This photograph is of the barque "SPECULANT" during one of her voyages to Melbourne. The barquentine SPECULANT was a steel, three-masted sailing ship built in 1895 in Inverkeithing, Scotland, registered in Warrnambool, Victoria and wrecked at Cape Paton, Victoria, 10th February 1911. The SPECULANT had been involved in the timber trade between the United Kingdom and Russia, until sold to its Warrnambool owners and timber merchants Messrs. P.J. McGennan & Co. (Peter John McGennan) in 1902 for 3000 pounds and had her sailed to Warrnambool as her new port. Peter John McGennan was born in 1844 and worked as a builder and cooper in Holyhead, Anglesea, Wales. He immigrated to Australia in 1869 as a free settler and arrived in Warrnambool in 1871 and undertook management of a property in Grassmere for Mr. Palmer. Peter met his wife Emily in South Melbourne and they married in 1873. They had ten children including Harry who lived to 1965, and Andrew who lived until 1958. (The other children were their four brothers - John who was killed in the Dardenalles aged 35, Frederick who died aged 8, Peter who died aged 28, Frank who died aged 5 weeks - and four sisters - Beatrice who died age 89, Edith who died aged 49, Blanche who died aged 89 and Eveline who died aged 48.) In 1874 Peter starting a boating establishment on the Hopkins River. In 1875 he opened up a Coopers business in Kepler Street next to what was Bateman, Smith and Co., moving to Liebig Street, next to the Victoria Hotel, in 1877. In 1882 he then moved to Lava Street (which in later years was the site of Chandlers Hardware Store). He was associated with the establishment of the Butter Factory at Allansford. He started making Butter Boxes to his own design and cheese batts for the Butter Factory. In 1896 established a Box Factory in Davis Street Merrivale, employing 24 people at its peak, (it was burnt down in 1923); and in Pertobe Road from 1912 (now the Army Barracks building). Peter was a Borough Councillor for Albert Ward from 1885 to 1891, he commenced the Foreshore Trust (including the camping grounds along Pertobe Road), and he was an inaugural Director of the Woollen Mill in Harris Street, buying an extensive share-holding in 1908 from the share trader Edward Vidler. They lobbied the Town Hall to have a formal ‘Cutting’ for the waters of the Merri River to be redirected from its natural opening south of Dennington, to its existing opening near Viaduct Road, in order to have the scourings from the wool at the Woollen Mill discharged into the sea. He sold Butter Boxes around the state, and had to ship them to Melbourne by rail. Peter’s purchase of the SPECULANT in 1902 enabled him to back-load white pine from Kaipara, New Zealand to Warrnambool to make his butter boxes then, to gain profitability, buy and ship potatoes and other primary produce bound to Melbourne. (McGennan & Co. had also owned the LA BELLA, which had traded in timber as well, until she was tragically wrecked with the loss of seven lives, after missing the entrance channel to Warrnambool harbour in 1905. It appears that the SPECULANT was bought to replace the LA BELLA.) In 1911 the SPECULANT had been attempting to depart Warrnambool for almost the entire month of January to undergo docking and overhaul in Melbourne. A month of east and south-easterly winds had forced her to remain sheltered in Lady Bay, Warrnambool apart from one morning of northerlies, when an attempt was made to round Cape Otway; she had to return to shelter in Portland after failing to make any headway. With only 140 tons of sand ballast aboard, the ship would not have been easy to handle. Captain Jacobsen and his crew of nine, mainly Swedes, decided to make for Melbourne, leaving Portland Harbour on 5th February 1911. By the 9th they had reached Cape Otway, where they encountered a moonless night, constant heavy rain, and a heavy sea with a south-easterly wind blowing. After safely rounding Cape Otway the course was changed to east, then north-east to take the vessel to a point six miles off Cape Patton, following the orders of Captain Jacobsen, who told the crew to be very careful with the steering, as the wind and sea was running to leeward. The patent log (used to measure speed) had been out of order for the last four months as no-one in Warrnambool was able to fix it: it was intended to have it repaired in Melbourne. In the meantime the crew measured the vessel's speed by looking over the side and estimating wind strength. This compounded the difficulties of imprecise positioning, as the strong cross wind and sea were acting on the lightly laden vessel to steadily drive it towards the shore. At 3.30am on Friday 10 February 1911 Captain Jacobsen and the first mate were looking over the side of the vessel when they heard the sound of breakers and suddenly struck the rocks. The crew immediately knew they had no chance of getting the SPECULANT off, and attempted to rescue themselves by launching the lifeboat, which was instantly smashed to pieces. One of the crew then volunteered to take a line ashore, and the rest of the crew were all able to drag themselves to shore, some suffering hand lacerations from the rocks. Once ashore they began to walk along the coast towards Lorne, believing it was the nearest settlement. Realising their mistake as dawn broke they returned westwards to Cape Patton, and found a farm belonging to Mr C. Ramsden, who took them in and gave them a change of clothes and food. After resting for a day and returning to the wreck to salvage some of their personal possessions, at 10am on Saturday they set out for Apollo Bay, a voyage that took six hours, sometimes wading through flooded creeks up to their necks. The Age described the wreck as "listed to starboard. All the cabin is gutted and the ballast gone. There is a big rock right through the bottom of her, and there is not the slightest hope of getting her off". A Board of Marine inquiry found that Captain Jacobson was guilty of careless navigation by not taking steps to accurately verify the position of the vessel with respect to Cape Otway when the light was visible and by not setting a safe and proper course with respect to the wind and sea. It suspended his certificate for 6 months and ordered him to pay costs. The location of the wreck site was marked for a long time by two anchors on the shoreline, until in 1970 the larger of the two anchors was recovered by the Underwater Explorers' Club and mounted on the foreshore at Apollo Bay. The bell from the wreck was also donated to the Apollo Bay Surf Lifesaving Club but is recorded to have been stolen. Rusting remains of the wreck can still be found on the shoreline on the southern side of, and directly below Cape Patton. Parts of the SPECULANT site have been buried by rubble from construction and maintenance works to the Great Ocean Road, as well as by naturally occurring landslides. Peter J McGennan passed away in 1920. The Gates in the western wall of the Anglican Church in Henna Street/Koroit St are dedicated to him for his time of community work, which is matched with other prominent Warrnambool citizens; Fletcher Jones, John Younger, J.D.E (Tag) Walter, and Edward Vidler. After Peter J McGennan's death Harry, Andrew and Edith continued to operate the family business until July 11th 1923 when the company was wound up. (Andrew lived in Ryot Street Warrnambool, near Lava Street.) Harry McGennan (Peter and Emily’s son) owned the Criterion Hotel in Kepler Street Warrnambool (now demolished). His son Sid and wife Dot lived in 28 Howard Street (corner of Nelson Street) and Sid managed the Criterion until it was decided by the family to sell, and for he remained Manager for the new owners until he retired. Harry commenced the Foreshore Trust in Warrnambool around 1950. The McGennan Carpark in Pertobe Road is named after Harry and there are Memorial-Stone Gates in his memory. (The Gates were once the original entrance to the carpark but are now the exit.). Peter’s great-grandson, also called Andrew, is a Security Officer in Warrnambool. The Patent Log (also called a Taffrail log) from the SPECULANT, mentioned above, and a number of photographs, are now part of the Collection at Flagstaff Hill Maritime Village. The SPECULANT is historically significant as the largest ship to have been registered in Warrnambool, and is believed to have been the largest barquentine to visit Melbourne. It is evidence of the final days of large commercial sailing vessels involved in the Victorian and New Zealand timber trade. The SPECULANT is listed on the Victorian Heritage Register VHR S626Photograph, black and white, titled "The barquentine "Speculant", at Melbourne Docks"Title below photograph reads "The barquentine "Speculant", at Melbourne Docks"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, speculant, melbourne docks, cumming and ellis, international timber trade, f. j. mcgennan and co. warrnambool, capt. james jacobsen, warrnambool maritime history

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Langton Graving Docks"postcards, george and edith weir, the port of liverpool, postcard series -- liverpool (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Canada Basin, Langton, and Alexandra Docks"postcards, george and edith weir, the port of liverpool, postcards -- liverpool -- england (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Canida and Huskisson Docks, Looking South"postcards, george and edith weir, the port of liverpool, postcard series -- liverpool (uk), weir collection

(see 1958)cargo, docks

Model of the second wooden floating dock at willianstown. Length o/a 206 feet. Beam inside 35ft 6in. Operated 1895-1958. Constructed from the burnt Hull of the sailing ship Habitant which caught fire on the 7th June 1894. Model constructed by Cliff Gibson. Large wooden model of the second floating dock at Williamstown. Made from wood painted black with the work dock painted in white "DOCK"

These photographs are of the Docking Brothers, Edward C, Arthur A and Victor Roy - all served overseas during WW1 and came home. Melville Roy (son of Victor Roy) - served during WW2 and was a POW in Changi. The three brothers were born on Prahan, Victoria but relocated to Western Australia.These photographs are originals from the Docking Family.Original Black and White and Sepia photographs of the Docking Family. 1814 Edward C Docking WW1 The photographs have been attached to white A4 paper and identified by a niece of 2128 Arthur A Docking WW1 Docking Family. Victor Roy Docking WW1 Melville Roy Docking WW2 POW Changi?ww1, ww2, docking family, changi

HMS Nelson was a 126-gun ship of the line of the Royal Navy. Launched on 4 July 1814 at Woolwich Dockyard she was later converted into a screw ship in 1860, and was cut down to a two-decker and fitted with an engine of 2,102 indicated horsepower. In 1865, HMVS Nelson was given to the colony of Victoria as a training ship. She was outfitted and rigged for £42,000 and sailed for Australia in October 1867. Travelling via the Cape of Good Hope, she arrived in February 1868. She was the first ship to dock in the newly constructed Alfred Graving Dock in Williamstown, Victoria.Possibly the first training ship of the Victorian Navy which had a base in Swan Island in Queenscliffe.A black and white photograph of the sailing ship HMS later HMVS Nelson docked at the Alfred Graving Dock, Williamstown, 1872"Nelson" in Alfred Graving Dock Williamstown, Victoria 1872hms nelson, hmvs nelson, alfred graving dock, williamstown

Allan Charles Quinn went to sea aged 16 and photographed his work and the places he visited. His collection of photo albums provides a pictorial autobiography for a period in his life. Included in the Allan Charles Quinn Collection are a series of letters written to and from his mother.Black and white photograph of landing docks at San Francisco. To the right of the photograph is the streetscape which includes a walking track and street lighting in front of a road and row of shops or houses. To the centre of the photograph are the ramps to reach the jetty where the yachts are moored. To the left of the photograph are the bows of a long line of yachts. In the background of the photograph there is a large multi-storeyed building.Blue/green ink, handwritten on reverse: "30/9/49" Handwritten in pencil: "K9/A"san francisco, sailing boats, ramps, promenades, allan charles quinn

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock.Handwritten on reverse in black ink: ARISTON IN DRY DOCK / 26.8.47 / D (in pencil). There is also a small mark in blue ink in the left hand bottom corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Aniston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ANISTON IN DRY DOCK / HOBOKEN NEW JERSEY / 26.8.47 / D (in pencil). There is also a small blue mark in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey

This photograph is part of the Alan Charles Quinn collection of photographs and letters. Alan was sixteen years old when he went to sea and left behind a photographic autobiography.This photograph has been taken from the Brooklyn Docks and has a view of the Petali docked in port and downtown Manhattan in the background.Blue/green ink, handwritten: 26.9.49 The corresponding page in the original photograph album reads: "Downtown Manhattan from the Brooklyn Docks."missions-to-seamen, america, manhattan, brooklyn, docks, petali, new york, united states, ships, allan charles quinn, mission to seamen, seamen's mission, mission to seafarers

The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows workers painting the "bootopping"of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of workers painting the "bootopping"of the Aniston, while in dry dock.Handwritten in black ink on reverse: WORKERS PAINTING / BOOTOPPING IN DOCK / 26.8.47 / D (in pencil). There is also a small mark in blue ink in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey, bootopping

Alan Charles Quinn went to sea as a 16 year old and photographed his work and the places he visited. This photograph is one object from the Alan Charles Quinn Collection consisting of a number of photograph albums and letters written to and from his mother.Black and white photograph of a seaplane tied to the dock. There are a number of buildings in the background and some rippling on the water.Blue/green ink, handwritten on reverse: "20.0.49" Handwritten on page from original photograph album: "Private seaplane tied to dock - Brooklyn"mission-to-seafarers, missions-to-seamen, america, seaplane, brooklyn, docks, allan charles quinn, hydroplane, usa

As the White Ensign was reserved entirely for the use of the Royal Navy, the Admiral decided to approve of a new ensign for the Victorian Navy and this was flown for the first time from Nelson on 9th March 1870. The new ensign was very similar to the present day national flag and incorporated the Union flag with five white stars on a blue field.Following upon a series of ‘Russian scares’ in the 1870s, Nelson presumably by permission of the Admiralty, was converted into a fighting ship for the Victorian Navy; she was cut down to a single- decker, the fore and mizzen masts were removed, and the armament modified by the landing of several of the old muzzle-loaders and the addition of a number of new breech-loading guns. This conversion was carried out in the new drydock in 1881.A framed copy of an engraving entitled: 'Opening of the Graving Dock, Williamstown'.Opening of the Graving Dock, Williamstownhmvs nelson, alfred graving dock, williamstown

(see item 1955)

