Lois Pedrazzi was a student of the Ballarat Technical Art Schoollois pedrazzi, ballarat technical art school, ballarat school of mines, art theory, colour theory, child art, workbook, journal, artists workbook, visual arts

A colourist’s scrapbook, possibly belonged to A. M. Collins. Scrapbook contains articles relating to colour and the human psyche, including articles relating to how men react to women wearing different colours, and studies into conditions such as synaesthesia. The scrapbook provides an interesting insight into a designer’s thoughts, inspiration and working life. Red bound book containing published, hand written and printed text. Contains some loose items. colour, design, colour theory, synaesthesia, inspiration, working life, scrapbook, wool, clothing, fashion

A colour photograph of Darwin Street in Marysville in Victoria.A colour photograph of Darwin Street in Marysville in Victoria. Darwin Street was named after Charles Robert Darwin. Charles Robert Darwin was an English naturalist, geologist, and biologist, widely known for his contributions to evolutionary biology. His theory that all species of life have descended from a common ancestor is now generally accepted and considered a fundamental concept in science. In a joint publication with Alfred Russel Wallace, he introduced his scientific theory that this branching pattern of evolution resulted from a process he called natural selection, in which the struggle for existence has a similar effect to the artificial selection involved in selective breeding. Charles Darwin has been described as one of the most influential figures in human history and is buried in Westminster Abbey. charles robert darwin, darwin street, marysville, victoria, photograph

A colour photograph of Darwin Street in Marysville in Victoria.A colour photograph of Darwin Street in Marysville in Victoria. Darwin Street was named after Charles Robert Darwin. Charles Robert Darwin was an English naturalist, geologist, and biologist, widely known for his contributions to evolutionary biology. His theory that all species of life have descended from a common ancestor is now generally accepted and considered a fundamental concept in science. In a joint publication with Alfred Russel Wallace, he introduced his scientific theory that this branching pattern of evolution resulted from a process he called natural selection, in which the struggle for existence has a similar effect to the artificial selection involved in selective breeding. Charles Darwin has been described as one of the most influential figures in human history and is buried in Westminster Abbey. charles robert darwin, darwin street, marysville, victoria, the country cupboard cafe, the marysville museum, photograph

A colour photograph of Darwin Street in Marysville in Victoria.A colour photograph of the Scenic Bed and Breakfast in Darwin Street in Marysville in Victoria. The Scenic Bed and Breakfast, along with all the guest houses in Marysville, was destroyed in the 2009 Black Saturday bushfires. Darwin Street was named after Charles Robert Darwin. Charles Robert Darwin was an English naturalist, geologist, and biologist, widely known for his contributions to evolutionary biology. His theory that all species of life have descended from a common ancestor is now generally accepted and considered a fundamental concept in science. In a joint publication with Alfred Russel Wallace, he introduced his scientific theory that this branching pattern of evolution resulted from a process he called natural selection, in which the struggle for existence has a similar effect to the artificial selection involved in selective breeding. Charles Darwin has been described as one of the most influential figures in human history and is buried in Westminster Abbey. charles robert darwin, darwin street, marysville, victoria, scenic b&b, 2009 black saturday bushfires, photograph

Booklet to accompany third year student exhibition of Bachelor of Visual Arts students. Includes staff list, individual student names and photographs within their studio spaces at the Mt Helen Campus. It also includes student contact details and some artist statements. Introduction by Associate Professor Ian Hemingway, Head, School of Visual and Performing Arts, Ballarat University College. List of subject areas and staff names. Ceramics, Drawing, Graphic Design, Painting, Photography, Printmaking, Sculpture, Art History / Art Theory. At this time, the School offered the three-year Bachelor of Arts, Visual Arts; Bachelor of Arts, Performing Arts, a one year Graduate Diploma of Visual Arts and a one year Graduate Diploma of Music Education.Saddle-stitched book. 68pp cover black and white text pages on gloss stock, plus 4pp single colour cover on textured card.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, ceramics, drawing, graphic design, painting, photography, printmaking, sculpture, art history / art theory, mt helen campus

This 300 year old book deals with the theory of light and colour and with investigations of the colours of thin sheets, 'Newton's rings', and diffraction of light. Newton uses a wave theory of light and his corpuscular theory to explain his observations. Sir Isaac Newton (1643-1727) was a great figure in the history of optical science. His classic 'Opticks' was first published in English in 1704. This Latin edition of 1706 was published to satisfy a wider scientific audience in Europe. Newton was Lucasian Professor at Cambridge 1669-1693 and a fellow of Trinity College. He achieved fame as a creative mathematician and for his law of universal gravitation which explains planetary motions. He retired from research in 1693 to become a government official in London.This book is highly significant as a milestone in the study of optics. Although not a very rare book, only one other copy is listed by WorldCat in an Australian institution.Latin edition of Newton's 'Optics' translated by Samuel Clarke. This copy is bound in full calf leather of the period, 348 pages, with fold-out figures plus a 24 page appendix 'Enumeratio linearum tertii ordinis' and a 43 page appendix 'Tractus de quadratura curvarum'. It is in outstandingly good condition.Inscribed on the fly leaf in pencil is that this is the 2nd edition, the first in Latin, and that Newton gave Clarke 500 pounds for the translation.refraction, optics, newton, reflection

Used at Ballarat School of MinesThe cover is a red brown colour with the title on the spine and the publisher Longmans & Co printed near base of the spine. The book has 496 illustrations throughout with some pull out plates. Pages 514.On the inside cover it is stamped with The School of Mines Ballarat and written in pencil is 1914 and E K.compound engines, thermodynamics of gases, properties of steam, temperature-entropy diagrams, superheated steam, steam-jacket, feed-water heaters, crank-shaft, flywheels, corliss engine, steam turbine, condensers, friction of engines, steam-engine, william ripper, steam

Acknowledgements Foreword Chapter 1: Introduction - Backgroung - Approach and methodology Chapter II: Findings Chapter III: educational applications and implications of this research References.colour illustrations, colour photographs, tablesbilingual education, two way literacy and learning, aboriginal english, western australian education, schema theory, cultural schemas, bidialectal education

Contextualizing Native American LPP: legal-political, demographic and sociolinguistic foundations; conceptualizing Native American LPP: critical sociocultural foundations; Native American languages 1492-2012; Indigenous literacies, bilingual education and community empowerment: Navajo case study; language regenesis in practice; language in the lives of Indigenous youth; planning language for the Seventh GenerationMaps, b&w illustrations, b&w photographs, colour photographslanguage planning, language policy, native american languages, language standardisation, language restriction

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting.art, artwork, garth sansom, sansom, abstract