Showing 52 items matching "dreaming - aboriginal"
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Victorian Aboriginal Corporation for LanguagesFolder, Vince Coulthard, Adnyamathanha art and dreaming : Aboriginal heritage of the Flinders and Gammon Ranges, 1989
... Adnyamathanha art and dreaming : Aboriginal heritage of the Flinders and Gammon Ranges...Victorian Aboriginal Corporation for Languages 33 Saxon Street Brunswick melbourne Adnyamathanha Flinders Ranges Gammon Ranges Illustrations Includes pamphlet on the interpretation of rock art in the Flinders Ranges - explanation of the symbols used; six sheets relating individual Flinders and Gammon Range myths - lost children, giant serpent, mistletoe bird, native orange, old woman/child/kangaroo, eagle/crow/magpie; composition of the Adnyamathanha Adnyamathanha art and dreaming : Aboriginal heritage of the Flinders and Gammon Ranges Folder Vince Coulthard ...Includes pamphlet on the interpretation of rock art in the Flinders Ranges - explanation of the symbols used; six sheets relating individual Flinders and Gammon Range myths - lost children, giant serpent, mistletoe bird, native orange, old woman/child/kangaroo, eagle/crow/magpie; composition of the AdnyamathanhaIllustrationsadnyamathanha, flinders ranges, gammon ranges -
Koorie Heritage TrustBook, Barlow, Alex et al, The land and the dreaming : Aboriginal religions, 1987
... The land and the dreaming : Aboriginal religions. ...The land and the dreaming : Aboriginal religions. Book Barlow, Alex South Melbourne, Vic. : Macmillan Hill, Marji ...30 p. : Ill. ; 20 x 26 cm.aboriginal australians -- religion -- juvenile literature. -
Koorie Heritage Trust
Document - Printed Sheets, Berndt, Ronald M, A profile of good and bad in Australian Aboriginal Religion, 1979
... ...Dreaming - Aboriginal...Koorie Heritage Trust Levels 1 & 3, Yarra Building Federation Square, Melbourne melbourne Religion-Aboriginal Australian. Dreaming - Aboriginal Australian Myths-Aboriginal Australian Charles Strong Memorial Lecture - 1978. ...The author discusses what matters underly the Aboriginals' religious beliefs and practices.p.12; footnotes; 26 cm.The author discusses what matters underly the Aboriginals' religious beliefs and practices.religion-aboriginal, australian., dreaming - aboriginal, australian, myths-aboriginal, australian, charles strong memorial lecture - 1978. -
Federation University Art CollectionPainting, Diana Nikkelson, 'My Family, My Life Goes On' by Diana Nikkelson
... ...aboriginal...dreaming...The Art Collection features over 000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork diana nikkelson aboriginal dreaming nikkelson gunditjmara aboriginal employment strategy This work by Ballarat-based Gunditjmara elder Diana Nikkelson was commissioned by the University of Ballarat (later Federation University) for use on the Aboriginal Employment Strategy brochure. ...Diana NIKKELSON (c1943-30 December 2022) Diana Nikkelson is a Ballarat-based Gunditjmara elder. Her grandfather was Watchobaluk. A part of the stolen generation, Diana Nikkelson was one of 10 children, and she had nine children of her own. A founding member of the Ballarat and District Aboriginal Co-operative in the late-70s, Diana Nikkelson was a board director for 16 years and chair for six years. She worked on the Bunjil the Eagle installation at the Koorie Playground at Lake Wendouree, and designed the goanna which was etched into the paving along Police Lane in 2006, and has painted murals across Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 000 works and was listed as a 'Ballarat Treasure' in 2007.AboriginalThis work by Ballarat-based Gunditjmara elder Diana Nikkelson was commissioned by the University of Ballarat (later Federation University) for use on the Aboriginal Employment Strategy brochure. The central figures in this painting represent the artist and the fathers of her children. The outer groups are Diana Nikkelson’s children and their families. art, artwork, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara, aboriginal employment strategy -
Sunshine and District Historical Society IncorporatedPamphlet - Ochre Dreaming, Victoria's Aboriginal Tourism, Victoria's Aboriginal Tourism Experience Australia
... Ochre Dreaming. Victoria's Aboriginal Tourism Experience Australia...Aborigine Aboriginal First Nation An overview of plces to visit in Victoria that showcase Aboriginal heritage and art. Ochre Dreaming. Victoria's Aboriginal Tourism Experience Australia Soft cover pamphlet with a collection of loose documents Victoria's Aboriginal Tourism Experience Australia Pamphlet Ochre Dreaming Victoria's Aboriginal Tourism ...An overview of plces to visit in Victoria that showcase Aboriginal heritage and art.Soft cover pamphlet with a collection of loose documentsAn overview of plces to visit in Victoria that showcase Aboriginal heritage and art.aborigine, aboriginal, first nation -
City of BallaratArtwork, other - Public Artwork, Diana Nikkelson, Goanna Ground by Diana Nikkelson, 2006
... ...aboriginal...dreaming...The artwork is of cultural and aesthetic significance to the people of Ballarat goanna totem ballarat goanna totem diana nikkelson aboriginal dreaming nikkelson gunditjmara Sand blasted petroglyph forms into bluestone on laneway surface. ...This is an Aboriginal artwork that depicts a Goanna Totem. Designed by Ballarat-based, Gunditjmara artist Aunty Diana Nikkelson, the design is inspired by the artist’s totem and is a tribute to the first artists of the region, the Wadawurrung people. It acknowledges Aboriginal survival and the dynamic regeneration of the Aboriginal art and culture in the region. The artwork is in-set to the basalt paving along Police Lane by a series of etched footsteps, which evolve from human footprints to goanna prints as viewers approach the rear of the Art Gallery of Ballarat. The artwork was originally located only outdoors and half of it was brought into the Art Gallery of Ballarat in 2011, when the former Federation Plaza was enclosed to form the Art Gallery of Ballarat's McCain Annexe. The artwork was created in 2006 as part of the cultural festival of the Commonwealth Games. The artwork is of cultural and aesthetic significance to the people of BallaratSand blasted petroglyph forms into bluestone on laneway surface. The carved inlay of the Goanna Totem design into the bluestone of Police Lane (beside Art Gallery of Ballarat) continues inside the building.goanna totem ballarat, goanna totem, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara -
Federation University Art CollectionWork on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
... ...aboriginal...dreaming...The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork lin onus onus printmaking screenprint aboriginal dreaming frogs Available Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80 Framed limited edition silkscreen. ...Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
Federation University Art CollectionPainting - Artwork - painting, 'Grass Seeds' by Barbara Weir, 1999
... ...aboriginal...dreaming...Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork barbara weir aboriginal ...Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
... ...aboriginal...dreaming...The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork walala tjapaltjarri aboriginal dreaming creation era acrylic on linen pintupi kiwirrkuru tingari wilkinkarra tarrku njami yarrawangu Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. ...Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Victorian Aboriginal Corporation for Languages
DVD, Michelle Mahrer, Urban clan : a portrait of the Page brothers and the Bangarra Dance Theatre, 1998
... The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people....The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people. ...A documentary portrait of three brothers who together formed the creative core of the Bangarra Dance Theatre. The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people.DVDnunukul, munaldjali, yugambeh, south east queensland, stephen page, david page, russell page, bangarra dance theatre -
The Beechworth Burke MuseumAnimal specimen - Snake Skin, Trustees of the Australian Museum, 1860-1880
... Snakes are especially important in Aboriginal dreaming, representing one of the great and powerful forces of nature and spirit. ...Snakes are especially important in Aboriginal dreaming, representing one of the great and powerful forces of nature and spirit. ...There is no known information about the species of snake that this skin belongs to. However, generally speaking, Australia has over two hundred known species of snakes. They are elongated, legless and carnivorous reptiles with scaly, textured skin. Snakes are especially important in Aboriginal dreaming, representing one of the great and powerful forces of nature and spirit. In the Rainbow Serpent Dreamtime story, they are considered the great life giver and protector of water, which is their spiritual home. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Caramel coloured long snake skin curled around in an oval shape.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, snake skin, snake, reptile -
Emerald Museum & Nobelius Heritage ParkBooklet, William Ricketts, Australiandia: Land of the Holy Spirit, 1994
... William Ricketts Olinda Aboriginal people sculptures On front of booklet: 'Australiandia: Land of the Holy Spirit' and at the bottom right of the cover: 'That is how I know you / Sacred - Secret - Silent / A Flowing of Life / In the Dreaming / The Divine Transcendence / Through all Eternity / William Ricketts' Booklet approximately A4 size. ...This book is a visitor's guide to the William Rickett's Sanctuary in Olinda and is also a detailing of Rickett's spiritual beliefs. Ricketts (1898-1993) was an artist who was profoundly distressed by environmental destruction and was an early advocate for Aboriginal rights. Notwithstanding Ricketts' strong sympathy for Aboriginal people, his depiction of them in the Sanctuary combined with aspects of his beliefs have some problematic elements. The Sanctuary has been closed since 2021 due to fallen trees.This booklet explains and illustrates the beliefs of William Ricketts, a significant Dandenongs-based artist, as depicted in the Sanctuary that he created.Booklet approximately A4 size. Color photographs throughout interspersed with text. 38 pages.On front of booklet: 'Australiandia: Land of the Holy Spirit' and at the bottom right of the cover: 'That is how I know you / Sacred - Secret - Silent / A Flowing of Life / In the Dreaming / The Divine Transcendence / Through all Eternity / William Ricketts'william ricketts, olinda, aboriginal people, sculptures -
Orbost & District Historical Societyvideo, The Dreaming Reels, 1997
... Aboriginal-history dreaming...A video disc titled, The Dreaming Reels. it is a compilation of scenes from the Hadden expedition to the Torres Strait in 1898, Lake Tyers settlement, Northwest Scientific Exploration in the Kimberleys, the aboriginal camp at Orbost in 1921, the Douglas Wylie Expedition in 1926, Princess Charlotte Bay 1926-1927 and McRobertson's Expedition. ...Dreaming, a festival leading up to the 2000 Sydney Olympic Games. This disc is a significant research tool as it contains contemporary film of the early indigenous people of Australia. Aboriginal ...This disc was a project supported by the Festival of the Dreaming, a festival leading up to the 2000 Sydney Olympic Games.This disc is a significant research tool as it contains contemporary film of the early indigenous people of Australia.A video disc titled, The Dreaming Reels. it is a compilation of scenes from the Hadden expedition to the Torres Strait in 1898, Lake Tyers settlement, Northwest Scientific Exploration in the Kimberleys, the aboriginal camp at Orbost in 1921, the Douglas Wylie Expedition in 1926, Princess Charlotte Bay 1926-1927 and McRobertson's Expedition. It also contains footage from several Australian films depicting Aborigines. aboriginal-history dreaming -
Eltham District Historical Society IncBook, Jenny Brown, The stone artefact : wondering the dreaming, 2022
... It also afforded Jenny the appropriate canvas to tell of her own time-warping encounters with the extraordinary "otherness" of Aboriginal Australia, and with an especially marvelous character, the late Elder of the Yuin Tribe of southern NSW, Guboo Ted Thomas. indigenous history Aboriginal artefacts Warrandyte Archaeology 193 pages : illustrations (chiefly colour), maps, portraits ; 30 cm The stone artefact : wondering the dreaming Book Jenny Brown ...The discovery in a Melbourne park (opposite the Osborne Peninsula, North Warrandyte) of an enigmatic Aboriginal stone tool led writer Jenny Brown on a fascinating journey that connected her with expert anthropologists, archeologists, Indigenous elders and knowledge holders to discover what it was. The stone tool invited many interpretations and spun off just as many amazing stories and experiences. It also afforded Jenny the appropriate canvas to tell of her own time-warping encounters with the extraordinary "otherness" of Aboriginal Australia, and with an especially marvelous character, the late Elder of the Yuin Tribe of southern NSW, Guboo Ted Thomas.193 pages : illustrations (chiefly colour), maps, portraits ; 30 cmindigenous history, aboriginal artefacts, warrandyte, archaeology -
Greensborough Historical SocietyBooklet, Understanding the Dreaming: the basic tenets of Wandjinist religion, by Jim Poulter, 2015c
... Discussion of aboriginal religion, often called "The Dreaming"....Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Discussion of aboriginal religion, often called "The Dreaming". aborigines 6 p. typescript Understanding the Dreaming: the basic tenets of Wandjinist religion, by Jim Poulter Booklet Jim Poulter ...Discussion of aboriginal religion, often called "The Dreaming".6 p. typescriptaborigines -
Bendigo Historical Society Inc.Document - MANUSCRIPT RE ''TURAND'' PROPERTY AT MAIDEN GULLY
... Dream Times''. Author (owner) is B S Andrew. Undated. Property is at the commencement of Myers Creek. Description of aboriginal background to area, modern history (the hotel and associated home), nearby forest, dams and water. ...Dream Times''. Author (owner) is B S Andrew. Undated. Property is at the commencement of Myers Creek. Description of aboriginal background to area, modern history (the hotel and associated home), nearby forest, dams and water. ...Manuscript re ''Turand'' - Property at Maiden Gully - subtitled ''Historically - Ancient and in the Dream Times''. Author (owner) is B S Andrew. Undated. Property is at the commencement of Myers Creek. Description of aboriginal background to area, modern history (the hotel and associated home), nearby forest, dams and water. Of particular interest on p.2 is description of the 'museum' in the Stables building (description on contents of museum) Description of the Cellars and the House itself. Article concludes: '' This has been more lengthy than I would have liked but I find that visitors have different interests and in fully covering questions that are usually asked each can browse through and view their own particular interest''. Included here (March 2013) is relevant citation from CoGB Heritage Policy Citations Project, Lovell Chen 2010)document, names of bendigo pioneers -
Ringwood and District Historical SocietyBook, Chris Adnam, A Childhood on Wonga - Chris Adnam
... A past reflection in the verse of a childhood on the "Wonga" dreaming place along the Yarra. The Wurundjeri a local Aboriginal tribe that lived and hunted on the banks of the Yarra....Ringwood and District Historical Society 125A Warrandyte Road Ringwood North melbourne A past reflection in the verse of a childhood on the "Wonga" dreaming place along the Yarra. The Wurundjeri a local Aboriginal tribe that lived and hunted on the banks of the Yarra. ...A past reflection in the verse of a childhood on the "Wonga" dreaming place along the Yarra. The Wurundjeri a local Aboriginal tribe that lived and hunted on the banks of the Yarra. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Book - Aboriginal stories, Sun Books Melbourne Pty Ltd, aboriginal myths and legends, 1967
