Monochrome portrait photograph of a man. He has a beard and bushy eye brows and sits with his face slightly in profile. He wears and double breasted jacket with a bow tie. His portrait is placed in an oval framed mount board which is in a rectangular wooden frame. The frame is painted dark brown but has a border of flowers and foliage picked out in gold colour.official portrait photography, civic portrait, mayor, portland mayor, 1800s

Born in Bendigo and trained as a nurse in the 1950s, Sonia Jill O’Brien devoted a lifetime to social and environmental issues at both the state and local level. From her work in the 1960s with the Family Planning Association of Victoria, of which she was a founding member, through to the 1990s as a member of the Ethics Committee of the Department of Health, she supported efforts to improve women’s health and reproductive rights. At the local level she was most active on committees that worked to save the natural and built environment. The Power-line Action Group, the Studley Park Conservation Society, and the Yarra Bend Park Trust all benefitted from her indefatigable endeavours as well her vision. In 1980, Jill O’Brien successfully stood for the Kew City Council and served as Mayor in 1983 and 1984. With an eye to preserving the past as well as guarding the future, she had the Mayoral robes restored and in 1980 and 1981 was president of the Kew Historical Society. The preservation and restoration of Villa Alba in Walmer Street owes much to her determined efforts throughout the 1980s. On Council, she chaired a number of committees involved in the saving of the Kew River Parklands from the proposed transmission line of the SEC. To this end, she was the Council representative on the Merri Yarra Municipal Protection Committee.Rare colour photograph, used as the official mayoral portrait of Cr Jill O'Brien.Formal civic portrait of Cr Jill O'Brien in red mayoral robes wearing lace jabot and cuffs. The portrait is part of the larger Jill O'Brien Collection donated by her daughters.cr jill o'brien, city of kew -- mayors, mayoral portraits -- city of kew

Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland

This is a photograph of a painting by the noted artist George Webb (1861-1949). Webb was best known for his portraits of civic dignitaries in Melbourne and Adelaide but he also produced many landscapes and seascapes. Some of these feature Warrnambool landmarks as he married, in the late 1890s, Christina Lake, the step-daughter of George Rolfe who owned the property known as ‘Lyndoch’, near the mouth of the Hopkins River. Webb painted the early cottages at ‘Old Lyndoch’ using a photograph taken some time earlier. The painting was given to Dick Allan, the chauffeur in the employ of Florence Lake, Christina’s sister. Florence Lake owned and resided at Lyndoch after her parents’ death. Dick Allan’s son, living in Tasmania, acquired the painting and Les O’Callaghan obtained the photograph of the painting from him. Although this is only a photograph of an original painting, it is of some considerable importance as the painting has great historical significance and this is the only representation we have of it. The man in the photograph represents George Rolfe and the story of Rolfe and his ownership and development of the property of Lyndoch is an important one in Warrnambool’s history. The original by George Webb is also an important work of art in its own right.This is a colour photograph of a painting. The frame of the original painting can be seen at the bottom of the photograph. The photograph is in on old frame which has two wooden edgings with the outer one having an ornate gold plaster edging and an inner one with a gold velvet insert next to the glass. The ornate gold plaster has a piece missing near the top left hand corner. The photograph is set into a gold-coloured wooden frame inside the glass. The photograph is mounted onto cardboard and covered with cardboard at the back with a small piece of wood attached (from the original frame). The backing is nailed on. lyndoch, george webb, george rolfe

The sculptor of the Shakespeare sculpture was Andor Meszaros of Kew, Melbourne. The unveiling was undertaken by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected. The "portrait statue" shows how people saw Shakespeare as he wanted to be seen; as author-actor bowing to the applause. His position implies modesty, the knowledge of his own worth; majesty. his movement is at once humble and royal. The statue was positioned so people approaching or leaving Ballarat Civic Hall will see the statue full face, and the bowing attitude enables them to continue to study the face even from a few feet distant. The base in in the form of an Elizabethan stage, and is designed so that its sides correspond to the existing angles of its position. The proposal to erect a Statue of Shakespeare in Ballarat stemmed from a movement in 1889, when a committee was formed and a meeting held to inaugurate the proposal. At the initial meeting 258 pounds was contributed to the fund, which was later built on by further donations. In 1935 the fund stood at 945 pounds. In 1939 a bequest of 100 pounds was received from the estate of the late Frank Gale. In October 1952, the Fidelity trustee Company Limited notified of an extract of the will of Harry Person Stevens, in which be bequeathed the sum of 2,000 pounds to the fund for the erection of a Statue of William Shakespeare. In 1957 it was felt the fund had accumulated to an amount sufficient to carry out the intentions of the fund. at that stage the money in hand was approximately 4,000 pounds.A small committee was appointed to further the proposal. In May 1959 a panel of adjudicators met to determine the winner of a limited competition amongst sculptors. The committee comprised Cr G.L. Scott, Cr K.C. Webb, Cr W.E. Roff, J.H. Heinz representing the Fidelity Trustee Company Limited, and R.P. Evans of the Ballarat Fine Art Gallery. Norma Redpath, the nominee of the Victorian Sculptors' Society was present in the capacity of an adviser. Four page leaflet printed for the City of Ballarat Ceremony of handing over, accepting and unveiling the Shakespeare State at the Ballarat Civic Hall. The Shakespeare sculpture is cast in bronze and sits on a Stawell stone base. stevens, fidelity trustee company, gale, ballarat civic hall, shakespeare, north, nicholson, stawell stone, andor meszaros, sculpture

Photograph of a portrait of Anna Flintoff dated circa 1855. The Flintoff family came to Greensborough circa 1841. They owned, farmed and leased land north of the present Civic Drive.Digital copy of black and white photograph.flintoff family, anna flintoff

Photograph of a portrait of Edward Theodore Flintoff and his grave. The Flintoff family came to Greensborough circa 1841. They owned, farmed and leased land north of the present Civic Drive. Edward died on 14/06/1899. A pioneer Greensborough family.Digital copy of colour photographs.flintoff family, edward theodore flintoff

Portland Town CouncilTwo framed black and white photographs. Left: T. Edward C. Henry Right: E. Noel T. Henry Head and shoulders wearing tweed suit, Wearing official looking robes, striped tie, round-rimmed glasses, dark-rimmed glasses. moustache.Front: Top centre: Town Clerks of Portland Bottom left: T. Edward C. Henry, LS, CE, Council Service - 1888 to 1946 Town Clerk - 1888 to 1938 Bottom right: E. Noel T. Henry, MBE, Hon F.I.M.A., JP, Council Service - 1917 to 1967 Town Clerk - 1938 to 1967 Bottom: A record of Municipal Service of 107½ years by father and son. Back: Yellow sticker, numbered 3004.portland town council, administration, local government, official portrait photography, civic photography

Frame - Golden timber/mottled. Inner frame - Gold embossed. Mount - Maroon flecked cardboard. Male - Facing front Black open jacket/button holes on lapel/vest. White shirt and black button. Full beard. Receding hair line. Background - white and greyFront: H.E. Brewer. Esq. M.D. 1866.portrait photography, portrait, photography, civic photography

Portland City CouncilRetouched black and white portrait of a bearded man in three-quarter view. He is wearing a suit and bow tie, and his hair has a central part. Photograph is framed in an oval burgundy mount with a wooden gold gilt frameFront: F. Schofield Esq., 1881 (engraved on brass panel, lower centre) Back: (no inscriptions)civic photography, civic, councillor

Black and white photograph. Portrait of a man with curly short hair. Glasses. He wears a dark jacket with a striped tie. White shirt. He looks at the camera face on.C.G.PUMPA. J.P. MAYOR / 1932-33 / 1933-34 Thornton Richards & Co / Ballaratcivic photography, mayor of portland

These booklets were produced in 1896 by the Warrnambool photographer, Joseph Jordan as a souvenir of Warrnambool with three of them being also souvenirs of the 1896-7 Warrnambool Industrial and Art Exhibition. Joseph Jordan, born in England, took up photography whilst on military service in India. In 1890 he set up as a professional photographer in Warrnambool and became well-known for his family portraits and official photographs of civic dignitaries in the town. He retired in 1916 and the business was continued by his son, Arthur. The Warrnambool Industrial and Art Exhibition was held over three months in 1896-7 in the civic buildings with some temporary buildings added. 70,000 people were said to have attended over that time with concerts, operas, art and sporting competitions and many exhibits. Joseph Jordan had the exclusive rights to publish a souvenir booklet. These booklets are of prime importance because:- 1. They are invaluable pictorial records of Warrnambool and district in the late 1890s. 2. They contain valuable advertisements which give us pictorial representations and other information on businesses in Warrnambool in the late 1890s. 3. Three of them relate directly to the Warrnambool Industrial and Art Exhibition and contain an article dealing with the Exhibition. 4. They contain a written description of Warrnambool in the late 1890s. 5. They show the work of one of our most important photographers, Joseph Jordan and probably also the work of his son, Arthur. These booklets have been published in 1896 by the Warrnambool photographer, Joseph Jordan and contain 15 pages of black and white photographs of Warrnambool and district, many advertisements for local and Melbourne business and an article of the town of Warrnambool. Three of the booklets also contain information on the 1896-7 Warrnambool Industrial and Art Exhibition. Booklet One and Two – dark red hard cover with the title in gold and ornamental scroll work. The cover printing of Booklet Two is almost obliterated. The books are glued and reinforced with string. Booklets Three, Four and Five – soft covers in beige tonings with the title in black print and featuring ornamental scroll work with a sketch of a bird. The covers have much foxing. The booklets are bound with black and brown tape. Booklet One: ‘Ivy Morden’ Booklet Two; ‘Mr Peter Gibbons’ joseph jordan, warrnambool industrial and art exhibition

