Made by Barbara Cornell for her 1938 wedding. Small bouquets worn at the waist, on the shoulder etc.Artificial handmade corsage - cream with rose and lily of the valley flowers.corsages

A corsage is a small bouquet of flowers worn on a woman's dress or worn around her wrist to a formal occasion, traditionally purchased by the woman's date. A corsage originally referred to the bodice of a woman's dress. Since a bouquet of flowers was often worn in the center of the bodice, the flowers took on the name "corsage." This corsage was worn by Marjorie Burton.It was probably pinned on a dress to decorate it and may have been made by Marjorie or her mother. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a typical dress accessory and reflects women's clothing styles of the mid 20th century.A corsage of pink and white artificial flowers with green leaves and tied with a pink ribbon. The stems are bound with green tape. In the centre of the flowers sre tiny white pearly beads.corsage accessories burton-marjorie

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man with moustache tie and corsage Bob Fisher Stawell Photographic Co Close Railway Station C. HEWITT, Manager

Collected by Dorothy Brumby in relation to Great Western ResearchTwo boys seated with corsages and girl with lace collar standingMater W.J. Chapman Photo Artist Stawell

Huttley -Martin B/W: young boy in three piece suit, with corsage and moustache.Chusk ?Old Medalist. Vice Reagal Photographer; Ballarat. To Chrissie with love, From Ernest (Martin). 17/02/1900huttley, martin

On display at History House.Photograph, hand-tinted, mounted on curved board in oval frame with convex glass. Depicts man on left wearing suit with a corsage. He has a moustache and dark hair. The woman on right wears her hair in a bun, a dark dress and white collar, and a corsage.Front: (no inscriptions) Back: (no inscriptions)

Harris. WM. & Jane – Diamond Wedding Anniversary. Coloured photo in oval frame.Coloured Oval Photo of Mr and Mrs Harris: Mrs Harris is wearing fromal black with dress. Black jacet has a corsage pink . Mrs Harris is wearing clear bead neckl;ace pink brooch at top of dress. Mr Harris is wearing a blak siuit black tie stand up collar white shirt . coat lapel has corsage.stawell

Group of young men Wearing corsages in Lapels. Alex Neil? Seated wearing Boater hat. c1910B/W/ Photo on Card both Torn. Posing outside Building Front of Grandstand 1 Central Park - Stairs and Seat 2 Men wearing Boaters, 3 Wearing Hats & 1 BareheadedReverse Matson & Co Photographers

B/W. Portrait. Solid Woman in Ivory dress with fur (white) Stole dark curly hair with hair clip. corsage. Studio Setting. Bodice renched. Under Photograph Chapmans Studios Stawell, on back OF Photograph To Jack With Love May, Xmas 1949

Faded black and white photograph of a young woman (Alison Till) wearing a hat and coat with corsage of flowers on lapel. Handbag and shoes. Standing in front of a brick building.till, alison

Mabel Pye was a printmaker and painter. She was born in Box Hill in 1894, probably at the family’s Loch Street property. She was the daughter of Alice Eleanor Noar and her husband William Edward Pye, who married in 1893. William was known as Ted and is recorded in electoral rolls as a legal clerk and later as a public servant. Mabel had a sister Hazel who was also an artist, but less well known. 12 Loch Street, Surrey Hills was known as ‘Mulberry Hill’ and the Pyes appear to be the first occupants – Alan Holt’s register of Surrey Hills properties has them there from c1900. The property was originally about an acre in size and was later divided into 4 house blocks. In 1923 they built a house for themselves on one of the blocks facing Benwerrin Street and called it ‘Tanglewood’. The Loch Street house abutted the Surrey Hills Reservoir and was diagonally linked to the land in Benwerrin Street. In 2019 both the houses still stand. The family were involved in amateur theatre and at times the studio doubled as a rehearsal space for the Benwerrin Players, a group which operated through the late 1920s and early 1930s being comprised of friends and neighbours from Benwerrin Street and Windsor Crescent. Some of their performances were at the Surrey Hall in Union Road. Most of Mabel’s known work dates from the 1930s. She had studied under Bernard Hall at the National Gallery School. Mabel was a member of both the Victorian Artists Society from 1918-1941 and also the Melbourne Society of Women Painters and Sculptors from 1920-1950. Her work is represented in the Australian National Collection and in state galleries. The NGV has one of her works, the Gallery of NSW has 9 works, a large body of works and personal material is held by the Ian Potter Collection and there is one piece in the City of Whitehorse Collection. This ink sketch of the White Horse Hotel is signed MP and dated 1933, the year the building was demolished. A black and white studio photograph of a young lady standing beside a pedestal and wearing a light coloured dress with 3/4 length sleeves, dark stockings and lace up shoes. A corsage of dark flowers adorns the bodice. loch street, surrey hills, artists, whitehorse hotel, box hill, miss mabel pye, city of whitehorse collection, william edward pye, miss alice elanor noar, mrs alice eleanor pye, frank stamford

