Collecting mutton birds and eggs for food and cooking was a common practice on the IslandHistoricalBlack and white postcard of a man in a coat and hat, holding a mutton bird. A pile of eggs and a cane basket are nearby in sand dunes.The Egger, Eggs and Mutton Bird, Cape Woolamai, Phillip Island. The Bird lays one egg in an about 4 ft deep burrow. The Egger uses the wired stick.mutton birds, mutton bird eggers, cape woolamai

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Male & female looking for Mutton bird eggs on Cape Woolamai - western side - looking towards the "Pinnacles".Seeking for Mutton Bird eggs Cape Woolamai Phillip Islandlocal history, photography, photographs, postcards, black & white photograph, phillip island, cape woolamai, the pinnacles

Clare GERVASONI (1962- ) Born Melbourne A trained secondary Art educator, Clare Gervasoni studied Ceramics at Melbourne College of Advanced Education, and taught for number of years before retrainign as a Museum Curator. Photograph of three ceramic blackware eggs of various sizesblackfire, blackware, ceramics, eggs, clare gervasoni

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Double sided paper licence mutton birds, a. f. may., lifestyle

Colour drawing of Slovenian Easter Eggs

Two wood fired ceramic 'egg' sculptures.

Traditional Ukraninian style painting12 hand-painted eggs in a terracotta bowl AR0112

"A Melbourne artist has launched a one-man campaign in the metropolitan area to fight the overcommercialisation of Easter... Curt Bjerking, 40, a graphic artist for 22 years, is an expert in packages…"Young man shown holding a cardboard box of Easter eggs.C&N identification.bjerking, curt, c&n, easter eggs

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A Natural History of the Nests and Eggs of British Birds Vol 2 Author: The Rev. F. O. Morris Publisher: Groombridge & Sons Date: 1855Label on spine cover with typed text PAT F598.2942 MOR Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, a natural history of the nests and eggs of british birds vol 2, a natural history, the rev. f. o. morris, f. o. morris

Notes on Eggs and Breeding Habits of Fishes Brook's Nature-Study Series Author: David G Stead Publisher: William Brooks & Co Date: 1907Label on spine cover with typed text RA 639.3 STE Pastedown front end page has sticker from Warrnambool Mechanics Institute and Free Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, notes on eggs and breeding habits of fishes, brook's nature-study series, david g stead

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Ordinary rice straw is used imaginatively here to create a most functional and beautiful container. Since a set of items in Japan is five rather than half a dozen (five teacups, five cake plates, and the like), this carrier contains just five eggs. Devised by farmers in Yamagata Prefecture in northern Japan, it is an example of packaging born of rural necessity. Interestingly enough, it seems to emphasize the freshness of the eggs. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of cuttings and details of two plants, one with tall green stem with long leaves and a group of white and yellow-brown (daisy-like) flowers at top of stem, and one with narrow furry green stem and leaves with a single white and yellow flower at top of stem. Seven drawings include two cuttings and five flower details. Mounted in a double matt (grey on apricot) under glass in a gold and brown frame.Front: CEW/84 (signature, lower left in image, next to stem) (green pencil) Ixodia archilleoides (Ixodia) Myriocephalus stuartii (Poached-eggs Daisy) (lower left) (pencil) Back: 15 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

Hard cover book. Eggs & Baker or The Days of Trial Author: John Masefield Publisher: William Heinemann Ltd Date: 1936 Further Information: Navy blue cloth with pictorial end papers hardcover with lettering and patterning to spine in black. The spine has a Library label with an inscription.fictionEggs and Baker, or The Days of Trial (1936) is a novel by the English poet and Poet Laureate John Masefield, best known for verse ('Sea-Fever', The Everlasting Mercy) and children's classics like The Box of Delights and The Midnight Folk, published the previous year. The story is set inland in Masefield's imagined English county of Tatchester/Condicote his recurring fictional geography, also used in The Box of Delights. The plot centres on a long-running trial of two men one a 'half-wit' accused of shooting and killing a gamekeeper while poaching. The real protagonist, though, is a baker who is losing business and standing in the community because of his socialist sympathies, and who takes up the accused men's cause at real cost to himself. A contemporary Kirkus review called it 'a totally unexpected book from Masefield, and a disappointing one', and wondered whether it was intended as 'a spoof on the law, or a serious commentary on problems of justice'.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, masefield, john, eggs and baker, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Second Prize for the Burnley Government of Victoria Egg Laying Competition, 1957-58. See 98.1025 for accompanying Certificate.Red material sash with gold fringes at each end and gold lettering with "Crown logo" atop the inscription 'Government of Victoria Burnley Egg Laying Competition, 1957-58 SECOND 6 Bird Team (White Leghorns) (48 Weeks) 1401 First Grade Eggs S. Hudson, Coburg'. Government of Victoria Burnley Egg Laying Competition, 1957-58 SECOND 6 Bird Team (White Leghorns) (48 Weeks) 1401 First Grade Eggs S. Hudson, Coburgegg laying, competitions, awards, agricultural competitions, artifact

Photograph taken at The Narrows Rookery on Phillip Island. Field Naturalists' Club Excursion to Phillip Island to see Mutton Bird Egging.Mutton Bird Egging on P.I. about 1905mutton bird egging. the narrows phillip island. the narrows rookery. j. gliddon. a.d. hardy. v. mchaffie.

