Black plastic framed b&w photograph of dust off crew Nui Dat 1971. 2 Pilots, Medic, Gunner and CrewmanDust Off Crew Nui Dat 1971 2 Pilots, Medic, Gunner and Crewmandust off

The painting was donated to ANZCA in 1995 by Dr Bernard Dunn. Bruce Fletcher, from Melbourne Victoria, studied under William Dargie, who had been an official war artist during the second world war. Fletcher followed the same pathway as his mentor and was the first of two official war artists appointed during the Vietnam War. His artwork are held in the art collection of the Australin War Memorial, Canberra. The title of the painting, 'Dust Off' is a term adopted in Vietnam which refers to the medical evacuation of sick or wounded soldiers, from the field, by a helicopter. It was originally a radio call sign selected from a US Navy Signal Operations book in 1963. [ref. 'Medicine at War. 1950-1972'].In June 2012, a Royal Children's Hospital Anaesthetic Registrar attended a College Tour conducted by Dr Rod Westhorpe when he saw the painting and informed us that the term 'Dust off' emanates from the Korean War and is in fact the acronym for Decisive, Unwavering, Support to our Fighting Forces'. The painting was based on a black and white photograph taken in Vietnam in 1971. An image of the photograph is located in the electronic supplementary file. Oil painting on board of a scene in which a military helicopter is about to land with a group of soldiers in the foreground, one wounded and one soldier standing. A cargo military helicopter is in the distance flying away from the scene. The painting is set in a gold frame.[plaque affixed to centre front of frame] DUST OFF \ BY BRUCE FLETCHER \ DEPICTING THE MEDICAL EVACUATION \ OF WOUNDED SOLDIERS FROM THE FIELD \ IN VIETNAM \ PRESENTED BY \ DR BERNARD L. DUNNpainting, dunn, bernard, fletcher, bruce, vietnam war, dust off

Colour photograph of an Iroquois helicopter departing Vung Tau8 FD Amb Assoc. Sun 1967/72. Dust off. Bell Iroquois departing Vung Tau 1967.iroquois, helicopter, dust off

Their mason was to evacuate American combat causalities. Their Hueys were flying ambulances. And their call sign DUST OFF was the most famous of the of the Vietnam Warvietnam war - military helicopters, vietnam war, 1961-1975 - participation, american, huey, "dust off"

Black and white photograph in light wood timber frame. Huey evacuation.'Dust off ' Qui Nhon , Vietnam,1969.air ambulance, qui nhon evacuation, hueycobra (helicopter), photograph

Timber Photograph on a black matt board. Coloured photograph of a Huey helicopter hovering over trees depicting a soldier being winched up. The photo is taken from below.My Vietnam Collection, "Dust-off" Vietnam, 1970 @ copyright Mick King.huey helicopter, photograph

2 black and white Photograph of 9 Sqn "Dust Off" (Medivac) 1. Loading wounded soldier onto helicopter 2. Patient being transferred into hospital9 squadron raaf, dustoff

A man wipes dust from a car under repair, somewhere in Queensland.1 x faded B/W photograph3 (circled)vision qld, employment

Depicts a casualty evacuation from the field by RAAF Iroquois or 'Huey' helicopter. Four soldiers are protecting the landing zone. Two soldiers carrying stretchered injured soldiers on board. Pilot, Co-Pilot, and another soldier look on.'RAAF' on the tail piece of helicopter. Made by John Loughmandiorama, "dust off", huey helicopter

combat report: operation deny flight over bosnia, briefings: iai f-5 plus tiger ii, iai/elta phalcon, boeing 707 tanker conversions, sea harrier frs.mk 2, sikorsky uh-60q ‘dust off’ hawk, vietnamese people’s air force photo feature, focus aircraft: fairchild a-10 (5 pages), variant briefing: dassault mirage iii/5/50 part 3 – operators, mountain home afb 366th wing photo feature, air power analysis: australasia

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a RAAF helicopter from 9 Sqn loads wounded Diggers following the destruction of APC 13A during operation Massey Harris. In the background an Americon helicopter waits its turn to receive wounded. In all fifteen Diggers were wounded. photograph, 9 squadron raaf, raaf iroquois helicopter, apc 13a, operation massey harris, gibbons collection catalogue, wounded, wounded serviceman, diggers, dust off, denis gibbons

236 edical Detachment. Dust off.uniform, vietnam, army

US Medical "Dust Off" groups ???badge/buttons, vietnam, army

U.S. Dust-off aviation jacket. Green coloured American flying jacket. "Dust Off" belonging to M. Tod of 8th Field Ambulance Crew (Aust.) Badge on RH sleeve "45th AMB". Small badge on the LH side.flying jacket

