Showing 38 items matching "drunk"
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Victoria Police MuseumPolice record (Peter McNamara), 23 January 1920
... ...drunk...Peter McNamara had committed numerous offences such as stealing, whilst drunk. In April 1914 he was charged with attempting to murder Sarah Bass, a housemaid at the Mount Bute steep station. ...Victoria Police Museum 313 Spencer Street Docklands melbourne Peter McNamara had committed numerous offences such as stealing, whilst drunk. In April 1914 he was charged with attempting to murder Sarah Bass, a housemaid at the Mount Bute steep station. ...Peter McNamara had committed numerous offences such as stealing, whilst drunk. In April 1914 he was charged with attempting to murder Sarah Bass, a housemaid at the Mount Bute steep station. He was found not guilty due to insanity caused by alcoholismPrison record for Peter McNamara, prisoner registered number 33640, giving details of the prisoner, his crimes and the dates and places of his trials.english speaking prisoner, peter mcnamara, drunk, larceny, attempted murder -
Bendigo Historical Society Inc.Newspaper - JACK PERRY COLLECTION: NEWSPAPER UNMARRIED BACHELORS IN GOLD RUSH
... Mentions the 'evils of alcohol' that beset the unwary. Concoctions drunk by the men are described. The picture shows a hut, stone, brick chimney....Mentions the 'evils of alcohol' that beset the unwary. Concoctions drunk by the men are described. The picture shows a hut, stone, brick chimney. ...Newspaper article, regarding unmarried men on the goldfield. Mentions the 'evils of alcohol' that beset the unwary. Concoctions drunk by the men are described. The picture shows a hut, stone, brick chimney.bendigo, history, alcohol, goldrush, excessive drinking., alcohol, goldrush, excessive drinking. -
Bendigo Historical Society Inc.Newspaper - Article on deaths in the Bendigo Creek, Sat Aug 07 2021
... Bendigo Advertiser full page article entitled 'Creek kills drunk man'. Half page photo of the creek going through Rosalind Park. ...A coronial inquest determined that Murphy would have lived if the council had fenced off the creek. bendigo creek rosalind park Bendigo Advertiser full page article entitled 'Creek kills drunk man'. Half page photo of the creek going through Rosalind Park. ...John Murphy died near Bridge Street in 1871, the second death that year. A coronial inquest determined that Murphy would have lived if the council had fenced off the creek. Bendigo Advertiser full page article entitled 'Creek kills drunk man'. Half page photo of the creek going through Rosalind Park. Smaller photo of the town plan and the course of the creek in the 1800s.bendigo creek, rosalind park -
Lakes Entrance Historical SocietyBook, Inquests Deaths Hogg 1908, Florence 1914, Cpt. Paradise of Phantom, 2010
... William Hogg thrown from galloping horse and Rene Jessie Florence pinned under overturned car driven by drunk father near Lakes Entrance Victoria and Cpt Paradise of the Phantom...William Hogg thrown from galloping horse and Rene Jessie Florence pinned under overturned car driven by drunk father near Lakes Entrance Victoria and Cpt Paradise of the Phantom Inquests Deaths Hogg 1908, Florence 1914, Cpt. ...A folder containing inquests inquiries into two deaths caused by thoughtlessness. William Hogg thrown from galloping horse and Rene Jessie Florence pinned under overturned car driven by drunk father near Lakes Entrance Victoria and Cpt Paradise of the Phantominquests, animals, transport -
Bendigo Historical Society Inc.Document - BADHAM COLLECTION: PERMIT TO ALLOW LIQUOR TO BE DRUNK ON UNLICENSED PREMISES
... Permit to allow Liquor to be drunk on unlicensed premises for a special occasion (the licensing acts). ...Document BADHAM COLLECTION: PERMIT TO ALLOW LIQUOR TO BE DRUNK ON UNLICENSED PREMISES ...Permit to allow Liquor to be drunk on unlicensed premises for a special occasion (the licensing acts). Permit n. 1448 granted to R. Randall in the licensing district of Bendigo for the premises situated at railway refreshment rooms, Bendigo. Special occasion: smoke social on 8/10/1938. Fee paid this day 1 pound.organisation, union, a.f.u.l.e -
Victoria Police MuseumPrison record (Alfred Richardson), 13 July 1903
... ...drunk...He had many previous minor convictions for drunkenness, assault, no visible means, etc. english speaking prisoner alfred richardson golden pyke company larceny drunk assault Prison record for Albert Richardson, prisoner registered number 28563, giving details of the prisoner, his crimes and the dates and places of his trials. ...Alfred Richardson was charged, in company with James Barry, of having stolen gold bearing quartz from the Golden Pyke mine, Bendigo, in November 1901. He had many previous minor convictions for drunkenness, assault, no visible means, etc.Prison record for Albert Richardson, prisoner registered number 28563, giving details of the prisoner, his crimes and the dates and places of his trials.english speaking prisoner, alfred richardson, golden pyke company, larceny, drunk, assault -
Tarnagulla History ArchiveWatch House Recognizance - Tarnagulla, 11th February 1863