With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting

Appears as an illustration in, "Green Grows Our Garden," A. P. Winzenried p 37. Caption reads, : Poultry management was part of the Curriculum at Burnley for many years. This view of the Egg-laying Competitiion Grounds is dated April 1947.Black and white photograph. Part of Emily Gibson Collection B10.0030. Egg-laying pens in the foreground. Stockman's Cottage in the background behind agrostology paddocks.On reverse, "View of Egg Laying Competition grounds before demolition of group pens."egg laying competition, green grows our garden, a. p. winzenried, stockman's cottage, poultry management

John and Emma Propert emigrated from England in 1877 and settled in New South Wales . Several of their 11 children became talented inventors, designing items ranging from kitchen utensils to coaches and later pop-up caravans. One of the most successful was Charles, who designed and built kitchenware over many decades. His earliest invention was irrigation equipment including patenting the common backyard rose sprinkler. Propert became a household name when he began making a wide range of kitchen implements for decades including flour sifters and chip cutters. By the 1970s Propert was Australia’s leading brand of kitchen and bathroom scales. By far the most successful product was a ball-driven egg beater, trademarked as the Ezy Whisk or Swift Whisk. In the days before electric beaters, the Ezy Whisk and Swift Whisk were market leaders and were exported world-wide. Charles Propert and his son Bertram manufactured more than a quarter of a million egg beaters a year in the early 1950s which explains why so many are still in use today.These items are significant because they were widely used throughout Australia in the 1950s by a major Australian manufacturer.Two Propert's kitchen appliances - a stainless steel Whistling Egg Timer and a Swift Whisk BeaterOn Egg Beater : A PROPERT PRODUCT MADE IN AUSTRALIA PATENT BALL DRIVE SWIFT WHIP STAINLESS STEELkitchen utensils, propert kitchen appliances

Pre egg cartons.Home-made with reused 'crate' wooden panels. Higginson and Hollond families - farmers in the Kiewa Valley. Bogong was a property owned by Kiewa Valley farmers. Dave Gibson worked with the SEC in the early days and married Lois Hollond (Robert and Reg's sister). Lois lives in WodongaOld brown wooden handmade box with two panels joined together on each face (sides, bottom, top). The lid fits inside at the top and has 3 smaller panels nailed on, 2 of which have leather straps nailed on one side of the box and fastened (nailed) to 1 side as a hinge. Inside: the box has 2 wooden vertical panels dividing the box into 3 sectionsTop of the lid in yellow paint "Mr D. Gibson/Bogong" on 1 wooden panel and "Eggs with Care" on smaller panel between the side panelseggs, farming. chooks, kiewa valley, higginson family, hollond family

Educational toy used by donor's granddaughter Yellow plastic egg box containing twelve plastic eggs which open to reveal numbers 1-12. Used to teach counting and basic co-ordination skills to children.One Dozen Counting Eggs. Child Guidancetoys, general

Hand painted egg in brass egg cupeggs, decorated eggs, eggcups

Newspaper clipping The Mail, March 29, 1994SOUTHWOOD Primary School student, Kiron Barnded

128 page booklet. The front cover is brown card with a coloured imaged of a white cockerel on the front. The bird stands in front of some greenery. It is a white bird with red comb. To the bottom left of the image is the work ' poultry' and underneath the image on the cover are the words ' White Leghorn Cockerel'. The bottom right of the front cover has a circle of damage where something may have been spilled. Inside the book the text is printed in black lettering. There are some black and white images and in the middle of the booklet are a number of colour illustrations. non-fictionA non-fiction book with information about rare breeds of poultry and how to care for and farm poultryfarming, birds, poultry, agriculture, hobby farminh, portland, glenelg shire, chicken

Light Khaki, hard cover book. 287 pages illustrated. Title in gold letters with red backing on spine. Title also in black lettering on white paper stuck on spine.Written on fly leaf: "Donated by K Proud"books, history

From Betty McPhee Collection of Sewing Equipment.Packet of Sewing Needles. Size 3/8 - Egg eyed sharpsT & J Holyokes Original Diamond Egg Eyed Sharps.handcrafts, equipment, handcrafts, dressmaking, handcrafts, embroidery, handcrafts, needlework, domestic items, sewing

One of a collection of photographs donated by Mary KarneyBlack & White copy of a postcard showing two people looking for Mutton Bird Eggs at Cape Woolamai."Seeking for Mutton Birds' Eggs. Cape Woolamai Phillip Island."mutton bird eggs, gathering mutton bird eggs cape woolamai, cape woolamai, mutton bird rookery cape woolamai, wildlife - mutton birds, mary karney