Showing 152 items matching "designing"
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National Wool MuseumBook, Pattern, The University of Leeds Textile Industries Department Designing & Weaving
... The University of Leeds Textile Industries Department Designing & Weaving...The University of Leeds Textile Industries Department Designing & Weaving C Scott F. Murgatroyd Stenhouse 1928...The University of Leeds Textile Industries Department Designing & Weaving Book, Pattern ...Design book of Fred Murgatroyd whilst he was a weaving/textiles student at the University of Leeds.Design book of a weaving/textiles student at the University of Leeds. Design book of a weaving/textiles student at the University of Leeds.The University of Leeds Textile Industries Department Designing & Weaving C Scott F. Murgatroyd Stenhouse 1928textile industry - education textile design textile mills, university of leeds, beaumont, professor - university of leeds murgatroyd, mr fred, textile industry - education, textile design, textile mills -
Robin Boyd FoundationDocument - Manuscript, Robin Boyd, Designing the Franchise Image from Architecture to Signs, 1971
... Designing the Franchise Image from Architecture to Signs...Major pencil and pen edits and additions (in one copy), quarto, 7 pages. (Two copies) Designing the Franchise Image from Architecture to Signs Document Manuscript Robin Boyd ...Discusses the exploitation of architecture in commercial signage; the use of architecture as signage can prove disturbing and a threat to curating an architectural style; argument reads like a reflection on Scott Brown and Venturi's Duck and the Decorated Shed.This is the original manuscript of a presentation to Victorian Employers Federation Franchising Seminar. Discussion of Fishbowl, 11.3.1971. It includes notes for slides.Typewritten. Major pencil and pen edits and additions (in one copy), quarto, 7 pages. (Two copies)One copy with annotations in pen and pencilfranchises, franchise buildings, advertising architecture, signage, fishbowl, colonel sanders, robin boyd, manuscript -
Robin Boyd FoundationBooklet, Ure Smith (Sydney, Australia), A New Approach to Textile Designing, 1947
... A New Approach to Textile Designing...Robin Boyd Foundation 290 Walsh Street South Yarra melbourne Russell Drysdale William Dobell Textile Design Walsh St library Pencil markups and comments in Robin Boyd's writing on the article "Vision and confidence in art for textiles" by Sydney Ure Smith, p8 A New Approach to Textile Designing Booklet Ure Smith (Sydney, Australia) ...Pencil markups and comments in Robin Boyd's writing on the article "Vision and confidence in art for textiles" by Sydney Ure Smith, p8russell drysdale, william dobell, textile design, walsh st library -
Robin Boyd FoundationBooklet, Ure Smith (Sydney, Australia), A New Approach to Textile Designing, 1947
... A New Approach to Textile Designing...Robin Boyd Foundation 290 Walsh Street South Yarra melbourne Russell Drysdale William Dobell Textile Design Walsh St library "Patricia Boyd" handwritten in green pen inside front cover A New Approach to Textile Designing Booklet Ure Smith (Sydney, Australia) ..."Patricia Boyd" handwritten in green pen inside front coverrussell drysdale, william dobell, textile design, walsh st library -
Victorian Aboriginal Corporation for LanguagesBook with DVD, Michael Anderson, It's a hard road to hoe but you gotta start somewhere : designing a community Language project a resource for Indigenous communities, 2006
... It's a hard road to hoe but you gotta start somewhere : designing a community Language project a resource for Indigenous communities...It's a hard road to hoe but you gotta start somewhere : designing a community Language project a resource for Indigenous communities Book with DVD Amber Young Helen de Silva Joyce Michael Anderson ...An overview of the total package for a Community Language Program. Explores Deciding to revive the language, training the trainers, gathering information, managing the project, writing an action plan and bring it all together. Is complemented by a DVD on back cover of book.DVDcommunity languages, language revival, language maintenance, language and intellectual property, education project planning -
Bendigo TAFEReference, 14/10/1942
... ...designing...It is written for Miss Ivy Jack, certifying that she attended the dressmaking, cutting and designing classes and freely recommending her services to anyone requiring them..... / To whom it may concern, / I have pleasure in / certifying that Miss Ivy Jack has / attended the dressmaking, cutting / and designing classes at this / school during the past two years. / She is pains-taking and / attentive, and to anyone requiring / her services I can freely recommend her. / Yours faithfully / Mabel Klech / (Instructress in dressmaking)"...It is written for Miss Ivy Jack, certifying that she attended the dressmaking, cutting and designing classes and freely recommending her services to anyone requiring them. ...This is a reference written by Mabel Klech, Instructress in Dressmaking at Bendigo School of Mines and Industries. It is written for Miss Ivy Jack, certifying that she attended the dressmaking, cutting and designing classes and freely recommending her services to anyone requiring them.Significant in relation to the history and past students of Bendigo School of Mines & Industries and to the type of courses being offered by the school in 1942. Significance has been assessed in-house.White paper photocopy of reference from Mabel Klech, Instructress in dressmaking at the School of Mines and Industries, Bendigo to Miss Ivy Jack, dated 14th October, 1942.On white A4 paper: "School of Mines / Bendigo / Oct. 14th 42. / To whom it may concern, / I have pleasure in / certifying that Miss Ivy Jack has / attended the dressmaking, cutting / and designing classes at this / school during the past two years. / She is pains-taking and / attentive, and to anyone requiring / her services I can freely recommend her. / Yours faithfully / Mabel Klech / (Instructress in dressmaking)"bendigo school of mines and industries, jack, ivy, klech, mabel, dressmaking, reference, 1942, cutting, designing, jack, shirley ivy -
Melbourne Tram MuseumDocument - Report, Victorian Parliament, "Report of the Street Works Co-ordination Committee", 1966
... "KCP Designing Engineer attended some later meetings"...Yields information about an investigation into co-ordination of tram track and other road works. tramways MMTB Tram tracks Parliament road works "KCP Designing Engineer attended some later meetings" Report - approx 50 pages - side stapled, card covers, cloth side binding. ...Report - titled "Report of the Street Works Co-ordination Committee", includes a table of contents and drawings of street cross-sections. Details the committee members, meetings, terms of reference, suggested legislation, summary of conclusions and recommendations, including previous reports and conference and typical cross sections. Dated 1966, for presentation to the then premier Mr Hamer. Looks at the co-ordination road works by authorities including the tramways.Yields information about an investigation into co-ordination of tram track and other road works.Report - approx 50 pages - side stapled, card covers, cloth side binding."KCP Designing Engineer attended some later meetings"tramways, mmtb, tram tracks, parliament, road works -
University of Melbourne, Burnley Campus ArchivesSlide, Alan L. Mitchell, 1965
... Re designing flower bed and old pine lawn 1965....University of Melbourne, Burnley Campus Archives 500 Yarra Boulevard Richmond melbourne alan l. mitchell burnley gardens flower beds pine lawns Re designing flower bed and old pine lawn 1965. ...Re designing flower bed and old pine lawn 1965.alan l. mitchell, burnley gardens, flower beds, pine lawns -
Lakes Entrance Historical SocietyBook - Event Management Resource, Leader-Elliott, Lyn, 2005
... A guide and workbook to assist in all aspects of designing, panning, budgeting and managing of an event, with the aim of celebrating a unique moment in time for participants....Lakes Entrance Historical Society 4 Marine Parade Lakes Entrance gippsland Reference Material A guide and workbook to assist in all aspects of designing, panning, budgeting and managing of an event, with the aim of celebrating a unique moment in time for participants. ...A guide and workbook to assist in all aspects of designing, panning, budgeting and managing of an event, with the aim of celebrating a unique moment in time for participants.reference material -
University of Melbourne, Burnley Campus ArchivesDocument, Dr Anne Vale, Notes from an Interview with Robert Boyle, 05.09.2012
... Talked about his career and designing the rock pools at Burnley Gardens in the native garden....Talked about his career and designing the rock pools at Burnley Gardens in the native garden. ...robert boyle, interview, native garden, career, rock pools -
Bendigo Historical Society Inc.Document - RANDALL COLLECTION: BENDIGO SEWERAGE AUTHORITY, 24 May 1928
... Hennessy will call on her at her premises, about designing fittings and House connections for the property....Hennessy will call on her at her premises, about designing fittings and House connections for the property. ...Postcard, Bendigo Sewerage Authority to Miss Guiney, Sternberg St., Bendigo, informing her that the Designer of House Connections Mr. Hennessy will call on her at her premises, about designing fittings and House connections for the property.postcard, bendigo sewage authority -
Greensborough Historical SocietyFunctional object - Dressmaking Equipment, Rulex, Standard Metric Dressmaker's Square, 1960s
... Metric dressmaker's square used for designing and adjusting clothing patterns....Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Metric dressmaker's square used for designing and adjusting clothing patterns. dressmaking tools dressmakers square sewing Rulex; Scale 1:5 Right angle square, each arm 3 x 21 cm, measurements printed in black on laquered finished wood Standard Metric Dressmaker's Square Functional object Dressmaking Equipment Rulex ...Metric dressmaker's square used for designing and adjusting clothing patterns.Right angle square, each arm 3 x 21 cm, measurements printed in black on laquered finished woodRulex; Scale 1:5dressmaking tools, dressmakers square, sewing -