Cotton / Cloth Commemoration of the coronation of King Edward VII , June 1902 , cream background , red borders , showing the king's portrait , Westminster Abbey , Buckingham Palace & coat of arms , Dieu Et Mon Droit.civic mementoes, royal souvenirs, the coronation of king edward vii , june 1902

a. Photograph of home 'Caradon' (Eaglehawk) and booklet re Caradon, Cornwall. Home of John Hooper - front/side of two-storied brick building ''Eaglehawk's Civic Offices'' with information about Hooper and family; with separate copy of extract from book re detail of the life of John Hooper (with reproduction of portrait photo); b. 36 page booklet (Trades Directory) re the Caradon district in Cornwall- companies and services in south-east Cornwall (no date - but recent - 1960s??)buildings, house, caradon, mr j. hooper. caradon. cornish. trades directory.

This 1997 photograph of students and a staff member from the junior student council at Jacana Primary School offers a compelling glimpse into suburban school life in Melbourne during a time of considerable social and urban change. Founded in 1959, Jacana Primary served as a vital educational and community institution until its closure in the early 2000s. More than a place of learning, the school was a foundation for building identity, connection, and shared experience among students and staff. The image highlights the school’s emphasis on student leadership and participation, reflecting its commitment to fostering an inclusive, empowering, and supportive environment for young learners. It also subtly documents the increasing cultural diversity of Jacana in the late 20th century, as suburban growth brought together families from a wide range of backgrounds. As part of the school’s visual archive, this photograph contributes to a broader understanding of how public education shaped local identity, encouraged civic engagement from an early age, and promoted social cohesion. It stands as a meaningful record of the school’s legacy and its lasting impact on the lives of children and their communities.The 1997 photograph of the junior student council at Jacana Primary School is a culturally and historically significant record that reflects the values and dynamics of suburban education in Melbourne during a period of notable social and urban transformation. Capturing a moment of student leadership and engagement, the image highlights the school’s commitment to fostering inclusive, participatory learning environments where young voices were encouraged and empowered. Jacana Primary School, established in 1959 and active until its closure in the early 2000s, served as a vital educational and community hub in Melbourne’s northern suburbs. This photograph not only documents the school’s emphasis on student representation but also subtly illustrates the increasing cultural diversity of the Jacana area in the late 20th century, shaped by migration and suburban development. As part of the school’s visual archive, the image contributes to a broader understanding of how public education helped shape community identity, promote social cohesion, and instill civic values in younger generations. It stands as a meaningful artifact of educational heritage and community memory.Colour Photograph mounted on white card, and laminatedBack: Top Left Corner: (Blue Label): PH-2187, (Front): (Bottom Left corner): Fotek Portraits © Photograph (Back): (Dispersed): Fujifilmjacana primary school, education, photograph, group photograph, 1997, junior school council

110 pages : illustrations, portraits ; 29 cm.non-fictionFrom Municipality to City: Chairmen & Mayors of Kew 1861-1994 is the result of a collaborative history project completed by members of the Kew Historical Society. Th text includes a contextualised series of illustrated biographical and autobiographical profiles of the former civic leaders of Kew. The profiles explore the political, social, cultural and economic history of Kew from the earliest years of European settlement to the amalgamation of Kew into the City of Boroondara in 1994.kew (vic.). council -- history, mayors -- victoria -- kew -- biography, kew (vic.) -- history

