Children would have used this object to erase their mistakes in their work during class. It would have been carried in a pencil case.A piece of brown rubber used to erase mistakes written in pencil"Ormiston/Lyceum/PENCILschools, education, george evans collection

Wooden framed piece of slate used for erasable writing using chalkschool, wood, frame, slate, writing, primary, erasable, rock, chalk

Simpson Pty Ltd Melbourne produced this Black 'Erasive Soap' early in 20th C At this time men wore detachable starched collars attached to .the shirt by buttons or studs. Men also used olive oil to 'slick' down their hair so collars on shirts and coats became grimey. This soap claims to clean stains from all clothes, coat collars and even carpets.Early settlers in Moorabbin shire wore detachable starched collars that were buttoned onto the shirt, This black 'erasive soap' claims to clean collars and remove stains from coats and even carpets A small cardboard box containing an unused bar of black soap manufactured by Simpsons Pty Ltd Melbourne Box Front; Simpsons / ERASIVE / SOAP / CLEANS CLOTHES CLEAN / AND HAS DONE FOR OVER / 50 YEARS Back; Simpsons / ERASIVE SOAP / DEFINITELY DOES / CLEAN COAT COLLARS AND EFFECTIVELY REMOVES SPOTS / AND STAINS FROM ALL CLOTHES / SIMPSONS MANUFACTURING Pty Ltd / MELBOURNE SideS; THE ORIGINAL BLACK SOAP / IN A NEW PACKAGE; WILL REMOVE SPOTS FROM CARPET Ends; SIMPSONS SOAP / THE SPOT REMOVER; SIMPSONS SOAP / FOR CLEANING COAT COLLARS SOAP ; Back ; trademark / SIMPSONS / ERASIVE / SOAP / REGISTERED ; Front ; A.C.L. soap, washing, cleaning, laundry, early settlers, pioneers, collars, shirts, moorabbin shire, bentleigh, highett, cheltenham, washing wringers, mangles, flat irons

Levy Sons & Co. 1895-1919 Paris, France and London, England In 1864 the Parisian photographic studio of Ferrier pere*, fils & Soulier was bought out and became M. Leon & J. Levy. This partnership lasted until 1872 when Leon left and it was renamed J. Levy & Co., which became an important producer of stereo-views and lantern slides. By 1895 his sons had joined the company and it was renamed once again to Levy Sons & Co. (or Levy et ses Fils). His son Lucien became a well known photographer who began publishing international view-cards from his own work depicting scenes mostly from within the French empire, though quite a number are from England and there are some from Australia and Russia as well. There are few French towns that are not captured by his cards. His name does not appear on the cards but - L.L. follows the title as a photo credit. Many of their cards are not attributed. These cards were printed as colotypes in black & white, sepia, and over speckled color lithography. In 1920 the studio united with Neurdein Freres to become Levy & Neurdein reunis. Their negatives are now owned by the Roger-Viollet Photographic Agency. *Claude Marie Ferrier (1811-1889) was also an important early photographer. He was the 'Pere' in Ferrier Pere, Fils & Soulier - best remembered for their stunning series of glass views. Sorting this collection is a challenge. The postcard rears display a variety of forms - a) garland emblem with LL inside, b) with an addition emblem within (FPS?). Or c) - no emblem which may mean production by another company - however LL. remains on the front as a credit to the photographer. http://www.metropostcard.com/picslogos/pcl-levylucien.jpg.jpg http://www.unpi.com/clem/unpostcards/LON1919PC2Naback.jpg Example Colour Card circa 1920 No. 78 Paris - L'Escalier de l'Opera - LL. http://www.postcardcollector.org/forum/index.php?p=/discussion/1306/levy-fils-cie-paris-specifically-lucien-levy-llAbbeyville was a town in the Somme, so that this is a possible reason that the name has been erased on the postcard. http://www.france-voyage.com/travel-photos/abbeville-11435.htmSmall brown covered book of 12 postcards with views of Abbeyville in the Somme. Issue between each each individual postcard. The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. There is a garland in maroon around the maroon oval on the front cover. Print in dark grey on bottom left and right hand side corners.Print "Modele ... Depose" in dark grey on bottom left and "12 Vues Detachables" on right hand side corners. Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. "Levy Fils & Co, Paris sideways along centre line of postcard on verso.abbeyville, levy fils, postcard, vues, panorama, place de l'amiral-courbet, monument, rue alfred-cendre, alfred-cendre street, statue, saint vulfran church, saint gilles church, museum, prarona statue, avenue de la gars, avenue of the station, chevalier de la barre, river somme, somme, talence bridge, correspondence, carte postale, censor, censored

Appears to be an interview recorded at Legacy House of Legatee Ron Isherwood. Legatee Isherwood was president of Melbourne Legacy in 1966. No further details known. Also Dr Norman is mentioned in the paper note. More details to come when the tape is played. A recording of an interview with a president of Legacy.An audio recording on a clear plastic spool in a blue cardboard box. Plus a note about Doctor Normans' address being partially erased.Box, Legacy, handwritten in blue biro. Philips, yellow print, philips logo,red and yellow. Ruban magnetique, bande mince, type re 957 long 540 metres in white print. No titre, date, blue print. Rear of box, Sir Owen Dixon, WMC Radford, KC Clarke, handwritten in pencil and crossed out. 3/8/73 Interview at Legacy House L Ron Isherwood, handwritten in black biro. Spool, calibrations 0-10, Philips, 1, 2. Note, black type, Legacy. Please note that the first two or three minutes of Doctor Normans' address were erased when our reporter recorded an interview with him later.legatee, ron isherwood

Invitation to Bruce and Mavis Morgan from Lynne and Ian Rickards for a Christmas Party to be held at their home on Saturday 4th December 1976Bruce Morgan was the first Shire Secretary (1964-1983) of the Shire of Diamond Valley. This collection was compiled by his wife, Mavis Morgan, detailing the events they attended in their official capacityBeige Card with black handwritten textAddress has been erasedbruce morgan, mavis morgan, rickards family

Names of recipient and sender erased. Front view is of two kittens on a yellow mat. One kitten is partially in cane basket.

Front photo of Scottish dog. A cheerio from Ballarat. Message on back from John and Myrtle. Addressee name has been erased.

Colour slide in a mount. House, unknown location, possibly AustraliaMount Made in England / Encircled 10 (Handwritten) / Encircled 23 (Handwritten-Erased)slide, robin boyd

Colour slide in a mount. Elizabeth Farm, Rose Hill, Sydney, 1793. (Architects: John and Elizabeth Macarthur.)Mount Made in England / Encircled 20 (Handwritten) / Encircled 4 (Handwritten-Erased)slide, robin boyd

Colour slide in a mount. People in lecture theatreCMAS BLACKMAN THEATRE PARTY / 45X4 1/2 (All Handwritten and erased)slide, robin boyd

October 15, 1979 was the very first publicly proclaimed White Cane Day in Victoria. Announced by Premier Hamer, onlookers were invited to learn more about the various societies in Victoria that assisted the blind and vision impaired. Barry Humphries was the guest of honour, and spoke with a small group before venturing out with his own white cane to test out Melbourne’s wet streets. Caravans were set up along Swanston Street to distribute information. The RAAF band played and a square dance exhibition was held by vision impaired dancers in Bourke Street. 13 B/W photographs w/ 20 negatives and 23 col. negativesOn the back of BRIP381.11 is a partially erased pencil description 'Kathy Zwald' and 'Doris Nothling".white cane day, barry humphries, doris nothling, kathy zwald