... States that William Marshall must appear at the Tarnagulla Police Office on 18th February 1863 to answer a charge of 'Being Drunk & disorderly on the public street at Tarnagulla on the 5th ______ '. ...States that William Marshall must appear at the Tarnagulla Police Office on 18th February 1863 to answer a charge of 'Being Drunk & disorderly on the public street at Tarnagulla on the 5th ______ '. ...Murray Comrie Collection. A Watch House Recognizance dated 11th February 1863. . Two persons named - J. Lemere (Baker) and William Marshall (Miner) both of Tarnagulla. States that William Marshall must appear at the Tarnagulla Police Office on 18th February 1863 to answer a charge of 'Being Drunk & disorderly on the public street at Tarnagulla on the 5th ______ '. Signed by Constable Patrick Fahey, Watch House Keeper.tarnagulla, policing, police, justice, courts, alcohol, fahey, marshall -
Melbourne Tram MuseumDocument - Report, Melbourne & Metropolitan Tramways Board (MMTB), "Tram changeovers for 12 months 1-7-63 to 30-6-64", 1964
... Note the numbers for "soiled" trams - probably someone was sick on the tram (drunk), and collisions - not just minor scrapes. ...Note the numbers for "soiled" trams - probably someone was sick on the tram (drunk), and collisions - not just minor scrapes. ...Details the numbers of tram defects by type due to a variety of causes by depots. Allows for analysis of the reasons and possible solutions. Note the numbers for "soiled" trams - probably someone was sick on the tram (drunk), and collisions - not just minor scrapes. Gives the mileages per defect and overall miles per defect. Signed Ken Hall, Works Manager. Yields information about the background for change over of operational trams by depot.Foolscap duplicated sheet detailing "Tram changeovers for 12 months 1-7-63 to 30-6-64" - Form No. R229tramcars, tramways, mmtb, depots, safety, running sheds, defects, accidents, failures, mileages -
Victoria Police MuseumPhotograph (police women)
... The first patrol was on the night of 13 January 1948 when they arrested a woman for being drunk and disorderly....The first patrol was on the night of 13 January 1948 when they arrested a woman for being drunk and disorderly. police women women's police auxiliary force bates, kathleen mabel 11125 carr, gwenyth elva 9835 lenthall, dorothy 11244 williamson, irene may 11657 police woman policewomen policewoman A group of police women in the 1950s taken in front of the Police Depot in St Kilda Rd. ...A group of police women taken in the 1950s at the St Kilda Road Police Depot. Third from the right, standing, is Gwenyth Elva Carr, born at Glenhuntly on 19 July 1917. Elva led the first women's Street Patrol in the uniform they designed themselves. The first patrol was on the night of 13 January 1948 when they arrested a woman for being drunk and disorderly.A group of police women in the 1950s taken in front of the Police Depot in St Kilda Rd.police women, women's police auxiliary force, bates, kathleen mabel 11125, carr, gwenyth elva 9835, lenthall, dorothy 11244, williamson, irene may 11657, police woman, policewomen, policewoman -
Tarnagulla History ArchiveWatch House Recognizance - Lemere & Kennedy, 11th February 1863
... States that William Kennedy must appear at the Tarnagulla Police Office on 18th February 1863 to answer a charge of 'Being Drunk & disorderly on the public street at Tarnagulla on the 5th Feb (?) ...States that William Kennedy must appear at the Tarnagulla Police Office on 18th February 1863 to answer a charge of 'Being Drunk & disorderly on the public street at Tarnagulla on the 5th Feb (?) ...Murray Comrie Collection. A Watch House Recognizance dated 11th February 1863. . Two persons named as paying 5 pounds each (bail)- J. Lemere (Baker) and William Kennedy (Miner) both of Tarnagulla. Signed by Lemere. States that William Kennedy must appear at the Tarnagulla Police Office on 18th February 1863 to answer a charge of 'Being Drunk & disorderly on the public street at Tarnagulla on the 5th Feb (?) '. Signed by Constable Patrick Fahey, Watch House Keeper.tarnagulla, policing, police, justice, courts, alcohol, fahey, kennedy -
Orbost & District Historical Societyblack and white photograph, C1890's
... When they reached Swan Reach, the drovers would often go over to the old grog shanty and got drunk while one man would stay to keep the 600 pigs together. ...When they reached Swan Reach, the drovers would often go over to the old grog shanty and got drunk while one man would stay to keep the 600 pigs together. ...Farmers on the Orbost flats and nearby districts used to grow a lot of maize and harvest the maize by putting the pigs in to eat the maize. They had to get the pigs to Bairnsdale with other chaps, droving about 600 pigs. It would take them 12 days. A wagonette would go in front and dribble out the maize. When they reached Swan Reach, the drovers would often go over to the old grog shanty and got drunk while one man would stay to keep the 600 pigs together. It was a difficult job. The pigs were ferried across the rivers. This is a pictorial record of early farming in East Gippsland.A black / white photograph of men on horseback droving pigs from the Cann River district to market along a dirt road.pigs agriculture farming-orbost-cann river -
Buninyong & District Historical SocietyFunctional object - Silver kettle, Commemorative silver hot water kettle with burner, 1892, 1892
... In November 1892, the Buninyong Butter Factory was registered as a co-operative, and commenced operations on 23 November in the old court house complex on the edge of the Botanic Gardens in front of a large gathering of shareholders. Toasts were drunk to the success of the company, and Mr Odgers, manager, praised the work of Mr F.J. ...In November 1892, the Buninyong Butter Factory was registered as a co-operative, and commenced operations on 23 November in the old court house complex on the edge of the Botanic Gardens in front of a large gathering of shareholders. Toasts were drunk to the success of the company, and Mr Odgers, manager, praised the work of Mr F.J. ..."A Presentation to Mr Daniel, Secretary of the Buninyong Butter Factory, 1892. In November 1892, the Buninyong Butter Factory was registered as a co-operative, and commenced operations on 23 November in the old court house complex on the edge of the Botanic Gardens in front of a large gathering of shareholders. Toasts were drunk to the success of the company, and Mr Odgers, manager, praised the work of Mr F.J. Daniel, the secretary of the company, who was presented with a silver hot-water kettle, suitably inscribed, on behalf of the shareholders of the company, as a slight recognition of his valuable services, and in doing so spoke of Mr Daniel as a model secretary." (Ballarat Star, 24 November 1892)This item is of historic significance highlighting an early Buninyong local business Silver hot water kettle with burner"Presented to F.J. Daniel Esq., by the shareholders of the Buninyong Butter Factory as a slight recognition of the valuable services rendered by him in the starting of the company" hot-water kettle, buninyong, butter factory, buninyong butter factory, local business -
National Wool MuseumTextile - Cloak, Dr Deanne Gilson, Banksia Tree Cloak (water and fire business), 2022
... Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. ...Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. ...Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future).The sacred banksia tree was a favourite for Wadawurrung people. Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. The banksia tree flowers at the time when fire sticks farming is practiced marking the days before the coldest days and nights and the hotter days.White, orange, and yellow banksia design on outer cloak, yellow and white circle and diamond design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Mont De LanceyContainer - Lidded Tin, C.E Morton, late 19th and early 20th C
... The effervescing salts consisting of one powder of sodium bicarbonate and Rochelle salt and another of tartaric acid that are mixed in water and drunk as a mild cathartic. Brown metal box with black decorative pattern and text "Seidlitz Powders C.E Morton London England". ...The effervescing salts consisting of one powder of sodium bicarbonate and Rochelle salt and another of tartaric acid that are mixed in water and drunk as a mild cathartic. Brown metal box with black decorative pattern and text "Seidlitz Powders C.E Morton London England". ...Seidlitz powders were a vintage, effervescent, and mild laxative and digestive regulator popular in the 19th and early 20th centuries. Named after the Bohemian village of Seidlitz (now Sedlec in the Czech Republic), they were commonly used to relieve constipation, heartburn, and gas due to stomach acidity. Seidlitz powders is the generic name under which a commonly known laxative and digestion regulator was marketed and sold by numerous manufacturers, particularly in the late 19th and early 20th centuries. The effervescing salts consisting of one powder of sodium bicarbonate and Rochelle salt and another of tartaric acid that are mixed in water and drunk as a mild cathartic. Brown metal box with black decorative pattern and text "Seidlitz Powders C.E Morton London England". Sachets inside were wrapped in tissue paper. A rusty small metal empty vintage brown and black patterned rectangular lidded old tin which contained Seidlitz Powders. The details printed on the lid are almost indescipherable. There is an overall black stylish pattern all over the outside of the lid and base. The powders were commonly used to relieve constipation, heartburn, and gas due to stomach acidity. This tin was used for other purposes when emptied.The print on the top of the lid is indescipherable as to the manufacturer and instructions for use of the Seidlitz Powders. medications, medication containers, containers, medicines -
Queenscliffe Maritime MuseumFunctional object - Bottle
... Other news items appeared claiming drunk and disorderly behaviour by plunderers amongst the corpses and wreckage on the beach. ...Other news items appeared claiming drunk and disorderly behaviour by plunderers amongst the corpses and wreckage on the beach. ...Recovered from the wreck site of the Fiji. The barque Fiji left Hamburg on 22nd of May 1891. The vessel went ashore at 3 am on the morning of the 6th of September 1891in squally and boisterous weather soon after sighting Cape Otway. The wind had suddenly veered, and the vessel missed stays after attempting to wear ship and was driven onto the rocks. Attempts were made to launch the boats but they were swamped and dashed to pieces. Delays in getting the lifeboat and rocket apparatus to the scene resulted in 12 of the 25 crew drowning after 10 hours trapped on board. A local resident, Arthur Wilkinson, lost his life trying to save one of the crew who was struggling in the surf. Coffins were made out of the wreck timbers and the men buried on the cliff top above the wreck. The deaths precipitated critical comment in the press over the lack of prompt action. Other news items appeared claiming drunk and disorderly behaviour by plunderers amongst the corpses and wreckage on the beach. The controversy reached parliament.Brown bottleWarner's, Safe, Cure, Melbourne Aust, London Eng, Toronto Can, Rochester NY USAwrecks, salvage, bottle, barque fiji -
Bendigo Historical Society Inc.Programme - BENDIGO OPERATIC SOCIETY ''ANYTHING GOES''
... Moon - Kath Alexander as Bonnie le Tour - Denis Cremen as Ship's Drunk - Reginald Boromeo as Captain - Ray Austin as Junior - Peter Houston as William Oakleigh (Sir Evelyn's Uncle)....Moon - Kath Alexander as Bonnie le Tour - Denis Cremen as Ship's Drunk - Reginald Boromeo as Captain - Ray Austin as Junior - Peter Houston as William Oakleigh (Sir Evelyn's Uncle). ...Program Bendigo Operatic Society '' Anything Goes'' Capital Theatre Bendigo Opening 6th April 1962 for Four Nights. Producer: Beatrice Oakley -Musical Director: Max O'Loghlen - Ballet Mistress: Madge Welch - Society Pianist Phyllis House. In memory Of Norman Lee Society's Founder and Producer Passed away 06/01/1962. Cast in Order of Appearance: Denis Cremen as Bartender - John Stephens as Elisha J. Whitney - Ferd Lorenz as Bill Crocker - Heather Lindhe as Reno Lagrange - Margery Reed as Girl Reporter - Lenn Carr as Cameraman - Fred Trewarne as Sir Evelyn Oakleigh, Bart - Carol McKenzie as Hope Harcourt - Bernice Boromeo as Mrs. Wadsworth T. Harcourt - Max Beckwith as Bishop Dobson - Peter Unmack as Ching - Daryl Walker as Ling - Victor White as Purser - Roger Sprawson as Steward - Roy Cronin as 1st Detective - George Steele as 2nd Detective - Joan Crane as Mrs. Wentworth - Joan Heard as Mrs. Frick - Alfred Annison as Dr. Moon - Kath Alexander as Bonnie le Tour - Denis Cremen as Ship's Drunk - Reginald Boromeo as Captain - Ray Austin as Junior - Peter Houston as William Oakleigh (Sir Evelyn's Uncle).program, theatre, bendigo operatic society -
Victorian Aboriginal Corporation for LanguagesBook, Ian Macfarlane, Historical records of Victoria : foundation series : volume 2A : the Aborigines of Port Phillip 1835-1839, 1982
... Punishment of Aborigines found drunk, 1836-8 Ch. 8. Operations of the government mission, November 1837 to March 1839 Ch. 9. ...Punishment of Aborigines found drunk, 1836-8 Ch. 8. Operations of the government mission, November 1837 to March 1839 Ch. 9. ...Reproductions of various transactions and reports dealing with Aboriginal people in Port Phillip in the period 1835-39, beginning with some of the earliest reports and tracing the evolution of government interaction and policy towards Aborigines in the 19th century. Covers mission work, government reports, the native police, conflicts with squatters, with numerous illustrations and original reports. Contents: Part I, Evolution of British policy Ch. 1. Proposals to appoint protectors of aborigines Ch. 2. Racial conflict in the year of official settlement at Port Phillip Ch. 3. House of Commons Select Committee on Aborigines Part II, The Wesleyan Mission at Buntingdale Ch. 4. Establishment and early operations of the Wesleyan mission Part III, The Government acts Ch. 5. Establishing the first government mission 1835-7 Ch. 6. Food and clothing for the Aborigines Ch. 7. Punishment of Aborigines found drunk, 1836-8 Ch. 8. Operations of the government mission, November 1837 to March 1839 Ch. 9. First attempt to form a native police corps Part IV, Growing conflict with squatters, 1837-8 Ch. 10. The disappearance of Gellibrand and Hesse Ch. 11. Attacks in the Western District Ch. 12. Attacks on the overland routes to Port Phillip Ch. 13. Evolution of policy in Sydney, 1838.b&w illustrations, b&w photographs, tables, document reproductionsvictorian history, colonisation, justice system -
Sunshine and District Historical Society IncorporatedDocument - Crime And Punishment In Port Phillip 1836 - 1838, Public Record Office Victoria, 1981
... Study of the court records shows that the majority of charges were `drunk and disorderly: Charges of absconding or refusal to work on the part of assigned convicts or indentured free servants are also very numerous and were dealt with under the Masters and Servants Act. ...Study of the court records shows that the majority of charges were `drunk and disorderly: Charges of absconding or refusal to work on the part of assigned convicts or indentured free servants are also very numerous and were dealt with under the Masters and Servants Act. ...The Police Court was established at Melbourne, Port Phillip in October 1836 soon after Captain William Lonsdale arrived with instructions from Governor Sir Richard Bourke in Sydney to set up an arm of the Government of the Colony of New South Wales. Hearings began in the Police Court at Geelong soon after Captain Foster Fyans took up his appointment as Police Magistrate late in 1837. The earliest court records provide evidence of the wide range of cases heard and show impersonal terms the social problems and attitudes among the early settlers of Port Phillip. Study of the court records shows that the majority of charges were `drunk and disorderly: Charges of absconding or refusal to work on the part of assigned convicts or indentured free servants are also very numerous and were dealt with under the Masters and Servants Act. The penalties imposed reflect the values of the time when people were expected to `know their place' and to behave accordingly. In many of the cases a charitable and benevolent justice was administered. In others the judgements seem harsh to us. As far as the verdicts were concerned, all were equal before the law. Sentences usually varied for those found guilty of similar offences according to whether they were convict or free servants, city and country property owners or agents, or aborigines. The court findings were factual and fair, but the penalties varied with the offender. People who could afford to pay fines were very few, so that other penalties had to be imposed. Cases recorded in this document were by several Clerks of Court and those reproduced here are selected for their intrinsic interest. They are not a statistically representative sample.Crime And Punishment in Port Phillip 1836 to 1838police court, port phillip, captain william lonsdale, governor sir richard bourke, james lawrence, alfred boucher, michael malony, george frederick reid, joseph suthlerland -
Eltham District Historical Society IncPhotograph (Item) - Print, Nicholas West, An Alsation Scavenging in Eltham Town Park, 1988
... Nicholas West 1988 Entrant No. 66 Ref: Series 34, Items 82-86 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Nicholas West 1988 Entrant No. 66 Ref: Series 34, Items 82-86 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, alistair knox park, alsatian (dog), council pound, dog, eltham town park, film - kodak gb 200 5096, german shepherd (dog), nicholas west, scan - 35mm negative -
Eltham District Historical Society IncPhotograph (Item) - Print, Nicholas West, Geman Shepherd Found by Photographer Roaming in Eltham Town Park, 1988
... Nicholas West 1988 Entrant No. 66 Ref: Series 34, Items 82-86 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Nicholas West 1988 Entrant No. 66 Ref: Series 34, Items 82-86 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, alistair knox park, alsatian (dog), council pound, dog, eltham town park, film - kodak gb 200 5096, german shepherd (dog), nicholas west, scan - 35mm negative -
Eltham District Historical Society IncPhotograph (Item) - Print, Stephanie Johnson, Bridge Near Leisure Centre, 1988
... The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Brougham Street Bridge Stephanie Johnson 1988 Entrant No. 128 Ref: Series 34, Items 99, 100 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, brougham street bridge, film - kodak ga 100 5095, scan - 35mm negative, stephanie johnson -
Eltham District Historical Society IncDocument - Folder, Watts
... On 24 January 1860 John Watts was asaulted by a beligerant drunk (John Castle) whilst sitting at the bar of the Fountain Hotel that evening. ...On 24 January 1860 John Watts was asaulted by a beligerant drunk (John Castle) whilst sitting at the bar of the Fountain Hotel that evening. ...Family research queries John and Sarah Watts William and Mary Watts Both families were shoemakers. John and Sarah Watts arrived in Eltham circa 1850. John Watts was recorded in the initial 1858 Eltham Roads District Board rates book living in Little Eltham, also 1859 and 1860. The property then appears to be in the name of Thomas Watts from 1861 to 1863 at least. Thomas was married to Ann. According to a Facebook contact from family researcher Rosie Watts in Queensland, the children of John and Sara were Betsy aka Elizabeth, Ann, Maria, Robert and Sarah (later Jones). Sarah was born 1850, the only child born in Australia. Sarah Watts remained in Eltham and married a man by the name Meadows. On 24 January 1860 John Watts was asaulted by a beligerant drunk (John Castle) whilst sitting at the bar of the Fountain Hotel that evening. Castle without warning grabbed Watts by the throat, pushed him over and kicked him in the head with his heavy boots. Constable Lalor was called and Castle attempted to assault him as well. Watts was helped up, was sick and was taken home by his son and a Mr Wallace. He went to bed. Watts died April 11 and his wfe Sarah advised the Coroner's inquest held April 11 that he had never left his bed from that time. Castle was charged with manslaughter. He was found guilty by jury and sentenced to 18 months hard labour on the roads. John Watts is buried in Eltham Cemetery in an unmarked grave before records were kept. His wife, Sarah later Sarah Meadows (previously Watts, nee Tew) is buried there also along with her daughter Ann Southerly Head (nee Meadows). john watts, william watts, mary watts, john castle, manslaughter, fountain hotel, constable peter lalor, shoemaker, sarah meadows, sarah watts (nee tew) -
Port Fairy Historical Society Museum and ArchivesPhotograph, Bennett, Richard
... However, Lloyd apparently fell down the steps drunk one night in 1858 and broke his neck. ...However, Lloyd apparently fell down the steps drunk one night in 1858 and broke his neck. ...Richard Bennett was the first born child of Richard Bennett and Ann Isabella Kirk in February 1828 in London England. His father was a silk weaver. His family came to Sydney in 1833 but then returned to England in 1837. Richard came out himself in 1843 when he undertook a training course on the care of sheep. He first visited Belfast in January 1846 and described it as being" The centre of a large squatting district". In 1853 he married Elizabeth Nicholson Watson at St Johns Church of England Belfast Victoria. They had 11 children, 6 registered in Victoria and the other 5 born in New South Wales. Richard's aunt (or sister some sources say) Isabella married into "Belfast Royalty" by marrying Lloyd Rutledge in 1852 and they built 'Cooinda' in 1855 and lived there. However, Lloyd apparently fell down the steps drunk one night in 1858 and broke his neck. Richard's brother Ryder Bennett was Rutledge's accountant. (William or Lloyd?) Richard's sister Matilda married James Mylne knight. Richard Bennett worked on a number of properties in the district as well as heading to New South Wales in 1858 -1870 then he returned to the Port Fairy Area. He established the River Shaw Wool Scouring establishment at Yambuk in 1876 but by 1879 he had moved his business to the banks of the Merri River Dennington. He retired in 1887 and lived the rest of his life in Warrnambool. He died on 11th September 1904. Richard Bennett wrote many letters to the local newspapers regarding the early history of the district in 1984 these letters were published under the title "Richard Bennett's Early Days of Port Fairy" A book named "Richard Bennett's Early Days of Port Fairy" was edited by Jan Crichett using his letters Early settler noted for his letters regarding the Early Days of Port FairyBlack and white portrait of gentleman with a squared collarpionner, bennett, richard, dennington., early days of port fairy, river shaw wool scouring -
Eltham District Historical Society IncPhotograph (Item) - Print, Elizabeth Simkin, Untitled (Cane baskets), 1988
... The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Riverclay Craft Gallery, 573 Main Road, Eltham Riverclay was located along with Ansell and Muir's Chicken shop opposite Eltham Lower Park. The building has since been demolished as it lay within the 1934 flood plain limits Elizabeth Simkin 1988 Entrant No. 149 Ref: Series 34, Items 39, 111-113 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, elizabeth simkin, film - kodak ga 100 5095, riverclay craft gallery, scan - 35mm negative -
Federation University Art CollectionCeramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn
... West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. ...West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. ...Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Melton City LibrariesNewspaper, Get the good oil here…, 2001
... John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. ...John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. ..."A court was established in Melton by 1864, when the first recorded case was heard before Mr BA Porter JP, with Mr A Carroll as the Clerk of Courts. John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. The court was held in the ‘long room’ of the old Melton Hotel, before moving to rented accommodation at the Raglan Hotel, and finally to the Roads Board office. Tenders for construction of the present building were called for by the Public Works Department on 13th February 1892. The architect Samuel Edward Brindley was born in Birmingham, England, in 1842. He was articled to the local architect, J.R. Botham, FRIBA, before emigrating to Victoria where he was employed as an architect in the Education Department from 18 August 1873. With the amalgamation of the architectural branch of the Education Department with the Public Works Department in 1884, Bindley was placed in charge of Victorian government building design for the North-Western District. In 1975, the Melton and District Historical Society became concerned at hearsay that the court house was to be demolished to make way for carparking space. Melton had been declared a ‘satellite city’ and was developing rapidly. A new shopping centre had recently been built at a setback of 60 feet (c.18 