Grey flight overalls with four badges US and Australian, including the name 'Virtue'. Used by dust off medicvirtue, flying suit

Flame resistant khaki jacket with six six various US and Australian badges including name 'virtue' used by dust off medicVirtue. Stock number: 8415 935 4898flight jacket, 'virtue'

Hard cover book with dust cover. Dust cover show painting of a large mine, solder and silhouette of a city. Bottom third of dust cover torn off. Book - red buckram. Pages 287. Illustrated - black and white photos."L SCHILLING" books, military history, valour

.1) Hard cardboard cover, red buckram with gold print on front & spine. .2) Dust cover paper, off white background, black print on front & spine. Gold monochrome photo of 3 medals with ribbons on front, black & white photo on back. Inscription on title page. 154 pages, cut, plain, off white, illustrated black / white photos.Handwritten in black in on title page: “175 (Copy No 175 of 1000)” Dust cover spine: “Awards for Vietnam 1962 -73” Title page: “Australian Gallant and Distinguished Service Vietnam 1962 - 73. Being a record of British and Foreign decorations Awarded to Australian Servicemen. Limited Edition” book, awards, gallantry, vietnam

In November 2024, a small group of cheerful volunteers from the Forests Commission Retired Personnel Association (FCRPA) toiled over nine days to dust-off, photograph and record nearly 300 artifacts in DEECA's Altona Museum. It followed a similar project at the FCRPA's Beechworth Museum in February 2024. The Altona project was generously supported by DEECA / FFMVic to engage professional photographer Mark Jesser from Wodonga whose boundless energy and good humour helped to create these amazing images. Special thanks go to the FFMVic Chief Fire Officer, Chris Hardman, as well as Andrew Stanios and Kat Jensen for making it happen. FFMVic crews and the ever-patient staff from Altona took a strong interest and also helped to shift some of the heavy items like pumps and the Bedford tanker which was very welcome. The Forests Commission and its successors continuously encouraged bushfire research and innovation. In 1946 a large parcel of industrial land was purchased at North Altona as a fire cache and workshop. The Altona workshop became a hotbed of new technological thingumajigs… a marvellous blend of Aladdin’s Cave of Wonders coupled with Wallace and Gromit’s madcap contraptions… an exhilarating place where lots of gizmos were invented and tested… mostly with astounding results... but nearly always with some head-scratching frustrations… and thankfully not too much explosive mayhem. In fact, a lot of Australia’s pioneering equipment development was led by staff from Altona, often in collaboration with other State forestry and fire authorities. The CSIRO also contributed significantly. The US Forest Service, the US Bureau of Land Management and US State agencies such as the California Department of Forestry and Fire (CalFire) as well as the Canadian Forest Service faced similar challenges and proved strong and willing partners in sharing knowledge, ideas, equipment and expertise over many decades. The collection at Altona started in the 1970s by fire equipment wizard Barry (Rocky) Marsden. As obsolete equipment was returned to the Fire Protection Workshop for auction, Rocky began the process of selecting some which would be interesting to retain and display. The items at Altona represent just a small sample of the amazing story of Victoria's forestry and bushfire heritage. The largest item was undoubtedly the Bedford tanker which took two days and nearly 1000 photos which were later stitched together with photoshop. The oldest item is probably the Ericsson wall telephone from 1904. There are also many unique items, but the CSIRO incendiary machine and ping-pong incendiary machine developed at Altona probably had the most significant impact on fire management in Australia. There are plenty of gaps in the collection, but some items are in regional DEECA offices. It’s hoped to merge the FCRPA's Beechworth collection to Altona one day and rename the site to honour Rocky Marsden. There may be some additions to the Altona museum over time, but space is limited. The museum is available to visit by appointment. Peter McHugh - January 2025 forests commission victoria (fcv)

Item in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat. No. 7926P for his service record.HARD COVER BOOK WITH DUST COVER. Hard cover - cardboard with adhered yellow colour buckram over. Red colour print on front and spine with black and white photograph illustration from front to back of a battle scene. Dust cover - Paper, off white with print and illustration same as above. 256 pages - cut plain, white glossy paper. This is a pictorial book. Illustrated black and white photographs and maps. End papers - front and back - colour wrap of "TOBRUK DEFENCE (12 Jan 1941)". books, tobruk, ww2, william anthony theodore