Photograph of the first Kew Mayoral Ball to be held after the Second World War. The photograph formed part of the collection of WHS Dickinson and was presented to the Kew Historical Society by his daughter in 2018. A group portrait of attendees at the 1947 Kew Mayoral Ball, held in 1947 at the Hawthorn Town Hall. In the second row, centre are the Mayor and Mayoress of Kew, Cr WHS Dickinson and Mrs Doris Dickinson. Also in the photo are the acting Town Clerk of Kew, Bill Graham (3rd row at left), two flower girls, Judith and Janet Dickinson, and debutantes with their partners. Mr Ron Dickinson, the son of the Mayor and Mayoress is standing in the back row at left. The photograph is in a beige card folder embossed with the words "Portrait by C. Stuart Tompkins, Camberwell". The internal framing mount is signed in pencil with: "C Stuart Tompkins, Camberwell". 1947cr whs dickinson - mayor of kew 1946-1947, civic events - kew (vic), mayoral balls - kew (vic)

The Kew Bowling Club was formed in 1880 and merged with Auburn Heights Recreation Club in 1998. In addition to the unnamed members of the teams, the following individuals are profiled on the item. The background of these men has been identified by John Torpey as follows: BRADSHAW William Henry, grocer, 6 Cotham Road, Kew & 33 Prospect Hill Road, Camberwell - CARNEGIE J Lewis, merchant, Studley Avenue, Kew [Carnegie & Sons, piano & organ importers 106 Elizabeth Street, Melbourne] - CLARKE Charles, warehouseman, 35 Queen Street, Kew - EDGAR Robert McCutcheon, 215 High Street, Kew - FINLAYSON John Marshall, solicitor, 178 Cotham Road, Kew - GREEN Charles Henry, clerk, 81 Wellington Street, Kew - GREENHILL F snr [not found] - GREENHILL Thomas jnr, traveller, High Street south, Kew - HAMBLETON Lincoln, civil servant, 32 Coleridge Street, Kew - HANDBURY John, manufacturer, 55 Walpole street, Kew - JELLIS Thomas G, baker, Princess Street, Kew - LILBURN William Hugh solicitor, Denmark Street, Kew - MANSFIELD Allan, plumber, 150 Cotham Road, Kew [S&McD] or 21 Belmont Avenue, Kew [Electoral Roll 1909] - NATHAN Simeon, warehouseman, 59 Sackville Street, Kew - NIVEN Henry N, 192 Barkers Road, Kew [FW Niven & Co 40-42 Flinders Street, Melbourne, printers & lithographers] - SIMONTON Alan Thompson, dairyman, Belmont Avenue, Kew - SINUCH WC [not known – bottom right of frame] - SWINBURNE George [see Australian Dictionary of Biography] - TREDENNICK William, civil servant 285 Tennyson Street, Kew - WENTWORTH William Dalton, painter, 5 Derrick Street, Kew - WOOLLARD Thomas, civil servant, Hildebrand Crescent, Hawthorn - WOOLLARD Walter Herbert, builder, 35 Disraeli Street, Kew [Sources: Sands & McDougall directories, Electoral Roll 1909]The photographic collage is historically important as it includes rare photographs of local identities, many of whom were significant civic actors statewide.Large photo collage created by Barroni & Co (Melb) of team, player and official portraits of members of the Kew Bowling Club. At one stage the item was in a drawer in a map cupboard, fractured into multiple pieces. The items were later assembled some years ago Graham Lindsay and framed in 2021 for exhibition by John Torpey. "Kew Bowling Club / Season 1908-9 / Runners up for pennant and for Championship Rink / Office bearers of Club and Members of Pennant and Champion Rink Teams".kew bowling club

This is a smaller version of the large framed photograph donated to the new City of Kew by Cr Wishart. The framed photograph was hung in the Walpole Street Town Hall. Presumably, each of the Councillors in the portrait was presented with a smaller version.This photograph was donated by a descendant of the Kellett family. This picture, like it framed counterpart, is historically significant as a record of a major civic event in Kew's history. It is also aesthetically significant as the last official photograph taken by the photographer Josiah Earl Barnes before his death in the same year.Kew Becomes a City, 1921. Small photograph mounted on card of the official portrait of the Mayor and Councillors of Kew in 1921. Josiah Earl Barnes, the photographer, posed the group in front of the Jubilee Rotunda in the Alexandra Gardens in Cotham Road, Kew. At the centre of the group in mayoral robes is the then mayor of Kew, Cr. F.G.A. Barnard. This was to be the last major commission by the Council for J.E. Barnes, who had been responsible for creating the series of 19th Century portraits of former mayors that was displayed in the Kew Town Hall in Walpole Street.J. E. Barnes / Photoj.e. barnes, kew (victoria), kew city council, alexandra gardens, f.g.a. barnard

