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University of Melbourne, Burnley Campus Archives
Certificate, Dept pf Agriculture, Victoria, Curators and Greenkeepers, 1977-1980
... Curators and Greenkeepers ...parks, greenkeepers, part-time course -
Federation University Historical Collection
Book, Ballarat School of Mines Museum Curators Book, 1892-1913
... Ballarat School of Mines Museum Curators Book, 1892-1913 ...The Ballarat School of Mines Museum as established in 1872.Leather covered book with copies of lists of donations and letters written by the Ballarat School of Mines Museum Curator, Ferdinand Krause, then Thomas Hartballarat school of mines museum, ballarat school of mines, museum, thomas hart, curator, donations, ferdinand krause, james oddie, vale, righetti, stone axe -
University of Melbourne, Burnley Campus Archives
Certificate, Curators and Greenkeepers Certificate
... Curators and Greenkeepers Certificate ...Unused certificate for successfully completing a one year part-time course at the Burnley Horticultural College. Issued by the Department of Agriculture Victoria.certificates, diplomas, students -
University of Melbourne, Burnley Campus Archives
Booklet, Greenkeepers' and Golf Curators' Course, 1966
... Greenkeepers' and Golf Curators' Course ...greenkeepers, golf curators -
Ararat Gallery TAMA
Textile, Cresside Collette, Egyptian Moon Goddess, Astarte (curators title)
... Egyptian Moon Goddess, Astarte (curators title) ... -
University of Melbourne, Burnley Campus Archives
Document - Report, Speech Day Reports - Greenkeepers and Golf Curators Courses, 1961-1974
... Speech Day Reports - Greenkeepers and Golf Curators Courses ...Principal's Reports 1961, 1974; notes for Greenkeepers' course, 3 reports dates 1961, 1970, 1974principal, eric bruce.littlejohn., thomas hugh kneen, golf course curators, greenkeepers -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Brief History of the Ballarat Botanic Gardens, Curators, Statuary, Trees and Other Notable Areas
... Curators, Statuary, Trees and Other Notable Areas. ...john garner collection, ballarat botanical gardens, gardens, ballarat, history -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Correspondence: Roy Mosman and Reg T. Jones 4/03/1995-18/06/1895, Photos and Curators: Ballarat Botanical Gardens
... Photos and Curators: Ballarat Botanical Gardens. ...john garner collection, ballarat botanical gardens, gardens, ballarat, mosman -
Glenelg Shire Council Cultural Collection
Card - Card - Monochrome print of Curator's cottage, Botanic gardens, Portland, Jenny Ward, Curator's Cottage, n.d
Cream card, blank inside, monochrome print of Curator's cottage, botanic gardens, Portland, on front 'Jenny Ward '84'Front: 'Curator's Cottage' - printed bottom right -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Retirement, 1972
Bill Macauley, RSLT Random Sample Laying Tests, retired after 42 years with the Department Of Agriculture. W.J. Nicholls was on the Staff at Burnley 1946-1979 (Field Superintendent).Black and white photograph. W. McCauley, Curator Random Sample Egglaying Competition talking to W. J. Nicholls, Staff at a retirement party.On reverse, "Retirement 13/7/72 Mr. W. McCauley Curator RSLT W.J. Nicholls."retirement, 1972, curator, rslt, w.j. nicholls, random sample laying tests, department of agriculture, staff, field superintendent, w. macauley, bill macauley, poultry, egglaying competition -
Federation University Historical Collection
Photograph, University of Ballarat Curator Clare Gervasoni, 10/2000
Clare Gervasoni was appointed university curator in 2000. Before that time she had worked in numourous positions including Castlemaine Art Gallery, Sovereign Hill, and as an art educator. University of Ballarat is a predecessor institution of Federation University Australia.Image of University of Ballarat Curator, Clare Gervasoni, surrounded by artefacts from the Historical Collection. The image was taken to announce the appointment of a new curator. clare gervasoni, university of ballarat historical collection, federation university historical collection, museum, curator, ballarat school of mines -
Friends of Ballarat Botanical Gardens History Group
Photograph - Digital image, Curator's or Caretaker's cottage, unknown
This is the original Caretakers or Curators cottage which was built for the first Botanical Gardens curator, George Longley (1858 - 1899) and his family. George and his family, after being made Gardener, moved to the Surveyors Camp where they lived in a tent. Historic significance associated with original Gardens Curatorb/w view of the Caretakers cottage in the Botanical Gardens showing George Longley, Curator (1858 - 1899) with wife and child.b/w, victorian cottage exterior, young family, curator, george longley -
Federation University Historical Collection
Photograph, Clare Gervasoni, Curator of the Federation University Art and Historical Cllections, 2021
Clare Gervasoni is the curator or the Federation University Geoffrey Blainey Research Centre.'Selfie of Federation Univesity curator photographed with early books of the Ballarat School of Mines housed in the Geoffrey Blainey Research Centre.clare gervasoni, curator, geoffrey blainey research centre, ballarat school of mines -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, Yeoman & Co. 107 Swan Street, Richmond, George Neilson, 1891-1897
Sepia photograph. Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 11. Also 2 slides of same portrait Nov 66 M1. Appointed Curator in 1872 until his death. The house he lived in became the rear part of the residence built for C.B. Luffmann (E. Littlejohn 1990)Sepia photograph. Studio portrait of George NeilsonOn reverse, "George Neilson born 1822 Curator Died 1897."george neilson, curator, green grows our garden, a.p. winzenried, c.b. luffmann, principal's residence -
Whitehorse Historical Society Inc.
Letter - Correspondence, Finding of gold at Blackburn Lake, 1986
Letter to Norma Jamieson from Dr Bill BirchLetter to Norma Jamieson from Dr Bill Birch, curator of Mineralogy, and Petrology, answering her query about gold being found at Blackburn Lake.Letter to Norma Jamieson from Dr Bill Birchmines and mining, jamieson, norma, goldmining -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, A.E. Bennett, Neilson's Cottage, c. 1894
The Curator's Cottage was later extended and modernised to form the basis of the Principal's Residence.Copy of photograph in, "Prize Essays," A.E. Bennett. Shows the original Curator's Cottage, which dates from at least 1872, beside the Entrance Gates which are in line with the Sequoia sempervirens.Later extended and became the Principal's Residenceprize essays, a.e. bennett, curator's cottage, entrance gates, principal's residence, sequoia sempervirens -
Whitehorse Historical Society Inc.
Article, City custodian of art legacy, 2005
Whitehorse's Art Collection includes two paintings by E Phillips Fox.Whitehorse's Art Collection includes two paintings by E Phillips Fox, landscapes by Heidelberg School artists Frederick McCubbin and Tom Roberts; about 300 ceramics and 40 sculptures. Photo of Curator, Jacquie Nichols-ReevesWhitehorse's Art Collection includes two paintings by E Phillips Fox.city of whitehorse, art, phillips fox, emanuel, mccubbin, frederick, artists camps, heidelberg school, gawler, john stevens, preston, reg, morant, julia, nichols-reeves, jacquie -
University of Melbourne, Burnley Campus Archives
Document, William Phillips, 1966
Information on William Phillips, first Curator, and familywilliam phillips, curator -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 395/32
Close up of Egg-laying Curator's residence.egg laying, curator, residence, e. m. gibson collection -
Kew Historical Society Inc
Plaque, City of Kew, George Pockett, First Curator of the City of Kew, 1922
George Pockett was first curator of the Alexandra Gardens in Kew. He and his brother were responsible for the design of a number of important municipal gardens.Brass memorial plaque to George Pockett. Originally located on Jubilee Rotunda in Alexandra Gardens.This Tablet was Erected / by the Kew City Council / in Token of its Appreciation of the Valued Services of George Pockett who as First Curator of the City Laid out these Gardens. Appointed 26th June 1906. Died Whilst on Duty, 18th October 1922.george pockett, alexandra gardens -
Ararat Gallery TAMA
Functional object, Miso container, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981These are containers for miso. The wooden box, a product of Osaka, is lacquered in black on the outside and in bright red on the inside. The binding of split bamboo, in natural colour, gives it a sturdy look. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Glenelg Shire Council Cultural Collection
Photograph - Sheet with 2 black and white contact prints from glass plate negative, 1960-1970
Historic image of the Curators Cottage - Portland Botanical GardensSheet with 2 black and white contact prints from glass plate negative. Identifying numbers 5628 a, b (a) Top print is a group of 5 women and a man sitting / standing on a lawned area in front of a garden bed , picket fence in background. Dress late 19th, early 20th century. Measurements 11.9 x 19 (b) Bottom print is of the curator's cottage in Portland Botanical Gardens. Measurements 11.8 x 12.5 cm -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, The Crown Studios, Sydney, c1900-1920
The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A sepia image looking across a path bordered with rocks of a house (the Curators lodge) behind a fence. In front of the fence there is a young girl sitting on a rock with a young boy standing beside her. The house is timber with two brick chimneys, the right hand one half hidden by foliage. The house is federation style with timber battening above the front window. A timber frieze is above a verandah supported by three posts and light coloured brackets. Front: ‘Williamstown Gardens. Vic.’ ‘0457/1’ THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, federation style, crown studios, lee heap furniture warehouse -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Correspondence File, Regt Museum Misc Internal Current, 1980-81
File of papers of former Curator (Maj Lewis Scheuch-Evans)correspondence, museum -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Curator's Cottage, Portland Botanic Gardens, n.d
Black and white photo of the curator's cottage in Portland Botanic Gardens.portland botanic gardens, curators cottage, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Curators Cottage Portland Botanic Gardens, Victoria, n.d
Black and white photo of curator's cottage, Portland Botanic Gardens -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, M Schulz, Prague, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline -
Churchill Island Heritage Farm
Photograph - Colour photograph of two women posing together
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Pictured is the former Churchill Island curator and FOCIS member, Christine GraydenColour photograph of woman in pink jacket posing for a photograph with a woman in period costume with blue skirt, in front of a 'Victorian Collections' bannerFLAGSTAFF HILL VOL GUIDE IN/COSTUME WITH CHURCHILL ISLAND/CURATOR AT MUS AUS VIC/CONFERENCE 2/4/2014 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, christine grayden -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, M Schulz, Prague, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907 -
Ararat Gallery TAMA
Functional object, Rice crackers, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This tropical-looking package for rice crackers is woven with strips of bamboo sheath - an interesting variation in the use of this ubiquitous material. It comes from the island of Kyushu, from the vicinity of the volcano Asozan in Kumamoto Prefecture. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving