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Villa Alba Museum
Decorative object - Furnishing gimp (braid), Decorative furnishing gimp, detached from curtains, 1850-1900
This is the same gimp as on the curtains. Probably saved because it was beautiful and expensive, but inherently decontextualised from its original historic use.Length of decorative upholstery gimp, unpicked from original curtains and wound onto a piece of card for storage. Gimp is a type of upholstery trim. a flat tape made up of threads or fine cords forming a wave or chain design, held in place by another wavy cord to produce an openwork, geometric braid. In this item, the cords are respectively light blue and metallic gold (much of it tarnished to silvery colour). The gimp is en suite with the set of curtains and their ornaments (qv) - another luxurious trimming for expensive furnishings.upholstery trimmings -
Greensborough Historical Society
Advertisement - Digital image, Diamond Valley News, Dollar Curtains, 1987, 16/06/1987
Advertisement for Dollar Curtains, 35 Main Street Greensborough, 1987.Digital copy of newspaper advertisement, black text and image.dollar curtains, main street greensborough -
Melbourne Athenaeum Archives
Theatre Flyer, Curtains (comedy) directed by Neill Gladwin performed at Athenaeum Theatre Two, Melbourne commencing 28 March 1995
Part of Comedy Festival 1995 with comedians Colin Lane and Frank Wood, produced by Lano and Woodley. Special thanks to Micheal Wild,Yuri Worontschak, Zhodi Cummings, Marni Foulis.Black and White flyercomedy festival, curtains, athenauem theatre ii -
Bialik College
Newspaper article, 'Curtains Close On Bialik's High School Musical', The Melbourne Jewish Report, 2015
A newspaper clipping from The Melbourne Jewish Report Newspaper, July 2015, page 22, 'Curtains Close On Bialik's High School Musical'. Please contact [email protected] to request access to this record.visual and performing arts, musical, student, community -
Orbost & District Historical Society
curtains, c. 1890 - 1920
Used in a house in the Orbost district.Two coffee coloured openweave curtains with a scalloped fringe around the bottom. manchester - furnishings -
Orbost & District Historical Society
curtains, c. 1900 - 1920
Made and donated by Marjorie McKeown (nee Ford). This item is an example of a home-made item and reflects the needlework skills of women in the ffirst half of the 20th century when women's focus was the home and its decoration was important. Two black curtains made of heavy material. One is a straight curtain with a pocket hem and the other is smaller, with a curved lower hem and a deep black fringe. Both curtains have been decorated with large appliqued flowers and birds.home-decoration womens-handcrafts -
Ararat Gallery TAMA
Textile, Frances Burke, Shields (pair of curtains), 1965
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Whitehorse Historical Society Inc.
Article, Curtains fall on 40 years in the theatre, 27/01/1993 12:00:00 AM
Article on Max Grant and his involvement in Mitcham Repertory Group.Article on Max Grant and his involvement in Mitcham Repertory Group.Article on Max Grant and his involvement in Mitcham Repertory Group.grant, max, mitcham repertory group -
Robin Boyd Foundation
Functional object - Curtains
The curtains are same fabric as the daybed cover (item F104) and some of the cushions (items F088-F092 and F099-F103) located on the Suzy's bed. The windows are east facing.Mustard and white stripe cotton to match bedslip (item 26). Drawstring gathers to south wallwalsh st furnishings, robin boyd -
Whitehorse Historical Society Inc.
Booklet, White Light and Lovely New Nets for your Home, 1967
Belonged to Donor's parents in their home in Blackburn.Small leaflet showing net curtainsWhite Light and Lovely New Nets for your Homecurtains, decorating, 1960s -
Kew Historical Society Inc
Decorative object - Paradise Bird Design Linen Curtains, GP&J Baker, 1920s
William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings -
Churchill Island Heritage Farm
Functional object - Coolgardie type meat safe, circa 1920s
This safe was invented in the 1890’s to protect and maintain food longer. The wire grid kept the food safe from vermin and allowed breeze to blow through. Hessian curtains hung down the sides and hessian strips lay in the water reservoir on top. The water wicked down the sides of the safe wetting the curtains. The breeze blew over the wet hessian keeping the inside cool. Meat safes were often kept on the verandah to increase breeze. The legs would stand in bowls of water to stop ant infestation.Pale green enamelled meat safe fitted for Coolgardie curtains (not present) fittings and 3 sides for curtains. One internal shelf 1/2 way and base. Grids of holes square with cross shaped decoration to each grid. Some surface rust. Water reservoir on top."PORTABLE PANTRY"meat safe, coolgardie, food -
Whitehorse Historical Society Inc.
Domestic object - Curtains
Cream mesh curtain with scalloped edges. Wide pattern of cream embroidery at lower edge.manchester, furnishings -
Whitehorse Historical Society Inc.
