"QLD Solidarity Collective 1977" written on back of photos in blue biro

The 1950 Form 1 group became the Cohort that culminated in the formation of the School's Foundation Matriculation Class. The following account is a compilation of recollections and anecdotes of Primary and Secondary schooling prior to either leaving Box Hill High School or deciding to continue on.Incl. bibliographical references, 214 pages. The 1950 Form 1 group became the Cohort that culminated in the formation of the School's Foundation Matriculation Class. The following account is a compilation of recollections and anecdotes of Primary and Secondary schooling prior to either leaving Box Hill High School or deciding to continue on.box hill high school, high schools, high school graduates, (mr) robert l hayes

Additional text: "Disco [Women's] Warehouse, Bay 9, No 9 Ultimo Road, Haymarket. Benefit for 'Girls Own'; the new Sydney feminist Newspaper. Dress Disco. Friday Feb 13th. $3/$2 kids free".

Fitzroy Street St Kilda outside number 55, Leo’s Spaghetti Bar, an iconic restaurant which opened in 1956. The image appeared with an article about Fitzroy Street in the November 1981 edition of community newspaper Shout.Black and white photograph, unmounteddavid rae collection, st kilda

Soft cover book with the picture of the Keilor Cemetery on frontkeilor, history, pioneers, residents, history

DAMP produced Victoria’s Secret alongside a suite of ceramic based artworks, which on close inspection are a patchwork of broken fragments that form the basis of ‘The Harrison Collection’. ‘The Harrison Collection’ and ‘Victoria’s Secret’, began with the simple gesture of breaking a plate. Each member of DAMP painted a fragment of this plate and it was glued back together. For two years DAMP gathered found objects, personal effects and references and transformed these into a sculptural patchwork. Each of the 40 or so objects in the series were a result of the collaboration, demarcated by individual hands. In the case of Victoria’s Secret, a ready-made statue was carved into pieces. DAMP members used the American cartoonist and musician Robert Crumb and a Bauhaus Tapestry as reference material for this piece.collective

One white hardcover book and one blue hardcover book, collectively containing the accession register form the WTC libraryASCESSION RESISTER

One brown folder and one green hardcover book with brown reinforcement which collectively is the library logbook, used by students as they borrow and return books.

This book was produced as part of a raft of community projects under the umbrella of COWCH (City of Whitehorse Community Houses) with funding from the federal government. Projects aimed to celebrate the Centenary of Federation by recording a broad base of aspects of life and experience in Whitehorse drawn from a cross-section of ordinary members of the community. The steering committee for the book worked with the management of the Vermont South Community House - Marjorie Morgan, Carol Pawsey, Val Eldridge, Sue Barnett, Anne Jones, Margaret Banks and Murray Lewis (editor).A collection of stories contributed either as written memoirs or drawn from oral histories that reflect the ways in which the contributors have been associated with the City of Whitehorse. A Federation Project of the Collective of Whitehorse Neighbourhood and Community Houses.whitehorse, (ms) susan barnett, (ms) susan johns, (mr) arthur tonkin, (mrs) kathleen beanland, (mrs) nancye gration, (mr) norman kerr, (mr) murray lewis, tara cameron, andy hannam, christine howarth, danielle burgess, yeek hoon tjia, ian grandy, frances warren, jessie williams, joan nethercote, joyce kotze, john pawsy, greg bawden, hope hughes, thelma osborn, margaret sharp, merle forrest, caterhine jenkins, ted o'rourke, judy gordon, george ellis, rene & albert stevens, jessie barnes, mary roberts, howard & valda broadstock, nellie sutherland, jean johnson, evan walker, joan roberts, pat nitz, joan & patrick crummy, ray stanfield, plaatjien braaf, kath farrugia, noelene whitaker, margaret wood, phyllis johnson, marie stubbs, eileen pearson, jennifer o'sullivan, joy edwards, virginia burns, walter thompson, mae buckingham

Shiny covered cover using black text on grey and white abstracted background .non-fictionA discussion paper accompanying the Culture and Democracy Conference in Sheffield , UK 12 and 13 July 1986 activism, socialism, collective, class analysis

Earthworks Poster Collective, SydneyThree colour screen print

Digitised video (4.64GB). Duration: 85 minutes. Recorded October, 2024 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation, Ringwood and District Historical Society President Russ Haines introduces a brief history of the South Warrandyte area and focuses on the community spirit and collective support amongst women of the district.

In recognition of the support from the Lions and Lioness Clubs, the Royal Blind Foundation of Queensland named a meeting room in their honour at the Kent Street offices.Digital image of plaque with Lions logo in cornerThe Lions Room So named on 20th March 1991 In recognition of the years of support by numerous Lions and Lioness Clubs in the State of Queensland and in appreciation of their collective effort in financing the refurbishment of our office facilities.royal blind foundation of queensland, nameplates

Item/s in collective re B.J. Ruler VX40780 refer cat No 5790 for his service details. Cardboard backing with a coloured religious picture (The Last Supper) and a small paper calendar attached under picture. A ribbon forms a hook at the top.In black ink on cardboard “ (a tick) letters, X cables ( a dot) parcels” “Bern Ruler 5th February 1941. The calendar pages have the above marks on the dates. Back cover “14.12.40 SMA’ with the months and numbers.calendar, 1941, ww2

This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd.

Collectively the G W Duncan material donated in 2017 and includes: photographs, professional data memorabilia and written and commercially printed resources from the mid 20th C.Mariner Duncan had a particular regard for the Mission to Seafarers. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. small b&w photograph depicting head and shoulder of two men in uniform george winfield duncan (1922-2017), seamen, ship engineer, s.s. athenic