Quamby Café viewed from high side of Main Road looking towards Sassafras c1930. Power lines visible and road unmade. Quamby Café built by the Dorey family in 1914. Now the Cuckoo Restaurant.On front - Quamby now "Cuckoo"quamby, quamby cafe, cuckoo, olinda, iris dorey, dorey

On reverse: Black Knight with Cuckoo Boost, Woomera Also stamped in blue ink: PHOTOGRAPHIC SECTION RANGE "E" Neg. No. E1528 (in pen) Date: 24-5-60 (in pen) Subject: B.K.08 (in pen) Classification: RESTRICTED (over stamped)alan gardiner collection, space industry, 1960, rocket, 1960-05-24, black knight rocket, cuckoo boost, launch pad, south australia, woomera, weapons research establishment (wre)

Fan-tailed Cuckoos are found throughout eastern and south-western Australia. They are also sometimes found in nearby small island nations as far as New Caledonia. Their call is a distinct, descending trill, which they are known to make even outside their breeding season. The neck is thin compared to a typical Fan-tailed Cuckoo - potentially a taxidermy error or damage. Otherwise, the specimen is reasonably representative. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This fan-tailed cuckoo has a dark grey/brown back and a pale rufous (a yellowy brown) underside. The tail is also brown with white spots on some of the feather tips. The front of the face is pale rufous and blends into the black at the top of the head and neck. Some of the feathers around the neck are grey. There is a patch of white on halfway down the body on the left wing. The eyes are brown, the feet are yellow, and the beak, which is missing at the bottom, is yellow. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg. There is a swing-tag on the left leg.Swing-tag: 71a. / Fan-tailed Cuckoo / See Catalogue, Page 21 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, skin, reynell eveleigh johns, bird, fan-tailed cuckoo, cuckoo, australian bird, australian museum, australian animal

Cut throat razor, "Cuckoo' Brand, with a black tortoise shell handle, contained in a brown tortoise shell case Cuckoo Brand, Made in Germany (see photo)personal care, shaving, razor

This book was given in 1941 as a prize to Shirley MacDonald from the South Warrnambool Sunday School. This Sunday School was operated by the South Warrnambool Presbyterian Church and existed from 1902 to 2004. The church was in MacDonald Street which was named after John MacDonald, an early teacher and auctioneer in Warrnambool but no details have been found on Shirley MacDonald. This book is of interest as a memento from the South Warrnambool Sunday School and as an example of the type of book given as prizes to young girls in Warrnambool during World War Two. This is a hard cover book of 256 pages. The cover is red with black lettering and the there is a dust cover partly pasted onto the hard cover. The dust cover is multi-coloured with an image of a river scene (man in trouble in the water with a woman trying to help him) on the front and a horse and rider on the spine. The lettering on the dust cover is in yellow and dark blue tonings. The book has become detached from the pages at the back. The inscription is handwritten in blue ink on a printed book plate pasted on to the inside front cover. There is a black and white full page illustration at the front of the book.‘Xmas 1941 Awarded to Shirley MacDonald, Sth Warrnambool Sunday School’south warrnambool sunday school, shirley macdonald, history of warrnambool

One of the well-known Aldwych farces original performed by Tom Walls' company at the Aldwych Theatre in London in the 1930sPaper programa cuckoo in the nest, athenaeum theatre, melbourbe theatre company, ben travers

Portable gramophone in brown wooden box, with lid, wind up handle, pull out needle arm and turntable. Record compartment in lid/cover, in-built speaker, and a leather carry handle. Tin container with needles. "Cuckoo Junior Made in USA"gramophones

Rear view of Quamby Café at Olinda. Garden setting with clothesline visible bottom LHS. Quamby Tea Rooms built by the Dorey Family in 1914. Now the Cuckoo restaurant.On back of photograph - Quamby back viewquamby, quamby cafe, dorey, iris dorey, olinda, tea rooms

Quamby Cottage LHS and Quamby Café the larger building RHS. Cottage and café built by the Dorey family in 1914. Photograph taken from the hill opposite (possibly near Cloudehill on Olinda -Monbulk Road. Cottage was destroyed by fire. Quamby Café now Cuckoo Restaurant.On back of photograph - Quamby + cottage from opposite hill.quamby, quamby cafe, olinda, quamby cottage, iris woolrich, dorey

The white-bellied cuckooshrike inhabits regions across Australia, Indonesia, Papua New Guinea, and the Solomon Islands. In Australia, it is distributed widely, occurring in tropical northern areas as well as in the eastern parts of the country, including northern Western Australia, the Northern Territory, Queensland, New South Wales, Victoria, and southeastern South Australia. The species is prevalent throughout Papua New Guinea and the Solomon Islands, but less frequently observed in Indonesia. Within Indonesia, it is most commonly found in the northern Moluccas, with occasional sightings in Eastern Wallacea. This specimen was originally identified as a young Black-Cuckoo-shrike and catalogued as such in the Burke Museum original catalogue. Analysis conducted as part of a conservation treatment in 2024 reclassified the specimen as a white-bellied cuckooshrike. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a young White-bellied cuckooshrike which stands perched on a wooden mount. It has pale grey colouring which is darker on the rear. The wings are tipped with grey-brown feathers and the same colour feathers also appear on the bird's tale. The specimen has dark limbs and bill and this specimen is provided with two glass eyes which are dark in colouring. The bird has a more creamy pale grey on the throat and stomach. It has a black facial mask which is restricted to an eye stripe. 21a / Black Faced Graculus / See catalogue page 11taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cuckoo, shrike, common birds, australian birds, australian bird, white-bellied cuckooshrike

Photocopy of article re Doris and Cecil Evans married on 24/12/1938 at St Johns Anglican Church, Mitcham. Their honeymoon was spent at Quamby Guest House, now known as the Cuckoo. The prize for winning the 'Hannam's Birthday Celebrations Oldest Appliance' competition was received by Doris Evans.Photocopy of article re Doris and Cecil Evans ringwood east uniting church, ringwood east country womens association, steam and traction engine club, mckay, bruce, st johns anglican church, mitcham, 3aw (radio station), evans, doris, cecil

Three adults and two children standing outside the front of Quamby Café Olinda c1940s.Advertising signs show café, Grills and Sennitts Icecream. This is the Quamby café at its largest size and the front is similar to the entry to the Cuckoo Restaurant today. Inscription on the back identifies Anne, Eric, Lindy & Irene.Written on back in pencil: Anne, Eric & Lindy & Irene outside Quamby.quamby cafe, quamby, olinda, cafe, sennitts icecream

August Shatz founded his clock making company in the mid-1850s in the Black Forest region of Triburg, Germany. It was registered in 1881 as Shatz & Wintermantel, and was re-structured in 1884 as Jahresuhrenfabrik A.G. They produced cuckoo clocks, barometers, and 400- day clocks. This clock was purchased and used by a resident of City of Moorabbin c1949This clock was purchased and used by a resident of City of Moorabbin c1949An August Schatz (Jahresuhernfabrik) standard size, 400 day clock c 1949 with a glass dome, ivory, enamel and brass decoration and a porcelain dial Circular engraved : AUG.SHATZ. & SOHN / GERMANY Square engraved : 10 JEWELS / UNADJUSTEDshatz, august , germany, clock makers, clocks, 400 day clocks, early settlers, city of moorabbin, bentleigh, cheltenham,

Peter Johnston was the boyfriend of Iris Dorey, a daughter of the pioneering Dorey family. Iris ran the Quamby Cafe (now Cuckoo Restaurant) and later in life married Ted Woolrich from Woolrich Nursery. Peter was killed on active service during WW1 on May 15th 1918. Alice Dorey was the sister of Iris.Black and white studio photograph of Peter Johnston. Photograph is in postcard format made by R Yeoman 116 Bourke Street Melbourne.Handwritten on back: To Alice with love From Peter 18/3/14peter johnston, ww1, iris dorey, iris woolrich, woolrich nursery, alice dorey

Introduced in 1974, the Braille Book of the Year was created to both acknowledge excellence in writing as well as raise the profile of Braille books. In 1993, the award was won by Ruth Park for her book 'A Fence Around a Cuckoo'. The award was accepted by her literary agent Tim Curnow. The Bathurst Award for Narrator of the Year award went to Irini Pappas for the audio version of 'Put Your Whole Self In', a story about the Northcote Self Group Hydrotherapy and Massage group, by Meme McDonald, which also won 'Audio Book of the Year'. Presentations were made by Arnold Zable, Lorna Hayter, Meme McDonald, James Wright and Jeremy Wurm. 25 colour photographs, 4 black and white, 1 single negative (behind P1540.13) and 7 strips of negativeawards, braille & talking book library, james wright, arnold zable, lorna hayter, meme mcdonald, jeffrey hodgson, paul karo, rose blustein, irini pappas, jeremy wurm, michael carman, eileen larkin, iris wileman, elsie warren, beryl grover, ida dolinko, estelle cother, peggy stenboig, marjorie oke, ada handyside, sheila baldwin, joyce spokes, stanley mcgeagh, maggie millar, book of the year

The Hanro company was established in Switzerland in 1884. In 1926 a site in Hargreaves Street Bendigo, behind the School of Mines, was purchased to establish the Bendigo Knitting Mills, a subsidiary of Hanro. The managing director was Charles Handerchin who came from Switzerland. The company was delisted from the Australian Stock Exchange in 1963 when it was taken over by John Brown Industries.Hanro Autumn - Winter Catalogue 1961: The front cover is of a white and pink card background is a sketch in black ink of a lady wearing a matching night dress and dressing gown. To the right top is a sketch of a cuckoo clock. A black banner with Hanro in Pink is also to the right and across the bottom is *Swiss-inspired Lingerie . Catalogue Autumn - Winter 1961*. Inside the cover is advertising and the Index. The Catalogue consists of sketches of ladies wearing a variety of lingerie with the items number, description, material, size, quantity and colours available on gloss paper. The last page is of yellow paper and is the suggested retail selling prices, Style, item number, sizes. On the back is Trade Price List, Style, Size Range and price. On the back of the catalogue on pink and white card is a scene of pink sky with white clouds, sketched in black ink is the Swiss Alps with a Swiss Chalet, trees, flowers and a cow. In a box with a black border on a white background is *Hanro (Aust) Knitting Mills Limited. 163 Hargreaves Street, Bendigo, Victoria. 3024. Sales Offices, addresses and phone numbers of Melbourne, Sydney, Brisbane, Perth, Adelaide and Hobart. There is a sketch in black on a pink background of the Hanro factory in Switzerland *The home of World-Famous Hanro in Liestal, Switzerland*book, magazine, catalogue, hanro. catalogue

The New Nation Magazine Sept. Oct. Nov. Issue. September 1, 1932. On the front cover a painting "The Murrumbidgee River by J. R. Jackson. Price 1 shilling the magazine has 112 pages, the last two pages are ripped and the back cover is missing. Contents: Frontispiece "morning of the dogger bank" (by T. Benetter)- The British commonwealth of Nations - Switzerland, land of lakes and mountains (by Hilary lofting) - Highways of the Syrian desert (by Francis Birtles) - Seven ages of the Australian aboriginal - The game of the empire, the approaching cricket test matches (by M. A. Noble) - Short story, the last run (by H. H. Cardinal) - "The hidden bird" (by E. M. England) - North Australia trails ( by C. Price Conigrave) - Tales of the turf Fred Archer (by S. A. Marden) - The wide world round - Cape Horn (by J. Newman Barker) - "The home in the clearing" (by Sydney long) - Whitsunday passage (by Henry G. Lamond) - Old bridges (by J. L. Ranken) - The city of the longest drink (by A. C. Cummins) - The life of the cuckoo (by M. S.) - Radio - The world of music (by A. L. Kelly) - The world of women (by E. G. Manby Suttor) - Shopping from an easy chair - The Australian wool trade - Our verse farm - My wool clip (by H. W. Wright) - Windjammer days (by Gerald M. Moody) - Quarterly review of the stock and meat industry (by J. B. Cramsie) - New Zealand letter - At ye booksellers today - A number of things - The modern home - Portland cement - The good housewife (by E. G. Manby Suttor) - Cousin Shirley.book, magazine, the new nation

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In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.