Newsletter launch written on reverse

Bonnie Fagan's County is Wadawurrung. Most of her early learning about her Aboriginality came from the father.Aboriginal dot painting telling the artist's learning journey. Bonnie Fagan wrote of this work: "Ochres reflect my connection with the land of my traditional Wadawurrung Country. Yellow ochre forms the background and white ochre defines my pathway, showing where I have traveled from my past and where I am heading in my future. I use reddish ochres for the larger dots along my pathway to show my footprint and for the smaller dots that ripple outwards to show how I've had some influence, either good or bad. The white lines show my pathway with an entry point from my past marking the start of my journey, a middle part showing were my life will continue. Through the middle part, my teenage years, the pathway is very windy. These years were sometime quite difficult and I struggled. The two circle areas symbolize two chapters in my life, first as a child and then as an adult, when I've felt mostly positive and safe. They are periods when I've been very open to learning, gathering knowledge from people and experiences that I trusted, and the circles within the circles symbolize the layers of support, of experience, of connection and of learning that I experienced. Strong visual symbols at the base of the painting under the first circle area represent the key figures in my learning through my childhood: my father (represented by the traditional symbol, of a man with a spear) and my mothers with me as a small child, The spirit of my paternal grandmother, my Nan, hovers above my childhood circle and near the pathway through to my teenage years, showing the strength of her influence and how she was always there guiding me." (Robyn Brandenburg and Jacqueline Z, Wilson [Eds] Pedagogies for the Future: Leading Quality Learning and Teaching in Higher Education, Sense Publishers, The Netherlands, 2013, pp40-41)bonnie fagan, bonnie chew, wadawurrung, artists, artwork, aboriginal

Thomas H Fagan of Walbundrie NSW served in 105 General Transport Company during WWII. Following service in Syria and Egypt the unit sailed for home but was diverted to Java, Dutch East Indies where they became part of Blackforce. The Japanese following up their success in Singapore overran Jave and Blackforce went into captivity. Fagan spent a short time at Changi then nearly three years on the Burma Railway. He lost a leg to tropical ulcers but survived the war return to Australia at the end of hostilities.A document worthy of preservation and public access.World War diary typed by the diarist from notes kept at great risk throughout his imprisonment by the Japanese 1942-1945. Transcribed 2018 by Albury historian Jan Hunter and published by Albury & District Historical Society as Booklet No 31 in limited hard copy for district Libraries and Schools.diary, prisoner of war, burma, railway, changi

Historical essay and timeline of the Women’s Art Register, including Vision Statement, Chronology, Publications, Associations, Overview of the unique Women’s Art Register including significant events and actions.Display copy of the softcover promotional booklet published by Women’s Art Register in 2005, with essay by Juliette Peers and design by Josephine Fagan. Contents: About the Women’s Art Register; Vision Statement, Pulications, Liasons and Associations, How to use the Women’s Art Register, Advocacy and Leading Issues, Chronology, Short HIstory of the Women’s Art Register, Membership Form, Resources and KitsThe word Corrections is handwritten on the cover.

Birdwood's letter dated 25th August 1921 (Headquarters Northern Command, India), in reply to Mrs Fagan's previous request during WW1 relating to her son being underage.Signed letter by Field Marshal Sir William Birdwood sent to a Mrs Fagan.ww1, letters, mrs fagan, sir william birdwood

K Fagan & W Byephoto, ww2, army

Federal Woollen Mills Basketball Ball Team Premiers, 1938. Back Row L to R: Margery Dorling, Mavis Rogan, Gladys Rand, Lorraine Hadden, N. Bawden, Jean Manson. Front: Florrie Anderson, Eva Fagan, Phyllis Brien. Same as W2971. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Federal Mills Basketball team premiers, 1938.M. Dorling M. Rogan G. Rand L. Hadden N. Bawden J. Manson / F. Anderson E. Fagan P. Brien T. Lockwood / GEELONGtextile mills staff, textile mills sporting teams, federal woollen mills ltd, sport, textile mills - staff, textile mills - sporting teams

Black and white photograph, mounted on board. Accompanied by a captionCaption reads: Mr Fagan presenting Parker Cup.williamstown high school, 1970s, parker cup, mr fagan

Document. Municipal Association of Victoria. Circular No. A.41/57. Signed by J.D. Fagan (Secretary) Motor Car Allowances. 1957.the municipal association of victoria, motor car allowances, edwin buckland

"QLD Solidarity Collective 1977" written on back of photos in blue biro

Thank you letter from Mrs L.A. Callander on behalf of the Governor to Principal Fagan - buff paper printed in black with Government House letterhead. Signed in blue.See jpg for full text.williamstown high school, 1979, governor, correspondence, library opening

This business was owned by father and son, Henry Archibald Wilkinson and Samuel Ronald "Ron" Wilkinson. Henry (1882-1954) was born in Shepparton and died in Bendigo. He was married to Grace Hovendon in 1908. Samuel Ronald "Ron" (1914-1995), Henry's son, was married to Florence Jean McKerlie in 1937.Conditions of sale by private contract dated 17th March, 1932 between E.F. Fagan & H.R. Fagan (sellers) and M. Scott (buyer) for land situate 69 Neale Street Bendigo being Crown allotment 102, section H described in certificate of title volume 4451 folio 890162, together with 5-roomed weatherboard and brick dwelling and all sundry. Price 300 pounds. Vendor copy.organization, business, h.a. & s.r wilkinson real estate

