This United Nations cravat was worn in conjunction with 0077.1 by Damien Batty with the Australian Forces whilst peace keeping in Somalia.United Nations blue cotton cravat with two broad broad bow tie-like ends and a pleated central section. Worn in conjunction to the United Nations beret, 0077.1. peace keeping, united nations, cravat

Available as a commercial shop item, possibly purchased by an Army officer from Myers in Bendigo. Khaki dress tie worn by army officers."MYERS (Bendigo) Pty Ltd, Bendigo" "Curtis Cravat Wool Lined"uniform, tie, officer, army, passchendaele barracks trust item 63

This gentleman’s white silk cravat once belonged to Mrs W N Barnard of Portland, c. 1910.This gentleman's silk cravat is representative of men's fashion of the early 1900sGentleman's white silk cravat, hand stitched. Wide, pointed ends with narrow, ribbon-like mid-section. Circa 1910. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, gentleman’s cravat c. 1910, gentleman’s silk cravat c. 1910, gentleman’s fashion c 1910, men's accessory, ca 1910

Olive green cravat with small diamonds of white and blue. Triangular shape attached to wide strip.costume, male

Clothing. Rayon fabric, cut on the cross to give stretch. Machine stitched hem. Spreads to a symetrical point at wide end. Tapers to an asymetrical point at narrow end.CURTIS RAYON CRAVATcostume accessories, male, men's red tie - band uniform

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man in suite with Vest and Silk Cravat Thomas Fisher Great Western T. Fisher

Nathanial Billing was born in Brightwell Oxfordshire England on 5th May 1821. He emigrated to Australia on the ship 'Ballarat' in 1853 on arrival in Victoria he entered Government service and worked in the Warrnambool and Belfast districts until 1857. He then left the Public Service and commenced private practice. In 1850 Nathaniel and Henrietta Heybourne were married on July 17 at Hillingdon Parish, Middlesex, England. In Belfast Victoria he designed St Johns Church of England, the Bank of Australasia, and worked on St Patricks Catholic church from plans by English architect Hansom. He died on January 29 1910 in St Kilda, Victoria, Australia. Architect of 3 significant public buildings in Belfast/Port FairyBlack and white portrait of gentleman with black full beard and striped cravatpioneer, settler, portrait, people, architect, st johns church of england,, st patricks catholic church, bank of australasia, nathanial billing

John Hartley Roberts was born in England and migrated to Australia with his parents in 1853, when he was fifteen. He married Mary Ann Ellis in 1863. He was Head Teacher at Linton State School from 1867-1877. He became Victorian Inspector of Schools and later went to Tonga to establish the educational system there. This photograph is part of the Old Lintonian collection ; No. 27.Portrait of a bearded gentleman seated with arms crossed, wearing suit with tie or cravat.On back - "John H. Roberts".john hartley roberts, old lintonian collection

Photograph - Black and white. Portrait of a man, wearing a cravat and buttoned suit, and a unassuming moustache.Bartlett Bros. - Sandhurst.person, individual, portrait male, photograph. unknown family. portrait of a man.

Halls Gap's First Wedding between Maud Langley And Charles Perry which happened at Morningside.Slide of a young man with blonde hair, dressed in a winged tipped collar,cravat and suit coat.people, perry

Hardcover book, 258 pages. Front cover of book has an image of a man wearing a hat and a white cravat.fictionCrime novel.fiction, crime fiction, mysteries, dick donovan (j. e. preston muddock)

Studio Portrait of the adult Jane Anderson, white cravat-type collar on dress.Studio Portrait of Jane Andersonlocal history, photography, photographs, slides, film, jane anderson, sepia photograph, mrs emma anderson jacobs

Golliwog dolls were enormously popular in the first half of the 20th Century, but became socially incorrect during the Civil Rights Era of the 1960's. A lot of people owned them in their childhood and remember them with affection. The stories of "Little Black Sambo" and "Epaminondas" similarly were books loved by children but have since disappeared from the shelves for the same reason.Two knitted Golliwogs. 1. - Green pants, yellow belt, red top, green cravat and blue eyes, black face hands and feet. 2. - Red, blue and yellow striped pants, red jacket, blue cravat, blue eyes and red shoes, black face, hands and feet.golliwogs, soft toys, leisure objects

Photograph - Black and white. Portrait of a man. From chest upwards. Well dressed, tie/cravat. Wearing a thick moustache.Barlett Bros. Bendigo.person, individual, portrait male, photograph. portrait of a man. unknown family collection.

