Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Small booklet outlining terms used in painting, sculpture and other fine arts. It is a production of Avantgarde Art Company.Small pocket size booklet with orange cover and black printzilles printers, lewis zilles, jeff zilles, ballarat, booklet, art manual, art terms, painting, sculpture, fine arts, avantgarde art company

A book including advertisements for 'Shell' products. It has 3 parts: 1. Around the home 2. Inside the home. 3 First Aid A Do it Yourself bookHistorical insight into households in the 1940s with hints on 'Doing if Yourself'Small book with a cardboard cover of cream and pink and 10 black signs of "How to ....". The Shell (petroleum company) logo is at the bottom righthand corner. It has 96 pages"L. Best" written on the first pagehouseholds in the 1940s, shell petrol company

Selley's is an Australian company which produces household 'do it yourself' and cleaning products. Martin Selley, who fled Germany in 1939, prior to the start of WWII, established the Selleys Chemical Company - selling wood putty.Selley's is an Australian company which produces household 'do it yourself' and cleaning products that were used by residents of City of Moorabbin in 20thC3 oz Glass bottle with screw on metal lid, painted blue - with a blue and white labelFRONT: Selley's Waterproof glue - (Clear) Manufactured by Selley's Chemical Manufacturing Co. Pty Ltd - SYDNEY - MELBOURNE 3 ozs. Net. BACK: Instructions for use. Selley's Waterproof Glue is a unique material which can be used for almost any type of joint. When used for wood to wood it gives excellent results, comparing favourably with all other types of wood glues, but in addition has the advantage that it is applied cold, and further, when set, is completely water-proof. It does not require any catalyst or hardening agent to set, but dries by evaporation of the solvent, leaving a tough, hard film. The glue contains thinners. Do not use near a naked flame, but after it has dried it is no more inflammable than dry timber. If glue too stiff, add acetone. glue, selley's, waterproof glue, bottle

This item represents a period in time when there was the start by manufacturing industry for targeting the medium to lower socio and economic strata of the purchasing public. It was the beginning of cheaper mass produced items for the non professional (photographer in this instance) recreational minded public. The availability of low cost items was required by an ever increasing population hungering for the "do it yourself" amateur.This camera was owned by Margaret (Peg) Shefford nee Turner, who retired to Mount Beauty in the mid 1980s. The camera was purchased in 1920 and used up to the 1940's when her her daughter, Midge Clooney used it. When the Shefford family emigrated from England to Australia (1953), it was used to take photos of the ship voyage.This item is a Campfire Box Brownie. Model "F". It is a black vinyl covered tin box shell. It has a short leather hand strap (110mm) (stamped "BROWNIE") on the top side of the box, fastened by a metal stud at each end. There are two clasps holding the front and rear sides. Viewer (photo frame number) and lens (apertures) are on opposite sides.Stamped within a circular section on the back section is "No 2 BROWNIE" underneath,"MODEL F" in smaller letters "MADE IN CANADA BY CANADIAN KODAK Co., Limited, TORONTO, ONT". a smaller circle within has "USE KODAK FILM No_ 120"portable camera, photography, hobby, low cost camera

An overview of activities and achievements during the past financial year. Articles in annual report include: opening two new offices in Coffs Harbour and Canberra, merging library services with RVIB and VAF, development of the "Do It Yourself" package with the University of Sydney and launched by Benita Collings, Behind the Budget luncheon with H.G. Nelson, Wendy Harmer and Peter Berner, a tactile art exhibition with the Sydney's Object Gallery, building a new volunteer Speakers Network and profiles of volunteers Clarys Churchill and Ian Carswell, and clients Emily McNeil, Tess Herbert, Nelson Rufatt, Jonathan Mondy, Fiona Williams, James Pittar, Rita Lucas, Noni Guthrie, Alexandra Sugis and Elizabeth Ford.1 printed volume of information about the RBS during the financial yearroyal blind society of nsw, annual reports, lauren rapley, emily mcneil, graeme innes, pearl stapleton, dick smith, clarys churchill, tess herbert, benita collings, erica chiandotto, nelson rufatt, natalie kaine, jonathan mondy, annette hayes, fiona williams, james pittar, rita lucas, cem oztan, noni guthrie, alexandra sugis, elizabeth ford, paula-jane robinson, ian carswell, andrew daddo, wendy matthews, tayla fitten, dion milton, peter berner, wendy harmer, h.g. nelson, marie bashir, walter bolin, victoria maggs, katherine purcell, michael simpson, john landau, denis lister, carol ireland, stephanie peebles, barry chapman, christopher cullen, charles cowper, frank martin, ivan cribb, keith barton, michael brown, john mumford, owen van der wall, roslyn lambert, tony miller