... It is therefore a significant book of its time as pressure was put on all Australians to acknowledge the rights of equal citizenship for Aborigines / Indigenous people aboriginal human rights myths legends robinson roland edward australian indigenous tribes storytellers poetry roper river northern territory sydney morning herald the age folk-lore dreamtime legends sacred songs vesper alexander worrell eric naturalist zoology legend and dreaming A collection of stories of Aboriginal myths ' aboriginal / myths and legends' / Roland Robinson. ...A collection of stories of Aboriginal mythsxvi, 218 p. illus. : non-fictionA collection of stories of Aboriginal mythsaboriginal, human rights, myths, legends, robinson roland edward, australian indigenous tribes, storytellers, poetry, roper river, northern territory, sydney morning herald, the age, folk-lore, dreamtime legends, sacred songs, vesper alexander, worrell eric, naturalist, zoology, legend and dreaming -
Merri-bek City CouncilWork on paper - Charcoal and pages from Aboriginal Words and Place Names, Jenna Lee, Without us, 2022
... Dreaming Award, National Indigenous Art Award, Australia Council, 2019. References “Jenna Lee.” Mars Gallery. 2023. URL: marsgallery.com.au/jenna-lee/ “About Jenna Lee.” Jenna Lee Art. 2023. URL: jennalee.art/about Lee, Jenna. “Artist Profile - Jenna Lee.” Artist Profile. September, 2020. URL: artistprofile.com.au/jenna-lee/ Miekus, Tiarney. “Jenna Lee’s exquisite art deconstructs colonial objects”. Art Guide Australia. 2022. URL: https://artguide.com.au/jenna-lees-exquisite-art-deconstructs-colonial-objects/ "Rising Creative Profile: Jenna Lee." Creative Victoria. 2023. URL: creative.vic.gov.au/news/2023/rising-creative-profile-jenna-lee Framed artwork Without us Work on paper Charcoal and pages from Aboriginal ...Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork -
Sunshine and District Historical Society IncorporatedArchive - Aboriginal First Nation and Archaelogy
... Newspaper Article Brimbank Independent 6 May 1997 Aboriginal reconciliation meeting at St Albans|Typed Letter 8 June 1982 Victoria Archaelogical Survey|Typed Letter 10 June 1982 Survey of Archaelogical Sites in the Melbourne Metropolitan Area|Newspaper Article Herald Sun 18 September 1994 Before the white man|Newspaper Article Advocate 30 June 1999 We re rockin on Rock of Ages - Volcanic rock from the banks of the Kororoit Creek|Newspaper Article Advocate 20 June 2000 History revealed Aboriginal artefacts on a West Sunshine site|Typed Report First Residents of Melbourne's Western Region by Gary Presland|Brochure First Residents of Melbourne's Western Region by Gary Presland|Flyer The Melbourne and Metropolitan Archaeological Survey|Flyer John Bateman and the Aborigines|Flyer and Time A Celebration of Victoria's Submerged Archaelogical Heritage|Flyer Aborigines in the Gellibrand Hill area|Program 9 Octoberr 1981 Archaelogy|Handmade Map 1997 Brimbank Dreamtime Festival 22nd March 1997 - Map of Festival Layout at Brimbank Park|Newspaper Article Advocate 20 April 2013 Call for leaders to take a stand|Typed Letter 2010 Preliminary Report on Aboriginal Artefacts found in Albion and Ardeer by Robert Jackson|Brimbank Together Yes Acknowledging our history embracing our future poster - Use by Brimbank Council at The Hunt Club Community Centre|Newspaper Article Weekly Times 2 July 2002 A cultural experience for students Maribyrnong Primary School|Newspaper Article Living Museum 10 October 2001 Project forges links between cultures|The Advocate 20th April - Call for leaders to take a stand Colleen Marion|Booklet The Voice to Parliament|Booklet The Voice to Parliament Your Questions answered|Brochure Yes23 It's time to recognise Aboriginal and Torres Strait Islander Peoples in the Consititution throug a voice information sheets|Your official referendum booklet|Flyer How to vote yes campaign cards|Newspaper Article Herald Sun 15 October 2023 Time to Unite after the referendum defeat|Newspaper Article Herald Sun 16 October 2023 How Australia Voted|Brochure Brimbank council wants a better future for Aboriginal and Torres Strait Islander people|Brochure council for Aboriginal Reconciliation Working Together|Email La Trobe University Branch 4 March 2001|Typed Letter 13 March 1991 The Aboriginal Programme Exchange|Typed Letter 20 April 2000 Union of Australian Women|Typed Letter August 2000 Union of Australian Women Newsletter|Magazine Dissent Spring 2000 Aborigines reconciliation racial prejudice|Brochure Talking Together Women and Reconciliation|Brochure A National Action Network|Brochure High Court Decision on Native Title|Brochure Running Discussion Groups|Brochure Dealing with the Media|Brochure Contacts and Resources|Program The Western Metropolitan Region NAIDOC Program 2007|Newspaper Article The Age 25 May 1991 The Jawoyns troubled dreaming|Newsletter AEQUA Equal Employment Opportunity Newsletter 12 August 1981 Aboriginal employment in the APS on the up|Photocopy of Photograph Off Opie Road near Brachnell Place|Brochure Brimbank News Issue 10 2023 Be Bold Festival 7 October 2023|Typed Notes Uluru Statement from the Heart|Newspaper Article The Age 18 January 2001 William Barak|Newspaper Article The Star 17th October 2006 Special day for youth Karen Jackson|Newspaper Article Lalor Star March 1980 Aboriginal Treaty|Typed Letter Womens International Leagure for Peace and Freedom November 1979|Newspaper Article The Age 17 April 1997 Rednecks using Wik debate to grab new rights|Flyer Support Workers Claims for Stolen Wages and Return the Stolen wages for Workers and their families and Support Wage Justice Return the Stolen Wages|Handwritten Letter from Leo Prestia 27 January|List of Aboriginal Organisatons February 2004|Newspaper Article A Saturday Reflection|Postcard Pitchi Richi Sanctuary Alice Springs|Postcard Pitchi Richi Sanctuary Alice Spring|Invitation The Mayor and Councillors of Moreland City Council Connections Land and people|Notes Address Selina Aborignes|Booklet