Showing 12 items matching "concept designs"
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Bendigo Historical Society Inc.Newspaper - Glimpses of City's GovHub, April 10 2021
... ...Concept designs...Bendigo Advertiser April 10 2021. Concept designs released for City's new GovHub building....Concept designs released for City's new GovHub building. ...Bendigo Advertiser April 10 2021. Concept designs released for City's new GovHub building.govhub, concept designs, city offices, cogb -
Whitehorse Historical Society Inc.Document - Tender, City of Whitehorse, Sustainable Museum's Practice Review - Schwerkolt Cottage and Museum, August 2005
... Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget. ...Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget. ...Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget.Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget. Consultant Brief seeking tenders for a feasibility study on whether or not to extend and upgrade the Schwerkolt Cottage, Museum and equipment display with concept designs as required. Includes a proposed staging budget. sustainable development, schwerkolt cottage and museum development, city of whitehorse -
Melbourne Tram MuseumPamphlet, Public Transport Victoria (PTV), "Route 96 Project - Have your say: Nicholson Street Early Designs", 2013
... Issued 2013. Provides concept designs, Blyth St terminus, easy access stops, tram lanes. ...Issued 2013. Provides concept designs, Blyth St terminus, easy access stops, tram lanes. ...Set of two pamphlets involved the concept of the "Route 96 Project - Have your say: Nicholson Street Early Designs". Notes the introduction of the E class tram. .1 - DL full colour booklet, 24 pages with a questionnaire response form, outlining the Route 96 project to speed up trams providing route segregation for most of the distance. Issued 2013. Provides concept designs, Blyth St terminus, easy access stops, tram lanes. Gives dates for meetings. .2 - fold out full colour map, 8 folds, printed both sides providing details of the planning for the various stops and segregation between Victoria Parade and Blyth St.. The loss of car parking and issues with the Fitzroy St St Kilda stop met a lot of opposition. The Blyth St terminus was rebuilt June 1015. Two copies held., both were originally contained within a plastic wrapper. One wrapped version obtained when collected. Produced by Public Transport Victoria. See also Reg Item 24?? for a 2009 version.trams, tramways, yarra trams, route 96, east brunswick, e class, superstops -
Federation University Historical CollectionContainer - Artists' Book, Re_Designed / Solid, Liquid Gas, 2000
... concept of "past, present and future". These new works (year 2000) were then overprinted onto unbound sheets of the 1997 graduating student project "Silver Screen" to create entirely different pieces to "challenge the conventional boundaries of the printed image" and elicit "environmental awareness". As such, each pack contained different combinations of original (silver and black) and overprint (full colour) designs...concept of "past, present and future". These new works (year 2000) were then overprinted onto unbound sheets of the 1997 graduating student project "Silver Screen" to create entirely different pieces to "challenge the conventional boundaries of the printed image" and elicit "environmental awareness". As such, each pack contained different combinations of original (silver and black) and overprint (full colour) designs ...Promotional catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2000. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs. The clear polypropylene pack is printed in yellow and a clear varnish. The original (1997) works are offset printed in black and silver, the overprint (2000) works are in full, four process colour. CD Rom printed two colours (yellow and very dark teal) single sided. Refer item 29168.1 for screen captures from this CD Rom. Third year, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating class promotional pack. Students responded to the concept of "past, present and future". These new works (year 2000) were then overprinted onto unbound sheets of the 1997 graduating student project "Silver Screen" to create entirely different pieces to "challenge the conventional boundaries of the printed image" and elicit "environmental awareness". As such, each pack contained different combinations