John Halfey (1825-89) was born in Southport, Lancashire and migrated to Victoria in 1852. After finding gold at Sandhurst, and representing the latter in the Victorian Parliament, he moved to Melbourne to engage in various commercial pursuits, including directorships of insurance, mining and banking companies. A resident of Kew from the late 1850s, he was known for the hospitality provided at his house Ordsall (later Southesk) in Cotham Road. On 14 December 1860, Halfey chaired a public meeting calling for separation from the Boroondara Roads Board, which led, four days later, to the proclamation of Kew as a separate municipality. He was elected to the Council in 1861, replacing Cr. Oswin, and subsequently served as the second Chairman of the Municipality in 1862-1863. John Halfey became a trustee of Holy Trinity Church in Bulleen Road (now High Street) in 1862. He was to resign from Council after four years in 1865. Twenty-four years later in January 1889, he died aged 63 from a seizure, at his rooms at the Herald Office. He was interred in the Boroondara General Cemetery where his monument is the tallest in the Cemetery. Donated by Eileen Grigg, 2017Small, full-length portrait of John Halfey in an original gilded frame. The artist depicts him formally dressed in a frock coat beside an open window. He is shown holding a document or perhaps a pair of gloves. The painting is badly damaged with a hole in the area of his face that has been patched and repainted.john halfey, ordsall, chairman of kew, boroondara roads board, municipality of kew

Jack Gervasoni was born in Dayledford. After a football career with Fitzroy Football Club he ran the North Kew Authorised Newsagency, at which time he was elected to the City of Kew Council. Colour photograph of City of Kew Mayor John H. Gervasoni in mayoral robes. This photograph was taken in the top floor of the Kew Civic Centre outside the council chamber. This buildinglater became part of Trinity Grammar School.mayor, mayoral, portrait, kew, gervasoni, john, jack, city of kew, kew mayors, mayoral robes, john hogan gervasoni, mayors of kew

Copy of a black and white photograph of City of Kew Mayor John H. Gervasoni. He stands in front of the Kew Coat of Arms on the exterior marble of the Kew Civic Centre.mayor, mayoral, portrait, kew, gervasoni, john, jack, coat of arms, cresco, city of kew, kew mayors

James Goldie Mayor of Port Fairy 1915, 1922James Goldie as Mayor had a hand in forming the butter factory industry in Port Fairy and RosebrookBlack and white photographic portrait james goldie, goldie, mayor, port fairy, councillor, borough of port fairy, civic, council

Everest Le Page became mayor of Moorabbin in 1940 and served a second term in 1952. His father, Francis Le Page, had been president of the Shire of Moorabbin, as it was previously known, in 1902. The Le Page family were prominent market gardeners in what is now Kingston and were active in many areas of civic life. This is Everest Le Page's official mayoral portrait.Black and white image of Everest Le Page dressed in mayoral robes.

This large framed photograph once hung in the Kew Town Hall in Walpole Street. It marked the occasion when Kew became a city. It is an important record of a significant civic event by a nationally significant photographer. A very large, framed portrait of the elected councillors of the City of Kew in 1921. The photograph was taken by the nationally important photographer, Josiah Barnes who had until recently been a resident of Kew. He was to die in the same year that the photograph was taken. The photograph was taken in the Alexandra Gardens in front of the Jubilee Rotunda. [Inscription] "Kew Proclaimed a City, 10th March 1921, Kew City Council". [Photographer] "J.E. Barnes Photo / Kew". Plaque: “Presented by Cr Wm Wishart / Mayor 1906-7”.kew city council

Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen Silver photograph on card of Captain John Marshall and family, Mayor of Kew 1872-73.The inscription was added by the family and at one stage modified. In addition to the title, the sitters' names are inscribed beneath the photograph on the mountCaptain John Marshall and family / Mayor of Kew 1872-73 Webster - Maud - Austin - Mary Marshall - John Marshall - May - Andrew - Polly / Residence “Maryvale” 197 Cotham Road. john marshall, maryvale (cotham road, kew), maryfield (cotham road, kew), webster marshall, maud marshall, austin marshall, mary marshall, may marshall, andrew marshall, polly marshall