Black and white copy of original drawing showing an older gentleman wearing a dark vest and coat, a white shirt and a pinned cravat.mr newcomen

Black and white image: male portrait. Man wearing suit and cravat style tie under wings of collar. No photographer name on image.person, individual, male portrair, bendigo, sandhjurst

Photograph - black and white. Portrait of a man. From chest upwards. Well dressed, wearing tie/cravat. Wearing a moustache, thinned to points.Bartlett Bros. - Bendigo.person, individual, portrait male, photograph. portrait of a man. unknown family collection.

A tie pin is a neckwear controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls, and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-produced. 3 men's metal lapel pins with coloured glass inserts 1 yellow 2 red jewellery, tie-pins, male neckwear, moorabbin, brighton, early settlers, pioneers, cheltenham

A tie pin is a neckwear-controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-producedThe family of Lorna Risstrom were early settlers in Moorabbin ShireA tie-stud and chain in a small, blue velvet covered, silk lined, hinged jewellery box with . The tie-stud has a red stone set in gold metalmoorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardneners, jewellery, risstrom lorna, tie-pins, tie- studs, cravats, silk, lace,

Samuel Steele lived in Linton from at least 1860 and built the drapery store known as Criterion House in 1862/1863. His first three children were born at Linton. Samuel Steele moved into Ballarat in the late 1860s and established a drapery store in Sturt Street. He afterwards lived at Stawell and ran businesses there and in Ararat.Scan of original photograph which shows the head and shoulders of an older man who has a short beard. He is neatly dressed in a jacket, shirt with a stiff collar, and cravat.samuel steele, criterion house

Illustration - Black and white. Taken and cut from a book. Head and shoulders portrait of Thomas Henty. Thomas is wearing a high neck light coloured cravat under a dark coloured suit.Front: 'THOMAS HENTY' - printed beneath portrait. Initials 'W.Mc.L.' appear on lower right breast.thomas henty

Small waist length portrait of a man. He is wearing a jacket, waistcoat, shirt and a cravat. His jacket only has one button the front. He has a moustache and a small beard.B. Hormagee Photographic Artist. Eaglehawkphotograph, portrait, male, portrait of a man

Portland City Council. Displayed in History House.Black and white photograph of a man with a full head of hair and a grey beard. Wearing a dark wool jacket, white shirt and thin black cravat. He looks to the left in a formal torso portrait.

sepia photograph mounted on cream board. Young man wearing stiff collar, cravat, three piece suit with lodge stole. Stole has been hand coloured - pink, blue and goldperson, individual, portrait male

Gold stick pin, gold nugget attached to top. Possibly used as tie/cravat or lapel pin. Gold nugget has black section - black mineral unknown. Donated by Harris family estate, Axedale.costume accessories, jewellery, gold tie pin, jonathan harris was the founder of gold on the hustler's hill. he sold his claim to thomas hustler in 1853.

The subject is identified in the early LDHS index to photographs as Samuel Lewers. It is not clear whether this means the Samuel Lewers who was the first manager of the Bank of New South Wales in Linton, or his son Samuel, who was granted a soldier-settler block at Mannibadar after World War I.Enlarged black and white copy of original photograph, mounted on card. The photograph is a head and shoulders portrait of a man with a moustache and beard, who is wearing a jacket (with handkerchief in pocket), buttoned vest, white shirt, and tie or cravat.

Andrew McKay migrated to Victoria from Scotland in 1853 and was living at Linton from the late 1850s. He had mining interests and also worked as a stonemason. Andrew McKay was an Elder of the Linton Presbyterian Church, and a member of the Carngham Board of Management of the Church from 1861. Andrew McKay and his wife Margaret (nee Robertson) had a large family, with seven of their children born at Linton. Their daughter Williamina was Postmistress at Linton between 1888-1890. Andrew and Margaret McKay left Linton around 1882-83.Black and white copy of original portrait showing a man with longer hair, deeply parted on the left and a short beard around under his jawline. He is wearing a light suit jacket with a dark collar and a cravat."2016 Andrew McKay an early elder in presb church"andrew mckay