Rectangular metal plaque documenting the opening of the reptile display by the Minister for Conservation during 1970's. Yellow writing partly erased due to poor cleaning."REPTILE DISPLAY / OPENED BY / THE HONOURABLE / W. A. BORTHWICK, M.P. / MINISTER FOR CONSERVATION / ON 19TH NOVEMBER, 1976 / SIR JOHN JUNGWIRTH .. GRAEME G. GEORGE / CHAIRMAN .. DIRECTOR "plaque, healesville-sanctuary, reptile, minister-for-conservation, borthwick, graeme-george

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. Eight drawings including one pink and green seed pod, one flower detail (side view, bell-shaped), one cutting with foliage and flowers, one stem detail with leaves or buds, one flower detail (above view, star-shaped), one flower bud (side view) and one dark green and one green-brown leaf details. The work is mounted in a double matt (grey on white) in framed under glass in a gold and green-grey frame.Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a stem with leaf, flower and seed pod details. Leaves are soft and long, dark green and grow from the central stem. Flowers are bell-shaped and pink-red. From top-bottom is a pale pink flower in full bloom; a leaf top view; a stem detail with pod with whithered petal; top view of flower; side view of white flower; side view of red flower; internal view of flower (splayed open). Work is mounted in a double matt (grey on pink) and framed under glass in gold painted wooden frame.Front: CEW/72 (signature, lower right) (green pencil). Common Heath - Epacris impressa (lower left) (pencil). Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, woolcock, botanical drawings

Colour slide in a mount. Colonial House, unknown location, AustraliaMount Made in England / 12 / Encircled 2 (Handwritten) / Encircled 21 (Handwritten) / Colonial House (Handwritten-Erased)australia, slide, robin boyd

Framed pieces of slate rock used for erasable writing. Used for writing by school students Slate, two-sided, in wooden frameslates, writing slates, blackboards, school equipment

The person to which this book prize has been awarded has been erased from the book plate.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in blue cloth with gilt decoration and script on the front cover and spine. Gilt edges on paper, black and white illustrations throughout with one fold out color illustration. Slight detached spine with several detached pages.330 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT,/ First PRIZE./ Bible-Class I/ AWARDED TO/ R. KENNEDY,/ Principal/ December.book-prize, clarendon-ladies'-college

These coins belonged to Wilhelm Eckels who was a wool buyer in Sydney when war broke out. He was interned in Camp 1, aged 22 years.2 Australian pennies, 1938 and 1940. Kings head on one side has been erased and "Tatura Meister 1942" (Tatura Master 1942) has been stamped or etched on it. Australian Penny on other side.as abovewilhelm eckels, woolbuyers, australian penny 1940, australian penny 1938, tatura meister

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema

Originally the Eaglehawk Lodge No. 55 was Lodge No. 1203. This was erased in 1889 and became No. 55. In 2012 it merged with other Bendigo Lodges.Bendigo Advertiser '' The way we were'' from 2002. Occasion: the silver jubilees officers of the Eaglehawk Lodge (number 55) in 1914-15. The clip is in a folder.newspaper, bendigo advertiser, the way we were

These are a batch of ten negatives apparently taken around the same time at Gembrook c. early 20th century. They include three images of a bullock team (two with a child in the picture), two images of the Ranges Hotel (one distant), two images of farm workers, one image of the main street, one image of the railway line and one of children playing backyard cricket. The negatives were developed by Baker & Rouse, agents for Kodak, who began their operations in Melbourne in 1905. At some unknown time, the negatives were donated to the Yarra Ranges Regional Museum. At this point, they may have then been placed in individual packets - because the original Baker and Rouse folder was in poor condition - and labels were written. In 2023 or 2024, the Yarra Ranges Museum donated them to the Emerald Museum.These negatives provide a glimpse into early 20th century everyday and farming life of Gembrook.Ten negatives showing people and places in Gembrook circa early 20th century. These negatives are contained in individual packets which are not original. The original film developer's folder is separate. Each negative has been classified separately in Victorian Collections.On folder: 'KODAK / BAKER & ROUSE / PROP. LTD. ... / MELBOURNE: / 284 COLLINS STREET. ...' On back of folder handwritten: ' old Marituna / Gembro [partly erased] atherlie'gembrook, ranges hotel, gembrook general store, baker & rouse, early 20th century

Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Drawing of cuttings and flower and foliage details of plant with brown stem, narrow green leaves and green and yellow flowers. Eight drawings including one cutting with green foliage and four flowers, two flower details (one side view and one above view) two long leaf details, two details of buds and one detail of a stem with five leaves. The work is mounted on apricot and white matts. Framed in gold and grey-green frame with glass glazing.Front: CEW/72 (green pencil, below stem) Pine Heath (lower left) 45 (lower right, erased) Back: 4 (upper left)collin woolcock, woolcock, woolcock collection, botanical drawings, botanical

See also broadcast transcript 'Unique Keith Haring mural deteriorating.(Broadcast transcript). (2010-06-13). In The Canadian Broadcasting Corporation (CBC).' at http://trove.nla.gov.au/work/92744213.Photographs of the Keith Haring Mural executed in 1984 at the Johnston Street building of Collingwood Technical School. Also an in-house VHS video which is labelled ' Keith Haring at CTC. Master do not erase'. A video about the mural can be viewed at http://vimeo.com/44861053collingwood college of tafe, keith haring mural, buildings, nmit

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Several views of flowers, buds and leaves, and one view of cutting. Stem cutting with pointed, thin leaves with dark green tops and pale green undersides. Flowers are white with pink colouring at the ends. Their shape is cup-like with five petals forming a star at top. Stamens end in brown pollen clusters. Work is mounted in a double matt (grey on mauve) and framed under glass in a gold painted wooden frame.Front: CEW/73 (lower left in image, signature) (maroon pencil), Peach heath. Lissanthe strigosa (lower left) (pencil) 34 (lower right, pencil) (erased). Back: (no inscriptions)cema, botanical, collin woolcock

Black and white photo. Group of male bowlers. One of the men has rather crudely been erased. The group has specially made jackets. Inscriptions/Markings: D Ross. 535, G J G Biggs Health Inspector, Sticker on back Photo 11, With Compliments From Newcastle City Bowling Cluborganization, club/society, bowling

The School Paper (Classes VII and VIII); 1914 - 12 copies. Copies re hand-stitched into the covers of an exercise book with the normal pages removed. Initials ‘‘D.M.'' are handwritten in ink on front of some copies; inside front cover a name has been erased (address us Thistle St, Bendigo with a date of 1911).bendigo, education, thistle street, bendigo

A grey coloured booklet with black information on the cover. In the centre reads Australian Army. The Enemy 1970 Amendment List No 1. Under the 1st black line reads Army Headquarters CANBERRA, ACT. The DSN number at the top right corner is partly erased out. There are two punch holes down the left hand side.australia - armed forces - service manuals, the enemy, army headquarters

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a plant stem with detailed views of flowers and leaves. Upper left is a top view of a yellow and red flower, labled "b1". Below this is a study of two heart-shaped, dark green leaves ("c"). In centre is a setm view with many-leafed stems coming from the central stem (approximately 8-10 leaves per stem) ("a"). Three flowers on long thin stalks come from these leafed stems. One bud and two seed pods are also shown sprouting from the stems. On right are two flower views - one side view and one back view. Numbers are in pencil and are also printed on white paper and glued to surface of the paper. The work is mounted in a double matt (off-white on yellow) and framed under glass in a wooden frame with gold paint.Front: Bossiaea cordigea (lower left) (pencil) Written in hand unlike the artist's over an erased pencil title. CEW (signature, lower left of image) (purple pencil) Back: 52 (upper left) (pen)collin woolcock, woolcock collection, woolcock, botanical drawings, botanical