William Bousted was organist and choir master of the St. Andtrew's Presbyterian Church Ballarat 1887 - 1938.B & W matte head and shoulders studio portrait of Mr William Bousted, organist and choir master of St. Andrew's Presbyterian Church Ballarat.william boustead, st. andrew's presbyterian church ballarat, organ, organist., choir master

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A group portrait of the Choir of Holy Trinity Church in 1918. During this period Frederick Mewton was the Organist and Choir Master."Holy Trinity Church Choir, 1918. Frederick Mewton, organist and choir master"holy trinity church (kew), dorothy rogers

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Order of Service (funeral) for Rae Alexander Anderson -organist and choir master of the paraish church of St Paul, Bendigo, 1931 - 1965. (Thursday 13th March, 1986) Invitation on back page to join Mrs Anderson after service at Dudley House. Two copies.rae alexander anderson, st pauls bendigo, dudley house., bendigo hospital pharmacist

HardcoverPenleigh Boyd. Susie Boyd. School boy notes and scribbles - poem and reference to choir master.religion, walsh st library

The original is stated to have been framed in oak and presented to the Choirmaster, Fred Frewin, (depicted in front row) 27 February 1917. The copy held at the Chelsea and District Historical Society is B&W and includes in pencil the names of those depicted. There is also an original postcard in sepia tones.Black and white photocopy of a larger print framed in Oak, Chelsea Choral Society 1917. Also an original postcard.Original presented 27 February 1917 to choir master, Fred Frewin, (depicted seated in front) as a mark of esteemfred frewin, chelsea choral society, chelsea

William Bousted was organist and choir master of the St. Andtrew's Presbyterian Church Ballarat 1887 - 1938.B & W photograph, mounted on green card, of William Bousted seated at the organ in St. Andrew's Presbyterian Church Ballarat after its reconstruction. william boustead, st. andrew's presbyterian church ballarat, organ, organist.

Seven page document, typed, detailing the symbolism behind Masonic regalia. Top of document 'Bro Will you please present to us some of the thoughts suggested by the contemplation of THE Collar's Some terms mentioned, Tyler, the stewards, inner guard, organist, choir master, junior and senior deacons, charity, ceremonies, secretary, treasurer, chaplain, junior warden, senior warden.bendigo, clubs, lodge, masonic lodge, bendigo, regalia

Framed black and white panorama photograph of the crowd and stage at Carols by Candlelight. A choir master conducts a large choir, whilst the audience listen appreciatively and television cameras capture the event from platforms above the audience4 B/W photographs aligned to create panaromacarols by candlelight, marketing

Hard covered book

Black soft covered bookmethodist church, church, willaton

In 1891 to 1983 there were three chemists near View Point Bendigo; they were A. Collins, 9 View St and Pall Mall; G. M. Dorman at 25 View St; E. L. Holdsworth, 9 Charing Cross and J. Holdsworth at 15 Charing Cross and Pall Mall. On the 20 June 1892 David Anderson (1861-1937) took over from A Collins as Chemist and Druggist at 9 View Street, opposite the Bank of Victoria. He had been manager for the three previous years. In 1895 to 1908 the David Anderson Chemist was at View Point. David Anderson's father William (Willie) died on the 7th April 1901 at View Place. David Anderson was married to Jeanette (Jessie) Riviere, Ironbark. David's nephew Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist.Certificate of Registration (Pharmacy Act of Victoria, No 558}; for David Anderson, Sandhurst. The original certificate has been pasted to cardboard and possibly had been framed. It was found under a house after a sale in 1984.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth

Biographical details: Born 1888, Nagambie; married Jessie Winifred Temby in 1910; died 27 Feb 1969 in Mont Albert. Mr Joseph Sutton Crow lived at ‘Strathmore’, 75 Victoria Crescent, Mont Albert from 1924-1952. In 1907 Sutton gained a Diploma of Music at the Marshall Hall Conservatorium (later the Melbourne University Conservatorium). He taught piano and organ and was organist and choir-master in several churches. From 1912-1948 he served in that capacity at the Auburn Methodist Church. In 1910 Sutton Crow was appointed Assistant Secretary at the Melbourne Conservatorium of Music. In 1939 he became Assistant Director and Librarian and from 1941-1945 was its Acting Director. He retired in 1945. Administrator under Sir Bernard Heinze he devoted much time to the development of the ‘Music in the Schools” programme. This led to tours of country centres taking leading musicians to give concerts in schools and for the public, introduced by a talk on musical appreciation. After retirement he organized concerts for the Council of Adult Education and in 1950, when he concluded his professional work, he was giving concerts twice annually in 144 country towns. From 1926-1939 Sutton was Manager of the Melbourne University Symphony Orchestra (which later became the Melbourne Symphony Orchestra). During some years he had been Concert Manager for local and visiting musicians such as Edward Goll, a Bohemian pianist who lived locally, John Amadio, a flautist and Sutton’s wife Jessie Temby, a soprano who sang professionally until she gave this up for family life. Donor was his daughter.A black and white portrait of a man wearing round tortoise-shell glasses.(mr) sutton crow, victoria crescent, surrey hills, melbourne university symphony orchestra, melbourne symphony orchestra, house names, (ms) jessie temby, 'strathmore'

Bifold thin cardboard, beige colour - 4 pagesPage 1- Introduction and list of staff with their qualifications. List of names of people who are on the Advisory Council. Page 2 lists the Programme - I - National Anthem - II - Boys' Choir, III - Introduction (Provided by the President of the Advisory Council - Mr. R. W. Gotts.), IV - Head Master's Report - Mr. G. S. Ormandy. V. - Presentations - Given by Cr. B. Hubbard, - VI. - Vote of Thanks - Mr. R. Hodgson. - VII. - Physical Education Display. VIII. Junior Girls' Choir performing - I Whistle a Happy Tune, The Surrey with the Fringe on the Top, Santa Lucia, David of the White Rock - Land of Hope and Glory. Acoompianists Judith Wigley, Glenda Ruby. Page 3. - Scholastic Awards for Forms IV, V, and VI. Dux of the School - Hubert Aders. Army Cadet Corps - Sergeant R. Camp . Citizenship Prize, Form IV- donated by Soroptimist Club of Ringwood and Foothills - Josephine Beattie. House Mistress Cup for Citizenship and Academic Work - Woorooa. SPORT- Athletic Champions, Swimming Champions, Colour Awards, House Premiership List - Seniors only - Grand Aggregate: Woorkarim. Athletics: Noorook. Swimming : Woorkarim

This uniform Tunic belonged to Peter MASLEN Regiment No. 24125234. Unit 2nd Battalion Grenadier Guards. MASTER TAILOR British Army. retired from 1985 when came to Australia with wife. Information from Donation form- "Band uniform for Military Tattoo/ (England) Grenadier Orchestra/ 1981 - Berlin Tattoo/ - uniform is to do with the choir/2nd Battalion Grenadier Guards/ handmade - Peter made all the uniforms".Uniform tunic Army. Tunic fabric - scarlet superfine wool with black velvet cuffs and stand up collar. Collar edges with narrow white with red cotton Drummers Lace (braid) and has blue and white worsted fringing. Tunic has wings and shoulder straps (epaulettes) with embroidered Battalion motto - Queen's crown above circular ribbon with the words (in french) "HONI-SOIT-QUI-MAL-Y-PENSE. Translation is "Shame To Him Who Thinks Evil of Him" or "Evil Be To Him Who Evil Thinks"; in the centre is the Royal Cypher. Tunic fronts are trimmed with nine bars of double Drummer's Lace (Braid) and fastened with eight large regimental plastic silver buttons with shank and moulded insignia - Queens Crown with Royal Cypher. There is additional lace on the back, skirt sleeves and on both shoulder epaulettes. Additional buttons on back, shoulders and sleeve cuffs. Left sleeve has two rank stripes - Corporal. Two brass belt hooks at waist. Tunic Lining - cotton fabric. Cream colour to body of tunic and sleeves. Red colour to skirt of tunic Two white cotton fabric labels attached front interior tunic lining. Handwritten details on back lining. Information details on labels - top, black ink print. "GRENADIER GUARDS/ DRUMMER/ WARRANT NO. 102/110/ NAME???/ HEIGHT???/ BREAST ??? WAIST ???/ B.L. WAIST??/ COLLAR ??/ KAS ??? & PARTNERS LTD " (Many details illegible) lower label - red ink print " ??? + ??? / MADE IN ENGLAND/ NAME". Information on back lining - blue ink pen - handwritten "6176/CARUANA/ ML/ DRUMS".uniform, tunic, army, grenadier guards, england