This photograph is of old mine workings on the site of the Spring Creek diggings. Spring Creek is a contact zone for granite pluton and siltstones, shales and standstones; which has, over time, encouraged natural springs to form. Enriched with gold washed out of the surrounding granite, these alluvial deposits achieved fame from 1852 onwards as the Spring Creek Diggings sprang to life (not realised as geographically important until 1871). In Spring Creek that runs behind the main street of Beechworth, near the foot of Newtown Hill a pint pot of gold was discovered on one of these expeditions in 1852 by prospectors Baker and Strickland and the gold rush town of Spring Creek was formed. Australian gold rushes have always created a sense of independence and freedom; as do-it-yourself, off-grid, low-tech adventures. People of all backgrounds were drawn to the gold fields by the prospect of riches and adventure, but they also learned self-sufficiency and found freedom of expression. Industry boomed, new practices were adopted and social norms were upended. This image is of historical significance as it informs on the history of Australian gold mining. It represents the innovation that accompanied the mining industry and the importance of gold mining in town building and regional histories. Black and white rectangular photograph on unmounted board.gold mining, spring creek, mining, geography, geology

September Meeting (Newsletter No. 152, Sep. 2003) This meeting is one in an occasional series where we get together a panel of speakers to talk about a particular aspect of Eltham's history, its character or its people. As has been the case for past speaker panels, we have organised a buff et dinner to precede the meeting and details of this are given below. Eltham has a well-known tradition of building with mud brick, second hand materials and other innovative or uncommon materials. Although this trend dates mainly from the 1930 's there are examples from the pioneer days of Eltham. Part of the Brocksopp house at Eltham South is an 1850' s mud brick construction by George Souter. But the alternative building tradition in Eltham really began at Montsalvat in the 1930's. Justus Jorgensen's building complex of earth construction, stone and items from wreckers' yards inspired a number of builders and owner builders, particularly in adopting mud brick or adobe as their building medium. The tradition continues today with our area remaining home to a relatively high proportion of builders using these alternative materials. The panel we have selected to talk on this subject are either builders in the Eltham tradition or have had close contact with builders of the past. The panel will be introduced by Russell Yeoman who will talk briefly about George Stebbing, an early Eltham builder responsible for many of our remaining historic buildings, but known for traditional buildings of his time rather than the later buildings which give Eltham its particular character. The panel members are as follows:- • John Pizzey, architect. John will speak on the work of Alistair Knox designer and builder in mud brick and the person who has most contributed to the environmental building traditions of Eltham. • Peter Jarvis who will talk about his own work as a builder in mud brick and his views on traditional and modern construction methods. • Leigh Wykes, a present day builder of stone houses, will talk about his own work in the district and its relevance to Eltham traditions. • Diana Bassett-Smith will talk about her experience with owner-builders constructing their earth houses in Eltham in the 1950's. Pise and mud brick presented a cheap building material provided that you could do it yourself or persuade your friends to help. Prior to the meeting there will be a buffet dinner of casseroles and other courses prepared by some of our members. We will be starting at 6.00pm with dinner scheduled for 6.30. Harry Gilham will be providing drinks, including wines from his personally made collection. Cost of the dinner will be $10 which can be paid on the night. However, for catering purposes we need to know numbersCompact audio cassette Sony EF 90 Type I / IEC I Cassette labelled "Eltham Builders Historical" Converted to MP3 file; 100MB, 1:18:57 alistair knox, audio cassette, audio recording, building construction, diana bassett-smith, eltham, john pizzey, leigh wykes, peter jarvis, society meeting

Hard cover book. New Arabian Nights Author: Robert Louis Stevenson Publisher: W Foulsham & Co Ltd Date: 1920s–1932 Further Information: Black cloth front cover, reinforced blocked spine with lettering and patterning to spine in black. The spine has a Library label with an inscription.fictionNew Arabian Nights is Robert Louis Stevenson's first published fiction collection, gathering stories that had originally appeared in magazines mainly the London Magazine between 1877 and 1880, and published in book form by Chatto & Windus in 1882. Despite the title, it isn't a translation of the Arabian Nights; rather, it borrows the frame-narrative device loosely, with Prince Florizel of Bohemia wandering the streets of London in disguise the way Harun al-Rashid wanders Baghdad in the original tales, stylistically drawing a connection to their nested structure. The book is in two halves: the first contains two linked story-cycles, The Suicide Club, about a sinister gentleman's club that helps members end their lives, and The Rajah's Diamond, dealing with a macabre secret society and the intrigues and escapades involving exotic jewels. The second half collects standalone stories, most notably The Pavilion on the Links, which was described by Conan Doyle as the first short story in the world, set in a cottage surrounded by quicksand, telling the story of two old friends who become rivals for a woman's affection. Also included is A Lodging for the Night, Stevenson's actual fictional debut.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, new arabian nights, robert louis stevenson

This edition includes a report on the The Apollo Parkways Progress Association's April 1976 meeting, When did you last ask your daughter: "Have you thought about being a plumber", However do you cope?, Cameo of Kay Steventon, Nursing Mothers Association, The battle of the bulge, Scout and Guide news, School news, This and that, Sc New squash Club. Supplement to "Community News". No. 4/76. Diamond Valley Shire: South-East Councillors' report, From the Council Chamber, Protect yourself against rubella, Allan Goldsworthy. A digital copy of this Newsletter is available from Greensborough Historical Society.Newsletter, 24 p., illus.greenhills and north greensborough progress association, greenhills, apollo parkways progress association, apollo parkways

Colour postcard of the Ballarat School of Mines from Lydiard Street South. From left to right the Ballarat School of Mines Museum (Former Wesleyan Church, Administration Building, and former Ballarat Circuit Court (First building of the Ballarat School of Mines)Miss M. Foster C/o Mrs Ruffin 41 Wellington St Geelong West Dear Millie ? your pretty p.l. No. I was not vexed at your not answering my letter. I knoew you had plenty to do. Had a scrummy time at the dance. Weill keep news til later, so as my heart is on fire send me a kiss by wire love to all none to yourself because you are no good. ballarat school of mines, wesleyan church, methodist church, buildings, new classrooms, administration building, ballarat school of mines museum, former ballarat circuit court, m. foster, museum

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework

It is no coincidence that the motto "Be Prepared" can be shortened to B. P. and Robert Baden-Powell, the founder of the Scout movement, used to shorten his surname into B.-P. In the third part of Scouting for Boys Robert Baden-Powell explains the meaning of the phrase: The Scout Motto is: BE PREPARED which means you are always in a state of readiness in mind and body to do your DUTY. Be Prepared in Mind by having disciplined yourself to be obedient to every order, and also by having thought out beforehand any accident or situation that might occur, so that you know the right thing to do at the right moment, and are willing to do it. Be Prepared in Body by making yourself strong and active and able to do the right thing at the right moment, and do it. Joan Filbey Collection: Lithuanian Lanyard and Scout Badge with Motto - Budek (Be Prepared). White plaited cord and metal badge. history, bendigo, joan filbey collection, scout badge, scout lanyard, scout brooch, lithuanian scout motto, budek

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home, 1917. Mentioned in postcard George Buse 2208 born Yarraville who enlisted on 10/9/1914 aged 21 years 3 months. He embarked on 20/10/1914 and returned to Australia in 1919. He was a Driver with the 10th ASC,Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered pink flowers, green foliate and blue winged butterfly decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "To Enid from dad xx / xxxxxx / France / Feb 26/2/1917 / My Dear Alice / Just a PC to let you I'm still well and hope are all the same I have not see Joe lately I may see him sometime or the other I hope you enjoyed yourself on your holidays they will do you good. I'm in a rest station I have not been too well I think I will be back with the battalion in a few days you can tell ??[ma]?? I met Pugger Loney he is in the 15 ambulance he looks well and it just as fat as ever I'm goin gover to see youn George Buse tomorrow well I have not much new to tell only all is well so I will now close with best love from loving husband Will xxxxxxxx"wwi, postcard, embroidered postcard, william west 1268, george buse 2208

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. They also established ‘Woolknit Distributors’, a mail-order service that sold ‘Kathryn’ quality garments at a lower price point. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Advertising pamphlet for Kathryn Knitwear’s direct-to-consumer subsidiary ‘Woolknit Distributors’. Consists of four pages, printed in colour. Front cover is orange and features an image of a baby sitting up on the floor with a toy box and rocking chair behind. There are four rag dolls on the left hand side of the image; two sitting on the seat of the rocking chair, one at the base, and one in the foreground. Below the image is the woolmark logo. The internal pages are laid out as a double page spread, with the left hand side detailing instructions for ordering and a description of the offered garments, and the right hand side featuring drawings of babies wearing the garments available for purchase. The back page is a full-page advertisement for ‘Softly’ detergent, and features a blonde woman wearing a blue jumper with matching blue eyeshadow with a blonde baby wrapped in a white blanket. The bottom of the page has a coupon for 40c off a purchase of ‘Softly’.[obverse] special offer! of KATHRYN NEW SEASONS BABYWEAR IN PURE NEW WOOL (woolmark logo) PURE NEW WOOL Free sample of “Softly” with every order! [internal] 8 EXQUISITE STYLES AT PRICES YOU CAN’T AFFORD TO MISS … ! Woolknit distributors* brings you an exciting range of new seasons pure wool baby clothes made by leading children’s wear manufacturer “Kathryn” mailed direct to you at no extra cost. - STYLED IN A DELIGHTFUL RANGE OF COLOURS… - DESIGNED EXCLUSIVELY IN WOOL FOR SAFETY, WARMTH, COMFORT AND LONG LIFE… - ALL HAND WASHABLE FOR EASY CARE… - A MONEY BACK GUARANTEE FROM WOOLKNIT DISTRIBUTORS IF YOU ARE NOT COMPLETELY SATISFIED… Just select your style number from the list below: Fill in details of colour, size and quantity required on the enclosed card. Mail it in the reply paid envelope and print your name and address clearly. Send only cheque, postal order or money order. Do not enclose stamps, coins or bank notes. [left column] 15/MJ Matinee jacket with collar in Warm white; blue; lemon; pink. Size 16” only $3.50 16/MJ Pop your little bundle into this lacy matinee jacket. Warm white; blue; lemon; pink. Size 16” only $3.30 117/CSW All winter warmth in this com- bination suit with smart ‘fair- isle’ pattern and zip front. Red/ Warm white; Empire blue/Warm white; Sky blue/Warm white. Sizes 16” and 18”. $6.50 625/3 Beautifully styled pram set, keeps baby cosy from top to toe. Jacket, cap and breech- ettes. Warm white; blue; lemon; Pink. Sizes 16” and 18” and 20”. $9.30 681/CW Delightful baby cardigan in purl knit. Warm white; blue; lemon; pink. Sizes 18”, 20” and 22”. $4.30 [right column] 629/3 Three-piece pram set, including Frock, bonnet and breechettes. Warm white; lemon; pink. Sizes 16” and 18”. $10.00 Each item available individu- ally :- 629/B – Breechettes. Warm white; lemon; pink. Sizes 16” and 18” $3.00 629/C – Bonnet. Warm white; lemon; pink. Sizes 16” and 18” $1.60 629/F – Frock, hand embroidered. Warm white; lemon; pink. Sizes 16” and 18” $5.40 721/PW Cuddly pullover in purl knit keeps out winter winds. Warm white; blue; lemon; pink. Sizes 18”, 20” and 22”. $4.30 Shawl. Exquisitely knitted, super-fine shawl. Warm white only. $9.50 SIZE CHART Baby’s age / 0-6mths / 6mths. to 1 year / 1 to 2 years / 2 to 3 years Size of garment to order / 16 / 18 / 20 / 22 *WOOLKNIT DISTRIBUTORS PTY. LTD. 30 HALL STREET, MOONEE PONDS, VICTORIA, 3039 [reverse] Softly care keeps woollens soft as new Softly is safe for all kinds of woollens From the delicate things baby wears to the heavy winter blankets you wash in your machine. Softly gently cleans and protects. Leaving them soft as new. Try Softly yourself by taking advantage of the offer below. Do it now – for your woollens’ sake.business, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents, textile industry - history wool marketing, wool marketing fashion textile industry, children's knitwear, children's clothing, knitwear marketing, mail order

Black and white postcard photograph of a view of Rutherglen with paddocks in the foreground.Card addressed to "Mr J Ryan, The Hospital, Wangaratta" Message: "Dear Jim, Just a few lines to let you know I am sending some oysters by first train tomorrow so you can send to the Stn. for them. I hope you will like them and trust you are getting better, you must look after yourself, and not get bad again, you owe me a letter, do you get the papers. Best love to you from all, Marie" Postmarked February 24, 1908.lake king, rutherglen, jim ryan