Colour photograph eltham (nsw)

Colour photograph eltham (nsw)

Roll of 35mm colour negative film, 2 stripsFuji 100eltham (nsw)

Roll of 35mm colour negative film, 2 stripsFuji 100eltham (nsw)

Roll of 35mm colour negative film, 2 stripsFuji 100eltham (nsw)

Roll of 35mm colour negative film, 2 stripsFuji 100eltham (nsw)

Roll of 35mm colour negative film, 2 stripsFuji 100eltham (nsw)

Roll of 35mm colour negative film, 2 stripsFuji 100eltham (nsw)

Copy of two colour photographs

Antipodean Elthams and how I got there, a talk by Margaret Taylor for the Eltham Society, England, November 1st 2001. 2nd draft with hand written notes/ addtions/corrections in the hand of Harry Gilham and others. The talk focuses on the history of the friendships between the Eltham Society in the UK with EDHS and the Eltham & Districts Historical Society Inc (NZ). Margaret's visit in 1997 and 1998, including her personal experience with discussion on the local history. This is a photocopy with the original copy with notes likely returned to Margaret. 31 Pages. HG Booklet 63harry gilham collection, margaret taylor, eltham nsw, talk, reminscences

Contents: • Our Past, Present and Future by Jim Connor • A Peal of Bells by Mal Harrop • Eltham's First Policeman by Jim Allen • Eltham NSW - Railway Cottage by Richard Pinn • Our Christmas Function • Contacts for the Eltham District Historical Society The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

The discovery in a Melbourne park (opposite the Osborne Peninsula, North Warrandyte) of an enigmatic Aboriginal stone tool led writer Jenny Brown on a fascinating journey that connected her with expert anthropologists, archeologists, Indigenous elders and knowledge holders to discover what it was. The stone tool invited many interpretations and spun off just as many amazing stories and experiences. It also afforded Jenny the appropriate canvas to tell of her own time-warping encounters with the extraordinary "otherness" of Aboriginal Australia, and with an especially marvelous character, the late Elder of the Yuin Tribe of southern NSW, Guboo Ted Thomas.193 pages : illustrations (chiefly colour), maps, portraits ; 30 cmindigenous history, aboriginal artefacts, warrandyte, archaeology

Thomas Sweeney was born in Tipperary, Ireland, in 1803, the son of an Irish farming family. As a young man, he became embroiled in the continuing struggle against colonial domination and the injustices of the land tenure system and was captured when trying to burn down the farm house of Patrick Guyder at Cullahill in 1823. His sentence to be hanged was commuted to Life Transportation to New South Wales. After 8 years as an assigned convict within the confines of the NSW Colony, Thomas's 1831 Ticket of Leave allowed him to work for himself. His 1838 Conditional Pardon allowed him to finally break free of that colony and move to the Port Phillip District to start a new life as a free man.In June 1842, while living on the Yarra in Boroondara, Thomas applied to purchase 110 acres in the Parish of Nillumbik. He called his farm 'Culla Hill' after the place in Tipperary where he had been captured in 1823. With hard work and good fortune, the Sweeney family made their mark in the area which came to be called Eltham.The story of Thomas Sweeney, one of the earliest European settlers, told in this comprehensive book, is significant in telling the early history of Eltham.sweeney family, thomas sweeney, eltham, culla hill, port phillip district

This magazine has been collected for the article on page 2, "Pioneers and Painters" about the book published by the Shire of Eltham in celebration of its centenary, edited by Alan Marshall with a photo of Alan Marshall with the book. The article provides some background to Marshall's association with Eltham and Kangaroo Ground and includes notable mentions of Peter Glass, Cecile Glass, Clifton Pugh, Jon Olsen, Justus Jorgensen, Matcham Skipper, Montsalvat and Mudbrick houses. "The Australian Women's Weekly" has been digitised and is accessible via the National Library of Australia's Trove website. Digitised editions cover the period from its first issue in 1933 to 1982 only. The magazine published by Australian Consolidated Press out of Sydney, NSW was a national magazine and at times different issues were published for specific states. This particular issue is one such an example in that the August 4, 1971 edition available via Trove (https://trove.nla.gov.au/newspaper/page/4888729) has a different front cover and the Alan Marshall article on page 2 does not exist. The cover on this edition was originally published in NSW on the July 28 issue (https://trove.nla.gov.au/newspaper/page/4887489)alan marshall, cecile glass, clifton pugh, jon olsen, justus jorgensen, matcham skipper, montsalvat, mudbrick houses, peter glass, pioneers and painters

Kids of all ages enjoy the Miniature Railway. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p163 On Sundays in Eltham thousands of children, mums, dads and grandparents can be seen travelling around Lower Eltham Park in tiny trains. They are among the two and half million passengers who have travelled on the Diamond Valley Railway since it officially began in 1961. The miniature railway originally operated from the 1940s at Chelsworth Park, Ivanhoe, until flooding caused it to be moved to the Eltham Lower Park in 1959. The railway is modelled on the 1920s era – the heyday of passenger rail travel – and the trains are built on a scale of two inches to the foot (1/6). Although not exact replicas, trains include models of the Spirit of Progress, Puffing Billy, The Overland, Dog Boxes, Vic Rail S class, G class and a NSW 81 Class. The three and a half kilometres of track is set amongst native plants and picnic areas. A friendly hoot or the clang of a bell occasionally punctuates the tranquillity as a train emerges from a treed bend with passengers excitedly waving to onlookers. For $3 the train takes you on a 13-minute two-kilometre ride. Passengers sit in single file in the narrow train, which clatters along tracks built to the scale of the Australian narrow gauge of three feet six inches (1.1m). These are used in Queensland, South Australia, Tasmania and Western Australia. Safety standards are stringently kept. Even before you buy a ticket notices tell you that you must wear closed shoes. You can even borrow these, and you are given a pair of socks for the ride! Blue-overalled volunteers check tickets, see you aboard, and drive the train. They are mainly retired men who can at last devote their time to what little boys dream of – playing with trains. Passengers are instructed in safe behaviour, then the station master waves a white flag and off we go. The guard sits at the back with his whistle and green flag at the ready. The winding track, fringed by native trees and bushes planted by volunteers, stands on crown land managed by Nillumbik Council. The train clatters along the track and crosses a bridge over a drain elevated by name to The Blow Fly Creek. We pass by Meadmore Junction at a speed of three kilometres an hour. Then on through a tunnel, accompanied by squeals of delight, and after a few moments of blackness, light glimmers at the end. On we go, past the original platform, along another route past busy Main Road through Pine Creek Station, over a bridge and through another tunnel with more screams of delight.Then a signal stops us before the ‘all clear’ to return to our original point of departure. The railway services its passengers – the largest number of any miniature railway in Australia – with a fleet including: six diesel locomotives, three steam locomotives, eight sets of passenger cars and one battery electric Dog Box set. Members also privately own 20 locomotives and powered carriage sets as well as four carriage sets.1 All the trains are stored on-site in workshops, sheds and a tunnel. The railway is entirely run by volunteers, so that all ticket money is used for maintenance and extensions, and some goes to local charities. Since 1991, the entire railway has been rebuilt, including an upgraded signalling system. About half of the 120 volunteer members are active with about 35 working each Sunday, and a dozen or so working every Wednesday. Members are trained to positions of station assistant, booking officer, train guard, train driver or signalman. Members construct new carriages and locomotives as well as maintaining track, signalling and rolling stock.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, diamond valley railway, eltham lower park

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’. Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s. Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia. Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’ Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

Leaving the Echuca yards and charging up the hill approaching the Iron Bridge. Standing to the left is the Fruit Fly Inspector who was once a common sight at the NSW/Victorian border crossings.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, echuca, echuca railway station, fruit fly inspection, k-173, k-class steam locomotive (vr newport workshops)

The Paddle Steamer Etona was named after Eton College in England. In its earlier days it served as an Anglican Mission boat closer to the mouth of the Murray River. It ended up being bought by two Echuca businessmen, Ian Stewart, a solicitor, and Phil Symons, a chemist. They spent a couple of weeks steaming it up from Goolwa to Echuca where they placed it on the slipway to undertake restoration work. Ian Stewart's Holden is seen alongside the boat. The Moama Slipway was located on the NSW side of the river directly opposite Evans Bros. Sawmill. The boats would be pulled up the slipway on cradles (visible under the boat) by the steam winch seen in the foreground. George Coop had a minor role in assisting with the restoration of the Etona. New redgum planks were bolted to her underside and these were sealed (or caulked) by Phil Symons and Ian Stewart by ramming bitumen soaked rope into the gaps. Other volunteers on hand such as George would apply a putty mixture of bitumen and cement dust over the bolt heads (resulting in the loss of two very nice khaki shirts).Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, echuca, ian stewart, moama slipway, phil symons, ps etona, river boat

A special plant track repair and goods recovery train proceeding to a cattle train derailment on the Balranald (NSW) line from which sheep had also escaped. The train composition was made up of J-Class steam locomtive J-502, a water gin carrying extra water for the train given doubtful supplies en-route, a wagon to reload the surviving sheep, a wagon containing track tools and equipment, a carriage for the work crew, a bogie wagon containing all the specialist tools for re-railing the train, followed lastly by the Guard's van. The specialist wagons and their equipment were based at the Bendigo Depot (see painted markings on van side) in a state of readiness for immediate use as the need arose The train is viewed approaching the Iron Bridge grade out of the Echuca rail yard. The Gatekeepers hut is visible on the right. The gatekeeper would be notified of the approaching train at which time he would open the gate to allow the train to pass through the Packenham Street level crossing.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, echuca, j-502, j-class steam locomotive (vulcan foundry)

A special plant track repair and goods recovery train proceeding to a cattle train derailment on the Balranald (NSW) line from which sheep had also escaped. The train composition was made up of J-Class steam locomtive J-502, a water gin carrying extra water for the train given doubtful supplies en-route, a wagon to reload the surviving sheep, a wagon containing track tools and equipment, a carriage for the work crew, a bogie wagon containing all the specialist tools for re-railing the train, followed lastly by the Guard's van. The specialist wagons and their equipment were based at the Bendigo Depot (see painted markings on van side) in a state of readiness for immediate use as the need arose The train is viewed approaching the Iron Bridge grade out of the Echuca rail yard. The Gatekeepers hut is visible on the right. The gatekeeper would be notified of the approaching train at which time he would open the gate to allow the train to pass through the Packenham Street level crossing.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, echuca, j-502, j-class steam locomotive (vulcan foundry)

Steam locomotive J-507 hauling a goods train from Echuca (Vic.) crosses the Iron Bridge over the Murray River bound for Moama (NSW), August 1963Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, echuca, echuca-moama road rail bridge, j-507, j-class steam locomotive (vulcan foundry)

Steam locomotive J-507 hauling a goods train arrives at Barnes Railway Station on the Victorian Railways line to Deniliquin, NSW, August 1963. Barnes is also the junction for a similar line to Balranald, NSW.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, j-507, j-class steam locomotive (vulcan foundry), barnes railway station

Shunting at Barnes Railway Station (second stop from Echuca) on the Victorian Railways line to Deniliquin, NSW. Once a private line owned by the Deniliquin-Moama Railway Company. Barnes is the junction for a similar line to Balranald, NSW. George Coop's Holden Station Sedan can be seen parked in the railway station driveway.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 20.5 cm)george coop collection, j-507, j-class steam locomotive (vulcan foundry), barnes railway station

Shunting at Barnes Railway Station (second stop from Echuca) on the Victorian Railways line to Deniliquin, NSW. Once a private line owned by the Deniliquin-Moama Railway Company. Barnes is the junction for a similar line to Balranald, NSW.Digital TIFF file Scan of black and white print Enlargement prints on textured paper (15.5 x 15.5 cm)george coop collection, j-507, j-class steam locomotive (vulcan foundry), barnes railway station

Charles Cockcroft born Bundanoon, NSW, 1885, died 1966 and Annie Cockcroft (nee Green) born Lismore, NSW, 1881, died 1943. They are buried together in Eltham Cemetery. On 28 Nov 1931 C.R. Nicholls offered for auction the General Store and attached house he had built on the corner of York Street and Main Road in late 1925. The property was purchased by Charles and Annie Cockcroft from which they lived and ran their grocery business. Following the death of Annie in 1943, and prior to 1949, Charles sold the business and moved farming at Jeeralang North near Traralgon in Gippsland. References: • 1931, 1943 and 1949 Electoral Rolls (Ancestry.com) • Eltham. (1926, January 15). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 2 (AFTERNOON). Retrieved February 23, 2022, from http://nla.gov.au/nla.news-article56659270 • Auction Sale at Eltham (1931, November 20). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 23, 2022, from http://nla.gov.au/nla.news-article56736611Black and white print also negative copy of print (roll of 35mm black and white negative film, 3 strips Ilford FP4)Details inscribed in blue ink on back of photoannie florence cockcroft (nee green), car, charles burgess cockroft, feed store, general store, grocer, grocers, main road, shops, vehicles, york street

Charles Cockcroft born Bundanoon, NSW, 1885, died 1966 and buried in Eltham Cemetery. At one time Charles had a depot in Kangaroo Ground. He delivered groceries as far away as Panton Hill, Cottlesbridge, etc.Black and white print also negative copy of print (roll of 35mm black and white negative film, 3 strips Ilford FP4) also negative copy of print (roll of 35mm colour negative film, 5 of 7 strips Kodak CP100 5094)Details inscribed in blue ink on back of photocharles burgess cockroft, grocer, vehicles, trucks

Camouflage pattern (black, green, brown, khaki) cotton 'giggle' hat. Four brass ventilation fittings in crown. Manufacturer's label sewn inside. Label side 1 - John Star Pty. Ltd. NSW 02-669-1066 Name ............ (note - no name shown) No. ................ (note - no number shown) 100 % COTTON Made in Hong Kong" Label side 2 - care instructions headgear, combat