Emu egg goblet presented to Mr F.A. Stratford who was the manager of the first bank in Williamstown, the E.S. & A. Bank (opened 21/3/1854). He was elected, with Chas Ferguson, as assessor to the first Williamstown Council in 1856. He was suceeded as Bank Manager by William Dempster in 1860. Presentation goblet - emu egg mounted on a silver base. The emu egg is lined with silver gilt, the goblet has stylised roses on the base, and vine leaves encircling the stem. Attributed to William Edwards.Around the rim: "Presented TO F.A. STRATFORD.ESQ AS A MARK OF ESTEEM & REGARD WILLIAMSTOWN FEB 9TH 1861"

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

Silver, emu egg and ebonised wood

Displayed at History House.Emu egg uncarved. Deep brown-green colour.

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of fossilised ferns and fragment of Emu egg shell from Forrest Midden. At left: Fossilized ferns from Rhyll quarry. At right: Fragment of Emu egg shell presumably brought to Phillip Island by aborigines - cemented to Mussell shells at Forrest midden.local history, photography, fossils, black & white photograph, midden at forrest caves, john jenner, bryant west

Decorative object made by silversmith Ernest Leviny.Silver mounted emu egg goblet with detachable silver lid decorated with a kneeling Aboriginal figure holding weapons (spear is missing). Emu egg is mounted on a silver base with filigree acanthus leaf designwork on the stem, leading to four sprays on the egg surface with a rose, thistle and shamrock design. The inner egg is lined with a gold wash.Noneernest leviny, silversmithing, colonial silverware, castlemaine, emu egg goblet, buda, c 1859

Displayed at History House.Carved emu egg. Depicts silhouette of a woman in profile, an emu and a swan within decorative borders of a leaf-design. Brown on cream field: i.e.-pigment on relief areas and white/cream layer is one of inner layers of shell.

Ostrich eggs were a novelty item found in many homes in the 19th and early 20th centuries, though in Australian homes they were more likely to be emu eggs. Some ostrich eggs may have been brought to Australia from South Africa after the Boer War or purchased by travellers to foreign lands at other times. This ostrich egg has no known provenance.This ostrich egg has been in the collection of the Warrnambool and District Historical Society for 45 years and the only known connection it has to Warrnambool is seen in the fact that the donor was Mrs Uebergang and the Uebergang name is well-known in our district as the Uebergangs were pioneering settlers in the Allansford/ Warrnambool area. This is a cream-coloured ostrich egg resting in a circular cavity in the centre of a rectangular wooden frame. The egg has a small hole on the top and has paintings of an African woman and child on one side of the egg and huts with palm trees on the other side. history of warrnambool, ostrich eggs, painted ostrich egg

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Decorative object made by Ernest Leviny probably to sell in his jewellers and watchmakers shop in Market Square Castlemaine.Silver mounted emu egg goblet with gold-wash interior and cast emu figure on lid. Silver stem has elaborate scrolled ribbon design and cast decoration topped by four heads of the god Pan. Filigree silver design of grapes and vine leaves above base. 'Egg' rests in 'cup' of filigree feathers/shell and acanthus leaves. Lost wax casting method used.Noneernest leviny, silversmithing, colonial silverware, decorative arts, natural history specimens, ornithology

Document, Sedgwick, was known as Upper Emu Creek until 1901. It is located ten miles south of Bendigo in hilly sedimentary and granite country.The first freehold grants were taken up in 1854. In 1861 the Strathfieldsaye Road District was Proclaimed. Five years later it became the Shire of Strayhfieldsaye.Mining west of the Axe Creek commenced in 1863. Agriculture, farmers made modest livings from vineyards, orchards,dairy cattle, eggs and tomatoes. The Osborne family had seventy acres planted to apples. Prior to 1934 Favaloros collected cream from district farms, then fresh milk in cans was carted to Bendigo until 1970.document, sedgwick