Gertrude Perry was born in California Gully in 1917. Her singing skills were recognized at an early age. She later sang with local choirs and sang on radio. She was involved with the Bendigo Operatic Society for many years. Gertrude began her working life in sales. After studying book keeping she worked at the Bendigo Ordnance Factory during WW2 and then worked for local solicitors and accountants. Gertrude was involved with many community and sporting organizations.Invitation to Miss G Perry from Bendigo City Lodge No 714 to attend a Ladies' Social Evening on Friday June 27th, 1952, at 7:45. Reception at 7:45 sharp, supper at 10:00 p.m. Harmony, Dancing and Euchre. Invitation from The Worshipful Master, Wor. Bro. L. M. Green. Unusual invitation to a single lady to a Lodge event with the invite expressly has Bro. and Lady crossed out. Gilt edged invite on pale green card. Unusual invitation to a single lady to a Lodge event with the invite expressly has Bro. and Lady crossed out. Gertrude Perry Collection.physical culture class, fitness, exercise

BENDIGO. Golden Square State school choir won three of the principal shields at the recent Bendigo musical and elocutionary competitions. The choir's victories were celebrated by a social at which the prizes were presented. In presenting the trophies, Mr. R. S. V. Cocking, president of the competitions committee, referred to the popularity of the children's choir contests, which the musical adjudicator, .Mr, James, had characterised as the most important sections on the programme. Of the whole of the competitions held throughout Australia none had a school section to equal that at Bendigo. The head master of the school, Mr. A. M. Parratt,. who conducted the choirs, was presented with a grandfather's clock and photographs of the choirs, by the residents of Golden Square. The Age 23 June 1927Black and white photo of thirty children - twenty five girls and five boys, and one adult male. The girls appear to be all dressed in white dresses and long white socks, and the boys and adult are dressed in suits with white shirts and ties. The adult male is seated centre front with a shield propped in front of his feet. Joan McDonald Collection. Bendigo Competitions 1927 Golden Square State School Senior Choir Winner of the Advertiser ShieldPrinted on the cardboard frame "Bendigo Competitions 1927 Golden Square State School Senior Choir - Winners of the Advertiser Shield" "Kalman 57 & 59 Pall Mall Bendigo".golden square primary school, choir, bendigo competitions

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

A black and white programme with the words, ' Under the auspices of a Bendigo Citizens, Committee. Friday, April 30th, 1909. His Worship the Major, Cr. A. Harkness, Chairman. Cr. L. Semmens, Vice-Chairman. The Hon. R.H S. Abbott, M.L.C., Hon. Sec. Mr. Henry Thomas (Basso Cantante.) Miss Elsy Treweek, soprano. Master W.A. Bennett, solo violin, Mr. E.H. Collett, Tenor Mr. W. Tinkler's Masonic Choir. Accompanists Miss Ella Nicol, Muss Frances Leary. Lipp Piano kindly lent by Messrs, Flight & Co. Inside is the programme itself and on the back cover are some quotes from newspapers relevant to Mr. Henry Thomas.program, music, singing, lydia chancellor, collection, music, event, performing arts, entertainment, programme, program

