Three pieces of crewel embroidery. Linen twill, fawn (natural) worked with worsted wool in dominantly blue, green and brown. Typical Jacobean design and variety of stitches. Presumably 17th century.embroidery, crewel embroidery, fragments, 17th century, england

Three pieces of crewel embroidery. Linen twill, fawn (natural) worked with worsted wool in dominantly blue, green and brown. Typical Jacobean design and variety of stitches. Presumably 17th century.embroidery, crewel embroidery, fragments, 17th century, england

Three pieces of crewel embroidery. Linen twill, fawn (natural) worked with worsted wool in dominantly blue, green and brown. Typical Jacobean design and variety of stitches. Presumably 17th century.embroidery, crewel embroidery, fragments, 17th century, england

Worked by the donor's (Miss Alison Winfield) late aunt, Mrs Maude Wauchope, who won many prizes in shows over three states.Ground of natural linen twill. Three bands of crewel (wool) embroidery, each in slightly differing designs of birds and leaves. Wools in a variety of greens, yellows, browns and blue.embroidery, crewel, furnishings, 1900-20, australia, curtain

Long strip of black woollen fabric embroidered in crewel work. The design is of briar roses in reds and pinks.embroidery, fragments, crewel embroidery, 1900-20

Possibly Jacobean embroidery.Beige twill linen with a continuous design of flowers worked in coloured crewel wools. Mostly fine chain stitch used but some flower heads are in buttonhole stitch. Backed with a cream cotton material for protection.embroidery, fragment, crewel, 18th century

Exhibited at Georges 1966 exhibition and bought by Guild members. Designed and worked by Miss Joan Lander at the Royal School of Needlework, London.Sampler showing stitches and fillings used in Jacobean crewel embroidery in a variety of colours.embroidery, crewel work, england, 1960-80

Worked and donated by Lady Amies Deerfield in style: Deerfield embroidery is an offshoot of crewel wool embroidery. In 1896 C.E., Margaret Whiting and Ellen Miller formed the Deerfield Society of Blue and White Needlework after having unearthed surviving fragments of wool worked crewel stitching from their local Massachusetts museum that dated back to the 1700s. Design taken from a mid 18th Century Bed Hanging in the American collection of the Metropolitan Museum or Art. Typical crewel design in shades of blue on cream linen. Mounted on blue fabric covered board. embroidery, panel, crewel, 1960-1980, australia, america, crewel embroidery, deerfield

From Betty McPhee Collection of Sewing Equipment.Packet of Crewel Sewing Needles. Size 3/7 - The Flora Macdonald Needle Packet3/7 Crewel Embroidery Flora Macdonald Needle Packethandcrafts, equipment, handcrafts, dressmaking, handcrafts, embroidery, handcrafts, needlework, domestic items, sewing

Made in UK by Eglantine Gill as a wedding gift for donor's parents in 1936. Eglantine was a member of the UK Embroiderers GuildEmbroidered panel from a screen. Depicts a Jacobean style tree of life design in crewel embroidery. Worked in silk (or rayon) thread.tree of life, crewel, jacobean

Mrs. Eglantine Gill was a member of the British Embroiderers Guild. The fire screen was made as a wedding gift to the donor's parents in 1936. Jacobean design "Tree of Life" embroidered fire screen worked in silks. Design from Weldon's Period Needlework-Art Series 5 1936.jacobean, crewel embroidery

Donor made them from Erica Wilson kits.Both embroidered in wool on beige linen and trimmed with a green cord. a. Stylised design of a spray of strawberries on a mount b. Small tree with deep pink berries.embroidery, pincushions, crewel embroidery, australia, 1960-80

Weldon's Magazine of period needlework with the pattern used by Eglantine Gill to stitch the "Tree of Life" (E1843A) in 1936.Magazine with the Jacobean Tree of Life embroidered panel (1843A) on cover and its patterntree of life, crewel, jacobean, embroidery pattern

From the estate of the late Mss PS Strangeward, secretary of the Embroiderers Guild Victoria from 1963-1973. Designed and worked by Mrs M Whittle.Box embroidered in crewel work with a design of clouds and raindrops and butterflies on the curved lid. Tree and rabbits on front. back. Lid finished with twisted cord and a dorset button.MW on base of boxcaskets, embroidery, crewel, boxes, 1960-80, australia

To be used in conjunction with E0332Jacobean type design in crewel wools, in golds, greens, blues, mauves, red and grey. Stitches are long and short, chain, stem, braid, fillings and knots.embroidery, crewel, panels, 1960-80, australia

Uros Lake Titicaca Folk Art is a traditional textile hand-crafted by indigenous artisans near Lake Titicaca in Peru and Bolivia. Material: Typically handmade with a creamy or ivory wool ground, featuring vibrant wool embroidery threads and sometimes a colorful patchwork backing. Technique: Uses raised chain-stitch (crewel) embroidery where artisans outline forms in dark wool and fill them with ribbed chain-stitch gradients (such as rust, ember, indigo, and sky blue). Design Motifs: Depicts high-Altiplano daily life, including the famed Uros floating reed islands, totora reed houses, traditional boats (balsas de totora), villagers, animals, and a smiling sun. Border and Inscriptions: Features pre-Columbian stepped-meander borders and text inscriptions like "UROS LAGO TITICACA".South American, from Lake Titicaca, Island of Reedy. Made by the Uro Indians who live on the island. Very primitive in design stitchery and colour on hand woven material (wool). Acrylic thread used in design in purple, white, pink, orange and greeninti urosembroidery, panel, 1940-60, south america, surface stitchery

One of a number of samplers (see 1206, 1207, 1208) embroidered by the donor's aunt, Miss Elizabeth Lewis while studying at the Royal School of Needlework. She taught and judged embroidery all over England.This is a typical Royal School of Needlework Jacobean Crewel Sampler showing different stitches and techniques in shades of pink, gold, yellow, green and blue/green crewel wool on linen twill.embroidery, samplers, 1940-60, england, crewel work

Artist, Joan Lander, worked at the Royal School, London.Teaching sampler of the Royal School. Crewel work on linen canvas. Location: C7 Top Shelf 97Joan Lander 1963embroidery, panel, canvas work, samplers, 1940-60, england

Petit point, 2 birds in a rural setting. Probably part of edge of cushion cover or table carpet.embroidery, canvas work, england, 16th century

To be used in conjunction with E0331Jacobean embroidery showing method and thickness of threads which can influence crewel wool work. On twill linen using one strand only of wool in this example. Sage green and pink toning are used. Mounted on a turquoise velvet panel.embroidery, panel, 1960-80, australia, crewel work

From a collection from the former Larnook Teacher's College. They were collected in the 1960's and used as teaching aids. They were passed on the Rusden (finally at Burwood campus).Mat with stylised pattern in olive greens, pinks and blue wools on crewel linen with unusual buttonhole edge.embroidery, mats, crewel work, australia