"Dean Swift" was in the Army Reserve. Last rank was LT.COLONEL.1.Khaki wool polyester jacket. It has four front pockets. All four pockets are missing their buttons. There are four button holes on the front - these are also missing the buttons. Epaulettes are held down with a gold button. Corps = RACT. The jacket is lined with a cream nylon material. 2. Trousers - wool/poly, khaki, zip fly, cuffless. Two side pockets, one hip pocket.1. Inside jacket on the label is typed "CAPT SWIFT". 2. Inside trousers on label "CAPT SWIFT".dean swift, army reserve, ract, passchendaele barracks trust

"Dean Swift" was an officer in the army reserve. Last known rank believed to be LT.Colonel.This is a black woollen jacket. It has four pockets. The top two pockets are held shut with a button. The front has five gold buttons. Corps = RACT. There are no epaulettes. There is a gold button. Corps is probably 3 Div HQ. The jacket is lined with a black polyester material. It has provision for a detachable collar.Typed on the label is "CAPT SWIFT H.".dean swift, uniform, army reserve, passchendaele barracks trust

Conditions of Performance Agreement signed by Peter N Ellis on behalf of the Emu Creek Bush Band, dated 9/3/94. Letter dated 3/1/1994 To Peter Ellis, Dean Swift to confirm performance details, payments and accommodation details for Emu Creek Bush Band at the National Folk Festival 1994. Signed by Phil Wilson.entertainment, music, national folk festival, peter ellis collection, 28th national folk festival - canberra, peter n ellis, emu creek bush band, dean swift, edna kenny, phil wilson

Document relating to the 25th National Folk Festival Adelaide Easter 1991 held in Adelaide. Documents include band members names and the instruments they play, letter relating to travelling allowance, and letters re: organisation. Also a Bendigo Building Society Unincorporated Bodies Authority New Account Form/Change of Signatories.clubs, music, national folk festival, peter ellis collection, 25th natiional fold festival adelaide easter 1991, peter ellis, emu creek bush band, wedderburn oldtimers, shirley andrews, maureen morris, harry mcqueen, lee baillie, steve brown, adrian verrindle, mrs cory, david ottery, anton marrone, nicole hayes, erica hayes, margaret hogan, caralyn marrone, dean swift, alan martin, alan russ, norma o'donnell, stan symes, heath walder, christian truscott, les daw, harry mcqueen, john mcqueen, graeme balaam, adrian murrell, gary lovejoy, shire of strathfieldsaye, herbert dean swift

Colour photograph. Side view of band members. Man playing guitar. Young man on recorder. Lute. Back of photo reads: 2 Dean Swift Emu Creekentertainment, music, emu creek bush band

Peter Ellis Collection. A framed black and white photograph of the original Emu Creek Bush Band. Eleven people with musical instruments, seven are standing and four are sitting on chairs in front of them. Behind the people there is part of a weatherboard building with a sign EMU CREEK above a door. Another sign on the building is partly obscured says IN MEMORY OF PIONEERS of EMU CREEK. Band members left to right Marg Hogan? Stan Symes, double bass, Agnes Corry, violin (played into her 90s John Ottery accordion, Dean Swift mandolin and guitar, two unknowns, Ian Walder banjo, Peter Ellis (founder and leader) accordion and Gary Lovejoy concertina. Behind glass with a dark brown wooden frame.emu creek, emu creek bush band, musicians

3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam