Showing 75 items matching "erased"
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Hume City Civic CollectionEraser
... Children would have used this object to erase their mistakes in their work during class. ...A piece of brown rubber used to erase mistakes written in pencil...Hume City Civic Collection 44 Macedon Street Sunbury melbourne Children would have used this object to erase their mistakes in their work during class. ...Children would have used this object to erase their mistakes in their work during class. It would have been carried in a pencil case.A piece of brown rubber used to erase mistakes written in pencil"Ormiston/Lyceum/PENCILschools, education, george evans collection -
Ringwood and District Historical SocietyPhotograph, View down Manuelo Terrace from Burlock Avenue, North Ringwood, in 1977, before the entrance to Burlock Avenue was erased
... View down Manuelo Terrace from Burlock Avenue, North Ringwood, in 1977, before the entrance to Burlock Avenue was erased...View down Manuelo Terrace from Burlock Avenue, North Ringwood, in 1977, before the entrance to Burlock Avenue was erased Photograph ...Part of a 101-photo record of the development of the "Bel Air" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Jenkins Close, Burlock Avenue, Pamela Court, Manuelo Terrace, Lyn Court, Rudolf Court, Werac Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection (39 Burlock Avenue, North Ringwood) of photos taken from 1976 to 1982. The developer, Mr Kubis, named streets after his family and associates.Looking west down Manuelo Terrace from the corner of Rudolf Court, with Werac Drice on left of centre -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #14, 2014
... (erased scenes) From an untouched landscape #14...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #14 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #4, 2014
... (erased scenes) From an untouched landscape #4...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander James Tylor Mixed Media Photography Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #4 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, james tylor, mixed media, photography -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #10, 2014
... (erased scenes) From an untouched landscape #10...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #10 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories. Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #12, 2014
... (erased scenes) From an untouched landscape #12...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #12 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #5, 2014
... (erased scenes) From an untouched landscape #5...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander James Tylor Mixed Media Photography Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #5 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, james tylor, mixed media, photography -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #13, 2014
... (erased scenes) From an untouched landscape #13...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #13 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories. Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #9, 2014
... (erased scenes) From an untouched landscape #9...Stonnington contemporary art collection Landscape Cultural identity post colonialism First Peoples First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #9 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, post colonialism, first peoples, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Manufactured Object, Erasive Black Soap & Box, early 20thC
... Simpson Pty Ltd Melbourne produced this Black 'Erasive Soap' early in 20th C At this time men wore detachable starched collars attached to .the shirt by buttons or studs. ...Box Front; Simpsons / ERASIVE / SOAP / CLEANS CLOTHES CLEAN / AND HAS DONE FOR OVER / 50 YEARS Back; Simpsons / ERASIVE SOAP / DEFINITELY DOES / CLEAN COAT COLLARS AND EFFECTIVELY REMOVES SPOTS / AND STAINS FROM ALL CLOTHES / SIMPSONS MANUFACTURING Pty Ltd / MELBOURNE SideS; THE ORIGINAL BLACK SOAP / IN A NEW PACKAGE; WILL REMOVE SPOTS FROM CARPET Ends; SIMPSONS SOAP / THE SPOT REMOVER; SIMPSONS SOAP / FOR CLEANING COAT COLLARS SOAP ; Back ; trademark / SIMPSONS / ERASIVE / SOAP / REGISTERED ; Front ; A.C.L. ...A small cardboard box containing an unused bar of black soap manufactured by Simpsons Pty Ltd Melbourne Manufactured Object, Erasive Black Soap & Box Simpsons Manufacturing Pty Ltd ...Simpson Pty Ltd Melbourne produced this Black 'Erasive Soap' early in 20th C At this time men wore detachable starched collars attached to .the shirt by buttons or studs. Men also used olive oil to 'slick' down their hair so collars on shirts and coats became grimey. This soap claims to clean stains from all clothes, coat collars and even