Showing 86 items matching "europe theatre"
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4th/19th Prince of Wales's Light Horse Regiment Unit History RoomBooklet, Field Service Pocket Book. Part II Pam No 6 Administration 1944, 1944
... Europe theatre... information for general application in European theatres of war... Macleod melbourne World War 2 administration Europe theatre ...A paper covered booklet that is a digest of administrative information for general application in European theatres of warworld war 2, administration, europe theatre -
Lara RSL Sub BranchBooklet, Air Publications 1548, The responsibilities of a prisoner of war, 1944
... Issued to Air service personal for use in the European... service personal for use in the European theatre of operations ...Issued to Air service personal for use in the European theatre of operations only. Issued for the information and guidance of all concerned.Card folder - The Responsibilities of a Prisoner of War. Khaki in colour.Folded into three pages.Restricted.The responsibilities of a prisoner of war.European theatre of war.Not to be taken into the air. -
Whitehorse Historical Society Inc.Uniform - Buckle
... Used in European Theatre on WW I by German soldiers...Used in European Theatre on WW I by German soldiers ...Used in European Theatre on WW I by German soldiers - collected by Charles Honybun during his WW I service in France.Rectangular, brass-coloured belt buckles with central medallion of crown surrounded by inscription and leaves. (.2 with portion of leather belt attached).1. GOTT MIT UNS (NA4962.2) 2. IN TREUE FEST (NA4962.1)world war i, mitcham rsl, charles henry honybun -
Dandenong/Cranbourne RSL Sub BranchAssorted Service Medals x 6, Circa 1940s
... Bronze "Italy Star" WWII Europe and Mediterranean Theatre... and Germany Star" WWII Central and Northern European Theatre Service ...Bronze "Italy Star" WWII Europe and Mediterranean Theatre Service. Bronze "Burma Star" WWII Burma Theatre Service Pacific. Bronze "Atlantic Star" WWII Battle of the Atlantic. Air Crew Europe France and Germany. Bronze " France and Germany Star" WWII Central and Northern European Theatre Service. United Nations Service Medal. Korea . Issued for service under U N Command in Korea . U N 1st International Award. United Nations Medal UNFICYP. Issued in 1964 to UN Servicemen in Cyprus. For the restoration of Law and Order. In the Service of Peace. -
Bendigo Military MuseumAccessory - PAMPHLET, 1944
... in the European theatre only. Item re Frederick Gardner DAVEY DFC... in the European theatre only. Item re Frederick Gardner DAVEY DFC ...Air Publication 1548 detailing the responsibilities of air crew in case of becoming POWs. Warning on pamphlet states that it must not be taken into the air. Pamphlet was for use in the European theatre only. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) & .2) The Responsibilities of a Prisioner of War. Light brown card pamphlet folded into 3 sections. Printing in black type front / back..1) Top LH corner of front handwritten in pencil: P/O Daveypow’s, responsibilities off -
Bendigo Military MuseumNewspaper - NEWSPAPER EXTRACTS
... having a detailed map of the European Theatre of War dated 11..." with centre pages having a detailed map of the European Theatre of War ...The various map extract showed the position of the German Control of Europe at the point of time in 1944 and April 1945 near the end. Was for general issue at a time when Allied Forces were on top moving towards German lines.Yellow faded paper, black writing and b & W photos. 1. Four page extract from Newspaper "The Sun" with centre pages having a detailed map of the European Theatre of War dated 11 April 1945. front and Back pages covering normal news items. 2. Four page extract from "The Sun" newspaper giving a phasing of German control of Europe over period of War and a detailed map of position as at 5th August 1944. Final page lists key dates in the history of the War.1. Map headed "The Crumbling German Empire 1939-45". 2. Maps headed "The War Map".ww2, europe, maps, newspapers -
Bendigo Military MuseumBook, David Boyle, World War II in Photographs, 1998
... the European and Pacific theatres of war.... the European and Pacific theatres of war. books-military-history ...Photographic documentation of World War II in both the European and Pacific theatres of war.Illustrated hard cover with title on cover & spine in black & white letters. Dust cover illustrated front & back. Red and grey in colour. 600 pages with cut edges. Black & white illustrations.On front end paper: To Len Xmas 1999, Cynthia Donated by Len Buches familybooks-military-history, photography-photographs -
Bendigo Military MuseumNewspaper - NEWSPAPERS WW2
Various Victorian Newspaper covering start of WW2 and end of WW2 and one covering ANZAC Day in 1927.Faded newspapers on yellowed paper with black writing. 1. The Morning Post April 26th 1927 with articles relating to ANZAC Day. Broadsheet format and 10 pages content. 2. The Sun, Wed Aug 20th 1939 covering era up to the Declaration of War in Europe. Tabloid format in 42 pages. 3. The Sun, Sat Sept 2, 1939 covering lead up to Declaration of War on 2nd Sept, 1939. Tabloid format in 48 pages. 4. & 5. Bendigo Advertiser, Thur Aug 16, 1945 re end of WW2 with Japanese Surrender. Broadsheet format with 16 pages. 6. The Herald, Wed Mar 21st, covering key battles of both theatres of WW2. Broadsheet format with 12 pages.bendigo advertiser, the sun, morning post, newspapers, ww2 -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: Arts & Culture in Banyule, Darebin, Manningham, Nillumbik & Whittlesea; Vol. 4, No. 1, Jan-Feb 1999, 1999
Vol. 4, No. 1, Jan-Feb 1999 CONTENTS LEGACY OF WILLIAM WESTGARTH Beginnings of German culture in Victoria 3 POSTCARD FROM VIENNA Soni Stecker in the coffee capital of Europe 6 SMALL IS BEAUTIFUL Poets Christen the Montsalvat barn 9 NEW BLOOD FOR ARTS OF ELTHAM 11 HILARY JACKMAN IN PROFILE An artist examines her motives 12 POETRY 14 VOLUMES 1ST BIRTHDAY Celebrating a new chapter in the story of Nillumbik 16, 17 NEW HEIDE EXHIBITION Luna Park and the Art of Mass Delirium 18 SONGLINES A dream takes shape for Nerida Kirov 20 THEATRE WITH CAROLYN PICKETT 23 BOOK REVIEWS 24 - 28 CD REVIEWS Coco's Lunch -Wally Wombat Shuffle; Hooray! for Mr Whiskers 29, 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, john borrack, ziebell farmhouse, sumer in the parks, william westgarth, westgarthtown, yarra valley country club, llobex image wizards, soni stecker, vienna, victorian artists supplies, adams of north riding, pool & spa care centre, montsalvat, eltham arts council, hilary jackman, st andrews hotel, jordie albiston, ian mcbryde, city of whittlesea community festival, volumes, clive dickson, luna park, museum of modern art at heide, art in public places, songlines, nerida kirov, manningham arts centres, carolyn pickett, women's circus, edna walling, trisha dixon, jennie churchill, gwen ford, eltham library community gallery, roberta sykes, soni silvan strecker, dymocks booksellers, wintyre recital gallery, carolyn morwood, anne delaney, coco's lunch, bulleen art & garden centre, franciscus henry, monty deli & catering services -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat College of Advanced Education: Scrapbook of newspaper cutting, Book 19; October 1986 to February 1987
Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 4 October 1986 to 26 February 1987. . Book with yellow cover, front. Spiral bound.employment advertisements, application for enrolment, outline of courses, ballarat college of advanced education, bcae, honor for students, european wasps, geology head retires, philip day, kaolin waste used on roads, physical education display, ray richards entertainer, painted a paradise, off to hawaii, patrick hope, dean of business, thelma rungkat librarian, call for wide review, e j tippett obituary, keith twyford applied biology, mystery of platypus, $205000 to increase student intake, engineers find answers, how to make a good drop, rhonda galbally, awards for our stars, victorian regional theatre company, david adden brooke, selwyn hoffman sculptor, study by video coming, managing your health, ohs courses begin, dennis else, champagne prize for kym hodder, symphony orchestra for ballarat, book of the year award, garry kinnane, more courses better facilities, peter widmer exhibition, michael wilson, beauty in ceramics, east in ballarat brew, pacific malting, susan parks on exchange from u s, students without housing, cracks in tertiary system, simon woodward actor, hamlet, record enrolments in business courses, sensitivity in paintings, tamara bekier, hamlet my shock -
Eltham District Historical Society IncPhotograph, David Potts (Latrobe University), Koornong School collection, c.1940-c.1945
Photos include: Log building which the students constructed and used as a co-operative shop, Primary Class, Science class outside their classroom, Government meeting held in the outdoor theatre, Janet and Lawrence Nield. "Koornung School, Warrandyte was established by Clive and Janet Blake Nield in 1939, after they had visited progressive schools in Europe and America. They believed children should be given freedom to grow while learning to accept responsibility; that school should be a miniature democracy and education not a preparation for life but experience of life itself. A government of children and all staff (whatever their jobs in the school) met regularly, made the rules and dealt out punishment for breaking them. The few rules set down by staff related to health and safety, for instance, no pupils were allowed to go into the river without supervision. The school could not have been started at a worse time. Food rationing and coupons, petrol shortages and men at war limiting teaching staff made difficulties. It was an expensive school to run. Financial difficulties became more serious and eventually the school had to close in 1946. Efforts by the children and a Board of Management of notable people failed to save it. Janet Nield (M.A., Dip Ed.) was an inspired teacher of history. She was one of the few women at Melbourne University at that time to gain a Masters degree in history. The Nields left Melbourne to live in Sydney, Clive to work at Sydney University in lecturing in Education and particularly interested in Colombo Plan students. Janet devoted herself to children as a Lay Analyst. She was awarded the title of Training Analyst by a meeting of international psychoanalysts in Europe. - Pat Scott (Mrs Wynne Scott), a former member of staff at Koornung School Collection of five black and white photographs a, letter and descriptive material relating to Koornong School, Warrandyte showing various teachers and students and Connie and Alec Smith's studio.schools, koornong, warrandyte, danila vassilieff, lorna carter, adrian rawlins, teachers, janet nield, clive nield -
Federation University Historical CollectionPhotograph, Frank Wright (left) with father William and brother Alex Wright
Alexander Wright was killed whilst performing at the Birmingham Empire as the result of a German air Attack in October 1940. The theatre had a direct hit. The stage name of Alex Wright was 'Navarre' "Prince of Mimics". According to Frank Wright Alex was a great impersonator with a unique range Bass - tenor with many accents (not unlike Peter Dawson) "AUSTRALIAN KILLED An Australian, Alexander Wright, radio variety star, who toured Europe and Australia under the pseudonym of Navarre, was killed during a recent air raid in a Midland . town. His broth-er, Frank Wright, is musical director for the London County council."(Border Morning Mail, 22 Oct 1940) Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. Sepia formal photograph of a seated man with two boys, one standing on either side of him. They are posed in front of a backdrop showing one side of a window and its curtain, panelling and a painting. The boys are dressed in shoes, socks, knee pants, vests with a chain, white shirts and a jacket. The man is similarly dressed although with long trousers.frank wright, alex wright, navarre, alexander wright, william wright -
Federation University Historical CollectionPostcard, Radio City Music Hall, c1949, 5/4/1949
A Post card from Frank Wright to his friend W. C. Snelling reporting on his travels to New York. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Postcard with black and white photo of the Radio City Music HallPrinted on front - No 214. Radio City Music Hall, World's Largest Theatre, New York. Handwritten on back - Message from Frank Wright to W.C. Snellingfrank wright, radio city music hall -
Federation University Historical Collection
Document - Handwritten document, Frank Wright, Handwritten reminiscences of London County Council entertainments by Frank Wright, 1966s
Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Handwritten notes by Frank Wright totalling 19 pages broken into 1). Introduction 1b). Bands 2). Concert Parties 3). Holidays at home during the war years 4). Open air dancing 5). Children's shows 6). Crystal Palace 7). The grass theatres 8). Iveagh Bequest 9). Open air Symphony ConcertsAll handwritten frank wright, composer, conductor, bands, london county council entertainments -
Federation University Historical CollectionPhotograph - black and white, Frank Wright and Mr Buckley in Auckland, New Zealand, Feb 1933
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of two men dressed in suits and hats, standing at the bottom of a flight of stairs leading to a large public building. At the top of the stairs is a panelled door to the left and to the right is a man standing with his hands on his hips. The man on the left is Frank Wright and the man on his right is Mr Buckley. The place is the museum in Auckland, New Zealand. 2). Black and white photograph of three men wearing suits and hats, walking along the pavement. In the background city buildings can be seen. The man on the left is Frank Wright and the place is Christchurch, New Zealand.1). Written in pencil on back - Frank Wright, Mr Buckley, Auckland (N.Z.) Museum, Feb 1933 2). Stamped on back - The Filmograph Co. (N.Z.), Majestic Theatre Buildings, Christchurch. (The paper has been cut in half, so half the written information is lost) Written in pencil of back - right, adjudicator, secretary N.Z.B.B.ch., Band Contest, 1933frank wright, mr buckley, auckland museum, magestic theatre buildings, brass band, christchurch, adjudicator -
Federation University Historical Collection
Document, In Town Tonight (interview with Frank Wright and an L.C.C. Band) 23 May 1953, 23/5/1953
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white foolscap pages of a typed script for the radio show 'In Town Tonight'. The personalities interviewed by John Ellison included Frank Wright and the L.C.C. Band, Burl Ives and Audrey Hepburn.Written in pencil on front - Frank Wright % Playhouse Theatrefrank wright, in town tonight, john ellison, brass bands, london county council band, burl ives, audrey hepburn -
Federation University Historical CollectionPhotograph, Alexander Wright (Navarre)
Alexander Wright was born on 25 August, 1898 in Smeaton He was the brother of musician Frank Wright. Alex Wright was killed whilst performing at the Birmingham Empire as the result of a German air Attack in October 1940. The theatre had a direct hit. According to Frank Wright Alex was a great impersonator with a unique range Bass - tenor with many accents (not unlike Peter Dawson) "AUSTRALIAN CARUSO Smeaton Boy's Fame Andre Navarre, who left Australia about three years ago to study opera in Europe, bids fair to take a place among the world's great tenors. A few months ago Navarre sang for Melba for the first time, and she immediately acclaimed him to be a finished artist, describing his voice as the nearest approach to the immortal Caruso she had ever heard, writes the Ballarat "Courier." Andre Navarre is, however, only a stage name adopted by Alexander Wright, a son of Mr. and Mrs. William. Wright, of Armstrong street North, Ballarat, and brother of Mr. Frank Wright and Mrs. William Ritchie, of that city. Born at smeaton 31 years ago, in what may be termed a musical atmosphere; Alex. Wright showed a definite desire to sing at a very early age, and in his boyhood figured as soloist at school concerts, etc. His youth was spent around Smeaton, working at home and at various farms in the district until he was about 19 years of age, when he secured a position at the Dunlop rubber works, Melbourne. Up to this period Wright had no vocal training whatever, but being the possessor of a good resonant baritone voice, was persuaded by some of his friends to "have a go at the stage.'' Securing a position in the chorus of "Maid of the Mountains," which was at that time showing at the Theatre Royal, he soon made his voice heard to advantage, and also commenced to take lessons from Signor Robottaro. It was about this time that Wright was invited by a fellow musician to a musical evening at which a member of Rigo's grand opera company, then performing at " The Playhouse," was also present. Hearing Wright sing, the musician immediately said : ' You're a fool to waste your time in a chorus with that voice. Rigo is looking for a singer like you for the role of 'Figaro' in 'Barber of Seville'." Alex, however, did not take the remark seriously, and it was only after the numerous persuasions of friends who obviously knew the real value of his voice that the modest young man was eventually induced to meet Rigo. The Italian maestro was so delighted with the voice that without hesitation he was given the principle role of "The Barber" to study. Many singers having previously been tried and rejected for the part, Wright was astonished at his success in being chosen, and awakened suddenly to the fact by the maestro that a world voice, if properly trained, would surely develop in the young artist, Alex at once settled down to study, and all day long in his boarding house at St. Kilda could be heard rehearsing his new role. In less than a month he had completely mastered the part, and on the opening night, in the exacting role of "The Barber," he was an outstanding success. Later, he toured Australia with many leading artists, including Elsa Stralia and Harry Lauder, and spent his last two years in Sydney, where he was engaged as soloist in the biggest picture house. Realising that a training in Italy and on the Continent was essential for a successful operatic singer, the young artist decided to go overseas to continue his studies. He did not leave Australia, however, before he gratuitously gave a concert in his little home town to the obvious delight of all his old friends, who flocked from all parts of the district to hear him. The hall was packed to overflowing , and so pleased was Alex with the tumultuous reception he received that he sang fewer than 20 songs. Once in Italy, he lost no time in placing himself under the tuition of Cottone, and it was at the studio of this maestro that he met Toti dal Monte, a former protege of the same master. Two years were spent in Italy, when "Navarre" learned to speak the Italian language fluently, and acquired a wide knowledge of the operas. He sang in Milan about a year ago, and was paid some glowing tributes by the Italian Press critics, who likened his voice to that of Caruso. From Italy he went to Paris, where he met John Brownlee and many other famous singers. The critics on the Continent are unanimous that Andre Navarre-the unassuming Smeaton boy, whom his schoolmates still affectionately call "Hock"--is destined to become one of the luminaries in music history. It is interesting to recall some facts concerning the remarkable family from which this artist springs. Four other members have won championship honors in the musical world. Mr. Frank Wright has the Australasian cornet championship to his credit ; Mr. Norman Wright, of Sydney, has won a tenor championship of New Zealand, and has recorded for the Columbia Gramophone Company ; Mrs. Wm. Ritchie ( formerly Miss Laura Wright) won the A.N.A. contralto championship in Melbourne; whilst the oldest member, Lydia (Mrs. C. Cane, now in N.Z.) won the violin championship at South Street when 17 years of age. Last year Mrs. and Mr. Wright celebrated their golden wedding. Both of the old folk are intensely musical, and it has been said that the voice of the mother, although entirely untrained, showed in her earlier days glimpses of the beautiful quality which made Melba famous. Andre Navarre does not propose leaving the Continent for some time. Recently he was offered a 12 months' contract to sing in London for £2500 but on the advice of Melba and his coach, it was refused on the grounds that yet another 12 months' French study was necessary to ensure absolute perfection. That "Alex " has lost none of his school-boy wit is evinced by his own jocular remark that he has "a top C sharp that will crack every window in the Sydney Town Hall!" (Horsham Times, 20 February 1931) "AUSTRALIAN KILLED An Australian, Alexander Wright, radio variety star, who toured Europe and Australia under the pseudonym of Navarre, was killed during a recent air raid in a Midland . town. His broth-er, Frank Wright, is musical director for the London County council."(Border Morning Mail, 22 Oct 1940) Black and white image of Smeaton born Alexander Wright whose professional name was Navarre "Prince of Mimics". alexander wright, alec wright, navarre -
Flagstaff Hill Maritime Museum and VillageVehicle - Furphy Water Cart, J. Furphy & Sons, c. 1942
... army camps, and theatres of war in Europe and the Middle East ...This horse-drawn, two-wheeled cart with a tank, is known as a Furphy Farm Water Cart that was made in Shepparton, northern Victoria, c. 1942. John Furphy (1842-1920) was born in Moonee Ponds, in 1842 to Irish immigrant parents and subsequently raised in the Yarra Valley before the family moved to Kyneton in central Victoria, where he completed an apprenticeship with the firm Hutcheson and Walker. Murphy began operations of his own at a site on Piper Street in Kyneton in 1864. He relocated for a business opportunity and founded the first blacksmiths and wheelwrights shop in the newly surveyed town of Shepparton in 1873. Furphy invented many farming tools and machines including a patented grain-stripper, and won awards at the 1888-89 Melbourne International Exhibition. His most famous invention is the Furphy Farm Water Cart, designed in the 1880s, at a time when water for most households and farms was carted on wagons in wooden barrels. The Furphy’s water cart is a single item that combines a water metal tank and a cart. The design of the cart was simple yet effective, and became popular very quickly and established itself as a vital piece of farming equipment. The water cart has had a number of words cast into its ends over many years. References to the foundry’s location in Shepparton, as well as advertising of other products also manufactured by J. Furphy & Sons were present on the ends. However, the most significant set of words to feature on the tank, was a poem encouraging continual improvement: ‘Good Better Best, Never Let it Rest, Until your Good is Better, And your Better Best’. During The Great War (1914-1918), the water cart was used by the Australian militarily at a large AIF (Australian Imperial Force) camp in Broadmeadows (Melbourne) where thousands of men were camped for months, before being transported aboard. Furphy Water Carts provided water to the troops, and were usually placed near the camp latrines, which was one of the few places the troops could share gossip and tall tales away from the prying eyes and ears of their officers. The water cart drivers were also notorious sources of information, despite most of their news being hearsay, or totally unreliable. By the time the men of the AIF were in engaged in combat on the Gallipoli Peninsula and the Western Front, the carts used for water supply had no markings and became simply referred to as Furphys. This owed as much to the coining of the term ‘Furphy’, Australian slang for suspect information or rumour. After a number of decades as principally a soldier’s word, 'Furphy' entered the broader Australian vernacular and was used mainly by the political class until recently when the term was taken up by a Australian brewer as a beer brand. This Furphy Water Cart was purchased by Friends of Flagstaff Hill in 2014. The support of local individuals, organisations and businesses enabled its restoration and later its installation alongside the existing late-19th century water pipe stand and 1940s hand pump The Furphy Farm Water Cart is of historical significance as it represents a famous Australian time-saving and energy-saving invention of the 1880s, replacing the labour intensive activity of collecting and dispensing water from barrels and casks on the back of carts. The water cart’s connection with manufacturing companies J. Furphy & Sons and Furphy Foundry are significant for being early Australian businesses that are still in operation today. Furphy carts are of military significance for the role they played during The Great War (1914-1918) in Australian army camps, and theatres of war in Europe and the Middle East, to supply the AIF troops with fresh water. A wooden framed, two-wheeled, horse-drawn cart, fitted with a horizontally mounted, cylindrical metal tank. The tank is made of rolled, sheet steel with a riveted seam, and cast iron ends with cast iron ends. The spoked metal wheels have fitted flat iron tyres and metal hubs. A metal pipe is joined to the outlet. The tank is silver coloured, the ends, wheels and trims are crimson, and the script lettering on tank sides is black. There are inscriptions on the tank, ends, and hubs. The water tank was made in 1942 in Shepparton, Australia, by J. Furphy & Sons and has a capacity of 180 gallons (848 litres). Hub perimeter, embossed “J. FURPHY & SONS” “KEEP THE / BOLTS TIGHT” Hub centre embossed [indecipherable] Tank, each side, painted “J. FURPHY & SONS / Makers / SHEPPARTON” Tank ends, embossed – “FURPHY’S FARM WATER CART” “BORN ABOUT 1880 – STILL ‘GOING STRONG’ 1942” “j. FURPHY & SONS / MAKERS / SHEPPARTON - VIC “ “S - - - - - L MANUFACTURERS” [SPECIAL] “SPIKE ROLLERS” “SINGLE TREES” “PLOUGH WHEELS” “IRON CASTINGS” “LAND GRADERS” “STEEL DELVERS” “CAST IRON PIG” “CHAIN YOKES” “GOOD – BETTER – BEST / NEVER LET IT REST / TILL YOUR GOOD IS BETTER / AND YOUR BETTER – BEST” Image [Stork carrying a baby] above shorthand, transcribed "Produce and populate or perish" Image [Furphy Pig Feeder] beside ‘Cast Iron Pig’ Shorthand, transcribed “"Water is the gift of God but beer and whiskey are concoctions of the Devil, come and have a drink of water"warrnambool, flagstaff hill maritime museum, water cart, furphy cart, furphy tank, furphy farm water cart, furphy, john furphy, john furphy & sons, furphy foundry, kyneton, shepparton, mobile water tank, jinker, hutchinson & walker, blacksmith, farm equipment, implement maker, tool maker, horse drawn, stork and baby, good, better, best, barrel, tank, first world war, wwi, eastern front, gallipoli, j furphy & sons -
Bendigo Historical Society Inc.Document - LYDIA CHANCELLOR COLLECTION: 'THE GREAT WAR PICTURE WITH THE FIGHTING FORCES OF EUROPE
A pink programme with black print. On the front are the words ' KINEMACOLOR (urban patents) The World's Events in their Natural Colours. The Great War Picture: With the Fighting Forces of Europe. Direct from the Scale Theatre, London. The Sole Rights for KINEMACOLOR for Australia and New Zealand were secured in England by the Proprietor, Wm. J. Shephard, to whom all communications should be addressed. Mitchell & Casey, General Printers, 25 Tattersall's Lane Melbourne.program, theatre, war, lydia chancellor, collection, w.w. i, event, program, theatre, the great war, war -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: VICTORIAN SYMPHONY ORCHESTRA, c1954
Victorian Symphony Orchestra, Royal Princess Theatre, Bendigo. Direction: Australian Broadcasting Commission. Conducted by Juan Jose Castro. Soloist: Donald Westlake (Clarinet). This series of concerts is arranged by the Australian Broadcasting Commission in Conjunction with the Government of Victoria. Royal Princess Theatre, Bendigo, Thur., 12 Nov. 8 p.m. Programme. Juan Jose Castro. Since he left Australia last November on six months' leave, Mr. Castro has been conducting and holidaying in Europe, and with his wife re-visited South America for the first time in eighteen months. In Italy he corrected the publisher's proofs of his opera, 'Proserpina and the Stranger,' which won the Verdi Prize award by La Scala I 1952, and is now . . . Analytical Notes . . . Personnel of the Orchestra. Conductor: Juan Jose Castro. Associate Conductor: Clive Douglass. First Violins: Bertha Jorgensen (leader), Harry Hutchins (Assistant Leader), Frank Schieblich, Norman Deerson, Paul O'Brien, William Glassford, Ruth Michael, Alex Burlakov. Second Violins: Hyman Lenzer, Robert Pattison, George Paton, Donald Weekes, Marie Bull, Harvey Davis. Violas: Coin Kerr, Mischa Kogan, Marion Ogilvie, Winifred Roberts. Cellos: Don Howley, Henri Touzeau, Valerie Awburn, Ezio Neri. Basses: Guill Fraillon, Frank Cerbasi, Samuel Shiffron. Flutes: Richard Chugg, Leslie Barklamb, Audrey Walklate. Oboes: Jiri Tancibudek, David Woolley. Clarinets: Thomas White, Isobel Carter. Bassoons: Roy White, Gordon Miller, Gordon Grieve, Graham Bickford. Trumpets: Mervyn Simpson, John Geary. Trombones: Stanley Code, John McGade. Bass Trombone: Harold Willis. Tuba: Ron Stevens. Tympani: Gordon Craig. Percussion: Ernest Lighton, Bert Crawford. Harp: Adrian Bendall. Australian Broadcasting Commission; R J F Boyer M.A., Chairman. E R Dawes, Vice-Chairman. Sir John Medley, KT., D.C.L., L.L.D., M.A. P Vanthoff, M.V.O. The Hon. Dame Enid Lyons, G.B.E. J C Stewart, M W O'Donnell, B.E.C. Charles Moses, General Manager. T S Duckmanton, A./Manager for Victoria. Dorrie O'Neil, Concert Manager for Victoria. Photos: Juan Jose Castro, Donald Westlake. Advertisements: Notice to subscribers; Annual General Meeting for Albury, Bendigo, Shepparton, for 1954. TAA serves the Nation. Country Club, Tailored by Buckwalter. GMH, The whole story from A to Z. Carnegie's, 106 Elizabeth St. b/ Victorian Symphony Orchestra, Conducted by Juan Jose Castro, Soloist: Joan Jones (Contralto). This series of concerts is arranged by the Australian Broadcasting Commission in conjunction with the Government of Victoria. Town Hall, Swan Hill. Programme. Juan Jose Castro, (first 4 paragraphs reads as per 4280a). At the end of his 1953 Australian season, Mr. Castro is in conduct concerts in Italy, Paris and London, as well as being re-engaged for Yugo-Slavia, which he visited for the second time last December. With his wife he had the thrill of experiencing . . . Analytical Notes. Personnel of the Orchestra. Conductor: Juan Jose Castro. Associate Conductor: Clive Douglas. First Violins: Bertha Jorgensen (Leader), Harry Hutchins (Assistant Leader), Frank Schieblich, Norman Deerson, Paul O'Brien, William Glasford, Ruth Michael, Alex Burlakov. Second Violins: Hyman Lenzer, Reginald Bradley, Robert Pattison, Donald Weekes, Marie Bull, Harvey Davis Violas: Colin Kerr, Mischa Kogan, Marion Ogilvie, Winifred Roberts. Cellos: Don Howley, Henri Touzeau, Valerie Awburn, Ezio Neri. Basses: Guill Fraillon, Frank Cerbasi, Milinor Morton. Flutes: Richard Chugg, Leslie Barklamb, Audrey Walklate. Oboes: Jiri Tancibudek, David Woolley. Clarinets: Thomas White, Isobel Carter. Bassoons: Thomas Wightman, Noel Hunt. Trumpets: Mervyn Simpson, Standish Roberts. Trombones: Stanley Code, John McGlade. Bass Trombone: Harold Willis, Tuba: Ron Stevens. Tympani: Gordon Craig. Percussion: Ernest Lighton, Bert Crawford. Harp: Adrian Bendall. Australian Broadcasting Commission; committee members. Photos: Juan Jose Castro, Cover. Joan Jones, page 4. Advertisements: QANTAS and B O A C , Qantas Empire Airways LTD. (incorporated I Queensland) in parallel with BRITISH OVERSEAS AIRWAYS CORPORATION. Coming orchestra dates for: Shepparton & Bendigo. Country Club, Tailored by Buckwalter. Carnegie's 'The House of Pianos'.program, theatre, orchestra, a/ victorian symphony orchestra, royal princess theatre, bendigo. direction: australian broadcasting commission. conducted by juan jose castro. soloist: donald westlake (clarinet). this series of concerts is arranged by the australian broadcasting commission in conjunction with the government of victoria. royal princess theatre, bendigo, thur., 12 nov. 8 p.m. programme. juan jose castro. which won the verdi prize award by la scala i 1952, and is now . . . analytical notes . . . orchestra. conductor: juan jose castro. associate conductor: clive douglass. first violins: bertha jorgensen (leader), harry hutchins (assistant leader), frank schieblich, norman deerson, paul o'brien, william glassford, ruth michael, alex burlakov. second violins: hyman lenzer, robert pattison, george paton, donald weekes, marie bull, harvey davis. violas: coin kerr, mischa kogan, marion ogilvie, winifred roberts. cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, samuel shiffron. flutes: richard chugg, leslie barklamb, audrey walklate. oboes: jiri tancibudek, david woolley. clarinets: thomas white, isobel carter. bassoons: roy white, gordon miller, gordon grieve, graham bickford. trumpets: mervyn simpson, john geary. trombones: stanley code, john mcgade. bass trombone: harold willis. tuba: ron stevens. tympani: gordon craig. percussion: ernest lighton, bert crawford. harp: adrian bendall. australian broadcasting commission; r j f boyer m.a., chairman. e r dawes, vice-chairman. sir john medley, kt., d.c.l., l.l.d., m.a. p vanthoff, m.v.o. the hon. dame enid lyons, g.b.e. j c stewart, m w o'donnell, b.e.c. charles moses, general manager. t s duckmanton, a./manager for victoria. dorrie o'neil, concert manager for victoria. photos: juan jose castro, donald westlake. bendigo, 1954. taa. buckwalter. gmh, the whole story from a to z. carnegie's, 106 elizabeth st. b/ soloist: joan jones (contralto). this series of concerts is arranged by the australian broadcasting commission. town hall. juan jose castro. 1953 australian season, analytical notes. personnel of the orchestra. first violins: second violins: reginald bradley. violas: cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, milinor morton. flutes:. oboes:. clarinets:, bassoons: thomas wightman, noel hunt. trumpets: standish roberts. trombones:. bass trombone:, tuba:. tympani:. percussion:. harp:. photos: juan jose castro. joan jones, qantas and b o a c , qantas empire airways ltd. british overseas airways corporation: bendigo. country club, buckwalter. carnegie's a/ victorian symphony orchestra, royal princess theatre, bendigo. direction: australian broadcasting commission. conducted by juan jose castro. soloist: donald westlake (clarinet). australian broadcasting commission government of victoria., thur., 12 nov. 8 p.m. juan jose castro. mr. castro has been conducting and holidaying in europe, and with his wife re-visited south america in italy he corrected the publisher's proofs of his opera, 'proserpina and the stranger, ' verdi prize award by la scala i 1952, .associate conductor: clive douglass. first violins: bertha jorgensen (leader), harry hutchins (assistant leader), frank schieblich, norman deerson, paul o'brien, william glassford, ruth michael, alex burlakov. second violins: hyman lenzer, robert pattison, george paton, donald weekes, marie bull, harvey davis. violas: coin kerr, mischa kogan, marion ogilvie, winifred roberts. cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, samuel shiffron. flutes: richard chugg, leslie barklamb, audrey walklate. oboes: jiri tancibudek, david woolley. clarinets: thomas white, isobel carter. bassoons: roy white, gordon miller, gordon grieve, graham bickford. trumpets: mervyn simpson, john geary. trombones: stanley code, john mcgade. bass trombone: harold willis. tuba: ron stevens. tympani: gordon craig. percussion: ernest lighton, bert crawford. harp: adrian bendall. abccommittee: r j f boyer m.a., chairman. e r dawes, vice-chairman. sir john medley, kt., d.c.l., l.l.d., m.a. p vanthoff, m.v.o. the hon. dame enid lyons, g.b.e. j c stewart, m w o'donnell, b.e.c. charles moses, general manager. t s duckmanton, a./manager for victoria. dorrie o'neil, concert manager for victoria. photos: juan jose castro, donald westlake. advertisements: notice to subscribers; annual general meeting for albury, bendigo, shepparton, for 1954. taa. country club, . gmh, b/ victorian symphony orchestra, conducted by juan jose castro, soloist: joan jones (contralto). at the end of his 1953 australian season, mr. castro is in conduct concerts in italy, paris and london, as well as being re-engaged for yugo-slavia, . analytical notes. personnel of the orchestra. associate conductor: clive douglas. first violins: bertha jorgensen (leader), harry hutchins (assistant leader), frank schieblich, norman deerson, paul o'brien, william glasford, ruth michael, alex burlakov. second violins: hyman lenzer, reginald bradley, robert pattison, donald weekes, marie bull, harvey davis violas: colin kerr, mischa kogan, marion ogilvie, winifred roberts. cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, milinor morton. flutes: richard chugg, leslie barklamb, audrey walklate. oboes: jiri tancibudek, david woolley. clarinets: thomas white, isobel carter. bassoons: thomas wightman, noel hunt. trumpets: mervyn simpson, standish roberts. trombones: stanley code, john mcglade. bass trombone: harold willis, tuba: ron stevens. tympani: gordon craig. percussion: ernest lighton, bert crawford. harp: adrian bendall. australian broadcasting commission; committee members. photos: juan jose castro, cover. joan jones, page 4. advertisements: qantas and b o a c , qantas empire airways ltd. (incorporated i queensland) in parallel with british overseas airways corporation. coming orchestra dates for: shepparton & bendigo. country club, tailored by buckwalter. carnegie's 'the house of pianos'. -
Bendigo Historical Society Inc.
Document - FATHER SYDNEY MACEWAN - TENOR, 16 Aug, 1956
The Australian Broadcasting Commission has pleasure in presenting Father Sydney MacEwan (Tenor). Victorian Country Tour 8.15pm. Associate Artist: John Douglas Todd, Pianist. Albury, Regent Theatre, Wed., 25th July. Ballarat, Regent Theatre, Thurs., 2nd Aug. Bendigo, Princess Theatre, Thurs., 16th Aug. Programme One Shilling. Listing of records by Father Sydney MacEwan imported in from England and 2 Australian made records available in local music stores. Father Sydney MacEwan is on his third visit to Australia. The first in 1936 and second in 1948, when he was invited to attend the Centenary of the Roman Catholic Diocese in Melbourne. It was not long after the first trip to Australia, and tours of Canada, the USA and Europe that Sydney MacEwan decided to become a priest, and renounced tempting radio and concert contracts. During the war he was an officiating Chaplin to the RAF Father MacEwan's normal duties as a parish priest . . . John Douglas Todd Tasmanian born in Tasmaniabut lived most of his life in Sydney. As associate artist with father MacEwan, John Douglas Todd, Sydney pianist, is making his sixth tour for the ABC and his second tour with Father MacEwan. He previously toured for the ABC with violinist Jeanne Gautier and singers William Warfield, Lord Lurgan and John Dudley. . . Programme Notes. Australian Broadcasting Commission R J Boyer, E R Dawes, Sir John Medley, The Hon. Dame Enid Lyons, P W Nette, P Vanthoff, C W Anderson, Charles Moses, Conrad Charlton, Dorrie O'Neil. Alceo Galliera conducting the Victoria Symphony Orchestra, Soloist Mervyn Simpson, Trumpet. Coming concert dates Bendigo & Albury. Peter Dawson, Baritone with the Victorian Symphony Orchestra Concert Date. Advertisements for Georges of Collins St., Berlei, Wynvale Wines. Includes photographs of Father Sydney MacEwan & John Douglas Todd. 8 pages plus cover.program, theatre, father sydney macewan, the australian broadcasting commission pesenting father sydney macewan (tenor). victorian country tour associate artist: john douglas todd, pianist. bendigo, princess theatre, thurs., 16th aug. programme one shilling. records by father sydney macewan imported and 2 australian made records available music stores. 3rd visit to australia. 1st in 1936 & 2nd in 1948, centenary of the roman catholic diocese in melbourne. 1st trip to australia, and tours of canada, the usa and europe that sydney macewan decided to become a priest. during the war he was an officiating chaplin to the raf. john douglas todd tasmanian born lived life in sydney. associate artist with father macewan, john douglas todd, sydney pianist, 6th tour for the abc and 2nd tour with father macewan. he toured for the abc with violinist jeanne gautier and william warfield, lord lurgan and john dudley. programme notes. r j boyer, e r dawes, sir john medley, the hon. dame enid lyons, p w nette, p vanthoff, c w anderson, charles moses, conrad charlton, dorrie o'neil. alceo galliera conducting the victoria symphony orchestra, soloist mervyn simpson, trumpet.. peter dawson, baritone with the victorian symphony orchestra georges of collins st., berlei, wynvale wines. photographs of father sydney macewan & john douglas todd. -
Bendigo Historical Society Inc.Document - MERLE HALL COLLECTION: VARIOUS DOCUMENTS OF THE VICTORIAN ARTS COUNCIL