of original (silver and black) and overprint (full colour) designs. "Re-designed" (2000) overprinted works by Belinda Janetski, Ben Sanders, Angelina Teo, Selina Shillito, Justin Weyers, Andrew Strack, Debbie Ferris, Yuri Tanabe, Nandor Rakosi, Jason Grace, Wes Prendergast, Michael Fennelly, Brett van Lieshout, Derek Fong, Abby Vanstan, Vince Luc, Lynette Heenan, Van Sanders, Sam Harmer. Original (1997) "Silver Screen" works created by Ben Mangan, Russell Kerr, Luke Keys, Travis Prices, Karen Grinter, Rosie Busuttil, Peter Horvat, Felix Lee, Karl Chandler, Matt Bowman, Adam Laszczuk, Narelle Pietsch, Natasha Pietsch, Jenny Tyquin. Back cover lists sponsors. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs.university of ballarat, federation university, graphic design, multimedia, belinda janetski, ben sanders, angelina teo, selina shillito, justin weyers, andrew strack, debbie ferris, yuri tanabe, nandor rakosi, jason grace, wes prendergast, michael fennelly, brett van lieshout, derek fong, abby vanstan, vince luc, lynette heenan, van sanders, sam harmer -
Eltham District Historical Society IncDocument - Newspaper clipping, "The lap of luxury; Blending into Eltham environ", Property Age, The Age, Wednesday 24 June 1998, p5, June 1998
... concept that set new trends in Melbourne housing. The $5 million project is based around two of the original buildings, on what was once a 100-hectare farm owned by the Jelbart family. Ian Jelbart always intended to continue living in the original homestead building, and now Graeme Gunn has moved into the big residence that once was the barn. Kinloch Gardens is designed to combine the more manageable land sizes increasingly demanded by buyers with ample "internal space, flexible floorplans, privacy and individuality of designs...concept that set new trends in Melbourne housing. The $5 million project is based around two of the original buildings, on what was once a 100-hectare farm owned by the Jelbart family. Ian Jelbart always intended to continue living in the original homestead building, and now Graeme Gunn has moved into the big residence that once was the barn. Kinloch Gardens is designed to combine the more manageable land sizes increasingly demanded by buyers with ample "internal space, flexible floorplans, privacy and individuality of designs ...Both of the architects involved in the 2.4-hectare Kinloch Gardens parkland development in Arthur Street, Eltham, are now living on the estate. The project was conceived by Eltham architect Ian Jelbart, whose family has owned the land for more than 100 years, and fellow architect Graeme Gunn, who in the 1960s was one of the creators of the Merchants Builders concept that set new trends in Melbourne housing. The $5 million project is based around two of the original buildings, on what was once a 100-hectare farm owned by the Jelbart family. Ian Jelbart always intended to continue living in the original homestead building, and now Graeme Gunn has moved into the big residence that once was the barn. Kinloch Gardens is designed to combine the more manageable land sizes increasingly demanded by buyers with ample "internal space, flexible floorplans, privacy and individuality of designs. Individual houses are placed on small separate allotments around an area of private parkland. The aim is to ensure total privacy, offer virtually unlimited views and parkland vistas, and remain aesthetically compatible with the local environment. Homes in four basic designs over either two or three levels are being sold off the plan, with prices ranging from the high $200,000s to the high $300,000s. Two have already been sold. Indication of land-only values The prices being asked for some vacant blocks offered for private sale provides an enlightening comparison of the relative "land only" values for homes sites in various areas. A 751 sq metre block on a new residential estate in Bentleigh/Carnegie is offered at $235,000, equivalent to $312/square metre; while in Merrett Drive, Williamstown, a 561 sq metre allotment offered for $169,000 carries a rate of $301/sq metre. In Barnsbury Road, Balwyn, the $450,000 price tag on a 584 sq metre allotment equates to $770 sq metre; and in York Street, Richmond, a 198 sq metre postage stamp is priced at $230,000 or $1162/sq metre. - Rex BookerDigital file only; created from scan undertaken by EDHS of item on loanarthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, kinloch gardens, rob maclellan, robert marshall, woodridge estate -
Bendigo Historical Society Inc.Document - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT AND FINAL REPORTS, 1995
... Concept,Implementation,Expected outcomes, Summary, Appendix 1 and 2 (Examples of the work of the artist). Date Unknown From John L. Content: one page of notes on similar projects and involvement by Arts Bendigo. The title of the document is Creative Village - Enhancing the Livable Environment. 5th Septemberh 1995 To: Members of the community who contributed ideas and suggestions From Arts Bendigo Ann Buzza and Merle Hall. Content: Invitation to attend a meeting with the Creative Village Team to view the Team's full report and explanation of designs...Concept,Implementation,Expected outcomes, Summary, Appendix 1 and 2 (Examples of the work of the artist). Date Unknown From John L. Content: one page of notes on similar projects and involvement by Arts Bendigo. The title of the document is Creative Village - Enhancing the Livable Environment. 5th Septemberh 1995 To: Members of the community who contributed ideas and suggestions From Arts Bendigo Ann Buzza and Merle Hall. Content: Invitation to attend a meeting with the Creative Village Team to view the Team's full report and explanation of designs ...MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO Project and Final Reports 3858.13 PDF File 11th August 1997 - three pages From: Merle Hall, Secretary Arts Bendigo To: Mike (final Media Release probably the Bendigo Advertiser) Content: Media Release two pages and a poem read out by Mosaic Artist Maery Gabriel (Hall) 'Reflections from Rosalind Park' Date Unknown: First invitation mail-out for C.V.T. Presentation and notes. Invitations to Felicity Kingerlee, Rod, Orr, Jane Cleary, Ian Stewart (Flora Hill Secondary College), Marion Stewart (White Hills Secondary College), Marion Wright, G. Maddams (& staff), Frank Ham, Tony Morris (Astronomy chap), Trevor Tonking (Cont. Ed.), Bernard smith and others at City of Bendigo, All A.B. Committee. Included are handwritten notes. Date Unknown: Two page document entitled: Enhancing the livable environment. Document contains details of the project, aims etc. 14th March 1995 To: The Greater City of Bendigo From Arts Bendigo Content: Two pages, a formal proposal for the involvement of the City of Greater Bendigo in the Creative Village project of the V.A.C. It contains information on Background, Concept,Implementation,Expected outcomes, Summary, Appendix 1 and 2 (Examples of the work of the artist). Date Unknown From John L. Content: one page of notes on similar projects and involvement by Arts Bendigo. The title of the document is Creative Village - Enhancing the Livable Environment. 5th Septemberh 1995 To: Members of the community who contributed ideas and suggestions From Arts Bendigo Ann Buzza and Merle Hall. Content: Invitation to attend a meeting with the Creative Village Team to view the Team's full report and explanation of designs etc. 9-10 June To: Participants in the Maery Hall Workshop From Arts Bendigo Ann Buzza and Merle Hall. Content: Location - ceramic department, Fine Arts building, Latrobe University Bendigo; acces information and what to bring to the workshop. Date Unknown To: City of Greater Bendigo Content: Arts Bendigo committment to the guidelines discussed with the relevent Council officers. Date Unknown To: City of Greater Bendigo From Arts Bendigo Content: Title - Historic Mining Mosaic Pavement at rosalind Park Poppet Head. A report on the project so far. Typed and ewritten notes. 28 July To: Public From Arts Bendigo Merle Hall. Content: Public invite to mark the completion of the project. June 1997 To: Public Content: A copy of Bendigo Heritage Mosaic City of Greater Bendigo plaque. 