Calico embroidery pattern for table runner, intended for Renaissance work, or Point Lace. The blue printed pattern depicts leaves and flowers the whole length of the runner." L.B. Lacet Runner. J.W. with a crown in between the two letters, No. 4322" in top left hand corner of the runner and "Worked with Point Braid No. 261" in the top right hande corner. The same inscriptions are found repeated at the other end of the runner.household textiles., tableware, textileworking patterns

Hand embroidered.Butterfly pattern on calico, partially completed in Renaissance Work or Point Lace, with pulled thread, lace braid and cotton embroidery thread stitching.textileworking patterns, household textiles, tableware

Embroidery Kit with pattern and threads. Design is of a bunch of flannel flowers and crowea.embroidery kit, kit, pattern, stamped linen, photograph, threads

Weldon's Magazine of period needlework with the pattern used by Eglantine Gill to stitch the "Tree of Life" (E1843A) in 1936.Magazine with the Jacobean Tree of Life embroidered panel (1843A) on cover and its patterntree of life, crewel, jacobean, embroidery pattern

Pattern and instructions to make a knitted and embroidered toy bunny by Dorothy Addlem Copyright 1997. Four pages printed in black and white with hand drawn diagrams and drawingsBlack and white pattern and instructions to knit and embroider toy bunny.embroidery, pattern

Label on large mat is "Samsun" "Olgunlasma" Enstitusu. From the Embroidery Institute in Samsun on the Black Seas coast of Turkey, established to teach young Turkish girls the old traditional embroidery.One large and a pair of mats in beige linen embroidered in wool in pattern darning in red, black, beige, cream and green, with borders of rust. The ends of the mats are finished with a fine cream macramé fringe which finishes with little bows above the tassels.Label on large mat is "Samsun" "Olgunlasma" Enstitusu.embroidery, pattern darning, 1960-80, turkey

Made to commemorate the centenary of Victoria 1834 - 1934.White cotton, hexagonal, commemorative doily with pulled thread and embroidery pattern and inscription."Centenary of Victoria 1834 - 1934"table ware., commemorative objects, doilies

Unfinished piece of embroidery still in circular embroidery frame. Embroidery pattern of large shells in grey, blue and white silks and pink flowers.handcrafts, equipment, needlework

Gift of the late Mrs Lily Louch, see donor.Cream cotton huckaback fabric with pattern darning in bands of green and cream. The cloth is lined with a printed cotton fabric.embroidery, huckaback, pattern darning, 1900-20, swedish darning

Taylor collection - assorted items including embroidery patterns, envelopes, letter seals, lease agreement found in wooden writing box along with other papers relating to Taylor family.person, individual, taylor

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. Stitchcraft was a monthly craft publication containing knitting and embroidery patterns and was controlled by Patons and Baldwins (UK).STITCHCRAFT / No. 266 / PRICE IN / AUSTRALIA / 1'3knitting handicrafts - history embroidery, stitchcraft ltd, knitting, handicrafts - history, embroidery

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. Stitchcraft was a monthly craft publication containing knitting and embroidery patterns and was controlled by Patons and Baldwins (UK).STITCHCRAFT / No. 274 / PRICE IN / AUSTRALIA / 1'3 / Free / inside / SPECIAL / SUPPLEMENT / OF / Italian / quicknitsknitting handicrafts - history embroidery, stitchcraft ltd, knitting, handicrafts - history, embroidery

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting and embroidery patterns for craft items such as tea cosies, dolls clothes etc.Gifts and / Crafts / "P&B" / BRAND / PATONS & BALDWINS' / SPECIALTY / BOOK / No. 43 / "P&B" / BRAND / PATONS & BALDWINS LTD. / SIXPENCEknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Tea pot would have had a thick tea cosy and this piece over the top as decoration.White tea pot cover - semi-circle in shape. hand made tatting and drawthread edging. Three cut out embroidery patterns with leaves embroidered around them on one side and one example of the sam pattern enlarged on the other side.handcrafts, needlework, manchester, table linen

T.A. Fautleys & Sons (Brunswick, Victoria) manufactured and sold needlework supplies, particularly stamped embroidery patterns from the late 1920's until 1950's. During World War 2 due to austerity measures, some Fautleys patterns were printed on coarser unbleached calico instead of finer fabrics (Australian War Memorial)Apron kit with stamped floral pattern on unbleached calico.Label - Fautley'sflowers, apron

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns and some embroidery patterns at a level suitable for young girls. It was sold by Buckley and Nunn Ltd, a Melbourne department store.Knitting for / THE JUNIOR MISS / by / Patons / 1'6d. BUCKLEY & NUNN LIMITEDhandicrafts - history knitting, patons and baldwins (australia) ltd buckley and nunn limited, handicrafts - history, knitting

Pen drawn pattern for embroideryGec M.

Smocked full length lined coat, fine cream fabric, floral design on front and bottom edges. Cream silk surface embroidery and filled eyelets. Smocking on waist and cuff. 60 mm band of smocking at waist, embroidered collar. Bonnet with matching embroidery pattern, lace trim, frills and rosettes.embroidery, 1900-20, australia, smocking, surface stitchery, garments - childs

Isabella Mary Beeton (née Mayson; 14 March 1836 – 6 February 1865), also known as Mrs Beeton, was an English journalist, editor and writer.In the 19th century, the craft of embroidery became a pastime for women. Needlework creations were crafted to be displayed in the home.This book is an example of a popular book of ithat time.A hard back book with a dark green fabric cover. The title is in gold print -"Beeton's Book of Needlework" inside an ornate gold border. It contains descriptions and instructions for tatting patterns, crochet patterns, knitting patterns, netting patterns, embroidery patterns and point lace patterns. There are six hundred illustrations / engravings. some of the patterns are fold-out.inside cover - "Special first prize to Catherine J. Horne by Mrs William for Needlework" Tarang State Schoolbeeton-isabella needlework-knitting-lacework

Part of Betty Jones collectionBlack chiffon scarf, square. White flower pattern embroidery in one cornercostume, female underwear

White, linen table runner with hand embroidery with floral patterns in various styles.table linen, table ware, table runners, embroidery

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980.The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdie called Margandie, made in Switzerland, and harder wearing than usual organdie. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches.Pale peach mat with white border with Madeira work and embroidery in a pattern of scrolls and flowersembroidery, madeira, marghab, mats

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief embroidered in cream silk white work.The edge is done in blanket stitch on a scalloped edge. The embroidery is patterned around the edge in a wide border.warrnambool,, world war 1 hankerchief, hankerchief, redman hankerchief, embroidered hankerchief

A round cream linen doily with khaki coloured floral embroidery, open cut pattern and a scalloped edge.doilies, table linen, furniture accessories, soft furnishings

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, square white cotton with floral cutwork pattern, embroidery and scalloped edges. From the Chamberlain Dale Lees Collection, flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, handmade, craft, manchester, linen, haberdashery, cutwork

Red covered pattern book of needlework designs from Briggs of Manchester. Over 130 pages with inserts and advertising specific products in the Briggs range.non-fictionneedlework, tatting, embroidery, transfers, art nouveau

White cotton supper cloth with white embroidered with a wide band of drawthread with needle embroidery at corners. Embroidery has raise pattern,handcrafts, needlework, manchester, table linen

Irish linen centre with a wide border of machine made net embroidery in a floral pattern.handkerchief, 1980-2000

Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women.Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in dark and light brown colours, with orange and green flower pattern, and large fur flaps.everyday life, clothing, hats

Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women.Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in blue and purple colours, with red and white flower pattern, and large fur flaps.everyday life, clothing, hats