Various documents of The Victorian Arts Council - a. re availability to 10 branches of Piano Fund Encouragement Grant (Guidelines Proposal); b. Branch Information Bulletin re ''Some Great Fools from History'' (Nola Rae) for tour 1979; c. Information to Branch Secretaries re National Gallery Touring Exhibition '' Tribal and Traditional Textiles''1979; d. Branch Briefing Bulletin - the First Ever Arts Council Subscription Series with General Promotional Timetable (undated); e. issue of ''Arts Council News'' (re Subscription Series), 1979; f. Template for News Release for new subscription series: Release 1 ''Exciting Year's Theatre Going for Bendigo'' (re 1979); g. Poster (coloured/two-sided) for the ''First Ever Subscription Series'' - promotion of four shows (details) and Subscription Details; h. Annual Report 1997; i. Memo dated 5/8/1986 re ''Going Bananas''; j. Memo dated 8/1/1988 re publicity for ''Europe'';k. Press Release for ''The Sentimental Bloke'' (for Feb 15 '86?) J B Osborne theatre); l. Memo to Branch Secretaries re the ''1984 Programme''; m. Press Release re Anne Phelan with play ''Away''; n. Notes from the Presentation on applying marketing techniques for the recruitment of members/committee;members Regional Conferences 1996; o. 3 paged Information Sheet re Touring Unit, Presenter Services Information re guarantee against loss; p. B&W photograph - inscribed on back: Helen Morse & Paul English 'Europe' 1988; q. Application for Guarantee Against Loss (by AB in relation to ''Don't shoot me - I'm just the messenger'' 1997 -
Bendigo Historical Society Inc.Programme - Bendigo Operatic Society: The Student Prince
The Student Prince is an operetta in 4 acts plus a prologue. Music is by Sigmund Romberg and lyrics by Dorothy Donnelly. It was based on a play "Old Heidelberg". It opened on Broadway in December 1924 and portrayed European student fraternities.Bendigo Operatic Society program from The Student Prince production 8 double sided pages, printed program with photos of those involved & cast Capital Theatre for a six night season: Thurs 15th, Friday 16th, Saturday 17th, Thurs 22nd, Friday 23rd & Saturday 24th June 1972 Pink coloured program (front & back pages)souvenir programme, bendigo operatic society -
Monbulk RSL Sub BranchBook, Nigel Cawthorne, Reaping the whirlwind : the German and Japanese experience of World War II, 2007
Reaping the Whirlwind offers amazing insight into the events of World War II through the eyes of those who fought against the Allied forces in all theatres of the war. Readers will comb through many previously unpublished accounts of the war from German, Italian and Japanese soldiers, civilians and military leaders. The book covers every major arena of the war: Europe; the German invasion of Russia; Rommel's Afrika Korps; and the Pacific war between Japan and forces of the US, Australia and New Zealand. Reaping the Whirlwind uses the authentic voices of Germans and Japanese people caught up in the conflict and highlights the similar deprivations and dangers experienced by both victors and vanquished.Index, bibliography, ill, maps, p.288.non-fictionReaping the Whirlwind offers amazing insight into the events of World War II through the eyes of those who fought against the Allied forces in all theatres of the war. Readers will comb through many previously unpublished accounts of the war from German, Italian and Japanese soldiers, civilians and military leaders. The book covers every major arena of the war: Europe; the German invasion of Russia; Rommel's Afrika Korps; and the Pacific war between Japan and forces of the US, Australia and New Zealand. Reaping the Whirlwind uses the authentic voices of Germans and Japanese people caught up in the conflict and highlights the similar deprivations and dangers experienced by both victors and vanquished. world war 1939-1945 - participation - germany, world war 1939-1945 - participation - japan -
Monbulk RSL Sub BranchBook, Frontline Books, Battle Group : German Kamfgruppen Action in World War Two, 2014
The German army in the Second World War sought to fight and win swift, decisive victories in a succession of short campaigns - blitzkrieg, or lightning war. Flexibility was as essential as the will to win. Battle groups, or shock troops, were created from miscellaneous, and often disparate military units to undertake a specific local operation; it was the army's skill in combining superior numbers, aggressive tactics and the battle group commander's ability to exploit the changing situation on the ground which brought success on the battlefield. The actions described here cover all theatres of the war, and include battle groups large and small, deployed usually to smash a breach in the enemy line or seal off an enemy penetration. It covers operations in the first dynamic years when Wehrmacht forces defeated the armies of one European country after another in fast campaigns, through to the years after Stalingrad and Africa as they moved towards defeat. The battle groups' contribution to Wehrmacht fortunes offer powerful lessons in the tactics of battle management and this book by James Lucas, a military historian known for his close studies of the German soldier, is considered to be one of the most detailed and authoritative accounts on the subject. Collapse summaryIndex, bibliography, maps, ill, p.173.non-fictionThe German army in the Second World War sought to fight and win swift, decisive victories in a succession of short campaigns - blitzkrieg, or lightning war. Flexibility was as essential as the will to win. Battle groups, or shock troops, were created from miscellaneous, and often disparate military units to undertake a specific local operation; it was the army's skill in combining superior numbers, aggressive tactics and the battle group commander's ability to exploit the changing situation on the ground which brought success on the battlefield. The actions described here cover all theatres of the war, and include battle groups large and small, deployed usually to smash a breach in the enemy line or seal off an enemy penetration. It covers operations in the first dynamic years when Wehrmacht forces defeated the armies of one European country after another in fast campaigns, through to the years after Stalingrad and Africa as they moved towards defeat. The battle groups' contribution to Wehrmacht fortunes offer powerful lessons in the tactics of battle management and this book by James Lucas, a military historian known for his close studies of the German soldier, is considered to be one of the most detailed and authoritative accounts on the subject. Collapse summary germany - armed forces - history, germany - regimental histories -
Bendigo Historical Society Inc.Document - LONG GULLY HISTORY GROUP COLLECTION: THE BENDIGO POST OFFICE