2nd September To: Attention Leanne McDonnell, Bendigo Advertiser From Arts Bendigo Merle Hall. Content: Media Release on 'The Laying Begins' Date Unknown To: Potential Donors From Arts Bendigo Merle Hall, sponsorship committee. Content: Description of the project titled 'Exciting Addition to Bendigo's Central Area. Date Unknown To: Potential Donors From Arts Bendigo Merle Hall, sponsorship committee. Content: Description of the project titled 'Exciting Addition to Bendigo's Central Area. Date Unknown List of LEAP team members for the project. Date Unknown To: Emma Power From Arts Bendigo Secretary Merle Hall. Content: three pages of information on the project (1. Intoduction 2. Small leaflet, prepared for visitors to the team 3. General outline of the project and the background on the Creative Village Team. 19-21 July To: All schools of the Bendigo area From: Merle Hall Secretary Arts Bendigo Content: An invitation for staff and students to visit the Creative Village Team during their time in Bendigo, at the Central Library on 19-21 July 19-21 July To: The Public From: Merle Hall Secretary Arts Bendigo Content: An invitation for staff and students to visit the Creative Village Team during their time in Bendigo, at the Central Library on 19-21 July 5th October 1995 To: Mr Peter Seamer, Chief Executive Officer, City of Greater Bendigo. From Merle Hall Secretary Arts Bendigo Content: RE 'Creative village team report and ongoing plans' 14 March 1996 To: Committee of Arts Bendigo From: Ann Buzza Content: Two pages hand-written report on visit of Maery Hall ot Bendigo 14/3/96 Date Unknown To: Bernard Smith, City ogf Greater Bendigo From: Merle Hall, Secretary Arts Bendigo Content: A list of urgent requirements needed by May 24th, material list from council stock. 27 June 1996 To: The Professionals, 54 Mitchell Street Bendigo, Attention Stephen Carter From: Merle Hall, Secretary Arts Bendigo Content: Account for use of shop in Allan's walk and cheque. 2nd July 1996 To: Cr Megan Weston Mayor, city of Greater Bendigo, copy to Bernard Smith. From: Merle Hall, Secretary Arts Bendigo Content: Thank you for $3500 to match the Arts Bendigo sponsorship. 2 June 1996 To: James C donnelly and associates, 5 School Lane, Wangi Wangi. From: Merle Hall, Secretary Arts Bendigo Content: Draft cover letter including a one page draft letter and a two page submission. James Donnelly was a parent of one of the LEAP workers who were helping on the project. James donnelly had suggestions for approaching mining companys for potential sponsorship. 1st October 1996 To: Mr D. Goldsworthy, City of Greater Bendigo From: Merle Hall, Secretary Arts Bendigo Content: Historic mining Mosaic Project, Rosalind Park Poppet Head. A formal submission for the council for some essential provisions for the extension of work on this project. 1st October 1996 To: Cr M. Weston, Mayor, City of Greater Bendigo. From: Merle Hall, secretary arts Bendigo Content: Three pages including a listing of income and costs to the project. 28th October 1996 To: Arts Bendigo From: Maery Hall Artist Content: two page report on the status of the project and problems that have been faced. 19th To: Leanne (maybe the Bendigo Advertiser) From: Merle Hall, secretary arts Bendigo Content: two pages on the finished project (Bendigo's Newest attraction) 19th March 1997 To: Steve From: Merle Hall, secretary arts Bendigo Content: Asking for rough quotes for printing of brochures. Date Unknown To: The Bendigo Bank From: Merle Hall, secretary arts Bendigo Content: two pages seeking a sum of $1000 to complete the project. 28th April 1997 To: Suzi Birthisel, Sponsorship Coordinator, Bendigo bank, Fountain Court, Bendigo From: Merle Hall, secretary arts Bendigo Content: Asking for a small sum for production of coloured brochures Date Unknown To: Committee From: Merle Hall, secretary arts Bendigo Content: Suggested invitation list from 'Arts Victoria' to the Committee re the opening on 28th July of the Bendigo Heritage Mosaic. 28 July 1997 From: City of Greater Bendigo and Arts Bendigo to public Content: Invitation to a brief ceremony to mark the occasion of the completion of The Bendigo Heritage Mosaic at the Poppet Head Lookout, Rosalind Park on Monday 28 July 1997. 5th August 1999 From: Merle Hall, Secretary Arts Bendigo To: Cr. B. Ackerman, Mayor, City of Greater Bendigo. Content: A brief note from the committee of Arts Bendigo, in appreciation of your attendance and speech at the 'completion ceremony, last week. 30th October 1997 From Merle Hall, Secretary Arts Bendigo To: the National Community links Awards, Category 1 - Arts and Culture Content: Included were Nomination Form, Written Statement as required under (5), a written reference from the mayor of the City of Greater Bendigo, two pages of photographs of the project, and five copies of a brochure printed to publicise the project. 2nd Feb 1998 From Merle Hall, Secretary Arts Bendigo To: Mrs. S. Parain, President, Regional Arts Fund Content: Regional Arts Fund Application, Sections 1 to 4 requesting a grant of $5197.00 -
Friends of St Brigids Association
Document - St Brigid’s Australian-Irish Cultural Centre concept design proposal, “St Brigid’s Australian-Irish Cultural Centre concept design proposal submitted by Challis Designs.” 2011
... “St Brigid’s Australian-Irish Cultural Centre concept design proposal submitted by Challis Designs.” 2011....Friends of St Brigids Association 212 Port Fairy-Koroit Road Crossley, 3283 “St Brigid’s Australian-Irish Cultural Centre concept design proposal submitted by Challis Designs.” 2011. Document St Brigid’s Australian-Irish Cultural Centre concept design proposal ... -
National Wool MuseumClothing - 35 Life, Canwen Zhao, 2022
... designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept...designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept ...Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize -
University of Melbourne, Burnley Campus Archives
Plan, 36 Railway Ave, Armadale, 1991-1997
... (Also see B11.0773). (9) Cowan (Creations) - Site Inventory and Analysis, Concept Plan, Preliminary Plan, Assessment, 30.05.1994. (10) McRae (Designs) - Site Inventory and Analysis, Preliminary Main Plan, Concept Plan, Section View to Tussock Grass and Eucalyptus, 30.05.1997 - 01.06.1997. (11) Leah Syme - Site Inventory and Analysis....(Also see B11.0773). (9) Cowan (Creations) - Site Inventory and Analysis, Concept Plan, Preliminary Plan, Assessment, 30.05.1994. (10) McRae (Designs) - Site Inventory and Analysis, Preliminary Main Plan, Concept Plan, Section View to Tussock Grass and Eucalyptus, 30.05.1997 - 01.06.1997. (11) Leah Syme - Site Inventory and Analysis. 36 Railway Ave, Armadale Plan ...Sets of plans for a Residential Garden produced by students for an assignment. (1) Tracing paper and paper copies site plan sketch. (2) Janine Bugg - Assessment Preliminary Plan, Concept Plan, Site Inventory and Analysis, Site Elevation A, Section Elevation B dated 26.05.1994. (3) Carmen Skrobonja - Assessment Main Plan & Section Elevation, Concept Plan dated 31.05.1991. (4) G. Mutimer - Preliminary Plan, Section Elevation, May 1994. (5) Melissa King - Assessment, Site Inventory & Analysis, Site Concept Plan, Preliminary Main Plan, Section Elevation, May 1997. (6) Jim Despotellis - Site Inventory & Analysis, Concept Plan, Preliminary landscape Design, 25.04.1994 - 15.05.1995. (Also see B11.0775.) (7) 33 Railway Ave (sic), Colour photographs pasted on paper. (8) Marli Draper - Site Inventory and Analysis, Concept Plan, Preliminary Plan, Perspective Feature Bed. (Also see B11.0773). (9) Cowan (Creations) - Site Inventory and Analysis, Concept Plan, Preliminary Plan, Assessment, 30.05.1994. (10) McRae (Designs) - Site Inventory and Analysis, Preliminary Main Plan, Concept Plan, Section View to Tussock Grass and Eucalyptus, 30.05.1997 - 01.06.1997. (11) Leah Syme - Site Inventory and Analysis.armadale, janine bugg, carmen skrobonja, melissa king, jim despotellis, marli draper, leah syme, g. mutimer, students, assignments -
Moorabbin Air Museum
Book - Fundamentals of Fighter Design, Ray Whitford
... Covering multiple fighter designs and time periods, it covers the concepts that define the role and operation of fighter aircraft. ...This book covers the conceptual fundamentals of fighter design and operation. Covering multiple fighter designs and time periods, it covers the concepts that define the role and operation of fighter aircraft.The front is a deep blue with a stylization of air flow over a fighter concept. The back is a lighter blue with a photo of a jet fighter.non-fictionThis book covers the conceptual fundamentals of fighter design and operation. Covering multiple fighter designs and time periods, it covers the concepts that define the role and operation of fighter aircraft.fighters, aircraft -
Bendigo Historical Society Inc.Document - Fortuna - Villa Proposed Arts Precinct Concept, Abt 2000
... Fortuna - Villa Proposed Arts Precinct Concept This item contains the following documents: 11217.72a Sketch of the proposed Arts Precinct off Chum Street 11217.72b 28 pages of proposed sketches and designs 11217.72c Four A3 size plans of Fortuna...The site has an idyllic central city location, fantastic views of both Bendigo and the Villa itself, and the established grounds provide an attractive aesthetic basis for the proposed residences. bendigo fortuna george lansell fortuna proposed arts precinct tomkinson fortuna villa project Fortuna - Villa Proposed Arts Precinct Concept This item contains the following documents: 11217.72a Sketch of the proposed Arts Precinct off Chum Street 11217.72b 28 pages of proposed sketches and designs 11217.72c Four A3 size plans of Fortuna Document Fortuna - Villa Proposed Arts Precinct Concept ...While early proposals to turn the historic Fortuna Villa Estate into a public arts precinct (similar to Melbourne's Abbotsford Convent) gained community traction, the site has transitioned. The iconic gold rush mansion and grounds at 22 Chum Street is now a private residence and exclusive community space for the neighboring residential development, offering public functions and high teas by booking. The Tomkinson Group gained approval in 2016 to provide key town planning, engineering, surveying and project management services for the redevelopment of Bendigo’s iconic Fortuna Villa. They have been involved in consultation with Heritage Victoria, Council Planning, Heritage & Engineering, Environmental, Landscape and Heritage consultants all working cooperatively towards a sensitive urban renewal residential design for the site. The planning permit application was approved in 2016 and construction is set to start in late 2017. The residential development is great opportunity for the proposed re-invigoration of Bendigo’s historic “Fortuna Villa”, and Tomkinson Group is proud to be an integral part of the process. The concept consists of 79 high end architecturally designed townhouses, built to subtly enjoy the beautiful views and acres of parkland once part of the mansion estate. The exciting 55 million dollar project proposed for the mansion grounds will sensitively allow for a unique medium density housing development, diversifying the housing options available in Bendigo, whilst maintaining the integrity of the historic Villa and a portion of the grounds, which will be open to the public for high teas and functions. The project is not without its challenges however. The topography is steep, the soil has been contaminated and contains fill from mining days, and the historic aspects of the property must be treated with a great deal of care, however the positives far outweigh the negatives. Together with the architect and client we have resolved these issues to allow this exciting development to proceed. The site has an idyllic central city location, fantastic views of both Bendigo and the Villa itself, and the established grounds provide an attractive aesthetic basis for the proposed residences.Fortuna - Villa Proposed Arts Precinct Concept This item contains the following documents: 11217.72a Sketch of the proposed Arts Precinct off Chum Street 11217.72b 28 pages of proposed sketches and designs 11217.72c Four A3 size plans of Fortunanon-fictionbendigo, fortuna, george lansell, fortuna proposed arts precinct, tomkinson fortuna villa project -
Embroiderers Guild, VictoriaAccessory - Aemelia-Ars Embroidery Handkerchief Sachet, 1875
... The designs were often taken from sixteenth and seventeenth century Italian examples, in line with the basic concepts of the Aemilia Ars society....The designs were often taken from sixteenth and seventeenth century Italian examples, in line with the basic concepts of the Aemilia Ars society. ...Said to be made approx. 1875 by nuns. Aemilia Ars needlepoint lace (It. Punto in Aria di Bologna) is linked to the establishment in 1898 of the Aemilia Ars Society, in Bologna, Italy. The Foundation propagated the revival of the old crafts of the Emilia region, including that of embroidery and lace. Aemilia Ars lace is fairly strong and hard wearing. It is worked using a pattern that is placed over a card backing made of card. Holes are pricked into the pattern and card, and into these holes stitches are worked that support a laced framework. The framework is then used for the actual needlepoint lace, using a variety of stitches, mainly buttonhole and knot stitches, as well as picots. When this done the support stitches are removed, and so is the card backing. The designs were often taken from sixteenth and seventeenth century Italian examples, in line with the basic concepts of the Aemilia Ars society.Aemelia-Ars embroidery, made of lawn the decorative front oval has an inset of needlepoint lace surrounded by cutwork motifs. The pocket and front has an edging of detached buttonhole scallops.embroidery, sachets, 19th century, italy, aemelia-ars