carpets.Early settlers in Moorabbin shire wore detachable starched collars that were buttoned onto the shirt, This black 'erasive soap' claims to clean collars and remove stains from coats and even carpets A small cardboard box containing an unused bar of black soap manufactured by Simpsons Pty Ltd Melbourne Box Front; Simpsons / ERASIVE / SOAP / CLEANS CLOTHES CLEAN / AND HAS DONE FOR OVER / 50 YEARS Back; Simpsons / ERASIVE SOAP / DEFINITELY DOES / CLEAN COAT COLLARS AND EFFECTIVELY REMOVES SPOTS / AND STAINS FROM ALL CLOTHES / SIMPSONS MANUFACTURING Pty Ltd / MELBOURNE SideS; THE ORIGINAL BLACK SOAP / IN A NEW PACKAGE; WILL REMOVE SPOTS FROM CARPET Ends; SIMPSONS SOAP / THE SPOT REMOVER; SIMPSONS SOAP / FOR CLEANING COAT COLLARS SOAP ; Back ; trademark / SIMPSONS / ERASIVE / SOAP / REGISTERED ; Front ; A.C.L. soap, washing, cleaning, laundry, early settlers, pioneers, collars, shirts, moorabbin shire, bentleigh, highett, cheltenham, washing wringers, mangles, flat irons -
Federation University Historical CollectionPostcard - Postcard Booklet, Levi Fils & Co, Vues Detachables
... The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. ...Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. ...The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. ...Levy Sons & Co. 1895-1919 Paris, France and London, England In 1864 the Parisian photographic studio of Ferrier pere*, fils & Soulier was bought out and became M. Leon & J. Levy. This partnership lasted until 1872 when Leon left and it was renamed J. Levy & Co., which became an important producer of stereo-views and lantern slides. By 1895 his sons had joined the company and it was renamed once again to Levy Sons & Co. (or Levy et ses Fils). His son Lucien became a well known photographer who began publishing international view-cards from his own work depicting scenes mostly from within the French empire, though quite a number are from England and there are some from Australia and Russia as well. There are few French towns that are not captured by his cards. His name does not appear on the cards but - L.L. follows the title as a photo credit. Many of their cards are not attributed. These cards were printed as colotypes in black & white, sepia, and over speckled color lithography. In 1920 the studio united with Neurdein Freres to become Levy & Neurdein reunis. Their negatives are now owned by the Roger-Viollet Photographic Agency. *Claude Marie Ferrier (1811-1889) was also an important early photographer. He was the 'Pere' in Ferrier Pere, Fils & Soulier - best remembered for their stunning series of glass views. Sorting this collection is a challenge. The postcard rears display a variety of forms - a) garland emblem with LL inside, b) with an addition emblem within (FPS?). Or c) - no emblem which may mean production by another company - however LL. remains on the front as a credit to the photographer. http://www.metropostcard.com/picslogos/pcl-levylucien.jpg.jpg http://www.unpi.com/clem/unpostcards/LON1919PC2Naback.jpg Example Colour Card circa 1920 No. 78 Paris - L'Escalier de l'Opera - LL. http://www.postcardcollector.org/forum/index.php?p=/discussion/1306/levy-fils-cie-paris-specifically-lucien-levy-llAbbeyville was a town in the Somme, so that this is a possible reason that the name has been erased on the postcard. http://www.france-voyage.com/travel-photos/abbeville-11435.htmSmall brown covered book of 12 postcards with views of Abbeyville in the Somme. Issue between each each individual postcard. The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. There is a garland in maroon around the maroon oval on the front cover. Print in dark grey on bottom left and right hand side corners.Print "Modele ... Depose" in dark grey on bottom left and "12 Vues Detachables" on right hand side corners. Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. "Levy Fils & Co, Paris sideways along centre line of postcard on verso.abbeyville, levy fils, postcard, vues, panorama, place de l'amiral-courbet, monument, rue alfred-cendre, alfred-cendre street, statue, saint vulfran church, saint gilles church, museum, prarona statue, avenue de la gars, avenue of the station, chevalier de la barre, river somme, somme, talence bridge, correspondence, carte postale, censor, censored -
Melbourne LegacyAudio - Recording, tape, Legacy, 3/8/1973
... Plus a note about Doctor Normans' address being partially erased....Please note that the first two or three minutes of Doctor Normans' address were erased when our reporter recorded an interview with him later....Plus a note about Doctor Normans' address being partially erased. Legacy Audio Recording, tape ...Appears to be an interview recorded at Legacy House of Legatee Ron Isherwood. Legatee Isherwood was president of Melbourne Legacy in 1966. No further details known. Also Dr Norman is mentioned in the paper note. More details to come when the tape is played. A recording of an interview with a president of Legacy.An audio recording on a clear plastic spool in a blue cardboard box. Plus a note about Doctor Normans' address being partially erased.Box, Legacy, handwritten in blue biro. Philips, yellow print, philips logo,red and yellow. Ruban magnetique, bande mince, type re 957 long 540 metres in white print. No titre, date, blue print. Rear of box, Sir Owen Dixon, WMC Radford, KC Clarke, handwritten in pencil and crossed out. 3/8/73 Interview at Legacy House L Ron Isherwood, handwritten in black biro. Spool, calibrations 0-10, Philips, 1, 2. Note, black type, Legacy. Please note that the first two or three minutes of Doctor Normans' address were erased when our reporter recorded an interview with him later.legatee, ron isherwood -
Greensborough Historical SocietyMemorabilia - Invitation, Lynne and Ian Rickards, Lynne and Ian Rickards Christmas Party Invitation, 11/1976
... Address has been erased...This collection was compiled by his wife, Mavis Morgan, detailing the events they attended in their official capacity bruce morgan mavis morgan rickards family Address has been erased Beige Card with black handwritten text Lynne and Ian Rickards Christmas Party Invitation Memorabilia Invitation Lynne and Ian Rickards ...Invitation to Bruce and Mavis Morgan from Lynne and Ian Rickards for a Christmas Party to be held at their home on Saturday 4th December 1976Bruce Morgan was the first Shire Secretary (1964-1983) of the Shire of Diamond Valley. This collection was compiled by his wife, Mavis Morgan, detailing the events they attended in their official capacityBeige Card with black handwritten textAddress has been erasedbruce morgan, mavis morgan, rickards family -
Upper Yarra MuseumWriting slate
... Wooden framed piece of slate used for erasable writing using chalk...Upper Yarra Museum Old Railway Station 2415C Warburton Highway Yarra Junction yarra-valley-and-dandenong-ranges school wood frame slate writing primary erasable rock chalk Wooden framed piece of slate used for erasable writing using chalk Writing slate ...Wooden framed piece of slate used for erasable writing using chalkschool, wood, frame, slate, writing, primary, erasable, rock, chalk -
Bendigo Historical Society Inc.Postcard - POSTCARD RECIPIENT AND SENDER ERASED
... Names of recipient and sender erased. Front view is of two kittens on a yellow mat. ...Postcard POSTCARD RECIPIENT AND SENDER ERASED. ...Names of recipient and sender erased. Front view is of two kittens on a yellow mat. One kitten is partially in cane basket. -
Bendigo Historical Society Inc.Postcard - POSTCARD NAME ERASED
... Addressee name has been erased....Addressee name has been erased. Postcard POSTCARD NAME ERASED. ...Front photo of Scottish dog. A cheerio from Ballarat. Message on back from John and Myrtle. Addressee name has been erased. -
Robin Boyd FoundationSlide, Robin Boyd
... Mount Made in England / Encircled 10 (Handwritten) / Encircled 23 (Handwritten-Erased)...Robin Boyd Foundation 290 Walsh Street South Yarra melbourne slide robin boyd Mount Made in England / Encircled 10 (Handwritten) / Encircled 23 (Handwritten-Erased) Colour slide in a mount. House, unknown location, possibly Australia Slide Robin Boyd ...Colour slide in a mount. House, unknown location, possibly AustraliaMount Made in England / Encircled 10 (Handwritten) / Encircled 23 (Handwritten-Erased)slide, robin boyd -
Robin Boyd FoundationSlide, Robin Boyd
... Mount Made in England / Encircled 20 (Handwritten) / Encircled 4 (Handwritten-Erased)...Robin Boyd Foundation 290 Walsh Street South Yarra melbourne slide robin boyd Mount Made in England / Encircled 20 (Handwritten) / Encircled 4 (Handwritten-Erased) Colour slide in a mount. Elizabeth Farm, Rose Hill, Sydney, 1793. ...Colour slide in a mount. Elizabeth Farm, Rose Hill, Sydney, 1793. (Architects: John and Elizabeth Macarthur.)Mount Made in England / Encircled 20 (Handwritten) / Encircled 4 (Handwritten-Erased)slide, robin boyd -
Robin Boyd FoundationSlide, Stock image
... CMAS BLACKMAN THEATRE PARTY / 45X4 1/2 (All Handwritten and erased)...Robin Boyd Foundation 290 Walsh Street South Yarra melbourne slide robin boyd CMAS BLACKMAN THEATRE PARTY / 45X4 1/2 (All Handwritten and erased) Colour slide in a mount. People in lecture theatre Slide Stock image ...Colour slide in a mount. People in lecture theatreCMAS BLACKMAN THEATRE PARTY / 45X4 1/2 (All Handwritten and erased)slide, robin boyd -
Vision AustraliaImage, 15/10/1979
... On the back of BRIP381.11 is a partially erased pencil description 'Kathy Zwald' and 'Doris Nothling"....The RAAF band played and a square dance exhibition was held by vision impaired dancers in Bourke Street. white cane day barry humphries doris nothling kathy zwald On the back of BRIP381.11 is a partially erased pencil description 'Kathy Zwald' and 'Doris Nothling". 13 B/W photographs w/ 20 negatives and 23 col. negatives Image ...October 15, 1979 was the very first publicly proclaimed White Cane Day in Victoria. Announced by Premier Hamer, onlookers were invited to learn more about the various societies in Victoria that assisted the blind and vision impaired. Barry Humphries was the guest of honour, and spoke with a small group before venturing out with his own white cane to test out Melbourne’s wet streets. Caravans were set up along Swanston Street to distribute information. The RAAF band played and a square dance exhibition was held by vision impaired dancers in Bourke Street. 13 B/W photographs w/ 20 negatives and 23 col. negativesOn the back of BRIP381.11 is a partially erased pencil description 'Kathy Zwald' and 'Doris Nothling".white cane day, barry humphries, doris nothling, kathy zwald -
Healesville Sanctuary Heritage Centreexhibit display plaque
... Yellow writing partly erased due to poor cleaning....Yellow writing partly erased due to poor cleaning. exhibit display plaque ...Rectangular metal plaque documenting the opening of the reptile display by the Minister for Conservation during 1970's. Yellow writing partly erased due to poor cleaning."REPTILE DISPLAY / OPENED BY / THE HONOURABLE / W. A. BORTHWICK, M.P. / MINISTER FOR CONSERVATION / ON 19TH NOVEMBER, 1976 / SIR JOHN JUNGWIRTH .. GRAEME G. GEORGE / CHAIRMAN .. DIRECTOR "plaque, healesville-sanctuary, reptile, minister-for-conservation, borthwick, graeme-george -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, botanical, Collin Elwyn Woolcock, Leucopogon woodsii (Nodding/Broom Beard-heath), 1971
... Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)...CEMA botanical Collin Woolcock Woolcock Collection botanical drawings Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen) Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. ...Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. Eight drawings including one pink and green seed pod, one flower detail (side view, bell-shaped), one cutting with foliage and flowers, one stem detail with leaves or buds, one flower detail (above view, star-shaped), one flower bud (side view) and one dark green and one green-brown leaf details. The work is mounted in a double matt (grey on white) in framed under glass in a gold and green-grey frame.Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural CollectionDrawing, Collin Elwyn Woolcock, Epacris Impressa (Common Heath), 1972
... Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)...Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen) Drawings of a stem with leaf, flower and seed pod details. ...Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a stem with leaf, flower and seed pod details. Leaves are soft and long, dark green and grow from the central stem. Flowers are bell-shaped and pink-red. From top-bottom is a pale pink flower in full bloom; a leaf top view; a stem detail with pod with whithered petal; top view of flower; side view of white flower; side view of red flower; internal view of flower (splayed open). Work is mounted in a double matt (grey on pink) and framed under glass in gold painted wooden frame.Front: CEW/72 (signature, lower right) (green pencil). Common Heath - Epacris impressa (lower left) (pencil). Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, woolcock, botanical drawings -
Robin Boyd FoundationSlide, Robin Boyd
... Mount Made in England / 12 / Encircled 2 (Handwritten) / Encircled 21 (Handwritten) / Colonial House (Handwritten-Erased)...Robin Boyd Foundation 290 Walsh Street South Yarra melbourne Australia slide robin boyd Mount Made in England / 12 / Encircled 2 (Handwritten) / Encircled 21 (Handwritten) / Colonial House (Handwritten-Erased) Colour slide in a mount. Colonial House, unknown location, Australia Slide Robin Boyd ...Colour slide in a mount. Colonial House, unknown location, AustraliaMount Made in England / 12 / Encircled 2 (Handwritten) / Encircled 21 (Handwritten) / Colonial House (Handwritten-Erased)australia, slide, robin boyd -
Greensborough Historical SocietyFunctional object - Writing Slate
... Framed pieces of slate rock used for erasable writing. Used for writing by school students ...Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Framed pieces of slate rock used for erasable writing. Used for writing by school students slates writing slates blackboards school equipment Slate, two-sided, in wooden frame Functional object Writing Slate ...Framed pieces of slate rock used for erasable writing. Used for writing by school students Slate, two-sided, in wooden frameslates, writing slates, blackboards, school equipment -
Ballarat Clarendon CollegeBook, T Nelson and Sons, Pen and pencil pictures of the holy land, Prior to the book prize given at Christmas, (1890s?)
