This gilt plate is from an era where master crockery manufacturers where either located in Britain or Europe.The cost of transportation and the time taken to receive items limited the availability of first class goods. This was an era that was "British is best" in all manufactured goods. With the slow influx of European immigrants European manufactured goods also became of high value. This social requirement was more of a prerequisite for the more affluent rural population, especially at a time when Australia "rode on the sheep's back". Fine British and European goods were a "status symbol", even in rural Australia. After World War II, the invasion of American and Japanese merchandise opened up the market place for cheaper "throw away" items. Longevity and quality of goods fell away as the "throw away" society rolled on.This item demonstrates the time when the rural sector was at its most affluent and influential in dictating the strong ties between Australia, Britain and Europe. The very influential "Country Party" ensured that the protection of the rural sector was well entrenched. The ability of the "well off" rural sector, in this period, were not only able to travel abroad but also to purchase expensive items "overseas" cutlery and crockery. The significance of this item is that it highlights a period in time when the "rural" affluence was at its peak.This hand painted floral gilt plate is a cream fluted china plate decorated with pink and yellow orchid flower arrangement. It is in the "Art Nouveau" period 1880-1920.underneath and within the circular base and in gold freehand script "4" underneath "1562". Pressed into the base is the manufacturer's monogram.Circled around the FAM mark is "* FRANZ ANT. MEHLEM*BONN A/RHEIN*"hand painted china, floral gilt plate, decorative china

White and gold floral decorative china cup and saucer.cups and saucers

Displayed in History HouseWhite saucer with gold edgingFront: Base: Royal/Standard/Bone China/Englanddecorative item, bone china, saucer

Displayed in History House Royal Bayreuth is the name of a factory that was founded in Tettau, Bavaria, in 1794. It closed in 2019. The marks have changed through the years. A stylized crest, the name Royal Bayreuth, and the word Bavaria appear in slightly different forms from 1870 to about 1919. Later dishes may include the words U.S. Zone (1945–1949), the year of the issue, or the word Germany instead of Bavaria.Royal Bayreuth saucer Blue and white saucer with gold decorative lines on edge and cup recess. Logo on base.Front: Base: Royal Bayreuth/T/1794/Germany/US Zone (colour transfer, centre)decorative item, saucer, china, tea service

Frame decorative Chinese bowl with dragon design. Black and gold bowl in black and gold window mount with brown wood frame. The frame is edged in gold and the mount features a decorative lace design in each corner. Red and white text label printed in Chinese.

Framed Chinese glass oil painting on stand. The painting features a Chinese fishing boat and two fish, one is a large gold fish jumping out of the water and the second is a small black fish. Brown laquered wood frame set in a decorative carved wood stand. Chinese writing on the sails of the boat.

Owned by James and Ada Brimblecombe, Heywood. Later owned by Merle Lewis, Mt. Gambier. R.H. Plant founded Tuscan Fine China in 1878 in Staffordshire. This area known as the Potteries, was England’s centre for the production of china. The Plant family already had a long history in producing china. Tuscan specialized in decorative fine bone china dinnerware that is very fine and light. Despite their reputation for quality, the company suffered the fate of the other potteries with lower sales and higher costs after WW2. Wedgwood purchased the company in 1967. However, Wedgwood continued producing china under the Tuscan name. However, in 1967 the new owners added the Royal prefix to the name. Despite this production ceased in 2006.Leaf-shaped butter dish of white glazed china, edged in gold. Black and white image of a lighthouse on a cliff with a tall flagpole behind it. There is a broken fence running to the edge of the cliff in the right foreground.Front: Lighthouse Bluff, Portland, Victoria (printed with image in centre of dish) Back: Tuscan China/England (stamped logo, green)souvenir of portland, portland harbour, whalers bluff, domestic item, butter dish

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.The banner has a narrow fuchsia embroidered top border, a wider embroidered panel depicting 2 dogs with embroidered Chinese text and a larger lower panel with the embroidered text “PRESENTED TO THE CHINESE OF BEECHWORTH BY THE COMMITEES OF THE PUBLIC INSTITUTIONS (missing) THAT TOWN IN COMMEMOR (missing) OF THE CARNIVAL 1873” The 2 lower panels have narrow decorative borders decorated with mirrors and extensive embroidery. There is an additional embroidered tab running along the right hand edge. The bottom edge has a wide knotted fringe. The back is lined with fabric decorated with a painted scene. Refer Attachment 1 quote ARTLAB AustPRESENTED TO THE CHINESE / OF BEECHWORTH BY THE / COMMITEES OF THE PUBLIC / INSTITUTIONS THAT / TOWN IN COMMEMOR / OF THE CARNIVAL 1873beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

Anthracite typically occurs in geologically deformed areas due to extreme heating – with temperatures ranging from 170 to 250 °C – caused by igneous intrusions or high geothermal gradients. It is most commonly found in northeastern Pennsylvania in the United States; however, smaller amounts are also found in Australia, China, eastern Ukraine, South Africa, western Canada, and other countries. This specimen was recovered from Tasmania and is 85-95% carbon.Anthracite is the mineral name for hard coal and is the least plentiful of all coal types. It is clean to the touch and, when polished, is used for decorative purposes. Before natural gas and electricity, anthracite was used for domestic heating as it produces little dust, burns slowly, and gives off a minor amount of smoke. However, it is also limited in abundance and expensive. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized highly metamorphosed coal mineral with a black/steel-grey shiny metallic lustre.geological specimen, geology, geology collection, burke museum, beechworth, indigo shire, geological, mineralogy, victoria, alfred selwyn, anthracite

Often given at Chinese New Year, it was gifted to the Mission in 2012 by Ren Ban of the ship ‘Theresa’ from Micronesia. The red Chinese knot is a particular kind of knot unique to China, usually a gift as a symbol of good fortune for a home, a business or an organisation and the one strand ties people together. The object was presented to acknowledge the work done by the Mission for the seafarers of the world. Red and gold Chinese good fortune symbol made of synthetic, silk-like material with woven diamond hanging section and a long double hanging tassel with gold trim .symbol, ms theresa, seafarer gifts, chinese knot, chinese tassel, pan chang knot, red, handicraft

This is a dish or pin tray sold in Warrnambool as a souvenir of the city. It features Shelly Beach, one of the popular picnic spots, especially in the first half of the 20th century. This dish was made by Royal Stafford China and was presumably produced with a plain centre so that an illustration of a tourist spot in Australia could be reproduced on the dish. There were many similar items produced by Royal Stafford China that featured Warrnambool scenes and were selling in Warrnambool in the 1930s, 40s and 50s. They were all good quality items and so many have survived today. They were useful as well as decorative – vases, plates, cups and saucers etc. Some business houses in Warrnambool also had Royal Stafford China souvenir items featuring the business name to sell or give away to customers. Tourism in Warrnambool has always been an important aspect of the city and this souvenir dish is a good example of the souvenir items on sale in the first five or six decades of the 20th century. It will be useful for display. This is a small white china dish or pin tray with a colour sketch (taken from a photograph?) of Shelly Beach in Warrnambool. The illustration covers most of the dish which has a gold edging. The bottom of the dish has the name and symbol of its maker. ‘Royal Stafford China Made in England’ tourism in warrnambool, royal stafford china

This is a souvenir vase produced for the tourist trade in Warrnambool. The vase was made by Victoria China in Czechoslovakia and the image of the Warrnambool War Memorial has been added for sale in Warrnambool. Similar items with suitable illustrations would have been produced for the tourist industry for other towns and places in Australia. Tourism has been an important industry in Warrnambool since the late 19th century. This vase is of interest as an example of the souvenirs available to tourists in Warrnambool in the 1930s. It is both a decorative and a useful item. This is a white china vase with an elliptical-shaped body and a circular neck with a wider opening at the top. There is a faint brown-gold colouring on the neck of the vase and this colouring is stronger on the under-side of the top opening, There is a colour illustration of the War Memorial at Warrnambool on the side of the vase. The maker’s name is on the base of the vase. ‘Soldier’s (sic) Memorial, Warrnambool’ tourism in warrnambool

Tea has always been a common drink in Australia and before the introduction of tea bags a teapot such as this was used to infuse the tea leaves. This item is a decorative piece and would have been used for special occasions. The use of tea bags in both teapots and cups became widespread in the 1960s in Australia. Tea bags are the popular choice today for tea drinkers.This item has no known local provenance but is retained as a fine example of a vintage tea pot. This is a white china teapot with a lid which contains a steam hole and a handle. The spout has gold patterning. The handle is painted yellow with a gold strip. The lid has a yellow and blue decorative band and is decorated with flowers and gold pattern. The body of the teapot has the same decoration as the lid. The name of the country of origin and a number are on the base. Made in Japan tea pot, vintage domestic item, tea making in australia

These dinner plates were used at the Criterion Hotel in Kepler Street, Warrnambool, about the mid 1900s. The Criterion Hotel was opened in 1872 with the first licensee, John Tate. The Humm family was associated with the hotel from the 1880s to 1919 and members of the McGennan family were licensees and owners of the hotel for over 50 years in the 20th century. The hotel closed in 2008 and the building was demolished in 2013.These plates are of great interest as excellent examples of the dinner plates used at the Warrnambool Criterion Hotel in the mid 20th century. The Criterion Hotel was a Warrnambool landmark for over 130 years.These are two white vitrified china plates. One is slightly smaller than the other but they are both dinner –plate size and made for hotel use. They are circular in shape with a wide outer band and the base or body of the plates slightly recessed. The name of the hotel is printed in red on the side of the plates in an oval decorative pattern. Details of the manufacturer and supplier are printed on the bottom of the plates. There are few stains or markings on the plates, suggesting they have been little used‘Criterion Hotel Warrnambool’ ‘Globe Pottery Co. Ltd. Cobridge England Vitrified’ ‘John Dynon & Sons Melbourne’criterion hotel, warrnambool, history of warrnambool

Condiment sets were more a feature of a table setting 100 years ago than they are today. The condiment sets, some very elaborate, have been mostly replaced by simple salt and pepper shakers. This item has no known local provenance but it is an attractive set and is suitable for display as an example of a household This is a condiment set. It has a metal stand with a looped handle and three metal rings for holding a salt container, a pepper container and a mustard dish. The three containers are made of china and are yellow with a decorative border of blue and red flowers. The tops of the salt and pepper containers are made of electro plated nickel silver and these are slightly tarnished. The mustard dish has a silver spoon. household items, history of warrnambool

This vase would have been used to hold five small flowers or fronds and would have been a decorative item on a dining table or mantelpiece. Today a vase holding one or a small number of flowers is called a specimen vase and the style of these tends to be less decorative than the item described here. This item has no known local provenance but is retained as an example of a household item from the past.This is a white china vase with a central pillar representing the trunk of a tree and (originally) four pillars branching out from the main pillar to represent the branches of a tree. One of these pillars is now missing. The china stems holding the branch columns have embossed flowers and fronds. The main pillar and the branch pillars have irregular-shaped openings for flower insertion.household items, history of warrnambool

This is a heavy duty chamber pot and may have been produced for use in a hospital or ship. This item has no known local provenance and is retained for display as an interesting memento of the past.This is a white china bowl, round in shape, with an overhanging top. Inserted in a groove in the top is a lid which has a white decorative pattern around the outer rim. There is a round handle in the middle of the lid in a recessed section. There is also a metal handle for carrying the bowl and the lid together. There is some staininghousehold items, history of warrnambool

This item was found in 2018 washed up on the beach at Lady Bay in Warrnambool. It is a religious object and is similar to ones made and sold to be used in the home on a family altar or as an ornament on a shelf. It may originate from Italy. The display of items such as this would have been common in the early to mid 20th century, particularly in the homes of those belonging to the Catholic religion. The owner of this item is not known but it is retained for display purposes.This is a white china object with a statue of a Madonna and Child recessed into a oval-shaped setting. There are three holes at the top of the statue for attaching the item to a wall or shelf. The edge of the item is decorated with a pattern of white shells. At the foot of the statue is the remnant of a decorative piece broken off. warrnambool, religious ornaments

Miss Lucy Shaw, principal Clarendon PLC 1927-1934 hand painted this sweet dish in 1923. Small round sweet dish with decorative hand painting around borderOn base: L.S. / 1923

The Maker’s Mark stamped on the back of this plate, a green laurel wreath with “W. H. Gringley & Co. Ltd, England” below, was used by the company between 1914-1925, according to Kroker and Goundry, authors of a paper “ARCHAEOLOGICAL MONITORING AND MITIGATION OF THE ASSINIBOINE RIVERFRONT QUAY”. The company used different Marks at other times during their operation. The design on this plate is transferware. The company used this more economical process of adding a transfer rather than employing artists to handprint them onto their dinnerware. William Henry Grindley and Alfred Meakin established the company at Tunstall, Stoke-on-Trent, in 1880. The company produced their wares for export to countries that included Australia.This ceramic plate is an example of dinnerware imported from England. The plate was made between 1914 and 1925 . The popular 'bird of paradise' design on the plate is an example of transferware, which made decorative dinnerware more affordable. China plate, earthenware, round, off-white colour with fine blue rim and three transfer decals spaced around the rim. Decals each have a bird of paradise on a flowering branch. The centre of the plate is plain. The maker’s stamp is an open green laurel wreath enclosing a decorative horizontal line, above the name. Made by W H Grindley & Co. Ltd of England.On underside; logo "[green wreath] above W. H. GRINDLEY & Co. Ltd. ENGLAND"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, plate, dinnerware, w. h. grindley, english, plateware, bird of paradise, transferware

A strictly limited edition produced for the Rotary Club of Heidelberg, Australia' for the celebration of the Golden Jubilee of the City of Heidelberg (now City of Banyule).China plate with gilt edging; wording City of Heidelberg, Golden Jubilee,1934-1984 borders around the plate with the crest placed in the middle. "City of Heidelberg Golden Jubile1934-1984" with Coat of Arms. Underside Rotary International Crest; Fine China, Westminster Australia. The story of: 'Coat of Arms - The carriage wheels and lamp commemorate the early beginnings of the City about 1840 when the Heidelberg Road Trust was the local authority; the wavy band and wattle blossom are symbolic of the River Yarra, whilst the supporters represent the customary mode of transport at the time. The mural crown is the emblem of local government and these perpetuate the distinctive record of the City of Heidelberg in having the first suburban form of local Government of the Colony. An owl, the symbol of wisdom, is also embodied in the crest as our City is named after Heidelberg in Germany whose University founded in AD 1386, became one of the most famous seats of learning. The motto "Industrica" provides a link with the early seal of the City. The municipality was declared a City by Act of Parliament on April 11, 1934.'city of heidelberg, heidelberg, commemorative items, city of banyule

1987: taken over by "Howard Smith UK Ltd" at Hull (GBR) Christening Plate from 'Australia Star'Formerly part of the collection of Howard Smith Ltd.Circular china glazed, cast ceramic christening plate commemorating the christening of 'Australia Star'. A brown and black coloured stencilled image of the ship, it's weight and other text also stencilled onto the front. Blue text is printed around the image. Edges of plate are shaped and feature a gilt edging. Raised decorative moulding is cast into the edges of the plate.1986Christening/ SHI/ AUSTRALIA STAR/ (HULL NO. 1048)/ 95000 DWT/ CRUDE/PRODUCT TANKER/ SEPTEMBER 2, 1986/ HAL INVESTMENTS (SINGAPORE) PTE. LIMITED/ SAMSUNG SHIPBUILDING & HEAVY INDUSTRIES CO., LTD

Identical yellow dinner plate with souvenir scenes of Lorne

Displayed in History HouseWhite teacup with gold edging. Handle has slight uptilted point at top. Decorative gold line on lip.Front: Base:VITR. ED China/Westminster/Australia (black transfer, base)

Displayed in History House (cabinet, North wall). Owned by Mrs. C. Keiller? (from scrap of paper in pot).Ornamental tea-set in cream and green glaze with pattern of flowers in red, white, black and green glaze. Red chinese charcters down side. 4193.1 - Sugar bowl. H: 5.0 x DIA: 6.3 (8.5 with handle) 4193.2 - Tea-cup. 2.9 x 4.2 x 5.3 (with handle 4193.3 - Lid to sugar bowl 4.0 x 1.0 4193.4 - Tea-pot 7.0 x 9.6 4193.5 - Saucer 1.2 x DIA: 8.0 4193.6 - Milk jug 6.5 x DIA: 6.7 4193.7 - Lid to teapot 3.7 x 1.0Front: Base of saucer (4193.5): Gift from/China 1884 (blue pen on sticker) Back: 1884 (blue pen scratched into glaze)

Displayed in History House. The moustache cup (or mustache cup) is a drinking cup with a semicircular ledge inside. The ledge, called a moustache guard, has a half moon-shaped opening to allow the passage of liquids and serves as a guard to keep moustaches dry. It is generally acknowledged to have been invented in the 1870s by British potter Harvey AdamsLarge scallop-edged tea-cup with gold patterning and pink designs on outside. Gold line around lip and handle. Section of china to protect moustache on inner edge.tea cup, functional object, moustache protector

The Maling Pottery of Newcastle upon Tyne, England, was in production from 1762 to 1963. In its heyday it claimed to be the biggest pottery in the world. The first Maling pottery was established at North Hylton, near Sunderland, in 1762 by William Maling. William’s descendants who moved to the Newcastle area and built a succession of larger works. The last of these – the Ford B pottery – was begun in 1878 and occupied a 14 acre site... Maling’s stock in trade was everyday white ware – marmalade jars for Keillers and Coopers, crockery for railways, shipping lines and hotels, and a huge variety of domestic kitchenware. With a significant export trade in the 1920s they had showrooms in Australia, New Zealand and Denmark. Mary Ford, daughter of an Edinburgh glass manufacturer, married Christopher Maling. Christopher Thompson Maling’s initials form one of the company’s early factory marks – the letters CTM inscribed vertically inside a triangle. The Maling name (which had first appeared with the castle mark in the 1920s) and extended to the trade name “Cetem Ware” when the company adopted its well known trademark of a castle in the early years of this century. The “Cetem” name continued to be used into the 1930s. the Maling name continued to be used as a trademark until the factory finally closed in 1963 The outbreak of World War 11 in 1939 marked the beginning of a long decline. Many of the factory’s workers were called up for military service, and wartime restrictions prevented decorative ware being produced for the home market.A larger oval china platter with blue garland around the rim ‘ CETEM WARE’ EMPIRE c1930 On base ; CETEM WARE / over a Castle / EMPIRE / Rd No 519757 china, pottery, cetem ware, maling pottery co ltd., maling william, maling christopher thompson, ford mary, newcastle upon tyne uk, crockery, north hylton sunderland uk, moorabbin, bentleigh, market gardeners, early settlers, cheltenham, world war 11 1939-45, cooking