Recognition The Way forward An Issues paper from the Ausralian Catholic Social Justice Council|Newspaper Article The Age 21 January 1980 Signs of ancient man found in threatened valley|Form Australians for Native title reconciliation|Booklet Vic Uni News June 1997 Jindi woraback joining together|Newspaper Article The Age 17 April 1997 Black network hears Wik plan|Booklet Australian Institute for a Just Sustainable Peaceful Future Native Title Implications for Land management April 1997 Discussion Paper Number 11|Typed Notes Parliament of Australia Department of the Parliamentary Library current Information Digest Education and Welfare 14 January 1973 Aborigines Government Policy|Koori music and the Multicultural choir 13 July|Typed Notes 4 February 2004|Flyer State of Shock A new film by David Bradbury|Newspaper Article 21 October 1997 The Age Metro Arts and Life Heritage voting for a Trust you can trust6|Typed Letter from Parliament of Australia The Senate Hon Margaret Reynolds 15 September 1997 Native title Amendment bill 1997|Typed notes What are the International implications of Australias proposed legislative response to the Wik decision 16 May 1997|Newspaper Article The Age 11 October 1980 CRA and the Aborigines|Newspaper Article The Age 27 October 1980 Lost languages of the Aborigine|Program Western Metropolitan Region NAIDOC Committee 6 October 2004|Typed Notes How the English Language is used to put Aborigines down Deny us rights or Is Employed as a Political Tool Against Us|Flyer Australias for Reconciliation Study Circle The Footscray Community Arts Centre|Newspaper Article Weekly Times 4 December 2001 Smoking marks opening|Flyer Save The Racial Discrimination Act The Law for All of Us|Flyer Freedom fund for 1988 Dont Celebrate 1988 White Australia Has a Black History|Typed Notes 4 May 1997 Area Meeting on Aboriginal Reconciliation 20 May 1997 Why Reconciliation|Newspaper Article Sunday Press 17 July 1988 Hes black hes white and hes Browned off|Handwritten list Morning Tea with Yolande Klempprier 5 December 1979|Typed Notes Interim Consultative Committee Western Region Community Legal Centre|Brochure Aboriginal Myths and Legends from the Goldfields to the South West of Western Australia|Brochure Messagestick Conserve or Destroy May 1980 Voume 5 No 1|Brochure Aboringinal Women's Task Force "We need to know what you think"|Newspaper Article The Age 27th February 1980 Aboriginal skeleton found by workmen Barries Rd Melton|Newspaper Article 18th September 1985 Only maternal instricts have saved Aboriginal race from destruction says Hollows|Newspaper Article Star Weekly 26th March 2024 New Indigenous name for Sydenham Park "Yaluk barring Park"|Newspaper Article Star Weekly 30th July 2024 - New name for park|Newspaper Artilce 9th January 2024 Abandoning January 26 - Brimbank Council will no longer hold citizenship cermonies on January 26...Aborigine Aboriginal First Nation Newspaper Article Brimbank Independent 6 May 1997 Aboriginal reconciliation meeting at St Albans|Typed Letter 8 June 1982 Victoria Archaelogical Survey|Typed Letter 10 June 1982 Survey of Archaelogical Sites in the Melbourne Metropolitan Area|Newspaper Article Herald Sun 18 September 1994 Before the white man|Newspaper Article Advocate 30 June 1999 We re rockin on Rock of Ages - Volcanic rock from the banks of the Kororoit Creek|Newspaper Article Advocate 20 June 2000 History revealed Aboriginal artefacts on a West Sunshine site|Typed Report First Residents of Melbourne's Western Region by Gary Presland|Brochure First Residents of Melbourne's Western Region by Gary Presland|Flyer The Melbourne and Metropolitan Archaeological Survey|Flyer John Bateman and the Aborigines|Flyer and Time A Celebration of Victoria's Submerged Archaelogical Heritage|Flyer Aborigines in the Gellibrand Hill area|Program 9 Octoberr 1981 Archaelogy|Handmade Map 1997 Brimbank Dreamtime Festival 22nd March 1997 - Map of Festival Layout at Brimbank Park|Newspaper Article Advocate 20 April 2013 Call for leaders to take a stand|Typed Letter 2010 Preliminary Report on Aboriginal Artefacts found in Albion and Ardeer by Robert Jackson|Brimbank Together Yes Acknowledging our history embracing our future poster - Use by Brimbank Council at The Hunt Club Community Centre|Newspaper Article Weekly Times 2 July 2002 A cultural experience for students Maribyrnong Primary School|Newspaper Article Living Museum 10 October 2001 Project forges links between cultures|The Advocate 20th April - Call for leaders to take a stand Colleen Marion|Booklet The Voice to Parliament|Booklet The Voice to Parliament Your Questions answered|Brochure Yes23 It's time to recognise Aboriginal and Torres Strait Islander Peoples in the Consititution throug a voice information sheets|Your official referendum booklet|Flyer How to vote yes campaign cards|Newspaper Article Herald Sun 15 October 2023 Time to Unite after the referendum defeat|Newspaper Article Herald Sun 16 October 2023 How Australia Voted|Brochure Brimbank council wants a better future for Aboriginal and Torres Strait Islander people|Brochure council for Aboriginal Reconciliation Working Together|Email La Trobe University Branch 4 March 2001|Typed Letter 13 March 1991 The Aboriginal Programme Exchange|Typed Letter 20 April 2000 Union of Australian Women|Typed Letter August 2000 Union of Australian Women Newsletter|Magazine Dissent Spring 2000 Aborigines reconciliation racial prejudice|Brochure Talking Together Women and Reconciliation|Brochure A National Action Network|Brochure High Court Decision on Native Title|Brochure Running Discussion Groups|Brochure Dealing with the Media|Brochure Contacts and Resources|Program The Western Metropolitan Region NAIDOC Program 2007|Newspaper Article The Age 25 May 1991 The Jawoyns troubled dreaming|Newsletter AEQUA Equal Employment Opportunity Newsletter 12 August 1981 Aboriginal employment in the APS on the up|Photocopy of Photograph Off Opie Road near Brachnell Place|Brochure Brimbank News Issue 10 2023 Be Bold Festival 7 October 2023|Typed Notes Uluru Statement from the Heart|Newspaper Article The Age 18 January 2001 William Barak|Newspaper Article The Star 17th October 2006 Special day for youth Karen Jackson|Newspaper Article Lalor Star March 1980 Aboriginal Treaty|Typed Letter Womens International Leagure for Peace and Freedom November 1979|Newspaper Article The Age 17 April 1997 Rednecks using Wik debate to grab new rights|Flyer Support Workers Claims for Stolen Wages and Return the Stolen wages for Workers and their families and Support Wage Justice Return the Stolen Wages|Handwritten Letter from Leo Prestia 27 January|List of Aboriginal Organisatons February 2004|Newspaper Article A Saturday Reflection|Postcard Pitchi Richi Sanctuary Alice Springs|Postcard Pitchi Richi Sanctuary Alice Spring|Invitation The Mayor and Councillors of Moreland City Council Connections Land and people|Notes Address Selina Aborignes|Booklet Recognition The Way forward An Issues paper from the Ausralian Catholic Social Justice Council|Newspaper Article The Age 21 January 1980 Signs of ancient man found in threatened valley|Form Australians for Native title reconciliation|Booklet Vic Uni News June 1997 Jindi woraback joining together|Newspaper Article The Age 17 April 1997 Black network hears Wik plan|Booklet Australian Institute for a Just Sustainable Peaceful Future Native Title Implications for Land management April 1997 Discussion Paper Number 11|Typed Notes Parliament of Australia Department of the Parliamentary Library current Information Digest Education and Welfare 14 January 1973 Aborigines Government Policy|Koori music and the Multicultural choir 13 July|Typed Notes 4 February 2004|Flyer State of Shock A new film by David Bradbury|Newspaper Article 21 October 1997 The Age Metro Arts and Life Heritage voting for a Trust you can trust6|Typed Letter from Parliament of Australia The Senate Hon Margaret Reynolds 15 September 1997 Native title Amendment bill 1997|Typed notes What are the International implications of Australias proposed legislative response to the Wik decision 16 May 1997|Newspaper Article The Age 11 October 1980 CRA and the Aborigines|Newspaper Article The Age 27 October 1980 Lost languages of the Aborigine|Program Western Metropolitan Region NAIDOC Committee 6 October 2004|Typed Notes How the English Language is used to put Aborigines down Deny us rights or Is Employed as a Political Tool Against Us|Flyer Australias for Reconciliation Study Circle The Footscray Community Arts Centre|Newspaper Article Weekly Times 4 December 2001 Smoking marks opening|Flyer Save The Racial Discrimination Act The Law for All of Us|Flyer Freedom fund for 1988 Dont Celebrate 1988 White Australia Has a Black History|Typed Notes 4 May 1997 Area Meeting on Aboriginal Reconciliation 20 May 1997 Why Reconciliation|Newspaper Article Sunday Press 17 July 1988 Hes black hes white and hes Browned off|Handwritten list Morning Tea with Yolande Klempprier 5 December 1979|Typed Notes Interim Consultative Committee Western Region Community Legal Centre|Brochure Aboriginal Myths and Legends from the Goldfields to the South West of Western Australia|Brochure Messagestick Conserve or Destroy May 1980 Voume 5 No 1|Brochure Aboringinal Women's Task Force "We need to know what you think"|Newspaper Article The Age 27th February 1980 Aboriginal skeleton found by workmen Barries Rd Melton|Newspaper Article 18th September 1985 Only maternal instricts have saved Aboriginal race from destruction says Hollows|Newspaper Article Star Weekly 26th March 2024 New Indigenous name for Sydenham Park "Yaluk barring Park"|Newspaper Article Star Weekly 30th July 2024 - New name for park|Newspaper Artilce 9th January 2024 Abandoning January 26 - Brimbank Council will no longer hold citizenship cermonies on January 26 Collection documents relating to Aboriginal First Nation and Archaelogy in the district Archive Aboriginal First Nation and Archaelogy ...Newspaper Article Brimbank Independent 6 May 1997 Aboriginal reconciliation meeting at St Albans|Typed Letter 8 June 1982 Victoria Archaelogical Survey|Typed Letter 10 June 1982 Survey of Archaelogical Sites in the Melbourne Metropolitan Area|Newspaper Article Herald Sun 18 September 1994 Before the white man|Newspaper Article Advocate 30 June 1999 We re rockin on Rock of Ages - Volcanic rock from the banks of the Kororoit Creek|Newspaper Article Advocate 20 June 2000 History revealed Aboriginal artefacts on a West Sunshine site|Typed Report First Residents of Melbourne's Western Region by Gary Presland|Brochure First Residents of Melbourne's Western Region by Gary Presland|Flyer The Melbourne and Metropolitan Archaeological Survey|Flyer John Bateman and the Aborigines|Flyer and Time A Celebration of Victoria's Submerged Archaelogical Heritage|Flyer Aborigines in the Gellibrand Hill area|Program 9 Octoberr 1981 Archaelogy|Handmade Map 1997 Brimbank Dreamtime Festival 22nd March 1997 - Map of Festival Layout at Brimbank Park|Newspaper Article Advocate 20 April 2013 Call for leaders to take a stand|Typed Letter 2010 Preliminary Report on Aboriginal Artefacts found in Albion and Ardeer by Robert Jackson|Brimbank Together Yes Acknowledging our history embracing our future poster - Use by Brimbank Council at The Hunt Club Community Centre|Newspaper Article Weekly Times 2 July 2002 A cultural experience for students Maribyrnong Primary School|Newspaper Article Living Museum 10 October 2001 Project forges links between cultures|The Advocate 20th April - Call for leaders to take a stand Colleen Marion|Booklet The Voice to Parliament|Booklet The Voice to Parliament Your Questions answered|Brochure Yes23 It's time to recognise Aboriginal and Torres Strait Islander Peoples in the Consititution throug a voice information sheets|Your official referendum booklet|Flyer How to vote yes campaign cards|Newspaper Article Herald Sun 15 October 2023 Time to Unite after the referendum defeat|Newspaper Article Herald Sun 16 October 2023 How Australia Voted|Brochure Brimbank council wants a better future for Aboriginal and Torres Strait Islander people|Brochure council for Aboriginal Reconciliation Working Together|Email La Trobe University Branch 4 March 2001|Typed Letter 13 March 1991 The Aboriginal Programme Exchange|Typed Letter 20 April 2000 Union of Australian Women|Typed Letter August 2000 Union of Australian Women Newsletter|Magazine Dissent Spring 2000 Aborigines reconciliation racial prejudice|Brochure Talking Together Women and Reconciliation|Brochure A National Action Network|Brochure High Court Decision on Native Title|Brochure Running Discussion Groups|Brochure Dealing with the Media|Brochure Contacts and Resources|Program The Western Metropolitan Region NAIDOC Program 2007|Newspaper Article The Age 25 May 1991 The Jawoyns troubled dreaming|Newsletter AEQUA Equal Employment Opportunity Newsletter 12 August 1981 Aboriginal employment in the APS on the up|Photocopy of Photograph Off Opie Road near Brachnell Place|Brochure Brimbank News Issue 10 2023 Be Bold Festival 7 October 2023|Typed Notes Uluru Statement from the Heart|Newspaper Article The Age 18 January 2001 William Barak|Newspaper Article The Star 17th October 2006 Special day for youth Karen Jackson|Newspaper Article Lalor Star March 1980 Aboriginal Treaty|Typed Letter Womens International Leagure for Peace and Freedom November 1979|Newspaper Article The Age 17 April 1997 Rednecks using Wik debate to grab new rights|Flyer Support Workers Claims for Stolen Wages and Return the Stolen wages for Workers and their families and Support Wage Justice Return the Stolen Wages|Handwritten Letter from Leo Prestia 27 January|List of Aboriginal Organisatons February 2004|Newspaper Article A Saturday Reflection|Postcard Pitchi Richi Sanctuary Alice Springs|Postcard Pitchi Richi Sanctuary Alice Spring|Invitation The Mayor and Councillors of Moreland City Council Connections Land and people|Notes Address Selina Aborignes|Booklet Recognition The Way forward An Issues paper from the Ausralian Catholic Social Justice Council|Newspaper Article The Age 21 January 1980 Signs of ancient man found in threatened valley|Form Australians for Native title reconciliation|Booklet Vic Uni News June 1997 Jindi woraback joining together|Newspaper Article The Age 17 April 1997 Black network hears Wik plan|Booklet Australian Institute for a Just Sustainable Peaceful Future Native Title Implications for Land management April 1997 Discussion Paper Number 11|Typed Notes Parliament of Australia Department of the Parliamentary Library current Information Digest Education and Welfare 14 January 1973 Aborigines Government Policy|Koori music and the Multicultural choir 13 July|Typed Notes 4 February 2004|Flyer State of Shock A new film by David Bradbury|Newspaper Article 21 October 1997 The Age Metro Arts and Life Heritage voting for a Trust you can trust6|Typed Letter from Parliament of Australia The Senate Hon Margaret Reynolds 15 September 1997 Native title Amendment bill 1997|Typed notes What are the International implications of Australias proposed legislative response to the Wik decision 16 May 1997|Newspaper Article The Age 11 October 1980 CRA and the Aborigines|Newspaper Article The Age 27 October 1980 Lost languages of the Aborigine|Program Western Metropolitan Region NAIDOC Committee 6 October 2004|Typed Notes How the English Language is used to put Aborigines down Deny us rights or Is Employed as a Political Tool Against Us|Flyer Australias for Reconciliation Study Circle The Footscray Community Arts Centre|Newspaper Article Weekly Times 4 December 2001 Smoking marks opening|Flyer Save The Racial Discrimination Act The Law for All of Us|Flyer Freedom fund for 1988 Dont Celebrate 1988 White Australia Has a Black History|Typed Notes 4 May 1997 Area Meeting on Aboriginal Reconciliation 20 May 1997 Why Reconciliation|Newspaper Article Sunday Press 17 July 1988 Hes black hes white and hes Browned off|Handwritten list Morning Tea with Yolande Klempprier 5 December 1979|Typed Notes Interim Consultative Committee Western Region Community Legal Centre|Brochure Aboriginal Myths and Legends from the Goldfields to the South West of Western Australia|Brochure Messagestick Conserve or Destroy May 1980 Voume 5 No 1|Brochure Aboringinal Women's Task Force "We need to know what you think"|Newspaper Article The Age 27th February 1980 Aboriginal skeleton found by workmen Barries Rd Melton|Newspaper Article 18th September 1985 Only maternal instricts have saved Aboriginal race from destruction says Hollows|Newspaper Article Star Weekly 26th March 2024 New Indigenous name for Sydenham Park "Yaluk barring Park"|Newspaper Article Star Weekly 30th July 2024 - New name for park|Newspaper Artilce 9th January 2024 Abandoning January 26 - Brimbank Council will no longer hold citizenship cermonies on January 26aborigine, aboriginal, first nation -
