The Chick family went fishing and lived on Rockpool Road beside the East Kiewa river from c1934-43. This was before the construction of the Kiewa Hydro Electric Scheme. The Chick family camped in the Upper Kiewa Valley prior to the KHES being constructed.The memories and photographs are important for their contribution to this time.Black folder bound with plastic spiral ring. Page 1. includes a letter from Jan Hunter (nee Chick) to KVHS. Pages 2 -4 Written history. Page 5 An index to the 7 photosOn letter: 'Barbara - had this ready before I spoke to you. Jan'chick family, rockpool road, early camping

The Chick brothers, Alf, Les and Allan, plus friends, began trout fishing and camping in the Kiewa Valley before the early 1930s. Les continued his connection with the Kiewa River until his death in 1972. Fingerlings were placed in the Kiewa River from the early 1880s. Keegan's Bridge is a crossing near Upper Gundowring and about 4 km south east of Dederang. References to the crossing were made in the early 1900s and a petition presented to Council in 1904 calling for a bridge.The bridge was built and opened in 1907. The photos are of the release of fingerling trout in the Kiewa River, thought to be at Keegan's Bridge. The fingerlings were transported in drums on the back of trucks. The photos are c1940s.The Kiewa Valley has been a popular spot for fishermen, tourists and campers from the 1880s. One of the many attractions has been the excellent fishing along the Kiewa River due to the regular release of fish especially brown trout. This continues to the present day (2020) when a few fish were marked with $$ signs for the lucky fisherman who caught them. This attracts visitors, their families and boosts the economy and dates back to visits at the Tawonga Pub prior to the Kiewa Hydro Electric Scheme.19 page book with black plastic spine and clear plastic cover over the beige paper cover with title , author and black & white photo. Note: In KVHS photo collection there are 4 good quality reproduction photos on photographic paper. These have been produced professionally. These photos of Jan Hunter's are featured on the second page of her book. These also have a letter attached. The book is a pre-research paper & is No 33 of the Albury and District Historical Society Papers. The sub-title is "Trout releases and Keegan's Bridge / from the newpapers, 1882-1935"None on the book but a letter is attached from Jan Hunter, the author as a follow up to the photos she donated. On the photos - On the back: Fujifilm / Fujicolor Crystal Archive / Paper / Production - run codekiewa river; trout; fish; keegan's crossing; keegan's bridge; fingerlings; chick family; camping; tourism

The Rufous-bellied Kookaburra is a large member of the Kingfisher family. It commonly resides in the dense rainforests of lowland New Guinea, Saibai Island, Indonesia, Biak, Maluku/Moluccas Islands, Papua New Guinea, Melanesia and Queensland in Australia. This is unlike other species of Kookaburra which commonly prefer to reside in locations of open country. Another aspect which makes this bird unique to other Kookaburra is its tendency to live in pairs and not in family groups which is typical of other Kookaburras. In the case of the Rufous-bellied Kookaburra, both parents incubate and care for the eggs/chicks. This Kookaburra feeds on small mammals, birds, reptiles and insects. The Rufous-bellied Kookaburra was originally named the Gaudichaud's Kookaburra after the French botanist Charles Gaudichaud-Beaupré. This species of Kookaburra is among the most colorful varieties of the Kookaburra alongside the Spangled Kookaburra. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rufous-bellied Kookaburra is a large Kingfisher with a black coloured cap on the head, white collar around the neck, blue feathers on the wings and rump and a rufous belly. The female Kookaburra has a brown/rufous coloured tail, as is the case for this particular specimen which identifies it as female. This bird has a large white bill and pale coloured legs. The head is a large square shape and the body is stocky.Label: National Museum Victoria / 159a /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, kookaburra, rufous-bellied kookaburra

Donated by S Serpell of Serpell and Reid families, Sandringham.Black & White postcard of a young penguin approaching a mutton bird chick sitting on the grass among the rushes.young penguin and young mutton bird, wildlife - penguins, wildlife - mutton birds, s serpell

A collection of photographs/postcards sent to the Phillip Island & District Genealogical Society by Chick Walker, the Vice President of the Benalla Family Research Group. The Genealogical Society passed them onto our Society.Nine Black & White photographs & postcard taken around Phillip Island. 359-01: Waves breaking over rocks possibly near The Nobbies. 359-02: The Nobbies. 359-03: Thompson Avenue, Cowes with cars infront of the shops. 359-04: Penguins returning at dusk after fishing out in the sea. 359-05: Seals on Seal Rocks. 359-06: Looking from the water at the Cowes Pier and Isle of Wight Hotel in the background. 359-07: The Cowes Pier. 359-08: People on the rocks at The Blowhole and Seal Rocks in the distance. 359-09: Two penguin chicks.359-01: Murray Views No. 43. "The Lion" Breaker Cowes Phillip Island Vic. 359-02: Murray Views No. 17. The Nobbies & Breakers Phillip Island. 359-03: Murray Views No. 11. Thompson Avenue, Cowes, Vic. 359-04: Murray Views No. 41. Penguins Cowes Phillip Island. 359-05: Murray Views No. 26. Seal Rocks Cowes Phillip Island Vic. 359-06: Murray Views No. 14. The Pier & Isle of Wight Hotel Cowes Vic. 359-07: Murray Views No. 3. The Pier Cowes Phillip Island Vic. 359-08: Murray Views No. 12. Blow Hole and Seal Rocks, Cowes, Vic. 359-09: Photo Shop Series. Penguin Chicks Phillip Island. the nobbies phillip island, cowes pier, the isle of wight hotel cowes phillip island, wildlife - penguins, wildlife - seals, the blowhole phillip island, seals on seal rocks phillip island, thompson avenue cowes, chick walker

Auntie Cole (Goldie Warren) with Warren, Carol, David (Cavanah) Janice, Winnie, and Chick WarrenFamily of children feeding chooks with AuntieKodak paper people, warren, myrtlebank

Lorna Chick was a local artist whose works depict farming and community landscapes, which reflected her main occupation of living and working on the family farm with her husband and two sons. Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork.naïve artRural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant coloursObverse: LORNA CHICK ©wangaratta art gallery, lorna chick, landscape, farming, eagles, north east victoria, painting

The school had included the keeping of poultry in the school curriculum and the chicks the children are admiring were recently hatched from one of the hens.A coloured photograph of a little girl, who is sitting on the floor in a classroom, gently patting a baby chick while the other children wait their turn to look at the chick.bulla primary school, poultry rearing

The children were enjoying looking at the chickens, that were from hatched from eggs that one of the of the hens in the school's flock had laid.A coloured photograph of the teacher putting the hen with her chicks back into their portable cage at the Bulla Primary School.bulla primary school, poultry rearing