This image was on a CD-ROM which was placed in a time capsule in December 1997, just before the Ballarat School of Mines merged with the University of Ballarat (now Federation University Australia). The time capsule should have been opened in 2020, the 150th anniversary of the establishment of the Ballarat School of Mines, but was postponed due to successive lockdowns during the Covid19 pandemic. The time capsule was opened in 2022.A room with a number of computers and monitors for use by Ballarat School of Mines students. The room was on the first floor of the Brewery Building. ballarat school of mines, time capsule, information technology, computers, brewery building

Views of the Mount Helen Campus .2) 1870 Founders Hall .3) Lecture Theatre .4) Computer Laboratorymount helen campus, buildings, founders hall, lecture theatre, computer laboratory

Visual Arts students in a computer laboratory at the Gippsland Campusarts academy, gippsland centre for art and design, churchill, visual arts, computer, graphic design, student activity, gcad, gippsland campus, gippsland campus collection

Colour photograph of Dorothy Wickham during a Victorian Collections training day at Federation University.dorothy wickham, federation university, victorian collections workshop, computer laboratory

Colour photorgraph of Clare Gervasoni as Victorian Collections training at Federation University.clare gervasoni, victorian collections, federation university, computer laboratory

A woman in a lab coat works on an early computer.food, food technology, laboratory, food safety, computer

Promoting the Graphic Design/Multimedia program being offered by the University of Ballarat at the Mt Helen Campus. Promoted course as "one of the smallest and arguably the best three year programs of its kind in Australia and the South Pacific region." The brochure lists student awards received including Platinum and Gold in the AGFA International Young Designer Contest, 1999; two meritorious awards in The Art Directors Club Student Awards, New York, USA 1999; Graphis New Talent 1999; two Gold in Souther Cross Packaging Awards, 1998. At time of publication, the School of Arts, Visual Arts reportedly had 210 students with majors in Graphic Design/Multimedia, Ceramics/3D, Painting, Drawing, and Multidiscipline. Minors studies included Printmaking, Photography, 3D, 2D, and Graphic Communication. ___ Course aimed to train "independent, flexible thinkers". The course promised to "Promote creativity, originality and imaginative thinking; Develop self-directed learners, displaying initiative in the formation of ideas and the confidence to construct personal responses; Develop appropriate conceptual, technical and professional skills; Develop the student's critical process: ability to undertake research, and to make informed decisions; Clarify thinking, concepts and understanding and deep knowledge, attitudes and skills enabling the designer to respond to community needs." Studio and working environment described as "one open space with working facilities for approximately 75 students across 3 year levels. The area is divided up into work stations where 1st, 2nd and 3rd year students intermix, allowing a natural interaction. These workstations are configurations of six, consisting of two students from each year level. This reinforces the area's ongoing development with an open ethos and cross-level delivery and learning. This maximises the use of information in order for it to be applied throughout all levels of the learning process, whilst allowing a natural mentor arrangment to be developed for all first year students, " "The open ethos approach also encourages students and staff to freely express their opinions in relation to design via cross-level critiques, whilst allowing for a liberal arts approach and structure to the development of the creative process." "Emphasis is placed on experimentation, innovation, expression and the development of the individual's design philosophies, concepts and style." Also notes the 24 hour access Macintosh laboratory, with 34 Power Macintosh computers, ratio of one for every 2.5 students. Each with a Fujitsu Dyna Magneto Optical drive for file storage and transport. Two Sharp scanners, Phaser Dye-Sublimation Extra Tabloid colour printer and Ricoh A3 colour printer. Two large format printers. Digital and video cameras. Software: Adobe Photoshop, Illustrator, Acrobat; QuarkXpress; Macromedia Freehand; Pagemaker; Premier; Director; 3D Extreme; Sound Eidt, Shockwave, Infinite 3D and After Effects. Approx 4.5 staff, "all of whom are practicing designers. They have a full understanding of industry requirements and trends which assists in the development of industrial contacts when specialists are required." Prospective students interviewed in late Nov/ early Dec, face to face. Present a "comprehensive folio of work", academic records, references. "Selection is determined by the perceived potential of the student, their motivation and reason for study within the field as well as their previous experience in the Visual Arts. Folio work should be representative of the individual's ideas and abilities. Qualities of importance are: originality, innovation, imagination, experimentation and a competent display of the basic skills associated with visual arts [evidence of drawing skills should be included]." Demonstration of GD/MM computer skills an advantage. Students also asked to bring sketch books. Promotional brochure for prospective students. 8pp Double fold brochureuniversity of ballarat, federation university, graphic design, multimedia, bachelor, degree

The President of Ballarat University College in 1989 was E.T. Oppy.Soft covered book with an aerial photograph of the Mount Helen campus and Mt Buninyong on the cover. The annual report includes a background of the establishment and governance of Ballarat University College, Remote Sensing Laboratory, Naming of E.J. Barker Library, Computer Centre, Financial Statement The report outlines the completion of the following buildings: * Mt Helen Adminsitration Building * Mt Helen Creche *Physical education Office Extension * Geology Annex the following buildings were commenced: * Staff/Student extension * Librarianship/Business Offices 8 Art extensionballarat university college, oppy, barker, e.j. barker library

Maroon photograph album with photographs thought to be Ballarat College of Advanced Education Science students and staff. Includes a photograph of the Lal Lal Ironworks kiln in the early 1970s.ballarat college of advanced education t-shirt, bbq, ray martin, brian sunter, laboratory, mineral industry laboratory, mount helen, bill vermeend, frank hurley, jim thyer, barry shearer, lyn robert, frank martin, colin kline, alan ballard, roger johnson, david james, ian mckee, robert pyke, bushnell, judy dixon, dennis else, john murray, peter dahlhaus, kim dowling, richard macewan, aziz albazazz, susanne hynes, stafford mcknight, bob smith, paul bennett, athol shelton, peter richards, geoff brooks, computers, snow, snowman, bruce cameron, iron monarch, mining, lal lal iron mine, ginny goff, ausimm scholarship, diane haddon, david martin, glenn kreelman, sunter's, clarendon, anne beggs sunter, foundry, stawell, brian sunter's farewell, jack harvey, microscope, metallurgy

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing interior view of scientific equipment and a computer on a bench top in a laboratory.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box