... The person to which this book prize has been awarded has been erased from the book plate....Ballarat Clarendon College 1425 Sturt Street Ballarat goldfields The person to which this book prize has been awarded has been erased from the book plate. Presbyterian educators placed great value on a classical education matched with diligence in study. ...The person to which this book prize has been awarded has been erased from the book plate.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in blue cloth with gilt decoration and script on the front cover and spine. Gilt edges on paper, black and white illustrations throughout with one fold out color illustration. Slight detached spine with several detached pages.330 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT,/ First PRIZE./ Bible-Class I/ AWARDED TO/ R. KENNEDY,/ Principal/ December.book-prize, clarendon-ladies'-college -
Tatura Irrigation & Wartime Camps MuseumSouvenir - Coins, Australian Pennies, 1938 and 1940
... Kings head on one side has been erased and "Tatura Meister 1942" (Tatura Master 1942) has been stamped or etched on it. ...Kings head on one side has been erased and "Tatura Meister 1942" (Tatura Master 1942) has been stamped or etched on it. ...These coins belonged to Wilhelm Eckels who was a wool buyer in Sydney when war broke out. He was interned in Camp 1, aged 22 years.2 Australian pennies, 1938 and 1940. Kings head on one side has been erased and "Tatura Meister 1942" (Tatura Master 1942) has been stamped or etched on it. Australian Penny on other side.as abovewilhelm eckels, woolbuyers, australian penny 1940, australian penny 1938, tatura meister -
Glenelg Shire Council Cultural CollectionDrawing, Collin Elwyn Woolcock, Dillwynia hispida (Red Parrot-Pea), n.d
... /77 (lower left) (pencil, erased). Back: 40 (top left) (pen).../77 (lower left) (pencil, erased). Back: 40 (top left) (pen) Stem, flower and leaf details of flowering plant in colour pencil. ...Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema -
Bendigo Historical Society Inc.Newspaper - JENNY FOLEY COLLECTION: OCCASION
... Originally the Eaglehawk Lodge No. 55 was Lodge No. 1203. This was erased in 1889 and became No. 55. In 2012 it merged with other Bendigo Lodges....History House 11 Mackenzie Street Bendigo goldfields Originally the Eaglehawk Lodge No. 55 was Lodge No. 1203. This was erased in 1889 and became No. 55. In 2012 it merged with other Bendigo Lodges. ...Originally the Eaglehawk Lodge No. 55 was Lodge No. 1203. This was erased in 1889 and became No. 55. In 2012 it merged with other Bendigo Lodges.Bendigo Advertiser '' The way we were'' from 2002. Occasion: the silver jubilees officers of the Eaglehawk Lodge (number 55) in 1914-15. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Linton Mechanics Institute and Free Library CollectionBook, Adams, Charlotte, Edgar Clifton : or right and wrong : a story of school life, 1895
... Name of pupil has been erased....Name of pupil has been erased. 400 p. : Frontispiece illustration: 'For a moment it rested on the margin of the stream. - P. 129' Edgar Clifton : or right and wrong : a story of school life Book Adams, Charlotte George Routledge and Sons Woodfall and Kinder ...400 p. : Frontispiece illustration: 'For a moment it rested on the margin of the stream. - P. 129'fictionchildren's fiction
