Demonstration drawings of how some mathematical curves are constructed. Drawn in ink on tracing paper. .1) Hypocycloids .2) Archimedian and logarithmic spirals engineering drawings, technical drawing, curve construction, hypocycloid spirals, drawing

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. In 1937 he was living at 302 Drummond Steet South, Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed pencil drawing of a plaster cast of a human figure known as the Dancing Faun, a marble sculpture first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany in Florence (probably long owned by the Medici). By 1688 the sculpture was held by the Uffizi in Florence. In September 1800 the sculpture was sent to Palermo along with other treasures to avoid plunder by the French army, but it was returned to the Florence in 1803. By the 18th Century the Dancing Faun gained a reputation as one of the finest ancient sculptures in existence. A faun makes music by simultaneously playing the ‘crotala’ (similar to cymbals) in his hands and the ‘scabellum’ or ‘croupezion’ under his right foot. In Victorian Education Department examinations, this sculpture was sometimes called the "Clapping Faun".Written on the mount board below the drawing "Drawing Human Figure from the Cast. for art Teacher's Certificate 1931 by Albert E. Williams. Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, art teacher's certificate, a.e. williams, alumni, drawing from the cast, drawing from the antique, drawing the himan figure from the cast, dancing faun

This drawing was done by Andy Freer, founding member and Artistic Director of Snuff Puppets. It forms part of the creative process to develop a new show, 'Forest in the Night', exploring themes of evolution, chaos theory, Darwinism and the survival of the fittest. More than 25 puppets were created and transformed into new strange creatures. This drawing was submitted as part of a pitch to the 1995 Melbourne International Festival of the Arts program, where it was performed as a large outdoor spectacle in the round. Please visit http://www.snuffpuppets.com/shows/Forest_in_the_Night for more information.The significance of this drawing is that it is a rare, original demonstration of the creative development processes of Snuff Puppets' unique puppet creation and building.A black ink drawing on A5 paper detailing the creative concepts for puppet design and development for a new production entitled 'Forest in the Night'art, environment, ink drawing, snuff puppets, puppetry, theatre, creative, puppet, performance, imaginery

These sheets were issued with the book ‘The Practical Man’s Book of Things to Make and Do’ published in the 1950s by the Sun News-Pictorial newspaper. The authors were James Wheeler and W. Shum. The sheets provide simple drawings as a guide to making house additions (Summer House etc) and furniture (table desk, newspaper stand, book shelves, utility cupboard, drawer cabinet, corner cupboard). They were intended to be used by the home handyman. These sheets are of no particular historicalinterest but may be useful for display. They are a good example of the plans and information available to home handymen in the 1950s.These are six cream-coloured sheets of paper containing working drawings for making furniture and house additions. The drawings are printed in black and the headings and measurements are also in black print. The six sheets are enclosed in a brown paper folder which is somewhat creased and a little torn. the practical man’s book of things to make and do, home carpentry, warrnambool, history

Two technical Drawings of a wheel alighnment pit and a proposed arrangment for Dynamometer and Inspection Pit.technical drawing, ballarat school of mines

marcela bole, cherries, drawing, slovenian association melbourne

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Bal larat Treasure' in 2007.Pencil drawing of a plaster cast floral form.Written on the mat board below the drawing "Drawing ornament from cast in light and shade. For Drawing Teacher's Secondary Certificate by Albert E. Williams, Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, plaster cast

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large charcoal drawing framed behind acrylic.Signed lower right side 'Walters '80'wes walters, artist, artwork, drawing, available

These are plans for proposed additions to the Church of Christ in Warrnambool. The date of the drawings and the maker of the plans are unknown. The additions do not appear to have been built. The Church of Christ in Warrnambool was founded in 1875 after a meeting at the Warrnambool Temperance Hall. The building in Spence Street Warrnambool was erected in 1884 at a cost of £1600 and officially opened in 1885. This church was sold and in 2000 the congregation moved to a new building at 186 Raglan Parade (called Gateway Church of Christ).These plans are of some interest as being part of the history of a Warrnambool church – the Church of Christ Warrnambool. These are two rough drawings on cream-coloured paper showing proposed additions to the Church of Christ in Warrnambool. The drawings are in pencil and include the front elevation plan and the first floor plan. The captions are in capital letters. Both pages have tattered edges and are torn across the middle and the pages are stained in places.‘Rough drawing suggested additions for Church of Christ Warrnambool’ ‘Suggested additions for Church of Christ Warrnambool’ church of christ warrnambool, gateway church of christ, history of warrnambool

HistoricalLarge blue drawing book with right hand corners cut off at angle. Includes hand drawn maps and sketches of flowers, characters and geometry. Federal Drawing Bookoswald underdown, drawing book, sketching

Drawing of a female nude on brown paper. Inscribed (L.r) 'Drawn by Fred Williams. During a drawing session at Dunmoochin with John Olsen and myself in 1970, Clifton Pugh'. On reverse inscribed ' The model by Judith Laycock'.fred williams, drawing, female nude, dunmoochin

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mounted drawingart, artwork, albert e. williams, drawing

This book was used in pencil drawing classes in primary schools.A book with a grey cover and black lettering and drawings. It was used as a drawing book with a pencil drawing on the first page.Top LH corner written in pencil "PHILLIPA WHITE"white, phillipa, primary school, teaching, state education, george evans collection

81 page Art Gallery of Ballarat catalogue of the exhibition "Jan Senbergs Drawing". jan senbergs, drawing

Eighty page bookfeaturing reporducations of many drawings by Jan Senbergs.non-fictionjan senbergs, artist, drawing

Sketch of HMAS Sydney at Vung Tau Anchorage in 1968. Helicopters, Aircraft and Patrol Boats can be seen in the foreground and background.hmas sydney, vung tau, vung tau ferry, framed pencil sketch

Jan Edwards is the grandaughter of Perceval Richards, and daughter of architect Geoffrey Richards. Of the drawings Jan said mainwarring would come up to the eisel and draw in the paper, suggesting lines, emphasis, and giving educational advice by drawing on the side of the paper. Geoffrey Mainwarring taught art at the Ballarat School of Mines, and had served as an Australian War Artist.Twenty-two life drawings in pencil and charcoal drawn by Jan Edwards, with suggestions, modelling and drawing ratios drawn onto, and around the work, by tutor Geoffrey Mainwaring. One drawing, a head study, is totally by Geoffrey Mainwaring, but is not signed. (.23) is a head study produced in a few minutes Geoff Mainwaring during a class.education, janice edwards, jan edwards, life drawing, geoff mainwaring, geoffrey mainwaring, alumni, unframed

David Ronaldson was a student of Civil Engineering at Ballarat Institute of Advanced Education when he completed this drawing. Pencil on paper student's technical drawing .1) Engineering drawing 'Shoe and pile details' .2) Engineering drawing 'Concrete pile and mould' ballarat school of mines, technical drawing, david ronaldson, ballarat institute of advanced education, alumni

5 colour photographs of students drawing garden designs.students, drawing, garden design, students inside class

Drawing titled "Tramcars tail light and battery charging arrangement", shows battery charging arrangement using the compressor circuit / motor as a resistance. Marked up for switches and compressor. This option was not implemented. Possibly prepared in the Geelong office. See also item 10051 for an associated letter.Yields information about the development of a system to install tail lights on tramcars.Drawing - dyeline printed, dated 20-9-1949 titled "Tramcars tail light and battery charging arrangement", Drawing 8357.tramcars, tail lights, electrical engineering

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Marcela Gec was attending Italian convent school, because the territory of Slovenia was under the Italian rule. It had to be her own design to be able to create the embroideryInk drawing on cartridge paper of the hazel nut bush blossoms in late winter.Marcela Gec, 1925marcela bole, drawing, ink, hazel nut bush, slovenian association melbourne, slovenian embroidery

Black and white photograph of Gippsland Centre for Art and Design Students Drawing from Lifegippsland centre for art and design, gippsland institute of advanced education, visual arts, alumni, drawing, lifedrawing

This image attributed to Walter Withers (1854-1914) of a rural scene was printed mirror imaged in Alan Marshall's "Pioneers and Painters: one hundred years of Eltham and it's Shire" (1971) on page 101: Chapter 17 "Educationalists and Writers". This and other Withers pencil drawings came from his sketch book held by the National Gallery of Victoria.Photograph of black and white pencil drawing 101 Deep etch all round image walter withers, pencil drawing