Green flyer advertising the R.S.L. (Bendigo Sub-Branch) Diggers Carnival Grand Exhibition of Flowers held on the night of Friday, December 3rd, (no year printed). There were 14 competitive Sections for flowers. Prizes are detailed. At the end is mentioned a cookery competition.Cambridge Press Print, Bendigo.event, social, exhibition of flowers, r.s.l. bendigo collection - rsl diggers carnival grand exhibition of flowers, bendigo horticultural society, relief patriotic fund, club building fund, cambridge press print

Photocopy of the advertisement in the "Argus" 24.12.1862. Horticultural Society of Victoria - Opening, Exhibition of Flowers and Fruits, Admission, Grand Floral Fete and Collation.the australian, horticultural society of victoria, opening day, flower show, survey paddock, burnley gardens, horticultural society's gardens

The Eaglehawk community enjoys a successful annual festival comprising of numerous separate activities to enjoy over a 5 day period. These include: Street Procession, Gala Fair, Art Exhibition, Flower Show, Folk Art, Literary Competition, Heritage displays, Sunday family Day to name a few.Eaglehawk Dahlia and Arts Festival Procession - Bendigo Historical Society boarding their tram Tram and assistant getting ready Eaglehawk Traders' tram Tram on the way Tram crossing Victoria Street Steam Engine Mens Highland Band Ladies Highland Band Old Cars Wedderburn Eucalyptus Float Horse and Donkey Drawn Vehicles Float Brass Band VIP's Highland Band Walkers and Tram Public Gardens and flowershistory, bendigo, eaglehawk dahlia and arts festival, processions, parades, highland bands, bendigo historical society, eaglehawk gardens, eaglehawk

Flower shows or Horticultural exhibitions were a popular form of entertainment and scientific pastime in the nineteenth and twentieth centuries and were widely reported on and followed. Ballarat was a major centre for nurseries and prided itself as a garden city promoting many shows at all levels including grand national exhibitions. Exhibitors ranged from professional hybridists, nurserymen and florists to amateur growers. This award represents the cottage or amateur class in flower shows and was awarded at St Andrew's Jubilee Exhibition and Flower Show. It is one of many in the Taffe family collection won by members of the family between 1899 and 2004. The collection covers three generations of amateur growers and showers across three different centuries.This collection also highlights one of the interactions between members of different religious faith communities in Ballarat in the early twentieth century as this Roman Catholic family were exhibiting at Church of England and Presbyterian functions as well as other shows across the community. Class B, No 14. 57, Six varieties of pansies, Miss Taaffest andrew's, jubilee, jubilee exhibition and flower show, ballarat, pansies miss taaffe, taffe, baxter & stubbs., roman catholic, church of england, presbyterian, interfaith.

The Ballarat Scinece and Field Natualists' Club was closely associated with the Ballarat School of Mines. Two typed carbon copied letters from the Ballarat Science and Field Naturalists Club regarding wild flower exhibitions. .1) dated 1st October 1915 and signed C. A. Hoadley and H. L. Williamson (Honorary Secretaries). .2) dated 8th September 1916 and signed W. H. Collyer and H. B. Williamson (Honorary Secretaries). Letters describe the picking, packaging and delivery of flowers for the show..1) THE BALLARAT SCIENCE & FIELD NATUALISTS' CLUB 1st October, 1915 We intend holding an Exhibition fo Woldflowers on Saturday the 16th October next with a view of helping the Red Cross Fund. Thinking that in your locality there are a number of native shrubs in bloom, we appeal to you to help by sending along some bunches for show and sale. ... .2) THE BALLARAT SCIENCE AND FIELD NATUALISTS' CLUB 8th September, 1916 Dear ................................... Encourage by the interest in our Wild-floweres Show held in October last yer, and mindful of the fact that our efforts resulted in a substantial ampint being raised for the Red Cross fund, we have decided to hold another Exhibition on the 7th October next, in aid of the same Fund and the Lady Mayoress' League. May we hope for help from you in sending boxes of blooms for show and sale? It may be that you were one of our contributers last year. ... charles hoadley, c. a. hoadley, h. l. williamson, h. b. williamson, smb, ballarat school of mines, ballarat science and field naturalists club, flora, wattles, acacias, herbaceous plants, orchids, lilies

This booklet from 1879 was given to the Moorabbin Historical Society when the Robert Keys Leader Cup Trophy, 1882-1883 was re-discovered at 'Box Cottage' Museum in 2009. The Leader Cup Trophy, MAV 00001, is also itemised in this booklet (p9) The Leader Newspaper offered the 'Silver Cup, value Five Guineas for the best fruit garden in the Brighton District. The Proprietors of the English, Scottish and Australian Chartered Bank offered an second prize of three Guineas Commencing in 1856, the Brighton Horticultural Society only disbanded in 2009, and most of their archival holdings were given to the Brighton Historical Society. This booklet gives a good idea of the large varieties of plants, poultry and the skills of the pioneer settlers of the Brighton District.This Booklet describes the Schedule of Prizes for the 1879 Grand Annual Exhibition of the Brighton Horticultural Society in Brighton Victoria. The Booklet was donated to the Moorabbin Historical Society in 2009 upon the disbanding of the Brighton Horticultural Society..at that time. The Moorabbin Historical Society possesses the 1882 'Leader Cup Trophy' (cat 00001) presented to Robert Keys for the best Fruit Garden. This booklet is kept in the same cabinet as the Robert Key's Silver Trophy. After Henry Dendy's Special Survey in 1841 allotments of land were sold or rented to pioneer settlers who developed market gardens , fruit gardens and poultry farms in the Brighton area. Their produce was sold at the St Kilda and Melbourne Markets for the growing population of MelbourneBooklet with mauve paper cover and 16 pages listing the Schedule of prizes for the 1879 annual exhibition of the Brighton Horticultural Society to be held in Brighton, Victoria."1879/ SCHEDULE OF PRIZES/OFFERED FOR COMPETITION BY THE/ BRIGHTON HORTICULTURAL SOCIETY,/ AT THEIR/ GRAND ANNUAL EXHIBITION/ OF / ROSES,/ CUT FLOWERS, POT PLANTS,/ FRUITS, VEGETABLES,/ POULTRY, PRODUCE, &c.,/TO BE HELD IN THE/ ARTILLERY PARADE GROUND, CRESCENT, / BRIGHTON,/ Near the North Brighton Railway Station, / ON / SATURDAY, 8th NOVEMBER, 1879./ ADMISSION 1s. / Doors open at 2 o'clock. / Brighton: / G. H. ORFORD, MACHINE PRINTER, NEXT NORTH BRIGHTON STATION. / 1879 ;melbourne, keys robert, trophy, leader newspaper, leader cup, brighton, silver, moorabbin, bentleigh, markets, dendy henry, st kilda, bent thomas, market gardens, brighton horticultural society, fruit gardens, banks chartered

Dahlia & Arts Festival, Eaglehawk.16th - 26th March, 1995. Programme. Debutante Ball (1), 'The Festival' Exhibition at the Borough Galleries. Debutant Ball (2). Art Preview and Presentation of Awards. Craft Market. Displays of Cake Decorating. Sidewalk Busking Competition. Gala Fair. Eaglehawk Fire Brigade open day. Porcelain Art and Craft Show. Art Show. Display of Memorabilia-Cornish Assoc. Static Display-Irish Assoc. Children's Multi-Dimensional Art Exhibition. Children's Photographic Display. Flower Show. Photographic Print Competition. Eaglehawk Heritage Society-Display. Bridge to Park, foot race. Street Procession. O'Shea-Ryan Bendigo Irish Dancing School and O'Shea-Ryan Academy of Irish Dance - Melbourne Performance. 2nd Seasons Fashion Show. 13th Annual Dahlia & Arts Half Marathon. Ecumenical Church Service. Picnic Lunch. Free Concert-Guinness Show Band. Cycling Criterium. Mining Heritage Tour of Eaglehawk. Dahlia Diner. Variety Concert. ''High Jinx On The High Seas''. Childrens Fancy Dress Parade. Gala Charity Old Time Ball. Brass Instrument Solo/Party Competition. 'Gardening Through The Drought'-Guided Tour. California Hill Church Open Day Craft & Devonshire Teas. Traditional Cornish Concert. 'A Time to Remember'. Annual Croquet & Bowls Tournaments. Festival Guest of Honor Mr Wayne Gregson - Journalist. Editor - Bendigo Advertiser. Festival President, Mr Noel Thomas. Vice Presidents Alan Bull, Kevin Herdman. Executive Officer Jeanette Moss. Treasurer Lorna Thomas. Acknowledgements and sponsors on back page.event, entertainment, eaglehawk dahlia & arts festival, dahlia & arts festival, eaglehawk.16th - 26th march, 1995. programme. debutante ball (1), 'the festival' exhibition at the borough galleries. debutant ball (2). art preview presentation of awards. craft market. displays of cake decorating. sidewalk busking competition. gala fair. eaglehawk fire brigade open day. porcelain art and craft show. art show. display of memorabilia-cornish assoc. static display-irish assoc. children's multi-dimensional art exhibition. children's photographic display. flower show. photographic print competition. eaglehawk heritage society-display. bridge to park, foot race. street procession. o'shea-ryan bendigo irish dancing school and o'shea-ryan academy of irish dance - melbourne performance. 2nd seasons fashion show. 13th annual dahlia & arts half marathon. ecumenical church service. picnic lunch. free concert-guinness show band. cycling criterium. mining heritage tour of eaglehawk. dahlia diner. variety concert. ''high jinx on the high seas''. childrens fancy dress parade. gala charity old time ball. brass instrument solo/party competition. 'gardening through the drought'-guided tour. california hill church open day craft & devonshire teas. traditional cornish concert. 'a time to remember'. annual croquet & bowls tournaments. festival guest of honor mr wayne gregson - journalist. editor - bendigo advertiser. festival president, mr noel thomas. vice presidents alan bull, kevin herdman. executive officer jeanette moss. treasurer lorna thomas. acknowledgements and sponsors

Eaglehawk Dahlia & Arts Festival 1991, Souvenir Programme, March 14th - 24th. Programme. Debutante Ball x2 Debs presented to Mayor of Eaglehawk Cr. W Carney. Music 'Gaytones'. Gala Fair, Canterbury Park. Organised by Y's Men and Menettes of Eaglehawk. Porcelain Art and Craft Show, Art Show, Stafford Ellison & McKern Awards. Display of Memorabilia, Cornish Association. Children's multi-Dimensional Art Exhibition. Flower Show, sponsored by North West Country Credit. Children's Photographic Display. Photographic Print Competition. Historic California Hill Church, open. Victorian Police Display Unit caravan open to public. Official Opening His Excellency, Dr. Davis McCaughey. A.C. Governor of Victoria. Dahlia and Arts Street Procession. Presentation of Art, Craft Photographic and Literary Awards. 9th Annual Dahlia and Arts Half-Marathon, conducted by Eaglehawk Athletic Club. Ecumenical Church Service, Combined Clergy. Speaker: Rev. Lindsay Faulkner, Eaglehawk Citizens Brass Band. Their Excellencies, the Governor of Victoria, Dr. McGaughey and Mrs McGaughey. Picnic Lunch. Free Concert. Cycling Criterium, Featuring the Tony McCaig Memorial Wheelrace. Barry Kenny Country Roundup. Family Mini Fair. Borough Bingo. Indoor Garden Party. Celebrity Concert. Rotary Club Dinner. Children's Fancy Dress Parade, sponsored by Bendigo Advertiser. Gala Charity Old Time Ball, 'Premiers Orchestra'. Traditional Cornish Concert, Eaglehawk Citizens Brass Band, Val Broad, Annette Beckwith, Steven Higgs. Traditional Cornish Service. Genealogy Society, Cornish Association Display, Walk Tours of Eaglehawk, Ray Wallace. Picnic in the Park followed by family reunions and entertainment. Aussie Clean-up Day. Croquet and Bowls Tournaments. Official Guests: His Excellency, Dr. Davis McCaughey A.C. Governor of Victoria, and Mrs McCaughey. Mayor of Eaglehawk: Cr. W Carney J.P. Festival President: Cr Lola Miller B.E.M. Vice Presidents: Alan Bull & Kevin Herdman. Executive Officer: Ruth Claridge. Treasurer: Mary Mills. Committee Members: Alan Pearce, Harold Trahair, Wendy Holland, Trevie Dineen, Wayne Evans, Rebecca Evans, Jean Tebb, Lois Locket, Pam Wright Ron Dineen, Sandie Morris, Wayne Morris, Joyce Shelton, Dot White, Ric Norris, Ron Watts, Noel Thomas, Lorna Thomas, Ted Brown, Heather Bull, Dennis Cock, Edith Mudford, Ron Mudford, Anne Scott. Acknowledgements: Councillors, Officers and Staff of the Eaglehawk Borough Council, and by members of the Rotary Club of Eaglehawk. Lions Club of Eaglehawk. Judges of various awards. Sponsors, donors of procession prizes, voluntary workers, dedicated community of Eaglehawk. Sponsors: Stafford Ellison, Borough of Eaglehawk, Bendigo Bank, KcKern Manufacturing Pty Ltd, Bendigo Advertiser, State Bank of Victoria.event, entertainment, eaglehawk dalia and arts festival, eaglehawk dahlia & arts festival 1991, programme, march 14th - 24th. programme. debutante ball x2 debs. music 'gaytones'. gala fair, canterbury park. organised by y's men and menettes of eaglehawk. porcelain art and craft show, art show, stafford ellison & mckern awards. memorabilia, cornish association. children's multi-dimensional art exhibition. flower show, sponsored by north west country credit. children's photographic display. photographic print competition. historic california hill church, . victorian police display unit caravan open to public. street procession. presentation of art, craft photographic literary awards. 9th annual dahlia and arts half-marathon, conducted by eaglehawk athletic club. ecumenical church service, combined clergy. rev. lindsay faulkner, eaglehawk excellencies, the governor of victoria, dr. mcgaughey and mrs mcgaughey. picnic lunch. free concert. cycling criterium, featuring the tony mccaig memorial wheelrace. barry kenny country roundup. family mini fair. borough bingo. indoor garden party. celebrity concert. rotary club dinner. children's fancy dress parade, sponsored by bendigo advertiser. gala charity old time ball, 'premiers orchestra'. traditional cornish concert, eaglehawk citizens brass band, val broad, annette beckwith, steven higgs. traditional cornish service. genealogy society, cornish association display, walk tours of eaglehawk, ray wallace. picnic in the park family reunions and entertainment. aussie clean-up day. croquet bowls tournaments. official guests: his excellency, dr. davis mccaughey a.c. governor of victoria, and mrs mccaughey. mayor of eaglehawk: cr. w carney j.p. festival president: cr lola miller b.e.m. vice presidents: alan bull & kevin herdman. executive officer: ruth claridge. treasurer: mary mills. committee members: alan pearce, harold trahair, wendy holland, trevie dineen, wayne evans, rebecca evans, jean tebb, lois locket, pam wright ron dineen, sandie morris, wayne morris, joyce shelton, dot white, ric norris, ron watts, noel thomas, lorna thomas, ted brown, heather bull, dennis cock, edith mudford, ron mudford, anne scott. acknowledgements: councillors, officers and staff of the eaglehawk borough council, and by members of the rotary club of eaglehawk. lions club of eaglehawk. judges of various awards. sponsors, donors of procession prizes, voluntary workers, dedicated community of eaglehawk. sponsors: stafford ellison, borough of eaglehawk, bendigo bank, kckern manufacturing pty ltd, bendigo advertiser, state bank of victoria.

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

The folder has been made especially for this collection of articles .The label is from a box of limited edition signed watercolour drawings by ROSSER, Celia. THE BANKSIAS OF VICTORIA. Six Watercolour Drawings. Born Celia Elizabeth Prince in 1930, Celia Rosser began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria. She lived in Orbost in the 1960's( her husband had been posted to Orbost High School) where she painted and drew native flowers , in particular, banksias. Her first exhibition was at Leveson Gallery in Melbourne in 1965, and included three watercolours of Banksia species. Two years later she published Wildflowers of Victoria.Celia Elizabeth Rosser (born 1930) is a renowned Australian botanical illustrator, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria.A collection of newspaper and magazines articles pertaining to Celia Rosser. There are six newspaper and magazine articles inside a a folder labelled "The Banksias of Victoria Six Watercolour Drawings by Celia Rosser". The articles are from The Australian Women's Weekly, The Sun, The Sunday Herald and The Herald Sun.

Born Celia Elizabeth Prince in 1930, Celia Rosser began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria. She lived in Orbost in the 1960's( her husband had been posted to Orbost High School) where she painted and drew native flowers , in particular, banksias. Her first exhibition was at Leveson Gallery in Melbourne in 1965, and included three watercolours of Banksia species. Two years later she published Wildflowers of Victoria.Celia Elizabeth Rosser (born 1930) is a renowned Australian botanical illustrator, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria.A small book titled Wildflowers of Victoria and written by Celia Rosser. It was published in 1967 by Jacaranda Press. The covers are stiff card and it has an illustration of a banksia on the front cover. It has 105 pp and contains coloured illustrations. This book was the third part of the Jacaranda wildflower guides series. The book is designed to carry around in a pocket or purse.rosser-celia wildflowers banksia australian-flora

This opera coat was made for Louisa Jane Cam, nee Rust, born 24/6/1873. Her parents were John Rust born in Hamburg, Germany and Jane Mc Meekin from Port Patrick, Scotland. In 1892 Louisa married John Cam the director of the Hawthorn Brick Company. It is understood Louisa wore the coat to the opening of the first Federal Parliament in the Exhibition Buildings in Melbourne in 1901.This item being an early nineteenth century opera coat has aesthetic interest. It is also important because of its provenance being worn by Louisa Cam at a significant event in Australia's history.A three quarter length Mandarin styled gold threaded brocade, lined coat dress with long sleeves. The fabric is black with gold patterns of leaves and circles. Large circles feature gold, red, yellow, pale and dark blue flower like images surrounded by gold fringes. The yolk section finishes with a small pleat over the flared bottom section. Edging around the neck is black lace. It is understood a fur collar was previously in place. The cuffs of the sleeves are pleated and have a wide frill above the pleating. The lining is pale blue silk . At the end of the sleeves the lining has hand ruched binding. Nil

Kangaroo Paw is a soft-wooded perennial which forms clumps of shiny green, long strap-like foliage which can grow to 600mm in length. The flowers are tubular and encased in a furry covering. Samantha Robertson 1988 Entrant No. 1 Ref: Series 34 Items 1, 2, 42-45 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, samantha robertson, series 34, series 35, film - ilford xp1 400, kangaroo paw, scan - 35mm negative

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint with two birds (wrens) in the foreground. The birds sit on a branch with multi-coloured leaves and flowers. The background features a coastline with breaking waves and a light blue sky.Front: 5/11 (lower left)(pencil) Remember "Wren" it was like this? (lower centre)(pen) Signature (lower right) (pencil) Back: 5

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features: a pink plate with a fish, abalone and flower sitting on it; a silver spoon with a rose sitting on it; and a white vessel with a rose painted on it. Background is pink with various patterns and text "it's all on your plate at PORTLAND".Front: (no inscriptions) Back: 29

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

CEMA Art collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of seascape with pink flowers and ferns in the foreground. The centre of the image illustrates the ocean in shades of blue, pink, grey and black. In the background of the image is a large pink cloud.Front: 10/11(lower left) "Pink Hibisky" (lower centre) Signature (lower right) Back: 7

Part of "Woolcock Gallery Collection" Exhibition 1989 CEMA.Different detail studies of plant. From top-bottom, right to left are a side study of red flower with elongated petals in tube shape. Stem with three pale-gree leaves. Top view of dark green leaf with serated edges. Stem and flower bud study. 2 stems joined with many clusters of spikey green leaves coming off central stems and 6 flowers and 3-4 buds. A seed study. A view into tube of flower. Work mounted in double matt (taupe on sage) under glass in gold frame. Artists signature next to last flower study, lower left.Front: Astroloma humifusum (Cranberry Heath). CEW/82 (artist's signature, lower left in image) (coloured pencil). Back: 10 (upper left) (pen)cema, botanical, collin woolcock

This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one us on the upper right). Beneath the frame is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are blue flowers in the upper centre, yellow/red flowers to the right and left and white flowers near the bottom. A few pink flowers are on the lower right."2" appears on the right side of the photo. It is on the original painting.painting, floral