Vinyl records dominated audio recordings commencing with the older 78 rpm in the 1930s and 1940s and in 1948 the longer playing 33 1/3 rpm vinyl record was released. The rise of compact discs in the 1980s saw a decline in vinyl records but there has been renewed interest in more recent years with shops again selling them.Six records with variety of recordings on them. a Record 78 rpm with two hymns 'King of Glory, King of Peace' and 'We sing the praise of Him who died'. Recorded by radio station 3B0 - date unknown. Record manufactured by Amalgamated Wireless (Australasia) Ltd., Sydney. b Record with music from St Pauls Church, Bendigo. Recorded in about 1954. Recordings 'Organ Solo Christ Lay in Death's Dark Prison' and duet from Stainer's 'Crucifixion for tenor and bass - AH! Twas Love'. Record produced by GT Transcription Services. c Record with 'Byer Industries Pty. Ltd., Melbourne, Australia' printed on it. Cover has printing 'HIS MASTER'S VOICE'. Information regarding recordings made in Australia. d Recording of service rededicating of the bells and rehallowing of the tower of St. Paul's, Bendigo. Produced by Warne A. Wilson of Ballarat. Transcription AMCO, Sydney. 33 1/3 LP. e 33 1/3 LP record of 'Dedication of Organ' and 'Evensong Trinity Sunday' at St Paul's, Bendigo. Processing done by W & G Record Processing Co. Pty. Ltd., 185-187 a'Beckett St., Melbourne. f Three sheets of paper typewritten. Two are 'Choir List for Carol and Tableau Service', December 18th, 1960. Third page is outline of how to care for an acetate recording. g Recording blank manufactured by Byer Industries Pty. Ltd., Melbourne, Australia. No note of any recording made.b 'L. Maple (T), W. Mansell (B) in St Paul's Church approx 1954' 'St Paul's Church, Bendigo. The Old Fuller Organ approx 1954' e 'Evensong Trinity Sunday, 1957, St. Paul Bendigo' 'Dedication of Organ Trinity Sunday 1957, Morning Special Service'long playing records, st paul's, hymns, services

A Report of the Commissioners, presented to Parliament in 1891, noted that: ‘The great Musical Festival, which was inaugurated and maintained during the time the Exhibition was open, was such as had never before been attempted. In that comparatively short period, no less than 263 orchestral, grand choral, and other concerts were given by the Centennial Orchestra and Choir, numbering nearly 800 performers, under the conductorship of Mr. F. H. Cowen. At these concerts the works of the great masters were performed in a manner hitherto unknown in these colonies, and your Commissioners are encouraged to hope that the stimulus given through their agency to the study of Music will prove strong and lasting. They also desire to return their thanks to the ladies and gentlemen composing the Centennial Choir, who devoted much time to the rehearsal and performance of the great choral works given during the Festival, and whose valuable services were rendered gratuitously.'An illuminated certificate inscribed to Miss L. Wilson in ‘recognition of valuable services rendered as a member of the Centennial Choir during the currency of the Centennial International Exhibition, Melbourne 1888’. The illuminated certificate lists a number of works performed by the choir, at left, and also pictorial roundels of the exterior of the Exhibition Building and of its grand organ. Attached to the card on which the certificate is also attached is a separate Memorandum from the Music Business Manager to Miss Wilson. No other correspondence is extant to explain the reason for her request.Inscription: To Miss L. Wilson / In recognition of valuable services / rendered as a Member of / The Centennial Choir / during the currency of the / Centennial International/ Exhibition, Melbourne 1888. Separate Memorandum: CENTENNIAL INTERNATIONAL EXHIBITION MEMORANDUM FROM EXHIBITION BUILDINGS FITZROY 8/10/1888 E. MILLER (MUSIC BUSINESS MANAGER) TO Miss Wilson Dear Madam In answer to your note I have the honor to inform you that you may remove your dress at any time, though you may need to show your choir pass & may have to submit to parcel being looked at - as the Customs officers are obliged to keep a very careful watch on any outgoing parcels. Yours obediently E. Millercentennial choir - 1888, centennial exhibition - melbourne (vic) - 1888, certificates