Scotty So is a multi-disciplinary artist who works across a range of media including photography, painting, sculpture, site-responsive installation, videos and drag performance. Driven by the thrill of camp, he explores the often-contradictory relationship between humour and sincerity, creating a scene of para-fiction through the manipulation of found objects and existing imageries in the living experience. Born and raised in Hong Kong, So’s work has been shown in Australia, China, Hong Kong, and Europe. His work has been acquired for many collections, including the National Gallery of Australiastonnington contemporary art collection, scotty so, photography, haute couture, fashion, commodification, para-fiction, drag, performance

Scotty So is a multi-disciplinary artist who works across a range of media including photography, painting, sculpture, site-responsive installation, videos and drag performance. Driven by the thrill of camp, he explores the often-contradictory relationship between humour and sincerity, creating a scene of para-fiction through the manipulation of found objects and existing imageries in the living experience. Born and raised in Hong Kong, So’s work has been shown in Australia, China, Hong Kong, and Europe. His work has been acquired for many collections, including the National Gallery of Australia.stonnington contemporary art collection, scotty so, photography, haute couture, fashion, commodification, para-fiction, drag, performance

See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings