Showing 60 items matching conrad%20wagner
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Clunes Museum
photograph
OWNED AND RUN BY JOHAN CONRAD WEICKHARDT UNTIL 1905. BUILDING NO LONGER IN EXISTENCE.AN EARLY PHOTOGRAPH COPY OF TALBOT ROAD CLUNES. BRITISH HOTEL, FIRST BUILDING ON LEFT.local history, photography, photographs, clunes landscape -
Clunes Museum
Photograph, CIRCA 1870
SOME OF THE MEMBERS NAMES ARE ; JOHANNES WEICHARDT, EX CAPT. JACOB F. WEICHARDT, LIEUT. (1866) J. CONRAD, EX CAPT.SEPIA PHOTOGRAPH OF NINE MEMBERS AND OFFICERS OF CLUNES FIRE BRIGADE. 1870CLUNES FIRE BRIGADE OFFICERS ABOUT 1870local history, photography, photographs, fire brigade -
Clunes Museum
Photograph, CLUNES, CIRCA 1973
PHOTOGRAPHS TAKEN BY F.C. WEICKHARDTCOLOURED PHOTOGRAPH SHOWING PANORAMIC VIEW OF CLUNES TOWNSHIP, MOUNTED ON BOARD WITH MOCK FRAME AROUND EDGE ON BACK HAS INSCRIPTIONPRESENTED TO TALBOT & CLUNES SHIRE COUNCIL. MAY 1973 F CONRAD WEICKHARDT 24.5. 73 CLUNES NOVEMBER 1972 TAKEN BY F C WEICKHARDTlocal history, photography, photographs, weickhardt family -
Clunes Museum
Photograph
PHOTOGRAPH OF CLUNES TAKEN FROM SCHOOL HILL AND SURROUNDINGSCLUNES VICTORIA. CLUNES FROM SCHOOL HILL 1938. THIS PHOTOGRAPH WAS IN THE POSSESSION OF MY FATHER J. FRANZ WEICKHARDT UNTIL HIS DEATH IN 1942. F. CONRAD WEICKHARDT.local history, photography, photographs, clunes landscape -
Bendigo Historical Society Inc.
Document - Former Conrad Heinze Butcher's Shop, now demolished, Corner of Happy Valley Road and Wells Street, Long Gully, Bendigo, 1872
Source National Trust: Conrad Heinz Butchers Shop - Happy Valley Road. This building was a weatherboard cottage evidently built in three stages with the front door in the central part, planked by three paned double casements, six-paned sash windows in the rear section; front section and timber veradah with scrolled vallance. The architect and builders are unknown. The outside doors to the cellar and the simple chimney breast remain a notable feature. The original owner was Conrad Heinz a former mayor of Bendigo who with two brothers opened a butcher's shop in the building in 1872. In 1883 he moved to Mt Korong Road Iron Bark, where he carried on another thriving business and built a substantial house close by. When Conrad Heinz left Happy Valley Road, one brother had died, but his widow carried on the first butchering business with the help of a lad and one of her three daughters. The little shop and residence stood for over a century on the spot, almost untouched by modern progress. The shop was closed for 70 years at most. It was demolished about 1982.Data Forms on the house, various letters to and between the Bendigo Council, the National Trust and the owners of the house.history, national trust bendigo collection, bendigo, happy valley road long gully, butcher's shop bendigo, conrad heinze -
Bendigo Military Museum
Print - PEN & INK PRINT, FRAMED, Walsh's Portrait Printers and Enlargers, "Saving Amiens", c1918-1930
The owner was John Conrad Brown NR 706 of the 38 Bn. He was severely wounded in action (GSW to face and left arm). He returned to Australia and was pensioned off. The owner had this artwork in his house at Goornong until a storm blew the roof off. It was important to him.This is a large black and white print depicting a scene in the Amiens battle. It shows Australian and German men fighting. A small stone bridge is near the centre of the work. High explosive blasts are depicted in the picture. It is finely detailed i.e. buttons on uniforms and dovetail joints in the ammunition box. It is set in a thick card mat. Under the image is the caption. The frame is a simple heavy timber type. The rear has a paper cover but is broken away.The artist was F. Matania. (Fortunino Matania)ww1, amiens, 9 brigade, framed print -
Williamstown High School
Form 3A 1971
Front row: Annette Xydias, Janny Pitts, ?, Janie Winter, Vicky?, Julie Baulch, Janine Cameron, ?, ?. 2nd row: Mr Pless, ?, Jacqueline Welch, Ian McGrath, ?, Tom Hill, Richard Cullinan, Linda Smallman, Heather Phillips. 3rd row: ?, Conrad Martin, Peter Krombach, ?, ?, John Vermulen, Andrew Davies, Peter Kritopolous, ?, ?Laminated copy of black and white photograph of Williamstown High School class 3A of 1971.williamstown high school, 1971, form 3a, class photographs -
Clunes Museum
Photograph
PHOTOGRAPH TAKEN ON TALBOT ROAD, OPPOSITE THE TURN TO CEMETERY LOOKING EAST.BLUE STONE BUILDING LEFT OF ROAD ACROSS KILKENNY CREEK WITH CAMEL HUMPED ROOF OF THE OLD BRITISH HOTEL RUN BY JOHN CONRAD WEICKHARDT UP TIL 1905 OR SO. IT WAS ON 40 ACRES WERE FAMILY RAN A FEW COWS, PIGS POULTRY, KILLED AND MADE THEIR OWN SAUSAGES, BLACK PUDDINGS ETC. ALSO MADE BUTTER & CREAM.LAMINATED COLOUR PHOTOGRAPH TAKEN ON TALBOT ROAD LOOKING EAST AND DESCRIPTIVE LETTER RE PHOTOGRAPH AND FAMILY INTERESTS.local history, photography, photographs, hotels, british -
Port Melbourne Historical & Preservation Society
Photograph - Graham Family Hotel Football Club, 1950s
Back row (l-r): Hoot BARWISE or Dave HUME, Larry MCGILL, Joe ?, Bluey ALEBRECHT, Roy CORR, Frankie BARNETT, Peter MURPHY, Mick CLAUSEN ?, Doug ROSS Third row (l-r): ?, Alex JAMES, Keith COLLINS ?, Ted AANENSEN, Keith CLAYTON ?, Mike CAHILL, Geoff McDONALD or Alf SAWTELL, Ron ROBERTSON ? Second row (l-r): Bruce ROSEWARNE ?, Keith CHAPPLE, Rabs CONRAD, Shorty PALMER, Eric McLEOD, Jack FISHER, Phil RYAN, Bill GATES, Bill LYNCH Front row (l-r): Keith BENNETT, ?, ?, ?, George FISHER, ?, ?, ?, Jack WARWAY Photo of Graham Family Football Club team 1950s (Graham Family Hotel, Graham and West Esplanade), plus several childrensport - australian rules football, larry mcgill, 'bluey' alebrecht, roy corr, doug ross, alex james, ted aanensen, mick cahill, alf woods, keith chapple, rabs conrad, 'shorty' palmer, eric mcleod, jack fisher, phil ryan, bill gates, bill lynch, keith bennett, george fisher, jack warway, frankie barnett, dave hume, peter murphy, geoff mcdonald, alf sawtell, ron robertson, bruce rosewarne, 'hoot' barwise, mick clausen, graham family hotel, graham family hotel football club, hotels, lagoon reserve -
Rutherglen Historical Society
Financial record - Receipt, T. Drenen, 14/8/1914 (Exact)
It is believed that the C. Lim Kee who was paying these rates was Charles Lim Kee. According to the Rutherglen Sun September 11, 1896 he was starting a business known as the Cash Bakery in premises previously occupied by Conrad Huhs. In 1903 he moved to new premises next to the Bank of Victoria. By 1908 he had a shop and rooms in Main Street, and houses in Wallace Street and Murray Street. Part of a collection of business documents found under the floor of a building in Main Street when it was being renovated. At that time the owner was Don Chambers, and the premises was occupied as the Chambers Riteway Supermarket. The location (134 Main Street) is currently (2022) occupied by Miegel’s Pharmacy Rutherglen. Receipt from Rutherglen Waterworks Trust for water rates for a house in Murray Street. The form is printed on paper with hand written details reproduced with carbon paper.,"Rutherglen Waterworks Trust, No. of service 278. [receipt no.]: 605. Rutherglen, August 14th 1914. Received from Mr C. Lim Kee the sum of --- Pounds twelve Shillings and --- Pence, being Water Rate on a House or Land situate in house, Murray Street Rutherglen Urban Waterworks District. From 1st July to 31st Dec 1914." Signed A.H. Thompson, Collector.lim kee, rutherglen waterworks trust, water rates, business documents, 134 main street, chambers riteway supermarket -
Mission to Seafarers Victoria
Book, My Name is Frank, A Sea Merchant Talks, 1st March 2021
From the 1942 cover: We are proud to announce this book by Frank Laskier, "a sailor, an Englishman," the merchant seaman who gave the ever-memorable postscript after the BBC news on the first Sunday in October. The millions of listeners who heard that deeply moving voice will welcome an opportunity to read many more stories of the war at sea, which Laskier tells with the incomparable vividness of simple truth, and which made him a great broadcast speaker overnight. Laskier sounds, too, the note of victory that will bring a universal response-"Remember what we have been through; remember what we're going through; and fight and fight, and never, never, never, give in!" The publisher of this new edition has included an introduction and explanatory footnotes, as well as an appendix listing the ships mentioned in the book along with their descriptions. First published in 1942 by George Allen & Unwin, LondonPaperback blue cover with red English merchant Navy flag. 74 pagesfictionFrom the 1942 cover: We are proud to announce this book by Frank Laskier, "a sailor, an Englishman," the merchant seaman who gave the ever-memorable postscript after the BBC news on the first Sunday in October. The millions of listeners who heard that deeply moving voice will welcome an opportunity to read many more stories of the war at sea, which Laskier tells with the incomparable vividness of simple truth, and which made him a great broadcast speaker overnight. Laskier sounds, too, the note of victory that will bring a universal response-"Remember what we have been through; remember what we're going through; and fight and fight, and never, never, never, give in!" The publisher of this new edition has included an introduction and explanatory footnotes, as well as an appendix listing the ships mentioned in the book along with their descriptions. First published in 1942 by George Allen & Unwin, Londonfrank laskier, seafarers, sailors, seafaring life, ww2, world war 2, merchant navy, bbc, radio, liverpool, second world war, australia, padre oliver, battle of the atlantic, frank laskier (1912-1949), gunner, log book -
Women's Art Register
Magazine - Women's Art Register Bulletin, Women's Art Register Bulletin Vol. 41. No.7. Summer, 2006
20 page Magazine photocopy in black and white with following contents where the first figure is the page number and this is followed by the article title then the author.#41 Annual Report 2006 - Gail Stiffe News from the Register Gail Stiffe just a thought: - Ev Hales The Goddess's Embrace - Naomi Downie Shared Space - Gosia Wlodarczak The Bits Between - Jan Altmann Tea And Teachings - Denise Keele-Bedford 2006 Some Notes from a Canberra Correspondent - Kerry Anne Cousins Painting her way out of hell - Rhubee Neale The Women's Health Information Centre - Jacinta Waters Conrad Jupiters 2006 Art Prize - Susan Buret Opportunities Exhibitions Back issues of the Bulletin About the Register gosia wlodarczak, ev hales, naomi downie, rhubee neale, women's health information centre, susan buret, veronica caven-aldous -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Object, Torch 'Eveready' c1950, c1950
George Reed was a draftsman living in the City of Moorabbin c 1950 1899, David Misell, invented this "electric device" ( torch / flashlight) powered by "D" batteries laid front-to-back in a paper tube with the light bulb and a rough brass reflector at the end. Misell assigned his invention over to the American Electrical Novelty and Manufacturing Company owned by Conrad Hubert. In 1905, Hubert changed the name again to The American Ever Ready Company, selling torches / flashlights and batteries under the trademark Ever Ready. In 1906 the British Ever Ready Electrical Company was formed for export of batteries; it became independent in 1914. The American Ever Ready Company became part of National Carbon Company in 1914. The trademark was shortened to Eveready. In 1986, Union Carbide sold its Battery Products Division to Ralston Purina Company becoming the Eveready Battery Company, Inc. and in 1992, it bought the British Ever Ready Electrical Company. Prior to March 1, 1980, the company's alkaline battery had been called the Eveready Alkaline Battery (1959–1968), Eveready Alkaline Energizer (1968–1974) and Eveready Alkaline Power Cell (1974–February 29, 1980). On March 1, 1980, it was rebadged under its current name, Energizer. 2019 production plant in Portage, Wisconsin, but the majority of batteries are made in China and there are also numerous production facilities outside the US. This is an industrial strength Eveready Torch made in England and was used by George Reed, a draftsman, who lived in Bentleigh , City of Moorabbin in mid 20th CLarge 'Eveready' industrial hand torch/ flashlight with rubber protective coverEVEREADY /MADE IN ENGLAND clothing, manufactured lace, dressmaking, blouses, theatrical props, lights, torches, lighting, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, , clark judy, reed gladys, reed george -
Clunes Museum
Photograph, 1859
.1.2 BLACK AND WHITE PHOTOGRAPH OF PORT PHILLIP HILL TAKEN CIRCA 1859. .1 HANDWRITTEN ON BACK: PORT PHILLIP MINE AND HILL TAKEN CIRCA 1859 PORT PHILLIP MINE SOUTH SHAFT CLUNES HOTEL IN MIDDLE OF P.P. PADDOCK CLUNES UNITED MINE CRITERIAN MINE CRITERIAN BRIDGE WOOSTERS BALLARAT RESTAURANT, DOES NOT SHOW IN LATER PICTURES PORT PHILLIP MINE FIRST BATTERY PORT PHILLIP HOTEL OPENED IN 1859, CONTINUED UNTIL LATE 1890'S CRITERION HOTEL, FIRST MASONIC MEET UP, BURNT JAN 1871 NEGATIVE OF THIS PHOTO IS AT LATROPE LIBRARY MELBOURNE SIGNED: J CONRAD WEICKHARDT .2 HANDWRITTEN ON BACK: PHOTO OF PORT PHILLIP MINE AND HILL TAKEN ABOUR 1859 OR 1860 THE NEGATIVE OF THIS PICTURE IS AT LATROBE LIBRARY MELBOURNE FROM CAMP PARADE photography, mining, port phillip hill, port phillip -
Clunes Museum
BOOK - LICENCE, TEMPORARY LICENCE 2.0.0
TEMPORARY LICENCE ISSUED FOR THE SUPPLY OF LIQUOR ON SPECIAL SOCIAL EVENTS IN CLUNES . RECEIPT BOOK 1 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR TALBOT RACES 22.2.1886 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES RACES 25.2.1886 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES HOSPITAL FETE 22.10.1886 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES AGRICULTURAL SHOW 8.//.1886 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR AGRICULTURAL SHOW 27.10.1887 RECEIPT BOOK 2; BURNS, BURT CLUB HOTEL CLUNES FOR CLUNES HOSPITAL FETE 2.11.1887 LALOR, MICHAEL; FRASER STREET FOR CHRISTMAS SPORTS 26.12.1887 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES & TALBOT AGRICULTURAL SHOW 8 & 9 nOVEMBER 1888 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES RACES 29.2.1888 WEICKHARDT, JOHN CONRAD; BRITISH HOTEL FOR CLUNES ANNUAL HOSPITAL FETE 24.11.1888. RECEIPT BOOK 3 LALOR, MICHALE; ALL NATIONS HOTEL, FOR BOXING DAY SPORTS, CLUNES OVAL 26.12.1888 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES RACES 21.2.1889 BURN, WILLIAM BURT; NATIONAL HOTEL CLUNES FOR ANNUAL HOSPITAL FETE 1.11.1889 MURRAY, DAVID; SPECULATION HOTEL, ALLENDALE FOR CRESWICK MINERS ASSOCIATION SHORTS 13.10.1890 MURRAY, DAVID; SPECULATION HOTEL ALLENDALE FOR SMEATON AGRICULTURAL SHOW 14 & 15.11.1889 MURRAY, DAVID; SPECULATION HOTEL ALLENDALE FOR SMEATON AGRICULTURAL SHOW 14 & 15.11.1889 LAWLER, MICHAEL; ALL NATIONS HOTEL CLUNESFOR BOXING DAY SPORTS 26.12.1889 POOL, JAMES FREDERICK; MOOROOKYLE HOTEL, MOOROOKYLE, FOR SMEATON RACES 20.2.1890 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR SMEATON RACES 20.2.1890 PEARCE GEORGE BIDDLE; WASHINGTON HOTEL, CLUNES FOR CLUNES RACES 6.3.1890 BLUE COVERED CARDBOARD BOOK CONTAINING TEMPORARY LICENCES FOR SALE OF LIQUOR AT EVENTS IN CLUNES & DISTRICT. COST 2 POUNDS .1 ISSUED 22.2.1886 TO 25.10.1887 RECEIPT NOs 11861 TO 11865 .2 ISSUED 2.11.1887 TO 24.11.1888. rECEIPT NOS 12221 TO 12225. ALSO INCLUDES CERTIFICATE OF AUTHORISATION TO ISSUE TEMPORARY LICENCE. .3 ISSUED 14.12.1888 TO 3.3.1890 RECEIPT NOs 12226 TO 12235 ALSO INCLUDES CERTIFICATE OF AUTHORISATION TO ISSUE TEMPORARY LICENCE. local history, receipt books, events, temporary licences - sports, hospital fetes, race days, agricultural shows. -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, St Margaret's Anglican Church, Pitt Street, Eltham, 30 January 2008
St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, st margarets church hall, christ church -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, St Margaret's Anglican Church, Pitt Street, Eltham, 30 January 2008
St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, christ church -
Victorian Aboriginal Corporation for Languages
Book, Aldo Massola, Journey to Aboriginal Victoria, 1969
Looks at the Aboriginal community from the time of white contact, across many parts of Victoria. Chap.1; Melbourne - early missions, camp of Native Police, corroboree trees, canoe trees, grave &? headstone of Derrimut; quarries at Keilor, excavation sites at Green Gully &? Keilor; quarry at Mt. William, notes on inheritance of quarries Coranderrk settlement - Barraks grave, notes on his life; Chap.2; Geelong - Yawangi group of the Wothowurong tribe, camping grounds in area quarries; Notes on William Buckley, Gellibrand (a notable Aboriginal), graves in the Western Cemetery; Chap.3; Colac - war between Colac &? Geelong tribes; Mission at Birregurra, reason for failure of Buntingdale Mission; brass plate to Coc-coc-coine; reserve at Elliminyt, native ovens, camp sites, initiation site &? ritual; quarry sites, axegrinding factory, rock pecking &? engraving; dried hand &? 3 Aboriginal skulls found; Chap.4; The south-west coast - middens, camp sites notes on Framlingham Stn., fish traps at Tyrendarra; Chap.5; The far west - massacres of Aborigines near Casterton; camp sites, oven mounds; the first cricket team formed; Aboriginal cemetery; Chap.6; Hamilton - camps; Mount Rouse Station, axegrinding grooves at Nareeb Nareeb, shelters described, fish traps, massacre at Lake Condah; mission; canoes; Chap.7; Camperdown - legend about Lake Bullen Merri; obelisk erected in memory of Aborigines of district especially chief Wombeetch Puyuun; Jarcoort tribe; fish weirs, camps, intertribal fights between Booluc-burrers, Jarcoorts &? Ellengermote groups; bartering place at Mount Noorat; articles traded, legend of Flat-Top Hill; Chap.8; Ballarat - camp at Lake Wendouree; White Stone Lagoon; legends concerning Mt. Buninyong &? waterfalls at Lal-lal; camp sites; pygmy-type implements near Meredith, quarry at Glue Pot Rocks near Durdidwarrah; brass plate of King Billy; Chap.9; Ararat - Tjapwurong territory; camp sites, quarries, shield &? canoe trees; Bunyip belief at Lake Buninjon of Muk-jarawaint &? Pirtkopen-noot tribes, gives legend; stone implements; mill stones; fish weirs; stone arrangement near Lake Wongan; ground drawing of a bunyip, paintings in rock shelter near Mt. Langi Ghiran; Chap.10; Maryborough - camps, oven mounds, rock wells, stone arrangement at Carisbrook; camp sites at Mt. Franklin; Chap.11; Charlton - belief in Mindye (snake); canoe trees, ovens, camp sites, water holes, rock wells, stone implements; method of rainmaking; Chap.12; Horsham-Stawell, The Wimmera - Wotjobaluk land; camps, fish traps at Toolondo; Black Range cave paintings, Flat Rock shelters (detailed account of these paintings); Bunjils Cave; Chap.13; Horsham-Stawell, The Mallee - camp sites, implements; Ebenezer Mission, Willie Wimmera taken to England by Rev. Chase to become a missionary, died in England; Chap.14; The Murray River, Mildura Swan Hill - Battle of the Rufus; ceremonial ground, Lake Gol Gol, canoe &? shield trees; stone implements; camp sites, fire place arrangements; fish traps; oven mounds; Chap.15; The Murray River, Swan Hill-Echuca - legend about Lake Boga; camps, oven mounds, the Cohuna skull, Kow Swamp, method of burial; Chap.16; Shepparton ovens; brass plates of King Paddy of Kotupna &? King Tattambo of Mulka Stn., native well, camps; Chap.17; Wangaratta -camps, quarry, rock holes, the Faithful massacre; grinding rocks at Earlston; Chap.18; The High Plains - Ya-itma-thang; camps, Bogong moth feasts, native paths for trade &? intertribal fights, articles traded; painted shelters; Koetong Ck. Valley, near Mt. Pilot &? near Barwidgee Ck.; Chap.19; Dandenong - water holes, list of 8 holes in Beaumaris - Black Rock area; camps, middens, stone implements (microliths), legend of Angels Cave, stone axes, Native Police Force, Narre Narre Warren Station, legend about rocks on Bald Hill, kangaroo totemic site; Chap.20; Wonthaggi- Yarram - natives visit Phillip Is., murder of William Cook and Yankee by five Tasmanians (listed as Bon Small Boy, Jack Napoleon Timninaparewa, Fanny Waterpoordeyer, Matilda Nattopolenimma and Truganini) near Cape Patterson, men; camp sites, middens, legend of White Rock; Chap.21; Sale - Bairnsdale, The Lakes Country middens, camps; legend at Wulrunjeri; story of a white woman supposedly living with with the Tutangolung tribe, efforts made to prove story; canoe trees; Chap.22; Sale-Bairnsdale, The Inland Braiakolung tribe, camps, implements, canoe &? shield trees; Ramahyuck Mission, grinding rocks, fights with Omeo tribe; native tracks, death through enemy magic - procedure, belief in ghosts; Chap.23; Lakes Entrance and the Country to the east - Kroatungolung people, legend of Kalimna Valley; camps, stones of Nargun, bunyip, devils at Lake Tyers, excavation at Buchan, carbon dates; middens, ochre at Cape Conrad, stone fish-hook file at Thurra River; note on Bidwel tribe; Each chapter gives historical details, early contacts, relationships with settlers; Aboriginal place names and detailed description of sites and geographical features.b&w photographs, b&w illustrations, colour illustrationsgeelong, colac, hamilton, camperdown, ballarat, ararat, maryborough, charlton, horsham, stawell, murray river, shepparton, wangaratta, dandenong, wonthaggi, yarram, sale, bairnsdale, lakes entrance -
Federation University Historical Collection
Document, Certificates Granted by the Council of the Ballarat School of Mines, Ballarat (and examination papers), 1872, 1873
The Ballarat School of Mines was established in 1870 and was the first site of technical education in Australasia. Foolscap book of 1872 and 1873 examinations. The cover indicated certificates granted in those years.john ditchburn, john o'malley, john thomson mckenna, george samuel gawler, wiliam henry keast, george james, donald mcgregor, george kidd, jachin gordon illingworth, john king, josiah curnow, john james patterson, john bailey bullen, john trevan, thomas james, patrick mcloughlin, patrick murray, john hore, henry ferdinand conrad, donald mcgregor snr, mathematics, captain of shift, engineer, engine-driver, g.j. russell, john lynch, e. bull, j. robinson, j.m. troup, j.m. bickett, nicholas kent, andrew martin, henry rosales, w.h. keast -
Federation University Historical Collection
Book, Ballarat School of Mines, Ballarat School of Mines Annual Report, 1882, 1872-1882
The Ballarat School of Mines is a predecessor institution of Federation University Australia.Ballarat School of Mines Annual Report. The report includes: Ballarat Gaol Reserve and Endowment, Black Hill (F.M. Krause), Lal Lal Geology (F.M. Krause), Lal Lal Iron Ore Deposits (F.M. Krause) , Sedimentary Rocks of the Ballarat District (F.M. Krause), Skipton Lignite Deposit (F. M. Krause) The report includes the following Images: Ballarat School of Mines and Botanical Garden ballarat school of mines, ballarat court house, ballarat circuit court, skipton, coal, skipton coal, ballarat school of mines botanical gardens, ballarat gaol, w.h. shaw, ferdinand krause, black hill, lal lal, lal lal ore deposits, lal lal geology, sedimentary rocks of ballarat district, skipton lignite deposit, john ditchburn, john o'malley, john thompson mckenna, george samual gawler, henry henry keast, george james, donald mcgregor, george kidd, hachin gordon illingworth, john king, josiah curnow, john james patterson, john bailey bullen, john trevan, thomas james, patrick mcloughlin, patrick murray, john hore, henry ferdinand conrad -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Surrey Hills Historical Society Collection
Book, Some early influences on Australian Art
Although there was painting from the very early years of Australian settlement, for some time the artists experienced trouble with reproducing Australian conditions. It has taken an input of many artists from many places to form what has become "Australian Painting". A history compiled by SHHS member, Arthur Tonkin.Although there was painting from the very early years of Australian settlement, for some time the artists experienced trouble with reproducing Australian conditions. It has taken an input of many artists from many places to form what has become "Australian Painting". A history compiled by SHHS member, Arthur Tonkin.artists, (mr) theodore brooke hansen, (mr) thomas watling, j a horrocks, (mr) s t gill, (mr) conrad martens, (mr) sydney parkinson, (mr) john lewin, (mr) augustus earle, (mr) wilbraham frederick evelyn liardet, buxtons gallery, (mr) walter withers, (mr) giroloma ballatti nerli, (mr) joseph lycett, (mr) john glover, (mr) thomas bock, (mr) thomas wainwright, (mr) george french angus, (mr) william blandowski, (mr) gerard kreft, (mr) eugene von guerard, (mr) ludwig becker, (mr) william strutt, (mr) thomas clark, (mr) robert dowling, (mr) tom roberts, (mr) fred mccubbin, (mr) louis abrahams, (mr) charles condor, (mr) david davies, (mr) herbert daly, r e falls, (mr) douglas richardson -
Federation University Historical Collection
Book, Ursula Hoff, Masterpieces of the National Gallery of Victoria, 1949
Bluehard covered book of 243 pages. Black and white illustrations. non-fictionnational gallery of victoria, art, artists, daryl lindsay, ursula hoff, alan mccullogh, joan lindsay, joan lindsay, hans memling, uccello, titian, veronese, canaletto, battista tiepolo, claude le lorrain, nicolas poussin, peter paul rubens, francisco de goya, rembrandt van rijn, jan de heem, gerard terborch, jan steen, jacob van ruisdael, anthony van dyck, joshua reynolds, thomas gainsborough, george romney, henry raeburn, george morland, thomas rowlandson, john cozens, joseph turner, john constable, william blake, william etty, charles holmes, augustus john, william nicholson, paul nash, john tunnard, jacob epstein, maurice lambert, auguste rodin, jean houdon, jacques david, daumier, jean corot, jean millet, louis boudin, edouard manet, edgar degas, claude monet, alfred sisley, camille pissarro, paul cezanne, vincent van gogh, maurice utrillo, august rodin, william dobell, russell drysdale, norman lindsay, conrad martens, louis buvelot, frederick mccubbin, tom roberts, john russell, john longstaff, emanuel phillips fox, walter withers, charles conder, rupert bunny, george lambert, arthur streeton, lionel lindsay, max meldrum, hans heyson, hugh ramsay, george bell, william frater, adrien feint, eric thake, jack carrington smith, constance stokes, lyndon dadswell, ola cohn -
Glen Eira Historical Society
Document - Bevan, James
File contains two items. 1. Twelve typed and photocopied pages of correspondence between Tom Bevan Fielding of Cringleford Norwich, England and D Keep from the Royal Historical society of Victoria between 12/05/1975 and 13/09/1975. 2. Typed correspondence relating to James Bevan dated 26/07/1975 and 02/10/1975.bevan james, horses, caulfield, grosmont, hewitt mr, bevan mary, drowning, horse racing, house names, hart family, fielding tom bevan, caulfield race course, bambra road, fly elizabeth, fly mary, carriages and coaches, fly eric, fly c, bevan conrad, bevan james alfred jnr, bewan mary jnr, slaneys paddock, hunting, tasman ships, ss london, postal services, road construction and maintenance, wheelwrights, swanton james -
Glen Eira Historical Society
Article - Carnegie Methodist Church, Neerim Rd, 252- 254, Carnegie
Various Leader Newspaper articles c 2010 – 2011 on the development of the church building as a Gallery, Coffee Lounge and residence and the subsequent fire at the site.carnegie methodist church, carnegie uniting church, neerim road, toolambool road, glen eira, carnegie, breslin gallery, fine art, kay conrad, grange road, art galleries, breslin anthony, st anthony’s primary school, artists, martin scott sen det., caulfield ciu -
Mission to Seafarers Victoria
Book, Routledge, The Last of the Wind Ships, 1934
No dust jacketnon-fictionsea voyage, allan villiers (1903-1982), keith oliver, donation, windjammers