Curtains
Cream crochet lace curtainmanchester, furnishings -
Villa Alba Museum
Decorative object - Curtains: decorative trim, 2 pieces, 1850s-80s
Part of a suite of decorated curtains, DAD-035-00012 lengths of decorative trimming; one piece longer (002-1: 5.4m) than the other (002-2: 4.5m). Basically composed as a long thin sausage of gold-coloured silk satin, stuffed with cotton wool, and twisted with a narrow gold metal woven braid. It forms a soft, loose cord for ornamental draping around the curtains, perhaps on the front of a fancy pelmet (though no pelmet of valance survives). The longer piece (002/1) contains 3 groups of furniture tacks for pinning the cord to enable loose, draped sections. interior decoration, curtain accessories, interior decoration - history -
Villa Alba Museum
Decorative object - Suite of curtains, 7 drops, 1850-1900
7 curtain panels, all the same size, possibly to fit a 3-light bay window; or alternately, to fit 3 windows in the same room (or something else altogether, if this is not the original total number). Fabric: silk-wool/linen (?) mix, sky blue ground with narrow vertical stripes gold. The fabric is a damask weave with a watered (moiré) finish; the large, woven motif depicts an urn filled with stylised flowers, leaves and curlicues; the spacing of the motifs is more 19thC than older styles. Each curtain drop is decorated with an applied band of narrow, colour-matched gimp braid around the sides and lower end. The bottom hems are weighted with what feels like lead shot. The curtains are lined with sturdy brown cotton. They are gathered at the top edge on drawstring tape; and sewn with small metal hanging rings. Faded vertical bands of sun exposure are visible on most of the curtains, and one panel has a mended tear on a lower side. Otherwise they are in excellent, sound condition.decorative arts & design, interior decoratio -- history, curtains, curtain accessories -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Melbourne Harbour Trust, c. 1963
Black and white photograph with a white border. Image is taken from inside the main hall of the Mission to Seafarers Melbourne depicting the stage with its curtains, the floorboard, chairs.window, jukebox, main-hall, wainscote, wood-panelling, arch, chairs, mission to seafarers, mission to seamen, music, floorboards, flowers, flying angel club, stage, curtains -
Robin Boyd Foundation
Functional object - Blind
These are the blinds in Suzy's room, with east facing windows.Roman blind. Mustard and white stripe cotton to match curtains, bedslip etc.walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Blind
These are the blinds in Suzy's room, with east facing windows.Roman blind. Mustard and white stripe cotton to match curtains, bedslip etc.walsh st furnishings, robin boyd -
Mont De Lancey
Textile - Curtain
White cotton broderie anglaise curtain with feature embroidery, cutwork and needle lace. Has one small strip of small four dot pattern above wide pattern. Finished with a scalloped edge. Has 5cm casing at top for a curtain rod.curtains -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ship Fittings, n.d
Port of Portland Authority ArchivesBack: 'S/B OFFICERRS' -blue biroport of portland archives -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, c. 1950
Seafarer playing snooker in the Billiard Room.This photograph shows that the room marked "Billiard Room" in gold lettering on the door, was once used exclusively for that purpose, although no longer. Billiards was once a very popular pastime for visiting seafarers. The billiard table has long since gone and the room is now used as a karaoke and music room. There is still the option of playing pool or table tennis but these have been moved out in the main hall.Black and white photograph of a man leaning across the billiard table in the Billiard Room of the Mission to Seafarers Melbourne. The man is aiming to take his shot. There are curtains covering the windows in the background and pendants lights handing down over the table. There is a couch against the rear wall of the Billiard Room.Pen on reverse of photograph: "2" enclosed in a circle.couch, curtains, pendant-lighting, billiard, billiard room, balls, pool, seamen, sailors, seafarers, seamen's mission, mission to seafarers, flinders street, melbourne, billiard table, billiard cue -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION - PHOTOGRAPH
Colour photographs X 2 (onle large & one smaller) of an interior room showing a desk, chair with 2 windows either side with lace curtains & tied back red curtains, and a possible view into another room from behind the chair. -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Melbourne Harbour Trust, 1959
This photograph was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives.Small black and white photograph depicting a band playing on stage in the Mission's hall: from left to right three male musicians sitting down: a drummer, a saxophonist and the pianist, behind the saxophonist is standing a female singer singing with a microphone on a stand. Behind the band the curtains are drawn, in front of them the stage is decorated with 3 vases of large flowers.orchestra, music, band, dance, drums, saxophone, microphone, flowers, female singer, singer, concert, entertainment, events, stage, curtains -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Nurse & Skeleton
Student nurse in Prac room with skeleton2 black and white photographs of trainee nurse standing with a skeleton in front of a bench with pattern curtains in the background.nursing information, nursing training -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, Victoria, 27/09/1999
Photographs of Portland Library - late 1990s to early 2000s, showing activities at the library and construction of additions to the building.Coloured photo. Portland Library. group of children and adults seated on the floor in front of black screen, with orange curtains.Front: '99 9 27' -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland City Council, 1991/92. Councillors and Corporate Team, 1992
Glenelg Shire Council RecordsColour photograph of 13 men and 2 women standing or seated behind a long curved table, in front of blue curtains.Front: Portland City Council, 1991/92 / Councillors and Corporate Team (top centre, typed). Left to Right: Back Row Standing - Cr. Robert Menzel, Ross Morgan (Director Technical Services), Cr. Bernard Wallace, Cr. Murray Box, Bill Hebb (Director Community Services) and Trevor Hornby (Director Corporate Services). Centre Row Standing: Cr. Bill Collett, Cr. Lynn Murrell, Cr. Keith Wilson and Lelia Pop (Town Planner). Front Row Seated - Greg Trevaskis (Chief Executive), Cr. Kay Frankcom, Cr. Jeffrey Baulch (Mayor), Cr. Michael Noske (Deputy Mayor) and Neil Buckingham (Director Planning & Development). -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Timber treatment plant, Dartmoor, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: Inside Timber Treatment Plant Dartmoor (upper left, pencil). Photography by The Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt Gambier. (lower right purple stamp), (10 lower right, pencil).port of portland archives -
Bendigo Historical Society Inc.
Photograph - THEATRES COLLECTION: LYRIC THEATRE
Two copies of photographs of the Lyric theatre in 1954, the first showing the frontage, the second the old stage and curtains at the time of the cinemascope installation.entertainment, theatre, lyric -
Federation University Historical Collection
Document - Brochure, Lift the Curtain on Camp Street Arts, 2002
Folded promotional card with red curtains on the front. The card invited Ballarat businesses to an exclusive preview to tour inside the Camp Street Campus.arts academy, camp street precinct, camp street, school of arts