Customs duties were a means of raising revenue between the 1850’s and Federation. They were first introduced by NSW in November 1854 after it was separated from the colony of Victoria three years earlier. J P Hanify was appointed as sub-collector at Belvoir, the official name present day Wodonga at that time. Wodonga Customs House was built near the end of Union Bridge over the Murray River in 1859 Tariffs or customs duties greatly angered residents and it was little wonder the customs officer of the day was always an unpopular man. Tariffs had to be paid on articles such as tobacco, many food items and new clothing that were carried across the Border. The range of items was extended over time, leading to some farmers even swimming their livestock across the river to avoid duties at the Customs house. The levying of duties ended with Federation in 1901. Francis Cobham depicted in this photograph, took up the position of Customs officer in 1867 and remained there until his retirement in 1890. The building was originally a 2 roomed custom house in 1856 but was extended to provide living quarters for the Cobham family while a nearby cottage became the Customs house. The building was moved to a position south of the lagoon in the mid 1980’s and is now a restaurant.This image represents an important stage in the development of colonial relationships and rivalries in Australia.Black and white photograph of Customs officer Francis Cobham in Wodonga c 1860customs house wodonga, albury wodonga border, colonial rivalry victoria /nsw, tariffs

Undated photo of the original Customs House building at Queenscliffe, with the adjacent steps that lead up the hill to the 'Black' high-light lighthouse.RealismBlack & white photo of the original Queenscliffe Customs House building, with the adjacent steps that lead up the hill to the 'Black' high-light lighthouse.On the reverse - NILcustoms house building, steps, lighthouse

A black and white image of the Old Customs House at Corowa.corowa, customs house, river, bridge

A bluestone building at Portland that was oiginally used as a customs house. portland, heritage, building, bluestone, bluestone, customs house

The customs house located on the corner of Campbell and Gipps Streets next door to the Court housecoloured photograph of bluestone cottage with verandah and timber rail fencesouvenir, port-fairy, customs house, campbell street, gipps street

CEMA Art collectionThe painting depicts a stone building with red roof. The front of the building features a double staircase which leads from both sides of the building to a central door. On either side of the door is a window. The side of the building features four windows, three of which are covered. To the left of the building are various plants with the roof of a building in the background. To the right of the building is a fence and blue wall. The work has a plain wooden frame with a mount and glass.Front: Customs House Portland 1849 Ruth Denny 1967 (black, hand-written) Back: Sticker: DEAN'S MU 8269 FOR FRAMING 346 LT. COLLINS ST., MELB. No 20438 Yellow sticker: 3032portland customs house, female artist, female artists, bluestone, bluestone building

Customs building: built 1884 to handle goods entering Victoria up to 1901. Building classified B by National Trust.Customs houses, of similar design, were built along the Murray river to collect taxes on goods transported from N. S. W. to Victoria. The taxes were collected up until Federation in 1901. The Victorian railways used it as an office until about the 1960 when it became a private dwelling. The Customs House at Echuca is now owned by The Port of Echuca and has been used to house a wine tasting businesses, cafe and local produce retail and art gallery.Colour photograph of Customs House at Echuca port.In ink on reverse: Dec.77-M: Print made by Kodak: Kodak. In pencil Customs Housecustoms house, echuca, echuca historical buildings, echuca, port of (customs history)

Undated black & white photo of the original Customs House building at Queenscliffe, with the adjacent steps that lead up the hill to the 'Black' high-light lighthouse & Flag pole.RealismBlack & white photo of the original Queenscliffe Customs House building, with the adjacent steps that lead up the hill to the 'Black' high-light lighthouse.On the reverse - "date?", "present lighthouse 1863", "Mrs Campbell(?)"customs house building, steps, lighthouse

Customs building: built 1884 to handle goods entering Victoria up to 1901. Building classified B by National Trust.Customs houses, of similar design, were built along the Murray river to collect taxes on goods transported from N. S. W. to Victoria. The taxes were collected up until Federation in 1901. The Victorian railways used it as an office until about the 1960 when it became a private dwelling. The Customs House at Echuca is now owned by The Port of Echuca and has been used to house a wine tasting businesses, cafe and local produce retail and art gallery.Colour photograph of Customs House at Echuca port.In ink on reverse: "8A"customs house, echuca, echuca historical buildings, echuca, port of (customs history)

This view of the Customs house and Court house also includes the wreck bell which hung on a plinth outside the Customs house until the 1970's. The wreck bell was rung to alert the town that a ship was in trouble in the bayBlack and white photograph of the Wreck bell at Courthouse & Customhousebuilding, home, house, government, gipps street, court house, customs house, wreck bell

Boyd takes a brief look at the oldest part of Melbourne, and the Customs House.Published as a chapter titled 'Customs House – Yarra River – Queen's Bridge' in The Book of Melbourne and Canberra, The Griffin Press, Adelaide 1966Typewritten (c copy), quarto, 1 pagecustoms house, melbourne, robert russell, old st james cathedral, robin boyd, manuscript

Photo of A300 (North Balwyn route 48) Flinders St at Market St. Has the two former Customs Houses and the former Flinders St overpass above the King St intersection in the background.Yields information about Melbourne trams late 1980s.Colour photograph with paper parts on rear.melbourne, tramways, tramcars, flinders st, a class, tram 300, market st, customs house, trams, route 48

The map shows where the land of the Customs House was and where the Bethel church was built in 1860. It also shows the name Gregory, a family of land owners who became the managers of the new building on the same site in 1889.sandridge, bethel church, customs house, gregory

Grey / green Document, Form 19 re the Distillation Act 1901-1925 dated 30.9.1938 W.D.Mason Collection, an Acknowledgement of Notice to use a Still other than for Distilling Spirits. The Commonwealth of Australia, State of Victoria. The Still was intended for distilling Water at Queen Street Bendigo. The Still must not be removed, sold, altered, dismantled, or disposed of without permission (Distillation Act 1901-34, Section 10). Signed J.J.Kennedy; Collector of Customs for the State of Victoria.Customs House, Melbourne.business, retail, w d mason

The photograph shows two cable car sets, both with an additional trailer passing in Flinders St with the Customs House in the background. Trailer cars 11 - lettered Richmond and short or 6 window trailer, No. 38. The second car was known as a "Tail Car" and was operated between Spencer St and Flinders St stations before constructing the viaduct that linked both stations. Photo from the George Wilson Washington collection of images held by the University of Aberdeen. The collection database notes that Fred Hardie was sent to Australia in 1892.Yields information about cable car operations using an additional trailer during the Black and white photo with notes on the rear.In ink "Melbourne Cable trailers 11-Richmond-38"tramcars, flinders st, customs house, cable trams

In this photo, taken in around 1875, is depicted the exterior of the Beechworth Mental Asylum buildings, with the administration buildings far right of the photo. A sunken boundary wall in the foreground and some people in view, sitting at the pavillion in the centre of the image. The two-storey buildings, designed in Italianate style, and the three-storey towers at the front, influenced by the asylum at Colney Hatch in England. The architecture of the buildings shares key features with other contemporary institutions, like Aradale at Ararat, and its design is attributed to the Public Works Department architect, J.J. Clark, whose name is connected with the construction of many other important public buildings, such as the Asylums at Kew and Ararat, the front block of the Royal Mint, Melbourne and the Melbourne Customs House. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. Large masses of granite were excavated for its foundation and around 250 workmen were employed for its construction. The building, divided into six sections, was comprised of dormitories, doctors` rooms and plenty ancillary rooms and facilities, such as laundries, reading rooms, a concert hall and cooking areas. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients. The Hospital was originally named the “Ovens Lunatic Asylum” but during the centenary celebrations in 1967 the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides an insight into the location, surroundings and the exterior of the Mayday Hills Hospital at the end of the 19th century. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history and is acknowledged as a unique construction, being one of three identified as the largest of their kind.Black and white rectangular photograph printed on matte photographic paper mounted on board.Reverse: 37/ 3443/ Beechworth Asylum about 1875/ American & Australasian/Photographic Company/Victoria Branch./C.Bayless, Manager./ No./beechworth mental asylum, aradale, public works department, j.j. clark, melbourne customs house, colney hatch, italianate style, mayday hills hospital, royal mint, granite, benevolent asylum, dormitories, ovens lunatic asylum, ancillary rooms, centenary celebrations, three-storey towers, countryside, mental health conditions, kulin nation, concert hall

River scene of the wharf and the buildings lining the street behind. Black and white photograph taken from Battery Hill looking across Moyne river at Merrijig Inn, Customs House and Courthouse The Rose Series P.1142 copyright- The Moyne River and Port Fairy Victoriastreet, town, moyne, river, couta boat, courthouse, merrijig

The illustration published in the Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), p. 144, on 2 September 1885, depicts Sandridge now Port Melbourne in 1885 from a seamen's point of view on board a ship.This engraving is a rare depiction fo the Bethel church as there is no early photograph. The Sailors' Rest is located at the back. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.Copy of an engraving depicting a sailor sitting on the mast of the ship and looking at the shore from the sea. A Bird's-eye View Of Melbourne From Sandridge.nott street, sandridge, melbourne, port melbourne, beach road, seamen, ships, sails, sailing ships, customs house, bethel church

Liardet, W. F. E. (Wilbraham Frederick Evelyn), 1799-1878 depicts the busy port of Melbourne showing many types of ships and the Bethel Church built in 1860 on the Custom House land. The church replaced the Bethel ship which sank in February 1860.This watercolour along with the Francois Cogne print from 1863, "Sandridge from Hobson's Bay, and the engraving "A Bird's-eye View Of Melbourne From Sandridge" dating from 1882, is a rare depiction fo the Bethel church. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.wilbraham liardet, sandridge, port, ships, port melbourne, hobsons bay, bethel church, reverend kerr johnston, 1812-1887, missions to seamen, 1862, customs house

Busy port of Melbourne and Sandridge beachfront where the Bethel church was built on the Custom House land.Medium size framed print francois cogne (1829-1883), hobson's bay, sandridge, williamstown, bethel church, reverend kerr johnston, 1812-1887, customs house, artwork-paintings

Boyd discusses exemplar cases of historical preservation, and many lost opportunities. The task of preserving Australia's historic relics is left to volunteers and amateurs, with notable exception of Nunawading, unlike almost every other countries In other countries, the Government recognises its responsibility and Boyd presents examples. He suggests a model that Australia could follow.Original manuscript of an article published in "The Australian", 23.10.1965Typewritten (c copy), quarto, 9 pagesst matthew's church, francis greenway, robe, ormerod cottages, robe customs house, avoca lodge, andrew hayward newell, preservation, conservation, robin boyd, manuscript

A black and white image of a wide street in Leeton Irrigation Settlement.corowa, customs house, river, bridge

Agfachrome Professional plastic mount (blue base, white cover) reproduction slide of a colour slide of Geelong No. 3 at Brougham St, near Moorabool St, with the Custom's House? in the background. Tram has the destination of Chilwell. Photo taken mid 1950's. "G 5" and "1 -5" in pencil.tramways, trams, geelong, brougham st, customs house, tram 3