The NEROC (North East Regional Organisation of Councils) Report investigates sites of faunal and habitat significance in north-east Melbourne. This CD produced for Nillumbik Council in 1997. The attached PDF file gives an overview of the report.Compact disknillumbik, ecology, habitat, neroc

Contains a collection of photographs by Jasmin Burge. Mainly focused on Greensborough area, there are also photographs of Loyola College, Lower Plenty Hotel, Hurstbridge and some Greensborough Historical Society activities.A collection of 21st century photographs of the Greensborough area. 1 compact disk in plastic case. Contains photographs.In black pen on cd: "LP Hist walk, Hurstbridge graves, GB and Greenhills, Lower Plenty hotel portraits, GB Resource Centre."greensborough, greensborough cemetery, loyola college, greensborough historical society, jasmin burge

This history of Briar Hill Primary School was written by GHS members Marilyn Smith and Dawn Bennetts (nee Petts). They had access to Briar Hill's archives and scanned photographs and news articles relating to the school. These are saved to a CD.Briar Hill Primary School was opened in the 1927 but was threatened with closure or amalgamation in 2000 due to low student numbers. With the introduction of "Steiner-influenced" classes, numbers had increased to around 170 in 2013.Green plastic folder containing article, photographs and compact disk.briar hill primary school, briar hill state school, marilyn smith, dawn bennetts

One compact disk in jewel case. Seven tracks are included. For details see image above.williamstown high school, 2009, music program, stage band, will salisbury

One compact disk containing 142 photographs of Williamstown High School in 2005, before the rebuild.williamstown high school, 2005, bayview campus

One compact disk containing performances by Williamstown High School music groups in 2001. Fourteen tracks are included.williamstown high school, 2001, prologue

A collection of photos of the Chapman and Stock families of Greensborough and Lower Plenty. Photograph in this CD have been labelled by Peter Blackbourn.Photos collected by Peter Blackbourn as part of his family history research.Compact Disk. Contains 95 images of Chapman, Stock, Blackbourn and Barnett families dating from late 19th century through the 20th century. Chapman-Stock photos identified by Peter Blackbourn.chapman stock family, greensborough, lower plenty

One compact disk containing photographs from The Williamstown High School trip to Malaysia in 2007. Also some photographs of 9CT Home group of 2007.williamstown high school, 2007, malaysia, school trips, form 9ct

Bill Cahill in conversation at Victoria Hall Melton South July 1974 Chaff Mills Melton’s hey day, as I call it in the days when more hay was grown in Melton and Rockbank than, I’d say in any where in Victoria. We had two chaff mills. If I can remember rightly I’m sure of this, that in one month the amount of hay and chaff that went from Melton to Melbourne was about 1800 tons, that’s hay and chaff. There was a lot of hay went from the Melton Railway Station. I have often seen whole train load going down the Schutt and Barrie, that’s Bonnie’s father’s mill at West Footscray. The mills in those days employed up to from 18- 20 men in each, that was before electricity when the mills were run on steam then, there was no power. At times those chaff mills they got a lot of shipping orders, to the Philipines and other Asian countries. They’d work shifts at night on the second shift at night time they would have an old hurricane lamp hanging above from the ceiling just over the chaff cutter, you could hardly see yourself, or see the anything. Well they worked through the whole night they might have an order come in for perhaps 100tons up 500 tons of chaff to go a boat would be in and be waiting to be loaded in Melbourne and they’d have to go and work two shifts. Then they brought in casual labour to help them through and get the order cut and get it down by rail to ship board to send it away. Talking about the hay I’ve seen wagons of hay in the farmers carting to both mills and also hay going down to West Footscray. There would be a quarter of a mile without exaggeration wagons and teams would be waiting to get into the mill, they would come down at the weighbridge at about 3-4- o’clock, 2 o’clock waiting for the bridge to open to weigh their loads, the ones that would be running late would be there at the weighbridge about half past 7 - 8 o’clock. They would be lucky to get away by night before getting their load off. A funny episode I remember well was a farmer from up, Alan Hurley you would remember him, Sam McCorkell he would put on his load in the afternoon or evening leave it up the yard, and would leave Toolern Vale about 12 or 1 o’clock in the morning and he would get down to the weighbridge and when it was breaking day he would bring half of his fowl yard down with him. The fowls would hop up on top of the load and have a ride down and when it came daylight they’d hop off and away they’d go, and I suppose everybody had some of McCorkells poultry. [laughter from the audience] That always tickled my fancy and everybody would be laughing about the fowls getting off his load of hay. I reckon that was about one of the funniest things I’ve ever heard of. The Victoria Hall, where we are tonight was originally known as the Exford Hall. I believe Bonnie’s father was the original builder and owner of the chaff mills here round the corner which is known as Wards today. Later on I understand that his father had a chaff mill here were this hall is, then Dixon Bros were just a bit on the other side. I believe Bonnie’s father sold it to Dixon Bros, and they shifted this part of the mill here and took it over and joined it up. That’s the history of the early chaff mills. Is that right Bonnie? You might like to correct, I’m about right am I? Bonnie answers yes. The original audio tape was recorded on the reel to reel tape recorder by Bon Barrie using his own tape recorder. Transferred to CD by Tom Wood using computer technology capable of adjusting the recording to a legible speed for reproduction to compact disk. Bill Cahill article featured in the The Mail Expresslocal identities

This disc (Disc 2 of a set of 3) contains part of the 2009 Performing Arts Integrations Project. Advanced Diploma of Music Performance (Jazz and Contemporary) Fairfield Campus.The disc showcases musical performance and video and sound production as various areas of performing arts combine.1 compact disc in plastic folder. jazz music, contemporary music, advanced diploma of music performance, fairfield campus, nmit,

Slawa built the umbrella using existing and modified umbrella parts purchased from manufacturers and other sources with the idea to develop a more practical umbrella. At the time Slawa was a student studying sculpture at the Akademie der Bildenden Kunste Wien (Academy of Visual Arts). She spent many months developing the prototypes in secret before she applied for and received a patent on 19 September 1929. The patent documentation for Flirt noted that although foldable umbrellas with telescopic shafts were not new, the inventor's umbrella was a significant improvement as it was smaller and more practical as the folding mechanism had been considerably simplified. The umbrella was included in the Inventors’ pavilion at the Vienna Spring Fair in 1931. In a contemporary newspaper report it was described as ‘the magic umbrella of the sculptress’. After the design was granted a patent, it was contracted to the firm Basch and Braun, which authorized its manufacture under licence by the largest Austrian umbrella manufacturer in Austria Bruder Wuster and a German firm Kortenbrach und Rauh. It was called Flirt. In the first year of production sales reached 10,000. This number increased steadily each year as sales spread throughout Europe and the Flirt umbrella was still being produced in the post-war period. Slawa was paid royalties till 1938, the year that she left Vienna and fled to Switzerland. In 1939 with pressure from the Nazis she sold her rights to the company Bruder Wuster. Ann Carew 2016The umbrella prototypes have national and international aesthetic significance as examples of technological innovation in industrial design. The archive has national and international scientific and research potential – detailed records concerning the development of the design, patent and its manufacture are held in the studio. The archive demonstrates the links between the realms of fine art, industrial design and manufacturing in Vienna in the early twentieth century. The sale of Slawa Horowitz-Duldig’s rights to the umbrella under duress from the Nazis makes this archive historically significant. The provenance is excellent, and the prototypes and accompanying documentation have national and international interpretative potential. Ann Carew 2016Three handmade compact foldable umbrella prototypes. The prototypes have black silk covers, a metal shaft, handle, ribs and ferrule. The shaft has a telescopic mechanism. The top and the end of the handle are metal disks. The related documents, designs, patent documentation, a hand written record of her inspiration for the design, and other archival material are also held in the Studio’s Collection.