Clothing. Women's knee length white cotton bloomers with 6cm waistband dipping to a V at centre front. Two side openings (30 cm). Originally fastened with cotton tape ties attached to waistband. Ties have been removed. Leg sections gathered into waistband. Legs trimmed at hem with cream coloured crocheted lace (10 cm) edged with light blue.costume, female underwear, women's white cotton bloomers

Clothing. Women's knee length white cotton bloomers with straight waistband (6 cm wide). Two side openings (21 cm). Originally fastened with cotton tape ties attached to waistband. Ties have been removed. Leg sections gathered into waistband with pleating. Triangular gusset n back seam. Legs trimmed at hem with cream coloured crocheted lace (11.5 cm) edged with light blue.costume, female underwear, women's white cotton bloomers

BHS CollectionWhite cotton ladies bloomers, made from two pieces with seams at centre front and back. Waist band (4cm0 attached with series of small pleats to create fullness. Cotton tape ties attached to waistband at side openings as fastenings.costume, female, cotton bloomers

White cotton bloomers

Fleecy Cotton Bloomers (Large) Elastic at waist and legs. Mrs J Hughes.stawell clothing material

White cotton drawers with fine crochet and needlework lace on the legs. Lace edging 15 cms wide. The waistband fastens at the back with two buttons. A gathered section is detachable and fastens to the waistband with two buttons. This section has a machined center seam. At the front two darts are placed on either side of the central seam.cotton drawers, bloomers, early underwear, vintage underwear

This item was made and worn by Marjorie Burton. This item was wornduring summer holidays in Croyde,a village on the west-facing coastline of North Devon, England. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who mademanyof Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of ahome-madepiece of clothing and reflects the needlework skills of women in the mid twentieth century.A pair of lime green cotton bloomers - home-made. They faste with a zip on the right-hand side. They are probably part of a set meant to wear with a bikini bra top.bloomers women's-clothing swimwear burton-marjorie

Women's white cotton bloomers featuring a drawstring waist and loose-fitting legs. The bloomers are decorated with bands of lace insertion and lace edging at the hem. Such garments were worn as undergarments beneath dresses and skirts, providing comfort and modesty in everyday wear.The bloomers are believed to have originally been owned and possibly made by Annie Ziebell (née Robertson) (1872–1953), wife of Henry Ziebell. The estimated date of the garment corresponds with the period in which Annie lived and raised her family at Westgarthtown.

This bloomers were donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Bloomers, cotton, machine made lace inserts and trim around legs. Waist has elastic (no longer stretching). Inscription is illegible. C. 1900. Inscription is illegibleflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, bloomers c 1900, bloomers, underwear, ladies' underwear, ladies' fashion, lace inserts

Handmade white cotton pantaloons typical of underclothing from the late 19th and early 20th century.White cotton pantaloons or bloomers worn as women's underwear. A button at both sides of the waist/top. The legs are trimmed with broderie anglais lace. This item is handmade (homemade). womens-underwear

This pair of bloomers was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Bloomers, cotton, pulled thread embroidery and machine made lace inserts, lace trim around legs. Waist has elastic (no longer stretching). Inscription is illegible. C. 1900Illegible inscription on waistbandflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, bloomers c 1900, bloomers, ladies' underwear, underwear, ladies' fashion, victorian fashion, ladies' clothing

Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic

BHS CollectionHanro Spring Summer Catalogue Lingerie 1963: Black coloured card front cover with four point star Hanro Banner top centre with lime green background and Hanro in black print. Three oval white circles at the lower right hand side have writing Drama Colours in Black, which are listed to the left in white print. A three centimetre white coloured band placed horizontally a third from the top and three lime green bands arise from this white line at right and under the oval white shapes with one reaching the bottom of the page. Inside the front page it is advertising the line of the lingerie with its new Colours. It includes negligee/night set, night dresses, pyjamas, bedjackets, Princess slips and half slip, vests and spencers, briefs, panties and bloomers, and cotton vests. All Items included an item number, description, colour and sizes available. The back cover was white card with black print. The four star banner was lime green with Hanro printed in Black. Australian Knitting Mills Ltd heads the information about addresses and phone numbers of Bendigo and Interstate Offices. A 3 X 8.4cm black vertical stripe is found on the left-hand side from the top of the page. 3mm lime green band extends from the lower right hand side of the page for 17.7 cm. Box 116ACambridge Press Bendigobook, magazine, catalogue, hanro. catalogue. cambridge press bendigo.

This type of chemise/camisole is believed to be early 19th century. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely hand-made cotton and lace camisole is typical of a type of undergarment worn by women inside the home in the early 19th century. Hand sewn, sleeveless fine woven cotton, loose-fitting garment detailed with deep cream coloured ribbon lace on armholes. The neckline is square-shaped and has a broad band of ribbon filled beneath lace detailing. The garment has 2 pearl coloured buttons on-top of the shoulders as openings.female, point d'esprit, lynne findlay collection, camisole

This baby bodice was created using machine and hand stitching, by Phoebe Lowell, a 13-year-old schoolgirl at St Michael's, St Kilda in 1916. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although this baby bodice was made in the early 20th century.This doll's apron is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.White sleeveless cotton bodice with a one-button opening at the neck. Neckline and front opening are finished with double rows of top stitching. Arm openings finished with single lines of top stitching.On small label accompanying piece, handwritten: 'Phoebe Lowell / Form IV A / Age 13 years'female, lynne findlay collection, phoebe lowell, baby bodice, 1916

These cotton drawers are typical of the ones worn during the 19th century by women. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc. - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.These cotton drawers are typical of the ones worn by women during the 19th century. Their simple and open design were made for convenience when paired with the corsets and layers of chemises and other covers that were popular at the time.Cotton drawers with lace-trimmed (red ribbon inserted) at end of legs. The waist band had three buttonholes on the front and two buttonholes on the back. The back end front waist bands are separated.female, point d'esprit, lynne findlay collection, clothing

This child's cotton blouse was handmade by 15-year-old schoolgirl, Phoebe Lewell in 1918. She won the Form V Needlework Prize at the Speech Day for St Michael's, St Kilda in that year. This blouse was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This handmade child's blouse showcases the sewing skills of an early 20th century schoolgirl and recalls the importance of girls being taught how to make clothes at that time.Child's cotton blouse with short sleeves. Lace trimmed neckline and ends of sleeves. Dark cream satin ribbon inserted. Jacket has front opening with four buttons (pearl) - three of the buttons concealed by a band of lace. The base of the blouse has a band which the gathered top is sewn into.female, lynne findlay collection, phoebe lowell, 1918, st michael's

This cotton nightgown was worn by women in the 19th century. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This is a lovely example of a type of nightgown worn by women inside the home in the 9th century. Handstitched cotton nightgown which has a front opening yoke with 4 buttons and buttonholes. Embroidered trim on cuffs and edges of neckline and yoke. Cream white in colour with four pintucks on each side of front opening and trimmed with embroidery at base of tabs.female, lynne findlay collection, nightgown

All edges (except hemline) ie sleeves, and centre front, including neck edge, are finished in perle thread, buttonhole stitched two cm wide scallops. Satin stitch, and cut work embroidery, in a floral design, are on the lower edge of the short sleeves and on the front bodice.The waistline has a four cm wide band of ribbon, in an insertion design,- but there is no ribbon insertion evident. This would be the only form of closure, from the waistline a slightly gathered panel,22cm deep, gives a peplum effect. Hemline is faced with a 1.7cm wide cotton facing. The ribbon insertion panel has alternating 1.2cm wide floral embroidered ribbon and one cm wide plain ribbon. Magyer sleeves-extending from the side seam just above the waistline - bodice all one piece of fabric - no seams.Accompaning note - No date. The bloomers (11400.931), belonged to Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket would be about the same age.costume, female, white linen bed jacket

Fine white cotton, with a drawstring in a 1.5xcm deep casing around the waistline. Completely opened at centre front, through crotch, and up the centre back to within 14cm of the waistline. One dart on either side of front, and two darts on either side of back. Machine stitched. A 2.5cm wide cotton lace is inset into a zig zag pattern around each leg. In each V shape a 1.5cm lace insert in a fan,under the V shapes are inserted needle woven bows, shape is inserted. Seven extremely fine pin tucks border the edge of the legs, which have a three cm wide lace edging. Split drawers were worn in the era when women wore corsets. The split front and back allowed women to go to the toilet, as the corsets could not be removed to allow for an act of nature.Accompanying note - No date. The bloomers belonged to Miss Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket (11400.930) would be about the same age.costume, female, fine white cotton split drawers

Clothing. Waist band 10 cms deep at side seams, dipping to a 16cm peak at centre front, and 15 cm deep at centre back. A plackett on the left hand side fastens with two metal press-studs, and a metal hook (probably a metal or cotton stitched eye, but this area has been damaged, and no eye is visible). Elastic now perished, in casing at lower leg. An 8 cm long dart from the waistband lower edge, on the right hand side seam.costume, female, silk bloomers

This item of underclothing, called a "combination" is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. Although they were worn under the corset, next to the skin (and therefore not meant to be seen), they were often decorated with lace and embroidery. Although these combinations are made with a plain cotton fabric, Eliza Towns has incorporated pin tucks, hand embroidery and crocheted lace to embellish her garment. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear.Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has three buttons in the front and a handmade drawstring cord around the square neckline. It is trimmed with crocheted lace (with a floral design) on the neckline, sleeves and pants. It had pintucks and feather stitching on the bodice and the left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, 19th-century undergarment, handmade clothing, handmade lace, crocheted lace, towns family, nhill, eliza towns

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

This handmade women’s pair of bloomers, or drawers, features hand-worked Broderie Anglaise and applique trim and a drawstring rear closure at the waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's bloomers or drawers, handmade from white cotton fabric, with hand-worked Broderie-Anglaise trim around the bottom of legs with applique motifs. Bloomers have a drawstring, back of waist closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, bloomers, drawers, underpants

This brand of Oven-Puff Flour may refer to self-raising flour. It is noted that self-rising flour (as it was called then) was invented in England in 1845. This flour was commonly branded as "Mammy Oven Puff". Mammy Products Pty Ltd operated during the mid-1900s, producing these specialty baking goods. Advertisements from the late 1930s and 1940s show the flour was marketed as "something different" for home bakers. Flour bags were used for bulk purchases of flour in early to mid 20th century. They would have been laundered and re-used for storage. In earlier times empty flour bags were washed and boiled and then made into tea towels or children’s bloomers, or underwear.A vintage small cream coloured draw string cotton flour bag with the brand Oven-Puff Flour printed in faded pale blue lettering on both sides. 7lbs. Nett when Packed is at the top of the bag. There is an outline image of a black woman wearing a headscarf below the branding. This flour was commonly branded as "Mammy Oven Puff". Mammy Products Pty Ltd. ' 7LBS. NETT WHEN PACKED OVEN-PUFF FLOUR' There is an outline image of a black woman wearing a headscarf below the branding. 'Watson Milling Company. Pty. Ltd.' Is stamped in faded blue on the back of the bag at the bottom. flour, flour bags, flour containers, food storage bags