40 p.; 21 cmnon-fictionA History of the Emerald and District Cooperative Society* by Jo Jenkinson explores the origins and development of the Emerald & District Co-op, which has been operating in the Dandenong Ranges since 1945. The book details how the cooperative was founded in response to wartime shortages, particularly stock feed for local farmers. It highlights the early challenges faced by the community and the cooperative movement's philosophy, which prioritizes collective effort and shared ownership. The book also provides historical context about Emerald, including its early businesses, social institutions, and the impact of the cooperative on the town's growth. [AI generated text]emerald (vic.), emerald and district co-operative society

Climax geared locomotive No. 1694 in active service on special occasions - stored at Emerald Station A Miraculous Survivor Climax locomotive No.1694 is a miraculous survivor of a rare breed of steam locomotive. For about 100 years from the mid-1850s sawn timber was carted from Victorian sawmills to the nearest railway station by timber tramway. These tramways were generally very rough, steeply graded, sharply curved, and of narrow gauge. Many had wooden rails, and horses provided haulage. The better ones used steam locomotives. In all about fifty steam locomotives are known to have worked on Victorian timber tramways. These locomotives were usually somewhat peculiar - made to cope with arduous, rough conditions, rather than speed. Climax locomotive No.1694 is the only one of these locomotives to survive intact. It was built in 1928 by the Climax Manufacturing Company, Corry, Pennsylvania, USA, for the Forests Commission of Victoria. The distinctive feature of the Climax locomotive is that the cylinders do not directly connect to the driving wheels. Instead they drive a cross shaft near the centre of the locomotive. From there the drive is transmitted to the small driving wheels through rotating shafts, universal joints, and bevel gears. The driving wheels are mounted in two four-wheel bogies so that they can easily follow sharp curves in the track. None of these features are found in normal steam locomotives. The result is a locomotive that is extremely powerful for its size, and that will cope with sharp curves and steep grades with ease. But this is at the cost of speed, Climax locomotive No.1694 is just about flat-out at 13 km/h (8 mph). Climax Locomotive Built in 1928 for the Forests Commission of Victoria and painted all-over black with the name CLIMAX painted on the sides of the cab in white block letters, this locomotive was issued to the Tyers Valley tramway which branched off the Moe to Walhalla line at Collins Siding. This locomotive was withdrawn from service in 1949 following the closure of the tramway and in 1950 it travelled from Tyers Junction to Collins Siding to Erica where it remained stored until 1965. Loaned to the Puffing Billy Preservation Society for its Steam Museum, it was taken to Menzies Creek in 1965 where it remained until 1982 when the Emerald Tourist Railway Board bought it and transferred it to Belgrave for restoration. It was returned to service for special use on the Belgrave to Gembrook line in 1988 painted in its original all-over black livery, except that the word “Climax” on the sides of the cab was now painted in the style of the Climax Manufacturing Co., a style that this locomotive had never carried.Historical - Industrial railway - Forests Commission of Victoria, Timber Logging Climax Locomotive Climax geared Steam locomotive made of steel and wrought iron Climax 1694climax locomotive works, climax, geared steam locomotive, puffing billy, climax locomotive no. 1694, steam locomotive

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This emerald green, satin evening dress, owned by Gwen Steele, was worn by her to a reception for Queen Elizabeth II in 1954 at Government House, Melbourne. [The personalised printed invitations are kept in the Subject File 'Gwen Steele'.]Emerald green, satin cocktail dress with shoe-string straps.royal visit (victoria) 1954,, gwen steele, women's clothing, australian fashion - 1950s, cocktail dresses

Jean and Bert Bergwerf bought this cream separator from Gerald Maggs hardware store in Dandenong in 1962, it having previously belonged to a farm in Gippsland. They used it to sell milk to their neighbours and supply milk and cream to the Emerald Fire Brigade. It was manufactured in Dursley, England by R.A. Lister & Co. Ltd. While we know it was bought from the farm in 1962, it is unclear how long it was in use before then. R.A. Lister & Co's Melbourne agency opened in 1893, but this likely isn't quite that old. A similar model held by the Jindera Pioneer Museum and Historical Society Inc. has been dated to c. 1937, and it would be viable for this to be of a similar origin.This item is an example of the tools vital in providing milk and cream to communities through the 20th century.This is a hand-operated bench-mounted ball bearing cream separator consisting of a red-painted stand with a crank, a large drum for spinning, with an output pipe and a small output catchment drum.Embossed Label: "MADE BY / R.A. LISTER & CO. LTD / AT DURSLEY ENGLAND / Lister / VICTORIAN AGENTS / GIPPSLAND & NORTHERN CO-OP / CO. LTD. MELBOURNE C.I." Painted Label (Mostly Faded): "BALL BEARING / CREAM SEPARATOR" Printed Label (Partly cutoff): "[illegible] EVERY TWO MONTHS. / [illegible] DRUM OVERFLOW MUST NOT / [illegible] USED AGAIN ON SEPARATOR." Engraved on handle: "MADE IN ENGLAND" Maker's Mark: "6658/6" [?]emerald, gippsland, farming

Colour digital copy of a newspaper article from the Emerald Hill Weekly, 14 Oct 2009 promoting the forthcoming PMHPS exhibition marking 170 years since the Liardet family landed in 1839. The article quotes Liardet descendent Ynys GRECIAN.liardet family, ynys grecian, wfe liardet, wilbraham frederick evelyn liardet, pmhps, port melbourne historical & preservation society, celebrations fetes and exhibitions

This painting was created by Belgian-born artist Marcel Leman in c. 1964. Leman was a member of the Victorian Artists Society and the Bottle Brush Club, and a founding member of the Malvern Artists Society. The painting depicts a view looking up to John's Hill in Emerald. It was purchased by Jo Jenkinson from Leman's son in the 1980s, reframed and hanged in that home in Emerald until they moved away in 2012.Gift of Jo JenkinsonThis item is a large landscape watercolour painting bordered by a white margin. The painting depicts a hilled landscape; the foreground features several rows of bushes, the midground rises to a tin-roofed house and shed surrounded by trees, and the background climbs more rapidly to a high hill with sparse trees and a cloudy sky. The painting relies mostly on greens in depicting the landscape, with occasional shades of brown interspersed and the lighter colours of the buildings standing out.Obverse, Artist signature: "MLEMAN" Reverse, printed label: "Johns Hill, Emerald / Painted by Belgian artist Marcel Leman / c. 1964 / (to go to Emerald Museum)"emerald, 1960s, john's hill, marcel leman

The donor's maternal great-grandfather, Evan Rees, was born in Llangendeirne, Wales in 1862 and emigrated to Australia in 1887. This postcard appears to be circa 1900s from the clothes worn by the children. The donor believes this postcard belonged to her father's mother, Maggie Johnston Rees (1867-1964). These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.A group of children standing for a photographer in a street in a village. The children's dress suggests they are not well-off and that the period in c1900s.Printed on bottom of postcard (partly obscured): 'B...S...FFOSFELEN ROAD'david moyle, police, evan rees, wales, emerald, belgrave

This postcard may have belonged to the donor's paternal grandmother, Maggie Johnston Rees (1867-1964) as there is another postcard in the collection recounting a trip in Tasmania where the writer is 'M. J. Rees'. This postcard is probably post-1926 when the company had completed a renovation of their Devonport building (which included 'a large, illuminated clock'. These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.Don Trading Company Building - building has three stories topped with a large clock.Printed on bottom L: 'DON STORE' Embossed on bottom R: 'A MARSHALLS / STUDIOS DEVONPORT'david moyle, police, emerald, belgrave, maggie johnston rees, don trading company, devonport, marshalls studios

This postcard may have belonged to the donor's paternal grandmother, Maggie Johnston Rees (1867-1964) as the writer is 'M. J. Rees'. Maggie married in 1935, so this postcard dates before that time possibly c1920s. These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.Tourist postcard with panoramic view of Queenstown and Mt Owen, Tasmania c1920s.Printed on bottom of front: 'QUEENSTOWN, WESTERN TASMANI. A. Tessier, Photo' Printed on back of postcard at the top: 'MOUNT LYELL TOURIST ASSOCIATION / POST CARD / QUEENSTOWN, WESTERN TASMANIA / Queenstown has a population of about 4000, the householders being mainly / employees of the Mount Lyell Smelting Works and Mines. Mount Owen in the background is 3800 feet high.' Handwritten message on back: 'Launceston / Tas. Jan 27th / My dear Uncle / I came / over here on Xmas Day & am / returning on Tuesday, so / have had 5 weeks here / We landed at Burnie / then went all round / the W. coast to Queenstown / & Gormanston. / Then I stayed / at Devonport for / 12 days & have had a / glorious time / & I will write & / tell you about it / when I return. / We have had beautiful / weather too. / Much love / from / M. J. Rees'david moyle, police, emerald, belgrave, maggie johnston rees, queenstown, tasmania, a. tessier, mount lyell

Cable trams consisted of a grip car (or dummy) which towed a trailer saloon car. Melbourne's network of cable tramways developed from the 1880s and became one of the largest in the world at that time. Electrification of the line occurred between 1925 and 1937. This and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its evocation of the early history of Melbourne's much-loved trams. it is also part of a collection belonging to a community member who had a close association with a local historical society.Photographic print of a Melbourne tramcar circa 1920sdavid moyle, police, emerald, belgrave, tramcar, melbourne, 1920s

This plaque was unveiled on 23 April 1915 to commemorate early colonial explorers, Major Mitchell and before him, Hume and Hovell. These explorers crossed the Ovens River in 1824 and 1836. The plaque has now been replaced by a tablet. This photograph and other postcards and photographs came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association. This photograph is significant because it recalls the early history of Victorian colonial exploration and settlement and is emblematic of the importance placed by the local community on Major Mitchell's and Hume and Hovell's explorations. Also, this photograph is part of a collection belonging to a community member who had a close association with a local historical society.Photograph of plaque on tree commemorating Major Mitchell's crossing of the Ovens River (1836) in the footsteps of Hume and Hovell (1824). david moyle, police, emerald, belgrave, major mitchell, hume and hovell, ovens river, plaque

The Macclesfield State School opened in 1904. This is a photograph is of a group event at the school c1920s. This and other photographs and postcards came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of it adds to the history of state schools in the local area. it is also part of a collection belonging to a community member who had a close association with a local historical society.Photographic print of a group of adults and children outside the Macclesfield State School c1920sdavid moyle, police, emerald, belgrave, macclesfield state school, 1920s

Timber was the most important early industry in the Dandenongs, including at Emerald. It provided timber for infrastructure as well as for fuel for the rapidly growing city. Some mills were quite small as this one appears to be. The writer 'Emmy' is probably the daughter of James and Emerald (Watson) Legg who were married in Gembrook in 1885, as Emmy references the names of Legg siblings. This and other photographs and postcards came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of it is a reminder of the importance of the timber industry during early colonial settlement in the Dandenongs and because it references a local family. it is also part of a collection belonging to a community member who had a close association with a local historical society. There is a separate photo of Emmy's father, James Legg, in the collection.Postcard of a timber mill at Emerald early 20th century.On front: 'The Mill - Emerald' On back printed: 'POST CARD / Correspondence Address On back handwritten: 'Jim, Maudie, and Emerald / Wishing you all a Bright / and Happy New Year with / best love from your loving / Sister Emmie'david moyle, police, emerald, belgrave, timber mill

James Legg married Emerald Watson at Gembrook in 1885. The couple had at least 10 children. The San Francisco Instantaneous Photographic Company developed a new technique after 1870 which required exposures for only a fraction of a second. The Company would travel to advertised locations where they would take portrait photographs. This photograph is circa late nineteenth century. This and other postcards and photographs came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its representation of a well-known local man and its evocation of a style of portraiture. It is also part of a collection belonging to a community member who had a close association with a local historical society.A style of photographic portraiture which became popular in Melbourne in the late 19th century, and which could be shared amongst family and friends. This one is sepia colored with rounded corners. The subject, James Legg, appears to be deliberately dressed as a working man and he is holding a long stick or tool and standing on leaves. Some background details are too faded to be able to be discerned accurately.On back printed: 'SAN FRANCISCO / INSTANTANEOUS / PHOTOGRAPHIC COMPANY' On back on the L side handwritten: 'Mr J Legg / alias / Ned Kelly' On back underneath the company information, handwritten: ' Pakenham / J. Legg'david moyle, police, san francisco instantaneous photographic company, gembrook, james legg, emerald

Many sawmills operated in Gembrook in the forest to the east from early colonial settlement days. The opening of the narrow-gauge train line in 1900 assisted the expansion of this industry. This postcard is circa 1900s. This and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its evocation of Gembrook's early timber industry. it is also part of a collection belonging to a community member who had a close association with a local historical society.Sepia postcard with rounded corners featuring photograph of unmade Main Road in Gembrook. The Ranges Hotel which opened in 1902 is just visible on the left. The view is towards the west.On front at bottom, printed: 'MAIN ROAD - GEMBROOK' On back printed at the top: 'POST CARD' Underneath that is printed: 'SPACE FOR CORRESPONDENCE' and 'SPACE FOR ADDRESS' On back is handwritten message: 'J Brooks / 16 notts Sawmills / well fixed / Gembrook'david moyle, police, emerald, belgrave, timber mills, gembrook, brooks, 1900s

This is a historical book published by the Monbulk Historical Society with text by Armin Richter and Jill A'Vard. 2019. It is a history of the roads of Monbulk, Kallista, The Patch and Sherbrooke and of the people and communities who lived there and focuses mainly on the period between 1890s and 1930s.This book is a historical reference book pertaining to neighboring towns whose history overlaps that of Emerald.Soft cover book with 248 pages. Mainly black and white photography. jill a'vard, armin richter, monbulk historical society, 2019, monbulk, the patch, kallista, sherbrooke

The poster belonged to an Emerald real estate agency which is no longer in operation. The donor of this sign had advised that the sign dates from the 1980s and has provided information about the proprietors at that time (who were not part of the Nobelius family). The agency was originally founded by Arch Nobelius, one of the sons of famous Emerald Nurseryman, Carl Axel Nobelius in 1922. Arch Nobelius sold it in 1946.The Nobelius Real Estate Agency is part of a broader historical narrative that includes the establishment of the Nobelius Nursery and the family's significant contributions to the development of Emerald. Small poster with orange background and black bold lettering. A white blank space in the centre.On front of poster printed: 'FIRST NATIONAL REAL ESTATE GROUP NOBELIUS & CO. PTY. LTD. / R.E.S.I. offers M.L.B. / FOR SALE / AGENTS FOR / Statewide Building Society'nobelius & co ltd, real estate agency, emerald, 1980s, arch nobelius