This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one is the larger centre painting). Beneath the frame in its current (2010) location in the Halls Gap Hall is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are red flowers in the centre; yellow/red "pea" flowers and white flowers on the upper left, with white, purple and one small spray of yellow flowers beneath them and white flowers and green/red "bells" on the upper right with white flowers beneath them.painting, floral

This trophy was presented by the Country Women's Association (C.W.A) Kiewa Valley Branch circa 1950's. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The CWA was an organisation that catered exclusively to women's needs. The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."The Kiewa Valley Group of the C.W.A. was a focal point for women in this still relatively isolated rural region to have a place of refuge from the heavy domestic demands that family and business exerted, and the need of a time and space to gain all the mental relaxation and group bonding necessary to balance the sometimes harsh environment that rural life presented.Silver plated chalice trophy has two "block ear" type handles fastened at the top lip and going 40mm vertically down to reconnect with the bowl. The bowl is connected to the dark brown plastic base by a brass (silver plating has worn off) stem (flower vase shaped).the chalice stem is attached to a circular tapered dome 30mm high which is also silver plated. The plastic base has a 35mm high extension rising from the broader circular bottom section and is rectangular in shape except for the quarter circular indent at each corner. The final circular base provides the chalice with the stability to stand on a flat surface. The whole of the base is hollow allowing the stem fastening nut to be viewed. The inscription on the chalice has been carefully and professionally scribed into the metal. "*C W A* KIEWA VALLEY GROUP H & H.I. EXHIBITION-PRIZE FOR MEMBERS. 40 & OVER" mementos, acknowledgement, cwa awards, trophies, rural women's club

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The Tawonga ladies competed in Handicraft and Home Industries Exhibitions during the 1990's and were very successful. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children.Small photo album with Country Women's Association Prize Cards for handicraft and Home Industries Exhibition enclosed. Each Prize Card is filled out with (Third) Prize; Name; No.; Section; Branch - all Tawonga; and points. Some of the cards have been won from other CWA groups displays e.g.. Yackandandah. The album has several blank pages left over. The cover is a picture of a boat on a lake with red flowers in the foreground.country women's association of victoria. tawonga. handicraft. home industries. exhibition. kiewa valley group.c.w.a.

Henry Watts (1828_1889) Died at Melbourne, 16th December, 1889. He was a good microscopist. His botanical studies were chiefly devoted to algae, both fresh-water and marine, and while living for many years at Warrnambool he was a contributor of algae to Harvey, who figured Wrangelia wattsii, Harv., and Crouania wattsii, Harv., in his “Phycologia Australica " He was the author of "On the Fresh-water Algae of Victoria " (Trans. Roy. Soc. Vict., 1861-4, 67) ; .also a paper "On Fossil Polyzoa" (ib.. 82); "A Trip to Mt. Macedon in Search of Fresh-water Algae" (Wing's S. S. Record, iii., 252); "On a Species of fresh-water Algae from Victoria" (Vict. Nat., i., 21); "Some Recent Additions to our Knowledge of Microscopic Natural History" (ib., iii., I33) (includes lists of fresh-water algae and Desmidieae ), First librarian (1881-2), also a vice-president of the Field Naturalists' Club of Victoria. He is further commemorated by Acacia wattsiana. F. v. M. www.anbg.gov.au/biography/watts-henry.html . Henry Watts worked as a bootmaker in Timor and Liebig streets Warrnambool in the 1860’s but it was as an amateur scientist that Watts gained public notice.For an exhibiton in Melbourne in 1861 Henry Watts prepared a collection of over 100 different species of seaweed from the Warrnambool district. It is recorded in the Examiner in 1863 that he had been elected as an honorary member of the Bristol Microscopical Society of England He was a member of the Warrnambool Horticultural society and in 1865 he opted to become a flower distiller.At the 1866 MelbourneExhibition, Henry Watts exhibited 44 bottles of his perfumes. He had a keen interest in microscopes and microscopic organisms.He spent many hours combing the caves and examining the guano of local bats. This letter is written to Professor Quekett advising him that he has sent a collection of packets of samples of diatomaceae asking him to examine and name the same.. Professor Quekett was a famous microscopist of the Victorian era with the Quekett microscopist club one of the oldest in the world dedicated to the use of the microscope and its discoveries. Henry Watts was one of Warrnambool’s first botanists and marine scientists. He also established a flower distilling and perfume manufacturing business in Warrnambool. In 1861 he sent a collection of over 100 species of seaweed to the Melbourne Exhibition.Framed, handwritten letter, ink on blue paper. Transcript of letter is typed black on white paper. Five small numbered pieces of paper containing specimens of diatomaceae collected from marine and fresh water areas around Warrnambool.Names Henry Watts, Professor Quekett. Handwritten along the bottom of the frame, “The above was bought at a London Auction for $12-10-00 by Miss Eddey a Melbourne Book shop Proprietress and recently presented to the W.F.N. Club.: warrnambool, henry watts, watts henry, botanist,microscope, microscopic, quekett, john thomas quekett

