Heavily embroidered cope with baroque design in gold metal thread over cloth-of-gold.

TROVE : Maryborough and Dunolly Advertiser (Vic. : 1914 - 1918) Monday 5 January 1914 p 4 Advertising 'QUALITY EXCELS. H. S. COPE & CO., STATION BRAND. REFINED EUCALYPTUS OIL ONCE TRIED ALWAYS USED. H. S. COPE & CO, MARYBOROUGH.' TROVE : Ararat Chronicle and Willaura and Lake Bolac Districts Recorder (Vic. : 1914 - 1918) Tuesday 5 September 1916 p 2 Article 'H. S. Cope and Co., of Mori Mori, was badly injured by being kicked on the thigh by a young pony whilst he was endeavoring to catch his own for the purpose of driving to his home. He was unable to walk without assistance as a result of the kick, and it will be some time before he completely recovers from the effects.'Clear green tinted glass bottle , oval in section with text on side and monogram on base embossed onto the glass.'H S COPE & CO MARYBOROUGH' on side. A G M on base.

Wooden framed photo of the interior of Cope Brothers Tailor shop Korumburra, c. 1935 - 1940.Back of frame states Çope Brothers Shop'.

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Single sheet of of white paper with printed header and a typed letter of reference signed by S Hope the editor of 'British Bandsman', a weekly paper.A pen signature - S. Copefrank wright, s cope, british bandsman, reference

Used by McIvor Times to print the local newspapters the Rodney Advertiser and McIvor News in Heathcote McIvor 1853-1941It is significant to heathcote as it has provided the early gold mining community of the McIvor District with the current news of the day. Large cast Iron print presshas maufactures details Hopkinson Cope and a badge with 1879 on front with a crest heathcote mcivor newspaper press

Pastor Doug Nicholls, M.B.E., J.P. was field officer for the Aborigines Advancement League (Victoria).Quarto hand written letter on letterhead of the Correspondence from the Aborigines Advancement League (Victoria) to the headmaster of the Ballarat Technical School. The letter relates to a bursary for a student. aborigines, aboriginal, aborigines advancement league (victoria), doug nicholls, cope, muir

Working across installation, video and painting, Quandamooka artist Megan Cope investigates issues relating to colonial histories, the environment and mapping practices. Black Napoleon (Eulope) is part of a series of lithographs that highlights what Cope sees as ‘just one of the many stories of powerful and clever people defying Empire’ at the turn of the 19th century in Australia. The Black Napoleon series was produced as part of the Australian Print Workshop’s French Connections project. The project aimed to produce new work responding to the National Archive in Paris, with a focus on cultural materials relating to early exploration of Australia and the Pacific. It was important to Cope that she did not simply repeat the material of the archive, which was collected and conserved within a colonial framework. Instead, Cope’s work addresses Eulope’s sovereignty and role in resisting invasion. Eulope was a Quandamooka man named after Napoleon Buonaparte because of his leadership in battles against British forces, which invaded Stradbroke Island in the early 1800s.

Donated by the artist, 2004Silver bromide photographic printgippsland, artwork, permanent collection

Originally used at St Brigid'e Church , CrossleyWhite satin damask, embroidered and lined with red frabric.IHS embroidered on hood

Families struggling with a loved-one's drug addiction can get help through "Family Drug Help" at Banyule Community Health. News clipping, black text and colour image.banyule community health, drug addiction, family drug help

Purchased with the assistance of the Gippsland Art Gallery Society, 2012Etching on papergippsland, artwork, permanent collection

Ill, maps, p.227.non-fictionA regimental history of the 27th Battalion 1st AIFworld war 1914-1918 - regimental histories - australia, world war 1914-1918 - campaigns - france, world war 1914-1918 -campaigns - gallipoli

Megan Cope is a Quandamooka woman from North Stradbroke Island, Queensland. Her work explores the intricate relationship between history, environment, geography and identity. Cope’s work has been exhibited in Australia and internationally and she is a member of Aboriginal art collective proppaNOW. The Blaktism is a satirical video work responding to the artist’s experience obtaining her ‘Certificate of Aboriginality’. The work reveals the racism embedded in prescribed notions of authenticity and Aboriginality by white experts in the everyday Australian cultural landscape. The artist decided to make this work after her community elders explained the process of confirmation. The thought of being legitimately certified at 30 years of age spurred an overwhelming sense of doubt despite having grown up connected to country and family.