This Boer War book was written by Robin Droogleever. It is a comprehensive history of the 3rd and 4th Victorian Bushmen Contingents and gives biographical details on everyone who served in these units. Many of the men in these units came from Warrnambool and the surrounding districts and many had been members of the Mounted Rifles or the Western Artillery units before enlisting to serve in the Boer War. One of these was Major Joseph Dallimore from Lake Gillear and his diaries are used extensively in this book as a primary historical source of the events of the war.This is an important reference book detailing the history of the 3rd and 4th Victorian Bushmen Contingents in the Boer War. This book contains many references to the servicemen in the Boer War who were in those units and who came from Warrnambool and district This is a hard covered book of 706 pages. The cover is blue with gold printing on the spine. The dust cover has an off white background with a photograph of some Boer War soldiers on the front and spine and colour photographs of medals, a shoulder badge and a war memorial on the back cover.The text is in two sections with eight parts in the first section and nine parts in the second section. The book contains many black and white photographs, maps and sketches and brief biographical notes on the soldiers who served in the military units described in the book. To Elizabeth O Callaghan, my best wishes, Rob Droogleever 17/10/09boer war, warrnambool

Anthracite typically occurs in geologically deformed areas due to extreme heating – with temperatures ranging from 170 to 250 °C – caused by igneous intrusions or high geothermal gradients. It is most commonly found in northeastern Pennsylvania in the United States; however, smaller amounts are also found in Australia, China, eastern Ukraine, South Africa, western Canada, and other countries. This specimen was recovered from Tasmania and is 85-95% carbon.Anthracite is the mineral name for hard coal and is the least plentiful of all coal types. It is clean to the touch and, when polished, is used for decorative purposes. Before natural gas and electricity, anthracite was used for domestic heating as it produces little dust, burns slowly, and gives off a minor amount of smoke. However, it is also limited in abundance and expensive. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized highly metamorphosed coal mineral with a black/steel-grey shiny metallic lustre.geological specimen, geology, geology collection, burke museum, beechworth, indigo shire, geological, mineralogy, victoria, alfred selwyn, anthracite

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatergoers.Not very significant as not associated with a historic event or person and made during the first half of the 20th Century and many are still available and easily sourced.Vintage Pair of Opera Glasses, with cow bone barrels and eyepieces, both barrel pieces have split in them, both metal end barrels each have a minor dent, optics are pretty clear no mould although have very minor dust spots inside, they look like they were gilded at some point but most of this has rubbed off glasses have a black leather case with blue lining. No markings whatsoever anywhereflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, binoculars, opera glasses, theatre glasses, optical instrument, cow bone

"THE/ WAR DIARIES/ OF/ WEARY DUNLOP/ JAVA AND THE BURMA - THAILAND RAILWAY 1942 - 1945" Book - item in the collection of Richard William McGILVERY, RAAF. Refer Cat. No. 7287P for his service details, photo, awards, HARD COVER BOOK WITH DUST COVER. Hard cover - cardboard with adhered red buckram, gold print on spine. Dust cover - paper, white print on front, spine and back on red background. Folded flaps with black print on beige background. Illustrated - front - colour seated portrait of Sir Edward Dunlop. Back - copy in colour of watercolour painting of "Weary Dunlop" operating in a jungle hospital by "Jack Chalker". 401 pages - cut, plain, off white paper. Illustrated black and white photographs and sketches.history, books, ww2, autobiography

Hard cover with dust cover and plastic book cover. Hard cover - cardboard, orange colour buckram. Dust cover - paper, light orange background with red print on front and spine. Front and back illustration ered print in silhouette of women, plane and luggage. Plastic cover - clear plastic. 174 pages - cut, plain, off white paper illustrated - black and white photographs. Front end paper - handwritten names and owner's stamp.Front end papers - owner's name, handwritten blue ink "Alison Lohmann/ Ballarat/ 1954 Donor's name - "Donated by Frank O'Connell" Front and back end papers - Owner's stamp - BENDIGO DISTRICT/ RSL SUB BRANCH INC/ PO BOX 449/ BENDIGO VIC 3552.books, military history, ww2, women

Based on a screenplay by David Williamson. Historical facts based on fictional characters.Hard cover book with dust cover. Hard cover - cardboard, dark brown colour buckram, white print on spine. Dust cover - Paper, green print on front, black print on spine and front flap. Illustrated in colour, front panel, spine and back panel copy of the painting "ANZAC, the landing 1918-22 (detail)" by George Lambert. 280 pages, cut plain, off white. No illustrations.book, anzacs, ww1

"EMPIRES OF THE DEAD" - HOW ONE MAN'S/ VISION LED TO THE/ CREATION OF WW1'S/ WAR GRAVES"Hard cover book with Dust Cover. Hardcover - cardboard, black colour buckram, gold print on spine. Dustcover - Paper, white, red and black print on front, spine, back and front and back flaps. Illustrated front, black and white photographs (top) soldiers from the rear, (bottom) war graves. Back cover - colour copy of oil painting "The Cemetery, Etaples" 1919 by Sir John Lavery. 289 pages, paper, cut, plain, off white. Illustrated black and white and colour photographs. End papers - red.ww1, books, war graves