Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph is of Joy Etherton at Eltham.Digital copy of black and white photograph.dorris mclaughlin, joy etherton

Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph is of Mr and Mrs Etherton and others.Digital copy of black and white photograph.dorris mclaughlin, etherton family

Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a seated man and woman (Joy Etherton).Digital copy of black and white photograph.dorris mclaughlin, joy etherton

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Bal larat Treasure' in 2007.Pencil drawing of a plaster cast floral form.Written on the mat board below the drawing "Drawing ornament from cast in light and shade. For Drawing Teacher's Secondary Certificate by Albert E. Williams, Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, plaster cast

A. E. (Hank) Neil Grandstand formerly known as No 2 Stand was restored and named after the long serving secretary of Stawell Athletic Club. He was also secretary of the Wimmera Football League. c 1980'sColour photo of A. E. Neil Grandstand formerly No 2 Grandstand. c 1980's. Photo located in album 3 page 71.A. E. (Hank) Neil Standstawell sports

E Dalkin Stawell State School No 502 1897 Victoriastawell education

A Souvenir brochure of Concongella. Personalities and Historical Events. compiled and written for the Concongell Progress Association by A..E. Heal.Yellow textured Card cover, with black print.Concongella (The Cradle of Stawell) A Souvenir Borchure 1861 - 1961 Personalities and Historical Events Compiled and Written for the Committee of the Concongella Progress Association by A.E. Healstawell

Albert E. WILLIAMS (1899-1986) Born Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. From its inception in 1914, it was 30 years before the first candidate achieved the certificate’s exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Mounted original illuminated artwork in Celtic style"Design for Title Page, in Historic Style of Ornament." "Submitted by Albert E. Williams, Technical Art School, Ballarat, for Art Teacher's Certificate" "Celtic Art. A treatise on the history and peculiarities of Celtic Art with numerous illustrations in colour taken from ancient national manuscripts in the British Museum and other libraries." "Ballarat A.D. 1936". Monogram of AW forms part of the artwork.art, artwork, albert e. williams, celtic art, ballarat technical art school, art teacher's certificate, illumination, title page, design

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink measured drawing showing side elevation, front elevation, sectional elevation and scales.art, artwork, williams, albert e. williams, ballarat technical art school, architecture, art teachers' certificate

B. 1841 in England, ordained 1863, President NSW conference 1893, d. 1909 Gore Hill NSW.B & W head and shoulders printed etching of the Rev. James E. Moulton. "Revd. J. E. Moulton (Tonga)"moulton, james e., rev., methodist minister, president of conference

Instructions for the use and care of Cooper "E-B" Handpiece.Instructions for the use and care of Cooper "E-B" HandpieceIllegible Illegibleshearing machinery, cooper engineering company pty ltd

Opening of St. Paul's C of E Church in 1970s, with choir outsideWritten on back of photograph, "Opening St. Paul's C. of E."

A photo of Legatee Philip E Potts at The Cenotaph in Whitehall London after a wreath laying service. The date is shown as 1 June 1928. The photo was in an album of newspaper clippings and photos compiled to thank Legatee Philip E Potts when he was leaving Melbourne in March 1928. L/ Potts was president of Legacy in 1927-28. The album was compiled by Legatee Frank Doolan.A record of a visit of a past president to the Cenotaph in London.Black and white photo of Legatee P E Potts in 1928.Handwritten on bottom 'Memories of good ___ / Mr Thompson / Ballarat' in black ink and '1/6/1928' in blue ink.philip e potts, past presidents, london, cenotaph

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. H. E. Wiltshire J.P., Mayor of Kew during 1968-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. H. E. Wiltshire J.P., / Mayor 1968-69mayor of kew, cr. h. e. wiltshire, kew -- municipal collection

The Padbury family were early pioneers of Kew, running for over a century a funeral parlour in Cotham Road. The photograph of Mr Whitman can be reliably dated to 1914 or later due to an article on the establishment of Godfrey Roberts' atelier at the rear of Mr Chenoweth's in Glenferrie Road (Source: 'Godfrey E Roberts Photographic Studio', Hawthorn Kew Camberwell Citizen, 5 June 1914, p. 2)This, and other photographs of members of the Whitman-Padbury families was donated by Mrs Clarrie Thomson, a descendant of the families, and a member of the Society. Mrs Thompson lived at 58 Charles Street, Kew. The donation was made in 1982.Cabinet card, produced by Godfrey E Roberts of Glenferrie Road (Glenferrie), of Mr Whitman, a relative by marriage of the Padbury family. "Whitman" "G E Roberts / Glenferrie Rd / Glenferrie" (photographer)whitman - padbury, pioneer families -- kew

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. F. E. O’Brien LL.B., J.P., Mayor of Kew 1958-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F. E. O’Brien LL.B., J.P. / Mayor 1958-9 Stuart Tompkins Studiomayors of kew (vic), cr. f. e. o’brien, australian photographers - stuart tompkins studio, kew (vic.) — municipal collection

This bottle was used by E. Murphy of Riddell's Creek.A light green bottle used for soft drinks. The neck is broken and at the base of neck there is provision for a wire clamp which held the ball at the opening in place. There is embossed writing around the bottle. The base of the bottle is recessed.E. MURPHY / EM / REG'D / RIDDELL'S CREEKbottles, murphy, e., food, riddell's creek, george evans collection

A photo of Captain P E Potts in Charleroi, Belgium in 1919. The note on the back mentions he was part of a 2nd Division concert party that helped raise funds to erect a war memorial in Mont St Quentin. Mont St Quentin was a site of a major battle in 1916 where 3000 Australian soldiers died in 3 days. Another photo from Charleroi in 1919 is at 01900 and Captain Potts may be one of the officers in the front row. The photo may have fallen out of an album of newspaper clippings and photos compiled to thank Legatee Philip E Potts when he was leaving Melbourne in 1928. L/ Potts was president of Legacy in 1927-28. The album was compiled by Legatee Frank Doolan.A record of a tribute to a past president.Black and white photo of Captain P E Potts in 1919.Handwritten on reverse 'Charleroi Belgium __ 1919' in black ink and 'Capt PE Potts O/C / 2nd Div Concert Party / 'The Dinkum Diamonds' / which raised £370 in Charleroi for the St Quentin War Memorial'philip e potts, charleroi, past presidents

Colour photo A E Neil Grandstand and Football clubrooms with front extensions 23-9-2003. Photo in Room 1, Album 3 page 9. Colour photograph looking towards A. E. Neil Grandstand & Football Club Rooms with top front extensions.'03 9 23stawell sports

Deep Lead Hotel Deep Lead. E P Timmins Licencee at least between1899 and 1917Hotel with sign on top. Family standing outside in front. Man with dog and man in front of door. Bicycle against post. E P Timmin Deep Lead Hotel

Suggestions for improving distribution of the Greenhills Progress Association newsletter (known as Community News)1 p. typewritten letterHandwritten at top of page: "Submitted 9.10.69"greenhills progress association, community news

An historical account of the development of Melbourne's water supply, including the Yarra and Plenty Rivers and Yan Yean and Maroondah Reservoirs.4 p., photocopy of article.melbourne water, mmbw, maroondah aqueduct, yan yean reservoir

Brief account of the slow progress of Australian women towards equality with men to 1960s.2 p. from Ancestor, Winter and Spring 1991, p. 12-13women in australia, gender equality, ancestor (magazine)

1334 p., black & white text and photographs, col. dust jacketRevised [ie 6th] Australian ed.encyclopedia