This fine wooden building is located in Browning Street, Orbost and is now (2022) used as the St Andrews Uniting Church Hall. It has a supper room and toilets attached and is a hall that has been used for many community purposes including a Flower Show, exhibitions, concerts, Sunday School, and Harvest Festival etc. In1977, the Orbost Presbyterian Church became the Orbost Uniting Church and the old church became a hall when a new church was built nearby. an excellent photograph of this building which shows the original fence A b/w photograph of a building which is a church with the entrance to the front of the picture. A fence made partly of post and rail, and of white picket in the front of the photo. Some trees in the background. No people can be seen. On back of this photo: 'The first Presbyterian services were held by Rev. Charles Atwood in 1885. He held services in the Mechanics Institute for 5 years. The Presbyterian Church was opened on 9th January 1898. Timber was cut at Richardson's Tabbara mill. Mr R P Cameron built the Church.'presbyterian church, orbost

Charles Archibald Hoadley, C.B.E., M.Sc (Melb), B.M.E. (Melb), A.M.I.E., lectured in Surveying, Engineering, Mining and Physics at the Ballarat School of Mines, 1914-16.Rough correspondence of the Ballarat School of Mines Science and Field Naturalists Club.School of Mines Science and Field Naturalists Club. You are invited to attend a meeting of the Ladies of the Science Club together with those of the Technical Art School on Monday evening next Oct. 11 in the Council Room School of Mines at 8. p.m to consider ways and means for furthering the success of forthcoming Wild Flower Exhibition on Saturday Oct 16. C A Hoadley MSc Hon Secballarat school of mines, science and field naturalists club, wild flower show, hoadley

Foolscap page concerning the 1915 Ballarat School of Mines Science and Field Naturalists Club Wild Flower Show.Ballarat School of Mines Science and Field Naturalists Club. Wild Flower Show. 1915: The Committee of the above show of native Victorian Wild Flowers beg to tender you their most hearty thanks for the flowers sent by you. Our thanks are also due to those who helped you in the collecting of the flowers. The Exhibition was a great success, and you will be pleased to know that a substantial sum was realized for the Red Cross Funds. It is hoped that a similar show will be held about the same time next year, and we trust to again have the benefit of your kind assistance. Again thanking you, we are, yours truly, Charles Fenner. President C. A. Hoadley. H. L. Williamson (Hon Secs.)smb, ballarat school of mines, ballarat science and field naturalists club, wild flower show, charles fenner, charles hoadley, h. l. williamson, red cross

According to the donor these image copies were used in an exhibition, and distributed at the conclusion. Mounted black and white photograph on strawboard showing the Scarsdale Relief Fund Ladies Committee. Back Row (L-R): Mrs Maguire, Miss Christie, Miss Bennett, Miss McLeish, Miss Walker, Mrs Jamieson. Centre Row (L-R) Miss CLarkson, Miss M. Stoker, Miss Bird, Miss Clarkson, Miss Porter, Miss N. Carnegie, Miss Matheson, Miss N. Black. Kneeling: Miss Ritchie, Miss McLeish.scarsdale relief fund ladies committee, mrs maguire, miss christie, miss bennett, miss mcleish, miss walker, mrs jamieson, miss clarkson, miss m. stoker, miss bird, miss porter, miss n. carnegie, miss matheson, miss n. black., miss ritchie, flowers, wildflowers, women