City of BallaratArtwork, other - Public Artwork, Deanne Gilson, Murrup Laarr by Deanne Gilson, 2019
... Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming...dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. ...Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. ...Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung -
Lakes Entrance Historical Society
Book, National Library of Australia, The Lamb Enters the Dreaming Nathanael Pepper & the Ruptured World by Robert Kenny, 2007
... Lakes Entrance Historical Society 4 Marine Parade Lakes Entrance gippsland Aboriginal history cultural conflict Race relations Christianity Dreaming stories told in four parts Soft cover book 384 pages The Lamb Enters the Dreaming Nathanael Pepper & the Ruptured World by Robert Kenny Book National Library of Australia Griffin Press Scribe Publications Pty Ltd ...Dreaming stories told in four partsSoft cover book 384 pagesfictionDreaming stories told in four partsaboriginal history, cultural conflict, race relations, christianity -
Lakes Entrance Historical Society
Book, Ingrid Drysdale author, The End of Dreaming by Ingrid Drysdale, 1974
... Lakes Entrance Historical Society 4 Marine Parade Lakes Entrance gippsland Aboriginals Settlement The author tells the story of life for herself, husband and family in remote Aboriginal communities in Northern Australia from late 1920s to the 1970s The End of Dreaming by Ingrid Drysdale Book Ingrid Drysdale author ...The author tells the story of life for herself, husband and family in remote Aboriginal communities in Northern Australia from late 1920s to the 1970saboriginals, settlement -
Victorian Aboriginal Corporation for LanguagesPeriodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2013
... Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement. Australian Aboriginal ...We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement -
Victorian Aboriginal Corporation for LanguagesBook, John Bradley, Singing saltwater country : journey to the songlines of Carpentaria, 2010
... Victorian Aboriginal Corporation for Languages 33 Saxon Street Brunswick melbourne Yanyuwa Carpentaria maps, b&w illustrations, b&w photographs John Bradley's compelling account of three decades living with the Yanyuwa people of the Gulf of Carpentaria and of how the elders revealed to him the ancient songlines of their Dreaming. ...John Bradley's compelling account of three decades living with the Yanyuwa people of the Gulf of Carpentaria and of how the elders revealed to him the ancient songlines of their Dreaming.maps, b&w illustrations, b&w photographsyanyuwa, carpentaria -
Victorian Aboriginal Corporation for LanguagesBook, Ann E Wells, This their dreaming : legends of the panels of Aboriginal art in the Yirrkala Church, 1971
... This their dreaming : legends of the panels of Aboriginal art in the Yirrkala Church Book Ann E Wells E James Wells ...Some time before the end of the year 1962, two great panels of Aboriginal art were begun. They were painted for part of a screen placed behind the Communion table in the Yirrkala church, and represented the two main, creative legends governing the lives, the behaviour and the ritual of the Aborigines belonging to a wide area of northeast Arnhem Land. Gives a brief outline of circumstances surrounding the panels. Lists the artists for each moiety. Maps show the territory of the people mentioned in the text. For each panel, there is a description of each section and an explanation of associated myths. Dua panel - the Djankawu journeys. Yiritja panel - legend of Banaitja. Glossary of terms.b&w art reproductionsyirrkala, yirrkala church, arnhem land -
Victorian Aboriginal Corporation for LanguagesBook with CD, Mark Crocombe, Muli Kanybubi Tjitjuk Kawuny na Yagatiya =? the two mermaids' dreaming place : ancestral knowledge of the Marri Ngarr Yek Dirranga people, 2003
... Victorian Aboriginal Corporation for Languages 33 Saxon Street Brunswick melbourne Marringarr folklore storytelling Northern Territory Illustrations, colour photographs, word lists, CD Story in Language and English with illustrations. Muli Kanybubi Tjitjuk Kawuny na Yagatiya =? the two mermaids' dreaming ...Story in Language and English with illustrations.Illustrations, colour photographs, word lists, CDmarringarr, folklore, storytelling, northern territory -
Victorian Aboriginal Corporation for LanguagesCD-ROM, Zeta Thomson, A Yorta Yorta journey
... Victorian Aboriginal Corporation for Languages 33 Saxon Street Brunswick melbourne Yorta Yorta Aunty Zeta Thomson Dreaming stories folklore artwork CD-ROM A multimedia presentation showcasing Dreaming Stories belonging to the Yorta Yorta People, featuring artwork by Indigenous artist Zeta Thomson. ...A multimedia presentation showcasing Dreaming Stories belonging to the Yorta Yorta People, featuring artwork by Indigenous artist Zeta Thomson.CD-ROMyorta yorta, aunty zeta thomson, dreaming stories, folklore, artwork -
Victorian Aboriginal Corporation for LanguagesAudio CD, Lavalla Catholic College, Lavalla Catholic College Music Department 2010 : featuring Gunnai Dreaming, 2010
... Victorian Aboriginal Corporation for Languages 33 Saxon Street Brunswick melbourne Gunnai education CD Lavalla Catholic College Music Department 2010 : featuring Gunnai Dreaming Audio CD Lavalla Catholic College ...CDgunnai, education -
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