This cushion cover was owned by Arthur Lock, a soldier in the 2/23rd Battalion. After initial training in Albury, N.S.W. and Bonegilla, Victoria, they left for overseas service. Embarking in November 1940 on the transport Strathmore at Port Melbourne, the 2/23rd arrived in Egypt in mid-December. From Egypt they were deployed to Tobruk.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A cushion cover embroidered with the insignia of the Australian Commonwealth Military Forces 1941world war 11, rats of tobruk, tobruk, egypt

This cushion cover was owned by Arthur Lock, a soldier in the 2/23rd Battalion. After initial training in Albury, N.S.W. and Bonegilla, Victoria, they left for overseas service. Embarking in November 1940 on the transport Strathmore at Port Melbourne, the 2/23rd arrived in Egypt in mid-December. From Egypt they were deployed to Tobruk. The battalion helped defend Tobruk for eight months, manning a series of concrete pillboxes located in a semicircle around the town, called the Red Line. In October the majority of the 9th Division, except the 2/13th Infantry Battalion, was evacuated by sea. The 2/23rd left on 18 October and sailed to Alexandria. The division was transferred to Palestine and then Syria for rest and garrison duties.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A cushion cover embroidered with the insignia of the Australian Commonwealth Military Forces 1941. Top 'Souvenir of Palestine" Centre Insignia of the Australian Commonwealth Military Forces, Bottom "1941"world war 11, rats of tobruk, palestine

John Hughes was Awarded the Military Medal: "for conspicuous good work during operations at/ GIRD TRENCH, near LE SARS, on 14.11.1916./ This N.C.O. was in charge of a party of men engaged in digging a communication trench from/ our jumping off trench to the newly captured GIRD TRENCH. He displayed great courage and coolness under very heavy fire, and his personal efforts were mainly responsible for the completion of the task allotted to his party."// Service number: 3044 Rank: Lance Sergeant Unit: 2nd Pnr Bn Service: Army Conflict: First World War, 1914-1918 Award: Military Medal Date of London Gazette: 22 January 1917 Location in London Gazette: Page 836, position 34 Date of Commonwealth of Australia Gazette: 29 June 1917 Location in Commonwealth of Australia Gazette: Page 1395, position 37A framed embroidered cushion cover from WW1. Sent or brought home by Lt. Jack Hughes. Contained within the same frame is a paper clipping and a photo.1.Cushion cover: from the top down- Egypt.... 1914/ Rising Sun/ scrolls with Australian Commonwealth/ Military Forces/ Aust Div Train/ Palestine Sinai Syria/1919. 2.Newpaper clipping with photo: John Hughes (left) 81, and Hugh Mont/gomery, 87, are the two oldest veterans who/ will be taking part in the Frankston ANZAC/ Day March on Tuesday. Mr Hughes served/ in France and Belgium in WW1 and/ in Darwin in the Second World War. He is a/ holder of the Military Medal./ Mr. Montgomery served with the 29th Bat/talion AIF in France during WW1/ Both men have been residents of the RSL park War Veterans Home for the past eight years.// 3. Photo: Mr. John Hughes.belgium, france, ww1, lt, mm, jack, hughes

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.A piece of hand painted cream silk velvet believed to be from a cushion cover. Date unknown.barone, seaview, brighton, cushion

Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. The allies established a base at Thessaloniki in 1915. BHS records indicate that this cushion cover was among a collection of items received from the Harkaway studio of Brighton-born artist Jessie Traill following her death in 1967. During the First World War, Jessie served for three and a half years in hospitals in England and France with the Voluntary Aid Detachment. As she did not serve in Thessaloniki, where this item was made, it is unlikely she purchased it herself, but may have received it as a gift.Black velvet cushion cover featuring the embroidered image of a white and yellow dove bearing red, white and blue ribbons along with red and pink flowers. Embroidered in pale yellow are the words "Souvenir de Salonigue / 1916".cushion cover, 1910s, first world war, world war i, thessaloniki, jessie traill

Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. The allies established a base at Thessaloniki in 1915. BHS records indicate that this cushion cover was among a collection of items received from the Harkaway studio of Brighton-born artist Jessie Traill following her death in 1967. During the First World War, Jessie served for three and a half years in hospitals in England and France with the Voluntary Aid Detachment. As she did not serve in Thessaloniki, where this item was made, it is unlikely she purchased it herself, but may have received it as a gift.Black velvet cushion cover featuring the embroidered image of a white and yellow dove bearing a draped French flag, alongside a spray of red and pink flowers. Embroidered in pale yellow are the words "Souvenir de Salonigue / 1916".cushion cover, 1910s, first world war, world war i, thessaloniki, jessie traill

Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. BHS records indicate that this cushion cover belonged to Mary Crombie, an early Victorian dentist who lived in Brighton while she was studying at the Australian College of Dentistry in the mid-1900s, and later returned to the area in her retirement from 1949-1971. It is likely it was given to her as a gift by a friend of family member who served in Egypt.Pale pink satin cushion cover with pale blue fringe. Embroidered with the words "Souvenir From Egypt / Cairo / 1915", above the image of a crown flanked by crossed Australian and French flags. Below this is embroidered two pyramids and the Great Sphinx of Giza, bordered by flowers, with a red bow at the bottom.Written in blue pen on reverse side: "Memento of World War I / from Mary Crombie".cushion cover, 1910s, first world war, world war i, egypt, cairo

Marjorie McKeown (nee Ford) was an excellent needlewoman and has made this cushion cover.This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes.A cushion cover made of black fabric, embroidered with large roses on stems and hand painted over the roses. cushion-cover womens-needlecraft handcrafts

cushion

This appears to be unused as it is starched.This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homesA hand embroidered cushion cover. It is cream coloured with blue edging. In the centre is an orange diamond shape with an oval in the centre. There is a vase with flowers branching out. They are yellow and pink. The cover closes with 3 press studs.handcraft embroidery cushion-cover

Textiles, brown coloured cushion cover of tapestry fabric on one side and yellow cotton fabric on reverse side. Edged with 5 mm cotton cord with loops and pom poms at corners. Tapestry fabric side has a pattern of concentric squares of yellow embroidered lines, squares and leaf patterns.textiles, domestic, cushion cover

Textiles, yellow cotton cushion cover. One side overlayed by tapestry weave fabric. Drawn thread work has created an all over 12 X 12 pattern of 3 cm squares. Each square has an embroidered wheel spoke pattern of yellow embroidery cotton. Machine made. Unfinished.textiles, domestic, cushion cover

This cushion cover made of cream cotton with the National Servicemen's Association of Australia emblem printed in blue, belonged to Lance Corporal Alfred GREGORY born 26/12/1932 3/711040 who was conscripted into the Army on 7/8/1951 to 13/11/1951. Served in the CMF between 14/11/51 and 15/8/1956 with the 8/13 VMR and PWLH.Square shaped cushion cover in cream cotton material with emblem stamped in blue and three buttons on rear side51 National Servicemen's Association 72 Navy Army Airforcenasho, 8/13vmr, pwlh, cmf, australian army

Purchased 17/7/1960Berlin wool work cushion front, double canvas, mixture of silk and wool threads. Reds, browns, beige, green, grey and blue. Geometric design, variety of stitches.embroidery, cushion cover, canvas work, berlin work, england, late 19th century

Peach satin cushion cover lavishly decorated in dorset feather stitchery.embroidery, cushions, england, dorset feather stitchery

Was used as a demonstration model for drawn fabric in "Drawn Fabric Embroidery" (Page 50-54) a book written by Mrs Edna Wark, President, Embroiderers' Guild Vic 1974-1977Circular cushion cover in ecru linen, ecru thread using drawn fabric filling stitchesEW 1978 is worked on the reverse sideembroidery - cushion covers, embroidery- drawn fabric, embroidery - australia, embroidery - 1960-1980

The cover has 56 badge representations, believed to be a WW1 souvenir.Cushion cover silk cream coloured with coloured transfers of British regimental badges. There is an open section in the middle possible for individual use.covers, cushions, souvenir, badges

Sent by James Clegg to his Daisy from Egypt in 1915.Cream fringed and embroidered cushion cover, five (5) flags, blue, purple and yellow floral design, with gold metal thread fringing."Souvenir of Egypt 1915" "A Merry Christmas and a happy New Year" "To Dear Daisy from Jim"cushions

Handmade by Julia Eaton ( nee Thomas), daughter of George and Granny Thomas, respected Aboriginal couple of Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Square shaped calico cushion cover. It is hand-embroidered with ribbon embroidered leaves and flowers. The edging is flounced. Flowers are pink with yellow stamens and green stems. handcraft needlework thomas-julia

Purchased by donor from Ebay USA, design reminiscent of embroidery of Mrs Houk around the turn of the 20th centuryBlack silk cushion cover with a yellow silk ribbon frilled edge. Cushion centre panel of drawn thread work on linen in cream and yellow thread.drawn thread work, cushion

Vera Frogley was the donor's son-in-law's mother.Cream linen made up cushion cover. Surface stitching featuring a cottage with fence and gate posts, roses, hollyhocks, daisies. Birds and clouds in the sky.embroidery, surface stitchery, dolly varden

Vera Frogley was the donor's son-in-law's mother.Cream linen made up cushion cover with surface stitchery featuring a 'crinoline lady' in a long blue dress, apron and hat, carrying basket of hollyhocks, a topiary tree in a pot and daisies.embroidery, surface stitchery, dolly varden

A suzani is a large, hand-embroidered textile panel; the word comes from the Persian word suzan, which means needle. Originating from nomadic tribes in Tajikistan, Uzbekistan, Kazakhstan and other Central Asian countries, suzanis have become highly collectable and valued for their beautiful decoration and fine craftsmanship. They were traditionally made by brides and their mothers as part of a dowry, and presented to the groom on his wedding day. They represented the binding together of two families, and were adorned with symbols of luck, health, long life and fertility. Suzanis are made from cotton, sometimes silk. The pattern is first drawn onto the cotton, before being embroidered on narrow portable looms. They are usually produced in two or more pieces, meaning that they can be worked on by more than one person, before being stitched together. Just four stitches — tambour, basma, chain and kanda-khayol Cushion cover of embroidered Suzani on red cotton fabric. Embroidered with stylized floral design and foliage. Designs are embroidered in white, yellow, orange, bronze, pink, brown and black thread in tambour stitch.

Cushion cover made of deep blue silk velvet with a circle of beaded flowers, clear beads laid in strings over white underlay. Leaves in greens, golds and browns are embroidered in silk. Each corner has an elaborate tassel, and cover is edged with blue braid cord.embroidery, beadwork, 1900-20, england?

Item donated by RWT Rowlands and was sent to wife of a friend serving in 2/7th Battalion A.I.F.Black Velvet Cushion Cover 42 x 31 with coloured embroidered designs of David Tower, Mosque of Oman; a row of five camels, across the bottom, and the words Souvenir of the Holy Land, across the top and around the edges a hem with gold coloured fringe and a white cotton backing.military history, army

Item donated by R.W.T. Rowland and was sent to wife of a friend serving in 2/78th Batallion A.I.F., Middle East.From the R.S.L. Mitcham.Pink polyester cushion cover 36cm x 30cm. Black 6cm fringe all around, depicting four 9cm x 9cm pictures of Church of Nativity, Church of the Holy Sepulchre, Mosque of Oman and The Citadel. At each corner plus two 7cm x 13cm pictures of people. 21cm x 20cm picture A.I.F. Badge Palestine and the words 'Souvenir from The Holy Land'. Backed with cream cotton material.SOUVENIR FROM W.W.2.; Copyright by P.C.H. Bulmestermilitary history, army

Embroidered cushion cover in wooden frame with blue border & glass front. Embroidery representing Allied flags.“Souvenir from Egypt 1915”manchester-furnishings, handcrafts-embroidery, frame accessories, military history-souvenirs, eygpt

Red and black surface stitchery on natural linen, with wool thread.embroidery, surface stitchery, cushion, 1940-60, southern europe

From the collection of the late Dr. Georgina Sweet, who was the first woman veterinarian in Victoria and who travelled extensively in Middle Europe in the Early 20th century.Natural ground, multi-coloured embroidery, peasant style motifs in satin, straight and chain stitches.Szegedembroidery, surface stitchery, hungary, 1900-20, cushion covers, heart, flowers

From the collection of the late Dr. Georgina Sweet, who was the first woman veterinarian in Victoria and who travelled extensively in Middle Europe in the Early 20th century.Dull red cotton ground fabric with gold, green and blue embroidery in Bokhara couching. Design is an abstract floral.embroidery, surface stitchery, middle european, cushion covers, 1900-20