These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic blue and yellow image and text on front. Image shows head and shoulders of person resting on forearms surrounded by flora. Back of bag shows blue and white image of a cube with text and star graphics.Front: HARPER'S \ STAR \ AVENA \ BRAND \ ROLLED OATS \ ??INCORPOR?? ??STORIA?? \ ????? \ AUSTRALIA Back: THE \ SILVER STAR \ RICE \ STARCH \ ROBERT HARPERS AND CO LIMITED \ AUSTRALIA \ THE \ BEST \ IN \ THE \ WORLD \ WONT \ STICK \ TO THE \ IRON \wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico flour bag with red, blue, white and yellow graphic image and text. Image shows head and shoulders of a woman wearing a bakers hat. Reverse side shows same image with slightly different text.Front: O*SO*LITE \ SELF-RAISING \ FLOUR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261 \ SELF RAISING \ SELF RAISING \ SELF RAISING Back: O*SO*LITE \ SELF-RAISING \ FLOUR \ PREPARED WITH PROSPHATE AERATOR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

Joseph Wilder, a professional photographer, came to Warrnambool in 1860 and took a series of photographs, two of which survive today. One was of the local Volunteer Corps and the other was a series of photographs taken from Cannon Hill showing Merri Street and the town and buildings beyond. It seems that copies of these last-mentioned photographs were framed to produce a large panoramic view of 1860 Warrnambool and one of these was given to the old Warrnambool Museum in the 1880s by James Astley Bromfield. He had established a chemist’s shop in Warrnambool in 1854 and showed his interest in the history of the young town by producing a map in 1856 showing the first landowners, a seminal resource today for historians. He again demonstrated this interest when he included the names of the people and places in the 1860 photograph he gave to the museum in the 1880s. The frame fragment was found amongst the collection of items from the old Museum at Flagstaff Hill Maritime Museum and brought to the Historical Society to accompany the original series of photographs. Bromfield went to live in Melbourne in the 1880s. It is presumed that the plastic cover has been placed on the frame fragment at a much later date than the 1880s.This frame fragment is interesting and very important for several reasons:- 1. It is one demonstration of the interest that James Astley Bromfield had in local history 2. It came from the old Warrnambool Museum and shows how that institution kept items of historical interest 3. It gives us the names of the people and places in the Joseph Wilder photographs of 1860 that placed together form a panorama that reveals what a major section of Warrnambool looked like only 13 years after its foundation. The list enables us to correctly identify the early places and people and so is invaluable for research purposes 4. It links a Museum exhibit of the 1880s with the original 1860 photographs which are held by the Historical Society This is a piece of wood broken from a frame containing a photograph. It has jagged edges. It contains the list of people and places depicted in the Joseph Wilder panorama photograph of Warrnambool in 1860. The list is handwritten in ink on paper which has been attached to the frame with a piece of plastic. Warrnambool in 1860 Photographed by Wilder. Showing children of the late Andrew Semple etc In red pencil – ‘Keep’, in ink, ‘Keep’ On separate piece of paper - Presented to Warrnambool Mechanics’ Muzeum by James Astley Bromfield, August 3rd 1886 joseph wilder 1860, panorama of warrnambool

"LEST WE FORGET" "100/YEARS OF/ANZAC/ THE SPIRIT LIVES/ 2014-2018" THIS IS A STORY BOOK FOR CHILDREN.Hard cover book. Cover - cardboard with adhered white paper cover. Gold, blue, red and black print on front, spine and back. Illustrated, front in colour of elderly person with a child surrounded by red poppies. Back, elderly person seated in armchair with a child seated on his knee. No page numbers, cut, plain white paper. Illustrations in colour.books, anzac day, children

Set of B & W photos from WW2 taken around Rabaul area by Pte E. King.Series of B & W photos of Rabaul area. 1. Soldiers on parade. 2. - 4. Local children and adults. 5. - 6. Native militia on parade. 7. - 10. Australian soldiers swimming and sunbaking. 11. - 15. Snow views of Matupi Volcano and surroundings. photos, matupi, rabaul, volcano

Information printed on Certificate; "Young Workers/ Patriotic Guild. This is to Certify that/During the Great War/............../A Pupil of .............../School No. .............../ Qualified as an effect/ ive member/ ..............Minister/ ...............Director/ Headmaster 191.............../ED/ 1911" Certificate - paper, dark blue print with colour illustrations and decorative scroll work. three women at top, two children below certificate title, below all print foliage. Handwritten - owners name and signatures on Certificate. Certificate damaged by water and dust. Frame - timber, with decorative plaster of paris moulding, gold paint. Moulding damaged with many sections missing with glass front and cardboard back.Handwritten in black ink: “George Graham/Arnold's Bridge/1664/ HSW Lawsaw/ ? Tate/ W.M. J. Jackson/ 1917”framed certificate, ww1, education dept victoria, accessories.

The Australian School Children's Victory Medal was distributed to school children in 1945 to commemorate the end of WW2 in Europe. A similar medallion was distributed to school student at the end of WW1. Part of the Kevin John Herdman (No. 397661) Collection. See Catalogue No. 5942P for details of his service.Silver coloured medallion with red, white and blue ribbon attached. Obverse has an embossed image of a Knight in chain mail holding a sword. Map of Australia in background. Reverse has an embossed line map of the Southern Hemisphere continents. Hole with metal loop attached at top of medallion.Stamped on Observe: “1945” Stamped on Reverse: “VICTORY MEDAL”kevin herdman, victory medal, medallion, ww2

This photograph of a charity donation from 2 FD Svy Sqn to the Director of the Prince of Wales Childrens Hospital, was taken in Sydney in 1989. CPL Bob Hopper and SPR Bob White presented a Kangaroo Pump, used for feeding sick children to the Director that was purchased with leftover Regimental funds when the unit closed down. This photograph of a charity donation from member of 2 FD Svy Sqn to the Director of the Prince of Wales Childrens Hospital was taken in Sydney in 1989. The black & white photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. .1) - Photo, black & white, 1989. L to R: SPR Bob White, CPL Bob Hopper, Director of the Prince of Wales Childrens Hospital..1P – annotated in red pen ‘2 Fd, presenting the Director of the Prince of Wales Childrens’ Hospital with a Kangaroo Pump, used for feeding sick children. The pump was purchased with leftover Regimental funds when the unit closed down.’royal australian survey corps, rasvy, army survey regiment, army svy regt, 2 fd svy sqn

Part of the KEVIN JOHN HERDMAN No. 397661, collection. See cat No. 5942P for details of his service record.Colour photograph of a group of Vietnam War era Australian Soldiers. Four soldiers are watching a fifth laying bricks. Four children are looking on. Army vehicle in the backgrouynd. Photograph has a white border.Stamped on back: "Kodak Ink Jet Paper". vietnam war, kevin john herdman, australian army

Items in collection re Allan Frederick Goodall DFC, RAAF, refer Cat No 543.2 for his service history..1) Photograph sepia tone showing three Airmen with two local children in the Middle East. .2) Photo showing two Airmen with 10 rabbits lined up on a table. .3) Photo showing Allan Goodall sitting astride a large bomb, tent in back ground..1) On rear in pen, "Bob, self, Johnny". .2) On rear in pencil, "Myself, Wilma, Shifty, Ginger, Penny, Goodall, Snowy, Taffy, Snowy the second, un named, Charlie & the old man Elna, taken March 44". Self & Myself relate to Allan Goodall. photographs, rabbits, middle east, dfc

The Grinton Collection. Children in Scotland. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting seven children standing and sitting near or on a low rock wall. On left one child holding a bicycle, on right a child standing on stilts. Background - trees and buildings. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a lifetime". "K. Children - Scotland". framed accessories, camera on the somme, ww1, 38th bn, grinton, scotland

The Grinton Collection. Life after 1919, Grinton relatives. Refer Cat No 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting two adults and six children sitting on the ground under a tree. In background, two tree trunks and a horse drawn buggy. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "G. Grinton relatives".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. 38th Bn Soldiers with French children, one is dressed in an Australian uniform. Refer Cat Number 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting two children and one soldier standing outside a building window, with a further six soldiers grouped inside the open window. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "L. Australian soldiers and French children."framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Group paddling, life after 1919. Refer - Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a group of women and children paddling along a grassy riverbank with trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "E. Paddling".framed accessories, camera on the somme, ww1, 38th bn, grinton

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Photographs B & W, colour various sizes, 4 are colour enhanced. All photos are of general views, buildings, people, children and Japanese daily life. Four have inscriptions on. On front, "A Japanese Housewife". On rear, " Gisha Kure" "Dance hall girls" "Women and children Kure"photographs, bcof, japan

Badge was given to mothers who had children serving on active duty in WW2. The number of stars on the bar signified the number of children serving. The number on back allowed traceability.Circular black badge with bar hanging off. Bottom with one star. Pin on back. Small crown on top of badge. Engraved "To the Women of Australia" and on back A.219253 and issued to Commonwealth Government.passchendaele barracks trust, badge, ww2

This set of 16 photos of the Christmas Children’s Party were taken in the and the grounds of Fortuna, Army Survey Regiment in 1992. The Christmas party was an annual event enjoyed by the soldiers’ families, featuring amusements such as the ‘pig train’ and pony rides, a historic fire engine provided by the Golden Square Fire Brigade with Santa on board and refreshments such as cordial, lollies, ice creams and fairy floss. Single members readily volunteered to assist in the running of the party. An occasional highlight was displays of military hardware such as tanks and APC from the Puckapunyal’s Armoured Centre. Catering staff/contractors taking a break outside the kitchen are also featured in this collection. The Army Survey Regiment Wives Club was instrumental in establishing the Tennis Hut, featuring in photos .1P to .5P. The Wives Club initiated many social events. Examples of activities initiated by the club and their importance to the social fabric of the unit are described in more detail on page 151 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This set of 16 photos were taken in the grounds and kitchen area of Fortuna, Army Survey Regiment, Bendigo, at Christmas time in 1992. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1992, unidentified civilians and person. .2) - Photo, black & white, 1992, SGT Brian Fauth, SPR Carmel (Butler) Fauth and their child. .3) - Photo, black & white, 1992, L to R: SPR Joyce Gray, unidentified, SPR Andrew Arman. .4) to .5) - Photo, black & white, 1992, unidentified. .6) - Photo, black & white, 1992, Craig Kellett. .7) - Photo, black & white, 1992, L to R: Cam Bramich, unidentified (x2). .8) to.10) - Photo, black & white, 1992, unidentified. .11) to .15) - Photo, black & white, 1992, unidentified catering staff and contractors. .16) - Photo, black & white, 1992, Children’s rides on parade ground.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This book was hand made in Bendigo and presented to the Army Survey Regiment Sergeants Mess by WO2 Graham Squire (Later WO1 RSM RASvy). The book is to record events when the Sgts Mess Bell was rung, signaling that money was put over the bar for those present. Events such as promotions, departures, birthdays, birth of children and grandchildren were celebrated in this way and hence recorded in this book. The Bell itself was presented by WO1 Alex "Darby" Munro and that is the reason for the naming of the book "Darby's Clangers, Times and Chimes". the first entry in the book is 30 Nov 1978 and the last entry is 29 Nov1996 to celebrate the departure of the last serving members of the unit.Large handmade book with many unused pages, book is housed in a vinyl covered cardboard box.Page 1 Top - " Please leave first entry space vacant for WO2 G Squire (Fishing Warden), Thank you, Max Neil WO2 for PMC" Page 1 Bottom - "The one that got away!" Last entry "Three cheers for Litho!" signed by LTCOL Duncan Burns Commanding Officer Army Survey Regiment 29 Nov 1996.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

In March 2003 military forces of the Coalition of the Willing, including 2,000 men & women of the Australian Defence Force (ADF) invaded Iraq. Since July 2003 working with the interim Iraqi Government, the ADF has continued to contribute to Multinational Force efforts to develop a secure & stable environment in Iraq & assist national recovery programs. In mid Jun 2005 some 1,400 ADF personnel were serving in Iraq.Small enamel badge showing face of a soldier which is attached in the centre of cardboard. Cardboard shows coloured print of children welcoming an Australian soldier.Printed on badge: “Remember Iraq” Printed bottom of cardboard: “Iraqi children welcome an Australian soldier in a small village on the outskirts of As Samawah. Photograph courtesy of Department of Defence” Printed back of cardboard: “Remember Iraq”badge, iraq, 2003

See also Cat No's 3504P & 3505.23..1) Page 2. taken from The Sun Children's Supplement, 6.11.1959 with article on Sir John Monash. .2) Clipping from The Herald, 2.7.1931 with a further clipping stuck onto the reverse of the sheet, origin unknown. Map of front line on French / Belgian border from 1918 - The Hindenberg line & queries whether the Americans won the war. .3) Loose paper with biro portrait of man also in photos 3505.26Pdocuments - newspapers, illustrations - pen ink, military history

Bert HEWSTON, refer Cat No 2759.2 for his service history. Part of the HEWSTON collection re WW1 & WW2.Four x black & white photos presumable taken by Bert HEWSTON during his war experience. .1) Group of Kaffir women & children. .2) Band playing onboard the ship Wandilla, conveying Bert to Europe. .3) Band playing on Avon River, Durrington. .4) 2 x uniformed soldiers. All different sizes.photography-photographs, military history - army

Items collected by Bert HEWSTON on the way to England WW1, refer Cat No 2759.2 for his service history. Part of the HEWSTON collection re WW1 & WW2.3 x Souvenir booklets from South Africa. .1) Dark grey/brown cover with illustration of native children within an oval shape. Contains colour prints of native people & places. 15 pages. .2) A coloured reproduction of a Zulu in marriage costume. Cream card cover with pale brown printing. Contains 3 x dried silver leaves fromTable Mountain fused to the inside back cover. .3) Photo post card of Promenade Pier, Cape Town which has 2 x dried silver leaves from Table Mountain fused to the inside the back cover..1) Printed: “Native life in South Africa” .2) Printed: “Zulu in marriage costume SA” .3) Printed: “From South Africa”documents - booklets, military history - souvenirs, africa

Soft cover book. Soft cover - cardboard, black and white print on front, spine and back. Background colour - muted greys and cream. 174 pages, cut plain, off white. No illustrations. Title page - handwritten inscription.non-fiction"When He Came Home - The impact of War on partners and children of Veterans"books, impact of war, veterans

.1) These medallions were issued to School children in 1919. .2) After a call was made to have something to show you had volunteered for Active service but were rejected on medical grounds..1) Medallion, round with ring at top, etched raised figures front and back. .2) Medal, round, with etched raised Australian Coat of Arms on the front..1) On front, “”Victory, The triumph of Liberty and Justice, The Peace 1918” On reverse, “Peace 1919 Australia” .2) On the front, “Volunteered for Active Service - Medically unfit”, On reverse, “65066”the peace 1918, volunteered, medically unfit

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. Religion played a significant part in daily life at the time.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts the scene of Mark 10: 13-16 from the bible, where Christ meetings a group of children.On front, printed under image: 'Christ Blessing Little Children / St. Mark 10: 13-16' On back, printed above line: 'Christ Blessing Little Children' On back, printed below line: 'THEY brought young children to / Jesus, that He should touch them: / and His disciples rebuked those that / brought them. / But when Jesus saw it, He was much / displeased, and said unto them, "Suffer / the little children to come unto me, and / forbid them not; for of such is the / kingdom of God. Verily I say unto you, / Whosoever shall not receive the kingdom / of God as a little child, he shall not enter / therein." / And He took them up in His arms, / put His hands on them, and blessed / them. / So that day the mother helped the / disciples to learn about Jesus. The dis- / ciples thought the children would be a / trouble, but the mothers knew that Jesus / loved the little and helpless ones, and / would bless them, for one day He had / said, " All who seek to enter the kingdom / of heaven must become like little chil- / dren." So they were not afraid to draw / near.'postcard, 1900s, "green postcard album"