Box Hill Historical SocietyBook, Spiller Gibbins Swan,Gerner Consulting Group Pty Ltd, Urban Design,Nigel Ashton, Transport Planning and Traffic Engineering,Richard Ellis, Property Research, City of Box Hill, Box Hill District Centre Precinct 12 Outline Development Plan, Working Paper for Consultation Purposes, October 1992, 1/10/1992 12:00:00 AM
... A working paper for consultation purposes, outlining the development plan for re-designing the Box Hill District Centre. Precinct 12 comprises the area bounded by Whitehorse Road, Elgar Road, Arnold Street, Spring Street and Nelson Road, Box Hill. ...Box Hill Historical Society Box Hill Heritage Centre Suite 7 Town Hall Hub Box Hill melbourne Traffic Management Whitehorse Road Elgar Road Arnold Street Spring Street Nelson Road Box Hill Wellington Road Land use Town planning A working paper for consultation purposes, outlining the development plan for re-designing the Box Hill District Centre. Precinct 12 comprises the area bounded by Whitehorse Road, Elgar Road, Arnold Street, Spring Street and Nelson Road, Box Hill. ...A working paper for consultation purposes, outlining the development plan for re-designing the Box Hill District Centre. Precinct 12 comprises the area bounded by Whitehorse Road, Elgar Road, Arnold Street, Spring Street and Nelson Road, Box Hill. Includes maps, traffic counts.traffic management, whitehorse road, elgar road, arnold street, spring street, nelson road, box hill, wellington road, land use, town planning -
Bendigo Historical Society Inc.Document - VICTORIA QUARTZ - MODEL WINDING PLANT AT THE VICTORIA QUARTZ MINE
... Article describes the winding plant and mentions the remodelling of the plant supervised by Mr W Abraham. The designing and remodelling of the plant was done by Mr Andrew Harkness....Article describes the winding plant and mentions the remodelling of the plant supervised by Mr W Abraham. The designing and remodelling of the plant was done by Mr Andrew Harkness. ...Handwritten copy of an article titled 'A Model Winding Plant' which appeared in the Bendigo Advertiser Thursday June 30, 1910 on Page 5. Article describes the winding plant and mentions the remodelling of the plant supervised by Mr W Abraham. The designing and remodelling of the plant was done by Mr Andrew Harkness.document, gold, victoria quartz, victoria quartz, model winding plant at the victoria quartz mine, bendigo advertiser june 30 1910, the victoria quartz company, mr w abraham, mr andrew harkness -
Bendigo Historical Society Inc.Craft - Box of craft material
... The books are: "Clothes for your baby, designing, cutting and making" by Enid Gilchrist and "Baby book for mother, baby and child" Also in the box ten transfers, some in folders, some loose. ...The books are: "Clothes for your baby, designing, cutting and making" by Enid Gilchrist and "Baby book for mother, baby and child" Also in the box ten transfers, some in folders, some loose. ...Enid Beatrice Gilchrist (1917-2007) was a fashion designer best know for her development of self-drafting dressmaking patterns. Her patterns were first printed in "The Argus" in Melbourne in 1946 and were soon collected into books for the home sewer.A small cardboard box containing various two books and various baby wear transfers. The books are: "Clothes for your baby, designing, cutting and making" by Enid Gilchrist and "Baby book for mother, baby and child" Also in the box ten transfers, some in folders, some loose. Aileen and john Ellison Collection."Transfers" on lid of the boxbaby clothes, dressmaking, transfers -
National Wool MuseumBook, I.C.S. Reference Library no. 92
... Reference Library no. 92: glossary of weaves, elementary textile designing, analysis of cotton fabrics, analysis of woolen and worsted fabrics, twill weaves and derivatives, satin and other weaves, combination weaves, construction of spot weaves, weaves for backed cotton fabrics, woolen and worsted ply weaves, leno weaves, pile weaves, color in textile designing, designing in general" International Correspondence Schools Ltd, 1921. ...Reference Library no. 92: glossary of weaves, elementary textile designing, analysis of cotton fabrics, analysis of woolen and worsted fabrics, twill weaves and derivatives, satin and other weaves, combination weaves, construction of spot weaves, weaves for backed cotton fabrics, woolen and worsted ply weaves, leno weaves, pile weaves, color in textile designing, designing in general" International Correspondence Schools Ltd, 1921. ..."I.C.S. Reference Library no. 92: glossary of weaves, elementary textile designing, analysis of cotton fabrics, analysis of woolen and worsted fabrics, twill weaves and derivatives, satin and other weaves, combination weaves, construction of spot weaves, weaves for backed cotton fabrics, woolen and worsted ply weaves, leno weaves, pile weaves, color in textile designing, designing in general" International Correspondence Schools Ltd, 1921. There is a fine ex libris plate (designed by W.L. Trigg) on the inside of the front cover depicting the Anzac statue from the RSS Mill. This book is from the library of V.J. Schofield, son of Albert Schofield, the first managing director of the RSS Mill.EX LIBRIS / V.J. SCHOFIELD / W.L. TRIGGweaving textile design cotton textile mills, international correspondence schools ltd returned soldiers and sailors mill, cloth - woollen, cloth - worsted, twill, trigg, w. l., weaving, textile design, cotton, textile mills -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Maritana, 1958
... Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society IncFootwear - Pair of Black Satin & Velvet Shoes, Enrico Coveri, 1985
... Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"...Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985" Black satin and velvet evening shoes, by Enrico Coveri. ...The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes -
Kew Historical Society IncClothing - Dark Green Silk Cullottes & Black Velvet Jacket, Martin Grant, 1985
... Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"...Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985" Dark green coloured taffeta and organza short evening culottes with separate black velvet evening jacket. ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the nineteenth and twentieth centuries.These were produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The McIntyre Collection forms one of the largest single donations to our Fashion & Design collection. It includes clothing worn by women in the Cohen and McIntyre families. The collection is significant historically and aesthetically, demonstrating changing tastes in fashion over an 80-year period. It includes the work of a large number of Melbourne designers from the 1950s to the 1980s. Dark green coloured taffeta and organza short evening culottes with separate black velvet evening jacket. The outfit, confidently dated to 1985, is from one of the earliest ready-to-wear collections by Martin Grant, who began his career in Melbourne at the age of 16.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"martin grant, women's clothing, australian fashion -- 1980s -
Whitehorse Historical Society Inc.Newspaper, Ideas and ideals fuel an inventor with a mission, 1/05/1990 12:00:00 AM
... Newspaper cutting about John Wishart of Blackburn aged 90 who was designing a revolutionary car engine, the Wishart 'Vee-Four' engine which is lighter than a standard engine and will run on less refined petrol. ...Newspaper cutting about John Wishart of Blackburn aged 90 who was designing a revolutionary car engine, the Wishart 'Vee-Four' engine which is lighter than a standard engine and will run on less refined petrol. ...Newspaper cutting about John Wishart of Blackburn aged 90 who was designing a revolutionary car engine, the Wishart 'Vee-Four' engine which is lighter than a standard engine and will run on less refined petrol.Newspaper cutting about John Wishart of Blackburn aged 90 who was designing a revolutionary car engine, the Wishart 'Vee-Four' engine which is lighter than a standard engine and will run on less refined petrol. It also does away with spark plus or a radiator. He claims to have been opposed by the oil companies. Photograph. Cutting from 'The Age' Thursday 17 May 1990.Newspaper cutting about John Wishart of Blackburn aged 90 who was designing a revolutionary car engine, the Wishart 'Vee-Four' engine which is lighter than a standard engine and will run on less refined petrol. wishart, john, wishart engine, cars -
Whitehorse Historical Society Inc.Photograph, Nunawading Amphitheatre
... A series of coloured photographs showing school children designing and decorating tiles to be used to pave the Nunawading Amphitheatre in 1995. ...Nunawading Amphitheatre Amphitheatre Ceramic Tile Project Artists in school Mourney Hazel Atkinson Bruce Chanter Michael Price Richard Robertson Daniel A series of coloured photographs showing school children designing and decorating tiles to be used to pave the Nunawading Amphitheatre in 1995. ...Nineteen local schools participated in the project which was co-ordinated by Hazel Mournay, and the two artists assisting were Michael Chanter and Richard Price. Daniel Robertson Brick Company provided the tiles and the completed amphitheatre was opened by the Member for Koonung, Mr Bruce Atkinson on Sunday 4th June 1995.A series of coloured photographs showing school children designing and decorating tiles to be used to pave the Nunawading Amphitheatre in 1995. Each school was given a year to research, design and paint tiles to fit a given shape. This project was one of the significant events organised to celebrate the Golden Jubilee of the former City of Nunawading in 1995. There are also photographs of the erection of the design on site, the finished product, and the opening day.nunawading amphitheatre, amphitheatre, ceramic tile project, artists in school, mourney, hazel, atkinson, bruce, chanter, michael, price, richard, robertson, daniel -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Maritana, 1958
... Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1959
... Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes....Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Blossom Time Photograph Photograph The "Q" Theatre Guild ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1958
... Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes....Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Blossom Time Photograph Photograph The "Q" Theatre Guild ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1959
... Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes....Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Blossom Time Photograph Photograph The "Q" Theatre Guild ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Melbourne Tram MuseumDocument - Memorandum, B. J. Roberts and D. Eakins, "Visibility of tramcars at Night", Mar. 1960
... Memorandum - yellow paper titled "Visibility of tramcars at Night" .1 - foolscap sheet from the Designing Engineer Mechanical and Electrical to the Chief Engineer, dated 23/3/1960 outlining four proposals for improving the visibility of trams at night, signed by B. ...Memorandum - yellow paper titled "Visibility of tramcars at Night" .1 - foolscap sheet from the Designing Engineer Mechanical and Electrical to the Chief Engineer, dated 23/3/1960 outlining four proposals for improving the visibility of trams at night, signed by B. ...Memorandum - yellow paper titled "Visibility of tramcars at Night" .1 - foolscap sheet from the Designing Engineer Mechanical and Electrical to the Chief Engineer, dated 23/3/1960 outlining four proposals for improving the visibility of trams at night, signed by B. J. Roberts. .2 - half foolscap sheet - from Chief Engineer to the Chairman, forwarding report and asking what further action to be undertaken - signed D. Eakins and dated 25/3/1960.Has number "102553" and "6704" on original memo.trams, tramways, mmtb, tramcars, lights, tramcar equipment, night lighting -
National Wool MuseumPhotograph - Framed Printed Coursework, Gordon Institute of Technology, Textile College, 1950
... The courses include Woolcombing, Worsted Spinning, Woollen Yarn Manufacture, Designing, Weaving and Turning and Finishing. ...The courses include Woolcombing, Worsted Spinning, Woollen Yarn Manufacture, Designing, Weaving and Turning and Finishing. ...Framed papers outlining the courses and coursework for the Textile College at the Gordon Institute of Technology in 1950. The courses include Woolcombing, Worsted Spinning, Woollen Yarn Manufacture, Designing, Weaving and Turning and Finishing. A digital copy of this item was made for the National Wool Museum Collection, with the original remaining with the donor. Digital TIFF file, 100 MB, showing image of framed printed paper.D.P.C. WILSON MEMORIAL BURSARIES. / Textile College / Gordon Institute of Technology. / GENERAL INFORMATION / TERM DATES 1950 ...courses, gordon institute of technology, textile college, geelong, woolclassing, weaving, spinning, coursework, 1950 -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Maritana, 1958
... Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The annotation underneath the photo identifies the two men as Ian Young and Bernard Meagher who played Don Cesar and the Alcade Marchese.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Iaan Young, Burne Meagher".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Heidelberg Theatre Company Inc..Program Photos Newsletter Articles, An Ideal Husband by Oscar Wilde directed by Alice O'Donnell, n/a
... Special mention of Lois Connor for 'general assistance with costumes and designing and making Mrs. Cheveley's ball gown.'...Special mention of Lois Connor for 'general assistance with costumes and designing and making Mrs. Cheveley's ball gown.' 1961 66 City of Heidelberg Repertory Group heidelberg theatre company inc directed by Alice O'Donnell None All in Good Condition. ...Production Number 66 by the Heidelberg Repertory Group - currently known as the Heidelberg Theatre Company Inc. The program lists names of actors and roles,, backstage, technical crew, creative and administration positions. Special mention of Lois Connor for 'general assistance with costumes and designing and making Mrs. Cheveley's ball gown.'All in Good Condition. The Program is rather fragile.None1961, 66, city of heidelberg repertory group, heidelberg theatre company inc, directed by alice o'donnell -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Maritana, 1958
... Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. ...The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stan Wilson in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 21, 23, 26, 27 or 28 June when Wilson performed the Don Jose, a role he shared with James Dinsdale.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria
