Softcoverarts, australian art, colonisation, walsh st library

Post mortem? As a veterinary officer Stan Mountjoy became expert in the care and treatment of troop horses and his skill won him commendation from Army Command. The horse carcass, inside a perimeter fence suggests it died at a depot, not in combat. The rigors of the deserts often meant there were several hundred cases of sick horses and mules each week. post mortem, veterinary, horse, war, world war 1, ww1, soldiers, officers, light horse, vet

A small pink covered Cherry Delights recipe book with the title printed in black surrounded by a box and a few cherries drawn below. This is a collection of recipes in celebration of one of summer's favourite fruits, from Wandin's pioneers and country cooks. There is a Contents section at the back listing different types of recipes from main meals, puddings, deserts, cakes and more. There is an Acknowledgement on p.29 for the production of this publication. The back cover has Mont De Lancey Historical Home and Museum with the address. Pp. 31. non-fictionThe 29 pages of recipes were contributed by the volunteers and friends of Mont De Lancey in Wandin. cooking, cooking dishes, mont de lancey historical homestead, cookery books, fruit cooking

Ventifacts are sand-blasted rocks that are typically faceted and often display parallel grooves carved by wind-blown sand. They are useful indicators of wind direction and strength in environments such as deserts, mountains, and coastal areas because they are usually not hidden by later sediment, soil or vegetation cover. In Antarctica ventifaction is strongly related to the composition or type of rock. Ventifacts are important because they provide evidence for abraders such as sand, dust or snow and ice crystals, and offer a unique understanding of past wind processes that are effective in the reconstruction of past wind flow conditions and can provides clues to weather and climate changes in the past. Interestingly ventifacts have also been found on the surface of Mars. They were a threat to the NASA rover due to the sharp angles of the facets, created by the Martian wind over the course of millions of years. These Martian ventifacts act like weathervanes for past wind and weather patterns on the red planet in a similar manner to those found on earth.The Geological Survey of Victoria was instigated in response to the Victorian Gold Rush which began around 1851 in the Beechworth, Castlemaine, Daylesford, Bendigo and Ballarat areas. The survey was conducted by Alfred Richard Cecil Selwyn from his arrival in December 1852 until his resignation in 1869and during this time he trained many notable geologists, e.g. Aplin, Wilkinson, Daintree, who went on to other State survey senior positions. This specimen was among those donated to the Burke Museum in 1868.A hand-sized solid mineral specimen in shades of dark and light browns with light lines visible in all configurations and a groove on configuration 2.light lines visible in all configurations and a groove on configuration 2burke museum, beechworth, geological, geological specimen, ventifact, antarctic region, antarctic, alfred richard cecil selwyn, alfred selwyn, wind direction, wind strength, abraders, wind flow, climate change, reconstruction of wind flow conditions, weather change, mars

"John Ahem Torpie" QX39522 (Q119806) Enlisted 14/9/42 (2nd AIF) Discharged 6/11/46. Rank Captain. Black and white card formed by folding a sheet of paper two ways. The front depicts a pen and ink drawing of civilian trucks hauling wool bales in an Australian Rural scene. On the inside of the card there is an illustration of a soldier standing to attention and a 25 Pdr gun crew in action. The right side shows a heavy A.A. gun in action - mobile type of gun. Beside it are two artillery signallers, prone, working a radio set. The rear page has the actual letter greetings.Front Title - Transporting wool. Inner left - To Greet You Sincerely at Christmas and wish you Happiness in the New Year. Inner Right - Australian Military Forces. "I don't appear in the picture, not being a skite, I am hiding behind the gun. J.T.". Rear Page - 7th Inf. Brigade, Chermside Camp, Brisbane 23.12.41. Dear Ted & George. Wishing you both a Happy Christmas and a Prosperous New Year. Have been in camp hospital for ten days as a result of encounter with muma (?) - shall hardly land the M.C. but then so very few get their deserts. Often think of C.V.M.S. & wonder how you all are doing. Remember me to the boys. John A Torpie. ww2, postcard, artillery, christmas, john a torpie

The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl

A handkerchief box containing newspaper cuttings from 'The Sun-News Pictorial' dated 1938, 'Wonders Of The Outback' on the beauty of and life in the outback. A series numbered 1 to 83. these clips contain photos and descriptions of Aboriginal/Indigenous People, Flora, Fauna, Lizards, Insects, land formations etc.Wonders of the outback 1938. 25 + 26 missing. Up to 83sciences, general, flora and fauna, lydia chancellor, collection, australian outback, outback, australian wildlife, wildlife, australian aborigines, aborigines, australian birds, birds, australian rock carvings, rock carvings, australian deserts, deserts, aboriginal, place, sciences, region, australia, plants, flora, fauna

Green cloth hardcovered book of 384 pages. Includes photographic and line illustrations.signed inside cover "K.H. Wilkie 1935"geography, k.h. wilkie, marie bentivoglio, f.f. fiederich, solar system, atmosphere, barometer, wind, rainfall, temperature, climate, climatic zones, rivers, glaciers, plains and plateau, mountains, volcanoes, deserts, oodnadatta, campel transport, lakes, lake frome, shorelines, oceans, tides, latitude and longtitude

Ill, p.303.non-fictionAll over the world during World War II, thousands of young men who had never so much as been near an aeroplane left offices, farms and classrooms to learn to fly and fight in the greatest conflict the world has ever seen. They fought over deserts, cities and jungles, in-single-engine fighter aircraft, heavy bombers, transport planes and flying boats. How do they feel about their dramatic days in the air? What is it they remember, and what do they choose to forget? In these candid and moving stories, Michael Veitch, writer, broadcaster and aeroplane fanatic, uncovers some of the untold stories of World War II: Australian, British and even German. He captures the events that defined a generation of men before these stories are lost forever. world war 1939 – 1945 – aerial operations - australia, world war 1939 – 1945 – personal narratives – australia

Index, bibliography, ill, maps, p.358.non-fictionIn the line of fire' explores the nature of combat from the perspective of the men doing the actual fighting. From the heights of Gallipoli to the trenches of the Western Front, from the deserts of North Africa to the jungle POW camps of the Thai-Burma Railway, from the savage cold of a Korean winter to the steamy heat of Vietnam this book details what it's really like to be in the line of fire. Also it reveals the experiences of Australian women at war and the combat photographers.military participation - australia, sustralia - history - military

Index, ill, p.600.non-fictionWorld War II was the most intensively photographed conflict in history. Military adn press photographers, propagandists, camera-wielding soldiers and civilians - all took the opportunity to record the tumultuous events of 1939-45. World War II in Photographs features 900 clearly captioned images selected from a wide variety of sources. Every major theatre of conflict is covered, from the icy seas of the Arctic Circle to the jungles of the South Pacific, from the deserts of North Africa to the steppes of Russia.world war 1939-1945 - history, world war 1939-1945 - pictorial works

Yellow Cover with black print in excellent conditionnon-fictionThis is a book about a selfless conservationist, Wimpy Reichelt who in 1969, successfully opposed the subdivision of the Little Desert.australian deserts, little desert - lodge, little desert victoria, conservation

Yellow Cover with black print in excellent conditionnon-fictionThis is a book about a selfless conservationist, Wimpy Reichelt who in 1969, successfully opposed the subdivision of the Little Desert.little desert victoria, little desert - lodge, conservation, australian deserts

Index, ill, p.352.non-fictionIn the dark and uncertain days of 1941 and 1942, when Rommel's tanks were sweeping towards Suez, a handful of daring raiders were making history for the Allies. They operated deep behind the German lines, often driving hundreds of miles through the deserts of North Africa. They hid by day and struck by night, destroying aircraft, blowing up ammunition dumps, derailing trains, and killing many times their own number. These were the SAS, Stirling's desert raiders, the brainchild of a deceptively mild-mannered man with a brilliant idea. Small teams of resourceful, highly trained men would penetrate beyond the front lines of the opposing armies and wreak havoc where the Germans least expected it. world war 1939-1945 - campaigns - north africa, great britain - special air service

Paperback cover with black spine. The spine contains a red panel with title details and a silhouette of a soldier. The front cover is a black and white image of the silhouettes of three soldiers, there is a red panel in the top right corner showing the title and author. At the base of the spine is a white label.non-fiction The First World War, now a century ago, still shapes the world in which we live, and its legacy lives on, in poetry, in prose, in collective memory and political culture. By the time the war ended in 1918, millions lay dead. Three major empires lay shattered by defeat, those of Germany, Austria-Hungary, and the Ottomans. A fourth, Russia, was in the throes of a revolution that helped define the rest of the twentieth century. The Oxford History of the First World War brings together in one volume many of the most distinguished historians of the conflict, in an account that matches the scale of the events. From its causes to its consequences, from the Western Front to the Eastern, from the strategy of the politicians to the tactics of the generals, they chart the course of the war and assess its profound political and human consequences. Chapters on economic mobilization, the impact on women, the role of propaganda, and the rise of socialism establish the wider context of the fighting at sea and in the air, and which ranged on land from the trenches of Flanders to the mountains of the Balkans and the deserts of the Middle East. First published for the 90th anniversary of the 1918 Armistice, this highly illustrated revised edition contains significant new material to mark the 100th anniversary of the war’s outbreak. [taken from Trove record]australian armed forces, ww1, wwi, world war one, world war 1914-1918, military history

Hard cover book. Sard Harker Author: John Masefield Publisher: William Heinemann Ltd Date: 1924 Further Information: Red Cloth hardcover with lettering and patterning to spine in black. The spine has a Library label with an inscription.fictionThe novel centres on Chanticleer "Sard" Harker, a serious, stoic first mate aboard the trading ship Pathfinder. While anchored off the coast of the fictionalised South American nation of Santa Barbara a recurring setting in Masefield's fiction Harker experiences a vivid, recurring dream predicting that a woman named Doña Margherita Luisa Rosa is in grave danger. Driven by a strict sense of duty and premonition, Harker goes ashore to track down the estate where she is staying to deliver a warning. This decision plunges him into an extraordinary physical ordeal: separated from his ship and framed for murder, Harker must trek through hostile jungles, arid deserts, treacherous swamps, and rugged mountain passes while battling corrupt local officials, bandits, and a sinister occultist/cult leader named Don Hirsch Gomez.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, sard harker, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library