Article titled The Bendigo Post Office, compiled by L C Bennetts. Mentioned is the history of the Bendigo Post Office and postmarks, some information on mining, Bendigo foundries, Underground connections of mines, expenses and shaft sinking costs. Also mentioned is Bendigo and Eaglehawk - 60 years ago and the role the pubs played in daily living. They were where theatres, concerts and dances were held, and the meeting rooms for clubs and lodges, even church benefits. Listed is a number of Bendigo hotels. Some even had a few names. Names of the pubs are: The Freemasons, The Courthouse, The Commercial Law Courts, The Hamburg, The European, The Prince Bismark, The Lord Kitchener, The Bendigo, The Rosalind Park, The Showgrounds, Atheneum Club, Olivers, Bridge Hotel, Bourkes, The Globe, The Hibernia, Albert, Albion, Abbotts, Australian, Belvidere, Beehive, British Queen, Black Eagle, British and American, Brian Boru, Bakers Arms, Butchers Arms, Brick Layers Arms, Bull and Mouth, Cresent, Clarence, Back Creek Bridge, Cape Clear, Crooked Billet, Cambridgeshire Arms, Camp, Coach and Horses, Cricketers Arms, Diggers Rest, Ellesmere, Five Lions, Franklyn, Golden Square, Golden Gate, Golden Gully, Golden Age, Golden Vine, Gumtree, Glasgow Reef, Great Britain, Haymarket, Daniel O'Connell, Half Way House, Fleece Inn, Ironbark, Johnsons Reef, Lancashire, Live and Let Live, Manchester Arms, Gold Mines, Metropolitan, Crown, National, New Chum, Honeysuckle Street, Pavilion, Napier Arms, Quartz Miners Arms, Retreat Inn, Rainbow, Rose of Australia, Lake View, Robin Hood, Fountain, Southern Cross, Bath, Berlin, Spring Gully, Star, Sir Charles Hotham, Silvermines, Royal Oak, Suburban, Town Hall, Temperance, Ship Inn, View Point, View Bend, Victoria, Exchange, American, Arcade, Belfast, All Nations, Union, United Kingdom, Union Jack, Westend, Washington, Waterloo, Wellington, Whitehorse, Wheat Sheaf, Yorkshire, Niagra and Noahs Ark.bendigo, history, long gully history group, the long gully history group - the bendigo post office, l c bennetts, mt alexander post office, porcupine inn, cenotaph, pike or pyke, baby health centre, sandhurst post office, government survey office, queen elizabeth oval, sandhurst trustees company, mr h b briston, savings bank, telegraph office, the sub-treasury, sir henry brougham lock kcb, sir john nimmo mla, prince of wales group of mines, the new prince of wales, eaglehawk golf links, new prince of wales no 2, the whip and jersey, mines department, lansell's big 180, new chum and victoria mine and battery, new chum railway, koch's pioneer, south new moon, catherine reef united, new moon, the virginia, south bell vue, central nell gwynne, north nell gwynne, miner's phthisis, hercules engine house, ironbark, new chum syncline, hercules energetic, roberts & sons, harkness & co, horwoods, great southern, ulster, carlisle, lansells big 180, victoria quartz, new st mungo, duchess tribute, south devonshire, hopewell mine, saxby mine, mcnair & co, shamrock, mr king, burke and wills expedition, sandhurst hotel, courthouse, hiberian, the freemasons, the courthouse, the commercial law courts, the hamburg, the european, the prince bismark, the lord kitchener, the bendigo, the rosalind park, the showgrounds, atheneum club, olivers, bridge hotel, bourkes, the globe, the hibernia, albert, albion, abbotts, australian, belvidere, beehive, british queen, black eagle, british and american, brian boru, bakers arms, butchers arms, brick layers arms, bull and mouth, cresent, clarence, back creek bridge, cape clear, crooked billet, cambridgeshire arms, camp, coach and horses, cricketers arms, diggers rest, ellesmere, five lions, franklyn, golden square, golden gate, golden gully, golden age, golden vine, gumtree, glasgow reef, great britain, haymarket, daniel o'connell, half way house, fleece inn, ironbark, johnsons reef, lancashire, live and let live, manchester arms, gold mines, metropolitan, crown, national, new chum, honeysuckle street, pavilion, napier arms, quartz miners arms, retreat inn, rainbow, rose of australia, lake view, robin hood, fountain, southern cross, bath, berlin, spring gully, star, sir charles hotham, silvermines, royal oak, suburban, town hall, temperance, ship inn, view point, view bend, victoria, exchange, american, arcade, belfast, all nations, union, united kingdom, union jack, westend, washington, waterloo, wellington, whitehorse, wheat sheaf, yorkshire, niagra, noahs ark -
Monbulk RSL Sub BranchBook, Aurum Press Ltd, The secret listeners : The men and women posted across the world to intercept the secret german codes for Bletchley Park, 2012
... radio traffic in the European theatre. This is the story ...Before Bletchley Park could break the German war machine's code, its daily military communications had to be monitored and recorded by 'the Listening Service', the wartime department whose bases moved with every theatre of war (Cairo, Malta, Gibraltar, Iraq, Cyprus) as well as having listening stations along the eastern coast of Britain to intercept radio traffic in the European theatre. This is the story of the - usually very young - men and women sent out to farflung outposts to listen in for Bletchley Park, an oral history of exotic locations and ordinary lives turned upside down by a sudden remote posting - the heady nightlife in Cairo, filing cabinets full of snakes in North Africa, and flights out to Delhi by luxurious flying boat.Index, ill, map, p.354.non-fictionBefore Bletchley Park could break the German war machine's code, its daily military communications had to be monitored and recorded by 'the Listening Service', the wartime department whose bases moved with every theatre of war (Cairo, Malta, Gibraltar, Iraq, Cyprus) as well as having listening stations along the eastern coast of Britain to intercept radio traffic in the European theatre. This is the story of the - usually very young - men and women sent out to farflung outposts to listen in for Bletchley Park, an oral history of exotic locations and ordinary lives turned upside down by a sudden remote posting - the heady nightlife in Cairo, filing cabinets full of snakes in North Africa, and flights out to Delhi by luxurious flying boat.world war 1939-1945 - great britain - intelligence, world war 1939-1945 - cryptography -
Robin Boyd FoundationSlide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Malmo Opera House, Malmo, Sweden 1944. (Architect: Sigurd Lewerentz.)Malmo Theatre (Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
Robin Boyd FoundationSlide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Statue of Poseidon, Götaplatsen, Gothenburg, SwedenGothenburg / Milles / Milles Statue in 'Gotaplasten' / Theatre in rear by Carl Bengsten / 1932 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
Melbourne Athenaeum ArchivesTheatre Program, Minna Von Barnhelm (play) by Gotthold Lessing performed at Athenaeum Theatre commencing 10 February 1982
First performed in 1767, the background of the play is the Seven Years' War in Europe. this production is an adaptation by Ray Lawler.The program contains background information on author and play ; good conditionminna von barnhelm, athenaeum theatre, program, melbourne theatre company, gotthold lessing, ray lawler, seven years' war