Authors Bob Leek and Peter Taylor. Reprint of the 2006 original. 152 pages, b/w illustrations, 7 colour photos.non-fictionAn untold part of Melbourne's and Victorias shipping history has never been covered as thoroughly as this volume. Untold stories of lighters, floating docks, lightships, bathing ships, bethel ships.williamstown, bathing ships, floating docks, bethel ships, lightships, bob leek, peter taylor, floating churches, point gellibrand

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.postcards, george and edith weir, the port of liverpool, postcards -- liverpool (uk), weir collection

Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection

Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection

The wording " graving " refers to the ship being put into dry dock to clean and coat the bottom of the ship. The artist Roy Cecil Hodgkinson #VX93432 attained the rank of Captain. Saw action abroad during 1939 and 1945 and was repatriated .His occupation was a cartoonist illustrator. In 1942 Roy was appointed as an Official War Artist by the Australian War Memorial. During his appointment he served in Northern Australia, New Guinea, Ceylon , India and Burma.Framed work on paper depicting HMAS Napier in graving dock. Coloured crayons with water colour heightened with white on paper.Inscription below picture " HMAS Napier one of the five ' N' class fleet destroyers transferred on loan from the Royal Navy between 1940 and 1945, is eased into the Colombo graving dock" .

Framed print, list of floating docks at Williamstown "Floating docks at Williamstown 1852-1979/ The first dock (wooden) 1852- 1979/ the second dock (wooden) 1895-1958/ the third dock (steel) 1958-1979/ Owners/ 1852-1860 Dove & Oswald/ 18611866 Dove, Oswald & Inglis/ 1867-1870 Kilgour, McLean & Turpie/ 1870-1879 Hobson's Bay Dock co. (Prop.) James Deane & Co. & Hugh R REID & Co/1879-1884 James Deane & Co, Capt James McIntyre, and Mr. John Clark, Master Shiparight./ 1884-1893 Melbourne Coal, Shipping & Engineering Co./ 1893-1895 Melbourne Shipping Co./ 1895-1925 Melbourne Shipping Co/ 1925- 1979 Hobson's Bay Dock & Engineering Co./ 1979 Kuala Belait Shipyard, Brunei/ Notes: Hobson's bay Dock & Engineering Co. was owned by Melbourne Steamship company/ Howard Smith Ltd took over Melbourne Steamship Co. in 1961/ The steel dock was built for the Royal Australian Navu by Evans Deakin Pty Ltd in Queensland in 1941 at a cost of 80,000 pounds/ it was sold by the commonwealth government Dept. of Supply to the Melbourne Harbor Trust in 1958, it was then leased to Hobson's bay Dock and Engineering Co on a 30 year lease/ The steel dock was sold to Kuala Belait Shipyard on 22 March 1979 for 80,000 On 28 March 1979 it was towed away from Williamstown by the Japanese tug Ginyo Maru enroute to the Tanjong Rasau River, Kula Belait , Brunei"

Kevlar ballistic shell coated with walnut flour covering, contoured to fit liner containing communications headphones. Worn by Major Ian Docking OC ‘A’ Squadron 8/13 Victorian Mounted Rifles.Crewman's helmet with incorporated headphonesOC / Dockinghelmet, docking, vmr, armour

Sepia postcard of people standing on the dock farewelling the 'Melbourne"Farewell to "Melbourne" Fremantle 4.12.1925ships and shipping, wharfs, docks

Photos were taken by LS W, Thomason relating to the refurbishment of HMAS HOBART. Part of the collection of William (Bill) Thomason. Refer Cat No. 4136PBlack and white photos of HMAS HOBART in the Captain Cook dock in Sydney, getting some repairs done after the war.On the back of both "HMAS HOBART in Capt Cook Dock Sydney 1946".collection of william (bill) thomason, photographs, hmas hobart

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Photographs B & W various sizes 15 in total. One is wrecked Japanese submarine in a harbour. Three are street scenes in villages. Eleven are scenes along Docks and piers.Three of Docks, Pier's photos have, "Kure" in pen on rear.photographs, bcof, japan

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ARISTON IN DRY SOCK / 26.8.47 / D (handwritten in pencil). There is also a small mark in blue ink in the bottom right hand corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

Painting by Jean Harris of two tug boats docked at Williamstown. Coloured watercolour painting of two tug boats docked at Williamstown. The tug in the foreground is the "Latrobe". Dock cranes at Port Melbourne in background. Framed in a gold painted wooden frame, on a white mat.On back of frame: "Tug boats - Williamstown" "Tug Latrobe" jean harris, tugs, williamstown docks

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the M/S Fenris in dry dock, in Stockholm.On reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is also an indecipherable mark handwritten in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949