This is a perpetual annually presented trophy for the Orbost Marching Girls, the Waratahs. It was donated by local jeweller, Roy Cope.Together with a chaperone's blazer, a uniform and photos this trophy forms part of the history of the Orbost Marching Girls group.A wooden trophy with a triangular base and metal shields. It has a gold painted statue of a female with a laurel wreath in her outstretched left hand. In the right hand is a plaque with a team of marching girls on it.Orbost Marching Girls Roy B. Cope Perpetual Trophy 1963 Awarded to Helen Kelly 1963-64 Diane Bailey 1964-65

How Eaglehawk Mothers Coped during the Great Depression.Annette McHugh.eaglehawk, history, women during the depression.

This clasp or morse shows the influence of the Art Nouveau style on liturgical decoration.Brass clasp, known as a morse for linking the front falls of a ecclesial cope.clasp, morse, art nouveau, decoration, brass.

How Mothers Coped in their Depression. An oral History of Wyong Mothers 1929 - 1939.Judy Bone.history, australian, pioneers of depression yrs. wyong

Two photos of Adam Cope becoming a Scout. 1. Colour photograph of a group of Selby scouts saluting. Two boys in the foreground are Brent O'Dempsey and Adam Cope, with Glenys O'Dempsey and Lorraine Edmondson. Photo taken behind the Selby Oval. 1980 or 1981. 2. Colour photograph of Adam Cope having his 1st Selby Scouts scarf tied up by Lorraine Edmondson at Menzies Creek Hall. 1980 or 1981.

Booklet produced by Andrew Brown and Phil Cutts to record the interpretative signs used in the Union Jack Education Reserve.union jack reserve, buninyong, education, environmental interpretation, signage

These templates and logos date from before the introduction of desk-top publishing and are an example of how media publications were assembled by the 'cut and paste' method.A varied collection of college logos from the 1980s, coverig both NMCOT and PCOT.Two folders (one manilla folder, one plastic) containing templates and master copes of logos for use on corporate publications. On cover of manilla folder: 'Gina / Print Room / T&D / Brochures'corporate communications, pcot, nmcot, preston college of tafe, northern melbourne college of tafe, logos, nmit,

3 documents pinned together, on top of documents messrs Connelly Tatchell & Dunlop 'Dr. to Cope & King', names mentioned in documents : Anders ( bankrupt ) Smith & Boyd., Colonial Bank versus Joachim, Shannon versus Haylock, dated 23rd. November, 1889. On top of folded documents, on outside, 23 Nov 1889, Cope & King.business, legal, connelly, tatchell & dunlop

Views from Big Hill Sloane Street Fisher Street areas looking towards West. Mining in foreground of photo. Upper Main Street and Patrick Street Streetscapes visible. Mathers and Franklin. Agnew Draper. J R Franklin? Draper. Coffee Palace formerly Castlemaine Hotel , Town Hall visiblePanorama of Stawell from Big Hill showing Sloane's St. / Fisher St. areas. The photo has Whims & Poppet Heads in the foreground. There are around 6 copes of the photograph. Victorian Views. C. Herbert. Photo. Copyright Registered. Stawellstawell, panorama, mining, streetscape

This object relates to Charles JOHNSTONE. He was born on 1/04/1875 in Cope Cope, VIC. Charles served in the AIF (3086) enlisting on, 13/11/1916 in Cope Cope, VIC before being discharged from duties with the 7/37 BATTN as a Army Non-Commissioned Private (PTE) on 26/12/1917. Charles JOHNSTONE was not a prisoner of war. His next of kin is Grace CONSTABLE (Sister).second world war (ww2), 1939 - 1945, photo/pictures, ballarat rsl, ballarat

Coloured photo of Blackburn Railway Station. A third track is being laid to cope with the station being used as a terminus while reconstruction work is carried out at Box Hill railway station. Photo looking east.blackburn railway station, blackburn

Wallace's Hut, the oldest hut on the Bogong High Plains, was restored in march 1999Cattlemen's Huts belonged to farming families of the Kiewa Valley. They used the huts when staying with their cattle on the High Plains during summer.7 coloured photos laminated depicting restoration of Wallace's Hut. March 1999 and 1 larger photo of Cope Hut (on hill) 1 larger photo, 2 medium sized photos and the 4 smaller photos laminated together.All have velcro tape on the back in the cornerswallace's hut, bogong high plains

Copy of a black and white photo of the Victoria Quartz Mine showing the poppet head, chimney and two buildings. Printed underneath is: Victoria Quartz. The head frame here is the third erected. It was needed to cope with increased haulage as the shaft went deeper.bendigo, history, long gully history group, the long gully history group - victoria quartz