The photograph shows five seated individuals dining at Marios' restaurant in Carlton, Melbourne. The ladies are wearing finery and corsages which suggests that this may have been a post-marriage celebration following the wedding of Lillie and James Morgan. Their marriage certificate records the date as 26th of April, 1969.This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. The image is also an insight into fashions of the time as well as into the relationship between Lillie and James.A professional photograph of Lillie Morgan (nee Duncan) and husband James Morgan dining at Marios' restaurant in Melbourne with three unidentified friends. The printed image is professionally mounted in a Marios' display folder.The front of the display folder reads "Greetings from Marios' Continental Restaurant Melbourne - Australia" Insignia of the restaurant is printed beneath the photograph and the photographer's name 'Renouf' is printed alongside. On the reverse "Fully air-conditioned" and "Photography by Renouf of Marios'" is printed in red ink. There is also a sketch in blue biro of a cat and a horse and rider.lillie duncan, lillie morgan, james morgan, marios', 1960s

sepia photo on cream board. Lady in long, light coloured gown. Corsage on bodice. Deep frill to bodice and to edge of sleeves. Holding book on lap. Seated on bamboo chair. Table and greenery in background against brick wall. R DERMER SMITH BULL STREET BENDIGOR. Dermer Smith, Bull Street, Bendigoperson, individual, female portrait

photograph mounted on cream board. Studio portrait of young woman standing. Hair plaited and wound up on top of head. Corsage of daisies on subjects left front shoulder. Leaning on arm of chair. 'Chuck: Gold medallist, Londoin/Queen Studio/Sandhurst' printed on front of photo.Chuck, Sandhurstperson, individual, female portrait

Tilly Aston as a young woman in her 20s. She is wearing a cream blouse with a star badge and a rose corsage. Her hair is up and has flowers arranged in it. Pioneering activist Tilly was the first Australian woman who was blind to attend university, but due to the lack of braille texts she had to abandon her studies. 1 photograph in various tones of Tilly Astontilly aston, association for the blind

From the Chapman family photograph albumPhoto on card backing. Studio portrait of couple, in front of photographers drape background. Gentleman has a moustache and is in a three piece suite with large tie, corsage. Woman is in white dress and collar with puff sleeves, waist with white tie. Woman is resting her hand on husband from behind. Her other arm is resting on table with fern. Uncle John and Auntie Clara Henderson. Stawell Photographic Co. Close Railway Station, C Herbert.

This photograph is a visual record of Lady Coles who was on the Melbourne District Nursing Service (MDNS) Management Committee when, in the early 1960s, MDNS set up four regional Centres, one of which she allowed to be run from her home in Frankston.Lady Coles had a long standing interest in Melbourne District Nursing Society, and in 1957 following the separation of the Melbourne District Nursing Society and After-Care Hospital, she was elected as a member of the First Committee of Management of the now Melbourne District Nursing Service (MDNS). In the early 1960s MDNS set up four Centres where cases could be reported for District Nursing action. One of these Centres covered four districts and was situated at Lady Coles home in Frankston. She was on the committee when MDNS was granted its Royal patronage and became the Royal District Nursing Service (RDNS) in 1966. In 1967 a major fund raising appeal, with Lady Coles as chairman of the Women's Committee, took place and her energy helped raise a substantial sum for RDNS Three years later, after 40 years of actively working for District, Lady Coles resigned from the Committee of Management.Black and white photograph of Lady Coles who is smiling; has curled dark hair and is wearing a black round neck frock with a white flower corsage attached on the left hand side.The material of the frock appears to be velvet. She has a two row string of pearls around her neck. She is sitting in front of a window with a striped curtain to the right of it.mdns, after-care hospital, melbourne district nursing service, royal district nursing service, rdns, lady coles, melbourne district nursing society

Mr and Mrs Chamings nee Eliza Harris Great Western B/W photo Studio Ornate arches and pillars background chairs and fire screen. Left Mr Chamings Wearing a three piece suit. Corsage in lapel. Fob watch chain across waistcoat. Mrs Camings wearing dark travelling dress. flat beribboned hat. drop necklace. belt. Heart bar brooch. hold folded umbrella in gloved hand both posing in front of chair.Front: Stawell Photographic Co., Main Street, Close Railway. C. Hewitt, Manager. Reverse: Mr and Mrs. Chamings nee Eliza Harris. Stamp Stwell Photographic Co. Close Railway Station C. Hewitt, Manager.stawell

sepia tinted photograph mounted on cream board. Older woman seated, younger standing behind. Both women wearing corsages, wearing light coloured dresses with leg-o-mutton sleeves, high necklines with bar brooches. Written in pen on back ' To dear Brother Tom and Sister Jane. With our very best love from Bessie and May 2.8.08 ' 'Goggon' wiritten in pencil top back RH top corner.Melba & co, Melbourne.person, family, mother and daughter ?

Close-up taken at the same time as M0126. Mrs Currie is wearing a dark dress with a deep V-shaped patterned insert which extends from neckline to waist and appears to have looped edging. Her dark, wide-brimmed hat is trimmed with flowers. She holds a dark clutch bag and has dark shoes. There is an elaborate corsage pinned to her dress. She is wearing what appears to be crocheted cotton gloves.

Cathy and Finlay Currie (Allan's parents). Mrs Currie is wearing a dark dress with a deep V-shaped patterned insert which extends from neckline to waist and appears to have looped edging. Her dark, wide-brimmed hat is trimmed with flowers. She holds a dark clutch bag and has dark shoes. There is an elaborate corsage pinned to her dress. Mr Currie is in a 3-piece suit of medium light shade, and a tall hat. Another woman can be seen behind them. They are outside a church and are probably at a wedding.