metre) from 323-329 High Street, and the court house, together with the adjacent weatherboard police station, had been left standing alone. A new police station was planned, and the weatherboard police station was subsequently demolished. In its nomination of the building for National Trust classification the Society argued that the Court House was ‘the best of two early buildings left in the main street’ (the other being a bluestone hotel) and that its loss would be ‘tragic’. However the nomination was unsuccessful, the National Trust at the time judging that it was of no particular ‘distinction’ or ‘antiquity’. The building continued to be used as a court house at least until 1991 when the Department of Housing and Construction (formerly the PWD) conducted a heritage study of court houses. By this time Federation-era architecture had achieved acceptance within the heritage movement. The building was recognised as being ‘the only surviving example in brick of the Federation Queen Anne style which was used for court houses only twice.’ Twenty years later when it was proposed to modify the eastern façade of the building to accommodate a café, the M&DHS was again concerned. This time the National Trust objected that the proposed extension would be an over-development of the site, and questioned the changes to the interior court room furnishings and fittings. The site never appears to have been nominated to the Victorian Heritage Register. It has since been converted into the Shire of Melton Tourist Information Centre". Opening of the Visitor Centre in Meltoncouncil, local architecture -
Eltham District Historical Society IncNegative - Photograph, Warrandyte Bridge over River Yarra, c.1910
... The healths of the contractor and the engineer were also drunk. The bridge is a trussed timber one, resting on yellow box piles sunk into the solid rock, each pier being weighted with 50 tons of stone. ...The healths of the contractor and the engineer were also drunk. The bridge is a trussed timber one, resting on yellow box piles sunk into the solid rock, each pier being weighted with 50 tons of stone. ...View of the 1875 timber trestle bridge over the Yarra River reproduced from a newsprint image. Also known as Anderson's Creek (Road) Bridge A contract was accepted for William Elliot to erect a bridge over the Yarra River at Warrandyte on Anderson's Creek Road and other improvements for £1,331.6.2 - Gazette No. 143. Tuesday, November 13th 1860 - http://gazette.slv.vic.gov.au/view.cgi?year=1860&class=general&page_num=2161&state=V&classNum=G143&id=). The bridge was washed away by floods in 1863. It was replaced with a taller timber trestle structure in October 1875, designed and built by C.S. Wingrove, Shire Clerk, Engineer and Surveyor for Eltham Shire Council. A replacement for this bridge was commenced in 1955 to cope with increasing traffic and this structure was widened in 2018 to meet further traffic demands. Argus (Melbourne, Vic. : 1848 - 1957), Thursday 23 September 1875, page 7 ________________________________________ THE WARRANDYTE BRIDGE. The ceremony of formally opening the newly erected bridge over the Yarra at Ander-son's Creek was performed on Monday last, in the presence of the members of the Eltham and Bulleen shire councils whose territories it joins, and a goodly number of the residents of the district. The task was delegated to Mr. Cameron, M.L.A., who, after a few introductory remarks declared the bridge to be opened, and christened it the " Warrandyte Bridge." The party then adjourned to Grant's Hotel, where a cold collation had been prepared. The chair was taken by the president of the Eltham shire (Mr. John Bell) and the vice chair by Mr. Kent, a member of the Bulleen council. Mr Robert Williamson proposed "Success to the bridge," coupling with it the name of Mr. Cameron, to whose exertions was in the main to be attributed the erection of that structure which was an ornament to the district and would prove of great service to both sides of the river. Mr. Cameron, in responding, alluded to the great difficulties, mainly of a pecuniary nature, that had been encountered in carrying out the project, and which had only been got over by their united efforts and by the liberal spirit in which the late Commissioner of Roads had dealt with the case. The healths of the contractor and the engineer were also drunk. The bridge is a trussed timber one, resting on yellow box piles sunk into the solid rock, each pier being weighted with 50 tons of stone. The abutments consist of dry stone walls, 6ft. thick at the base, and tapering to 3ft. on the top, the face of the work having a batter of 1 to 1. The length of the bridge is 308ft., there being four openings in the centre of 66ft. each, and two at the ends of 20ft. each. The width in the clear is 9½ft., and the height from the bed of the river about 33ft. The approaches comprise 1,100 cubic yards of earthwork, and the formation of 48 chains of sideling, the whole cost of the work, which was carried out under the direction of the engineer to the Eltham Shire Council, being £1,413.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg B&W Print 12.5 x 9 cmsepp, shire of eltham pioneers photograph collection, warrandyte, bridge -
Eltham District Historical Society IncPhotograph (Item) - Print, Mathew Wakefield, Untitled (Yarra River Scene), 1988
... Mathew Wakefield 1988 Entrant No. 40 Ref: Series 34, Items 87, 88 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Eltham District Historical Society Inc 728 Main Rd Eltham melbourne Mathew Wakefield 1988 Entrant No. 40 Ref: Series 34, Items 87, 88 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Mathew Wakefield 1988 Entrant No. 40 Ref: Series 34, Items 87, 88 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, film - fuji 100, mathew wakefield, scan - 35mm negative, yarra river -
Eltham District Historical Society IncPhotograph (Item) - Print, Mathew Wakefield, Untitled (Path through parklands), 1988
... Mathew Wakefield 1988 Entrant No. 40 Ref: Series 34, Items 87, 88 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...Mathew Wakefield 1988 Entrant No. 40 Ref: Series 34, Items 87, 88 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. ...View looking east along present-day Wingrove Park Trail towards Dalton Street and Main Road. Mathew Wakefield 1988 Entrant No. 40 Ref: Series 34, Items 87, 88 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, dalton street, film - fuji 100, main road, mathew wakefield, scan - 35mm negative, wiingrove park trail -
The 5th/6th Battalion Royal Victoria Regiment Historical CollectionCeremonial object - Communion Kit- Rev J.J. Tresidder
... The Chalice was used asa a cup for holding water and wine, drunk from by all as a common cup, beginning and ending with the Priest. 5&6. ...The Chalice was used asa a cup for holding water and wine, drunk from by all as a common cup, beginning and ending with the Priest. 5&6. ...Catholic Chaplains Communion kit carried by Rev JJ Tresidder. Rev Tresidder served during the second world war as an Army Chaplian.Catholic Chaplians Communition kit, carried by WW2 chaplain VX117292 John Joseph Tressider. This is an example of the style of equipment, soldiers would have been offered communion from.Communion kit, consisting of 10 items. 1. A white linen Corporal with small red cross embroidered in its centre. This item was used during Mass/ communion/ Lords Supper to collect any host if it were to be dropped, especially after concecration. 2. Pyx. This is a flat circular dish with a hinged lid. On the side of the container is a small silver ball with a hole drilled through it to allow a string to be placed through and the Pyx to be worn around the priests neck. The Pyx is made of silver, and has a cross engraved on the lid. on the reverse " Rev. J.J.Tressider Catholic Chaplain" is enscribed. This item holds individual hosts ( bread) Following Concecration hosts are to be consumed or worn by the Priest and later to be distrubted as reserved sacrement. 3.Paten, a small silver dish, slightly bowing in the centre. There are no engraving on this item except for the makers stamps on the reverse. "T.G. Aunt & Co." " STG. Silver" Use for holding the Priests Host (Bread) representing the body of Christ, broken for all. 4. Chalice. Silver cup with flaired base.The inseide of the cup has a gold coloured appearence. On the base is a small raised silver cruisifix affixed by a screw. The Chalice was used asa a cup for holding water and wine, drunk from by all as a common cup, beginning and ending with the Priest. 5&6. Two silver Cruets. Each crust is a small silver jug with sloping sides with a small pinched lip for pouring. There are no handles and each cruet has the words " Catholic Chaplain" enscribed on its side. One of the cruets is used for adding a small amount of water to the chalice, representing Christs humanity, the outher is used to add a small amount of wine, representing the blood of Christ and divinity. 7. Lavabo Bowl. a small silver bowl with raised sides. The bowl has " Catholic Chaplain" inscribed in the base of the disg. The Lavabo bowl is used to wash the Priests hands prior to celebrating the Mass. 8. Ewer. A small silver water jug with a curled handle. The Ewer has 3 bands engraved arounf its middle and inside has a goldish tint. On its base is stamped "Albion Pla" "EPNS A" The Ewer is used to wash the priests hands prior to Mass. 9. Oil for the infirm- A small sliver canister that can be screwed to two similat canasters. The base has an internal screw thread to allow this to happen. The lid can be screwed on/ off and has an ornate cross enscribed on its top. The side of the canaster has a letter "I" incribed on it filling most of the canasters side. The canaster is believed to still contain the oil. The oil of the infirm is used outside of the mass in a service to administer the sacrement of the anointing of the sick. 10, Leather Oil Carry case, small, chocolate brown tubular carrying case with two snaps for closure on the side. the case has cardboard stiffening and a small amount of cottonwool to soak up any spilt oil. Case is used to carry upto three oil canasters. listed in descriptioncatholic church, 5/6rvr, chaplains kit
