] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, amphora, jug, mahogany ship, ancient wreck, joe o'keefe, duncan, thermoluminescence, north africa, levy point, pottery, storage jar, flagstaff hill, maritime museum, maritime village, shipwreck artefact, relic, shipwreck museum, pottery jar, ancient jar, egyptian water pot, greek jar, ceramic jar, mystery, exotic jar, mystery antique, historic jug, 1934, joe o’keefe, marshall duncan, port fairy, 1935, 1985, marshall mckenzie duncan, mac duncan, duncan family, 1981, dan madden, scientific investigation, scientific analysis, scientific dating, north african origin, mid-late 19th century, marram grass, levy’s point

Mug in two parts, synthetic material holder containing removable ceramic jar

Used for preserving new saddles, bridles and other leather goodsAs imported and sold by Holden and FrostBeige ceramic Jar with cork stopper labelled as Properts saddle stain along with instructions for useProperts saddle stain along with instructions for useleather stain, properts

This item would have been used as a salt container and would have been part of a dinner set. This would have been used for special occasions . It is in good condition and is a good example of this type salt storage jar. As this has a brown willow pattern instead of the usual blue it makes this make this salt despenser rare item.This has social and historical significance as it shows what items families used for special dinner occasions. It is the only one our collection and therefore will have good interpretation value for exhibitions . Small Ceramic jar with brown willow Chinese pattern. Copper hinged lid with recess for spoon. The spoon is required to dispense the mustard.ceramic, copper, chinese, table items, kitchen, domestic, mustard, willow pattern

The jar is a product of the Bendigo Pottery in Victoria. Bought by donor at factory in BendigoTan ceramic jar with lid. Lid is brown with knot on top and rests in a circle above an indented circle on the main body of the jarBendigo Potterydomestic items, containers

Used as a dripping jar.Small ceramic container with a wider top than bottom and with lines running down the outside. Cream colour with staining inside.container ceramic dripping-jar household-uses

The glazed stoneware pot is an oyster jar made by Powell potteries, Bristol, probably between 1860 and 1880. Pickled oysters were a regular food of the poor in England in the 19thc. Sam Weller, Charles Dickens’ character in Pickwick Papers (1836-37) commented that ‘Poverty and oysters always seen to go together’. In England, pickling oysters for transport to inland towns and long voyages became an industry. The jar was found in sand near the jetty in 1999.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Ceramic jar. Squat shape, body of jar is cream coloured. Spots of mildew on side. The jar has a pronounced lip, short neck, sloping shoulders and rounded body. Just below the shoulder, the glaze colour changes from brown to stone."POWEL &DB Stol"

Jar, ceramic cylindrical in shape with neck and wide spout, glazed brown. Broken into three pieces and chipped at base.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jar

In the early days of Orbost many Chinese were engaged in land clearing or had arrived when gold was discovered in East Gippsland in the 1840's. They lived in camps along the Marlo Road and houses were usually built on stilts. They left after the 1893 floods.This object has aesthetic appeal. It is an object which belonged to the very early settlement days of Orbost.Huge, ornate Chinese ginger jar. Four raised hand- painted pink roses on front. Jar itself is matt black. Looks more like a vase than a ginger jar. Ceramic.Some Chinese writing to left hand side of roses.ceramics, ginger jar, container - domestic, vase

In 1885 John Francis Brown first planted 10 acres of vines in Milawa, Victoria. Brown Brothers was founded in 1889 when the vines were ready to produce their first crop, as John hoped his brothers would join him in this new and promising venture. This did not happen but the name remained. Since 1899 Brown Brothers has grown into one of Australia’s largest family-owned wine businesses and now operates several vineyards in Victoria and Tasmania. These ceramic jars were used by Brown Brothers in the 1970s and 1980s to package Port, Muscat and Tokay. Fortified wines packaged in this manner would maintain their quality for decades as long as the wax seal was unbroken. Elischer Pottery was started in Sandringham, Melbourne Victoria in 1947 by well-known sculptor John (Johann Wolfgang) Elischer (1891-1966) and his son, also named John, (known as Wolly). John (Snr) was born in Vienna and trained at the Academy of Vienna from 1908 to 1911 and was an Associate of the Royal Academy Vienna. John (Senior) died in 1966 and the business was continued by his son John (Wolly), until 1987 when it was sold. Prior to that, at some time, he started making pieces the brand NCP. The business continues today as “Unique Ceramics” in Highett, Victoria. They continue to use the “Elischer” brand on some of their products.This jug is representative of an historic and continuing leading Australian Winemaker located in Northeast Victoria.An earthenware wine jug created for Brown Brothers Milawa Vineyard manufactured by John Elischer Pottery. The jug has a tradition loop handle. The bottom half of the jug is a traditional beige colour with a darker brown top section. The logo is imprinted in black and is covered in a clear glaze. The cork stopper is still intact although before being opened would have been sealed with wax.Company logo on one side: at top a central male image between the text "Founding Father /John F Brown. In a central oval around the name "Milawa", BROWN BROTHERS/ VINEYARD AUSTRALIA" On base: "97"brown brothers milawa, elischer pottery, northeast victorian wineries

This item is an example of an early 20th century ceramic containerA cylindrical storage container with a fitted flared lid. It has handles (lugs). The lid and top part of the jar are brown and the body is cream coloured. on front - 1

This item is an example of an early 20th century ceramic container.Large stoneware jar with dark brown colour up top and cream colour below. Indented line near top.jar stoneware ceramics containers-commercial

This is an example of an early 20th century ceramic container.Small stoneware dripping jar. Wide lip. Top half of jar is beige, bottom cream coloured.jar container ceramics stoneware domestic food-storage preservation

Used to contain (abrasive) tooth cleaning powderWhite glazed ceramic container with lidtooth powder container

BHS CollectionLarge ceramic round container without lid or stopper. Two tone glazing the main body colour is light beige, the top is dark brown. The number 30 is etched on the top. The jar is 24 cm tall the diameter at the bottom is 16.5 cm. The diameter at the mouth is 8.6 cm. From George Harris estatedomestic equipment, food storage & preservation

This bottle is part of the John Chance Collection of shipwreck artefacts. The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody.  Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery.  Miller’s son, James W., became a partner in Milton pottery in 1905.  James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. A significant item of salt-glazed ceramic stoneware made by the Dundas potteries in Scotland who were renowned for making quality ironstone pottery. The bottle that was in common use throughout the British colonies and America for the containment of ale The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime museum collection by his family Illustrating the level of historical value the subject item has.Beige salt glazed stoneware, bottle with discolorations above base. Manufacturer's oval Inscription lozenge stamped near base. Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, stoneware bottle, pottery, port dundas pottery, william johnstone, bottles, shipwreck artefact, stoneware, ironstone, bottle, glasgow, antique bottle