This business was owned by father and son, Henry Archibald Wilkinson and Samuel Ronald "Ron" Wilkinson. Henry (1882-1954) was born in Shepparton and died in Bendigo. He was married to Grace Hovendon in 1908. Samuel Ronald "Ron" (1914-1995), Henry's son, was married to Florence Jean McKerlie in 1937.Conditions of sale by private contract dated 17th March, 1932 between E.F. Fagan & H.R. Fagan (sellers) and M. Scott (buyer) for land situate 69 Neale Street Bendigo being Crown allotment 102, section H described in certificate of title volume 4451 folio 890162, together with 5-roomed weatherboard and brick dwelling and all sundry. Price 300 pounds. Office copy.organization, business, h.a. & s.r wilkinson real estate

Copy of photograph mounted on board. Accompanied by a caption.Caption Reads: Mr Fagan, Principal 1975-81. '(The school)...weathered the storms of the past decade and have avoided the pursuit of mediocrity...' High Tide 1979.williamstown high school, 1975, 1976, 1977, 1978, 1979, 1980, 1981, principals

Colour photograph of group outside 89 McCracken Street Kensington with Victorian Premier, Joan Kirner, when she visited to formally open the 2nd story extension at KNH. Along with Premier Kirner, the photo includes Maureen Fagan, Carolyn Fuller (manager at KNH at the time), Helen Frawley and Beryl Forster.

Colour photographs of a day trip to the Dandenongs taken from album and labelled The Dandenongs. This trip possibly took place in the late 1970s and is possibly reported on in an early Shoulder to Shoulder Newsletter. The photos include many early KWG members including Maureen Fagan, Mary King, Therese Werkmeister, Val ? and children.

Copy of a letter to The Municipal Clerk from J D Fagan, Secretary with an amendment to the Pounds Act 1978. It includes increases in trespass rates (clause 5) and a new responsibility (clause 4) where an owner seizes cattle trespassing on his land requiring him to notify the owner if he can ascertain the owner's identity.bendigo, council, cattle markets, bendigo saleyards collection - amendment to pounds act 1978, municipal association of victoria, pounds (amendment) act 1978, j d fagan

Federal Woollen Mills Basketball Ball Team Premiers, 1938. Back Row L to R: Margery Dorling, Mavis Rogan, Gladys Rand, Lorraine Hadden, N. Bawden, Jean Manson. Front: Florrie Anderson, Eva Fagan, Phyllis Brien. Same as W1282. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Federal Mills Basketball team, premiers, 1938.1938 T. Lockwood T. Lockwood N. Alsoptextile mills - staff textile mills - sporting teams, federal woollen mills ltd, sport, textile mills - staff, textile mills - sporting teams

Copy of black and white photograph mounted on board. Accompanied by a caption.Caption reads: Mr Alan Fagan (past principal), Mrs Gwen Alexander (Principal), Dr Laurie Parker (past President of School Council), Mr Jack Criddle (President of School Council), and Mr Fred Howe (past Principal). On back of photograph: Laurie's farewell from School Council 1982.williamstown high school, 1982, school council, dr laurie parker, mrs gwen alexander, mr alan fagan, ., mr f. howe, mr criddle

Donated to the Warrnambool & District Historical Society by John Esam, Secretary of the Warrnambool Waterside Workers' Federation 1942-1950Administrative records and associated material held by the Warrnambool Waterside Workers' Federation to 1955Kept in W.D.H.S. Archives Room in Ledgers Section in archival boxSeven items of the Warrnambol Waterside Workers' Federation including Minute Books, Booklet containing Constitution and Rules, Membership records, Financial records and Correspondence re the dissolution of the Warrnambool branchwaterside workers in warrnambool, belfast & koroit steam navigation company, warrnambool waterside workers' federationwaterside workers in warrnambool, belfast & koroit steam navigation company, warrnambool waterside workers' federation

L- R Back Row -Max JARGER, Ken MCLLELLEN, Keith BRITTEN, Brian COOPER, Fagan STEWART, Len WILLIAMS, Harold CRESSWELL, Geo SNOWDEN, Dooley CHRIMES, Brian COCKER, Brian WALSH, Frank BAKER, Bill BRAGG, Brian CHRIMES, Milton BURTON, Merv LEEDON. L - R Centre Row - Alan CHAPPLE, Ticky TILLY, Jacky BLANCHE, Ray LANDORF, Kevin BROOKS, Neil JENNINGS, Tony PETTIONA. L - R Front Row - Ray HARKENS, Syd MOON, Bob SKILTON, Arthur GRAHAM, John YOUNG, George MERRETT, Robert BRYCE. From a Port Melbourne Facebook entry "The club operated its Pokie Machines out of The Rex hotel in Bay Street Port Melbourne for close to 30 years.1951 photograph of Rossy Rovers Football Club with all players & officials are named. sport - australian rules football, rossy rovers football club, max jaeger, ken mcllellen, keith britten, brian cooper, fagan stewart, len williams, harold cresswell, geo snowden, dooley chrimes, brian cocker, brian wash, frank baker, bill bragg, brian chrimes, milton burton, merv leedon, alan chapple, ticky tilly, jacky blanche, ray landorf, kevin brooks, neil jennings, tony pettiona, ray harking, syd moon, bobby skilton, arthur graham, john young, george merrett, robert bryce

Sunshine Football Club V.F.A. Third XVI Runners Up 1962|Back Row S. Laver C. Jolly D. Prior W. Harris B. Crosbie R. Wroblewski G. Wise R. Young T. Neale J. Clinnick J. Stainer W. Horwood|Centre Row B. Polly K. Fagan C. Turnbull P. Wright M. Bergfeld J. White N. Clemson N. Harris N, Ewer K. Inkster J. Dreher|Front Row W. Pilsbury S. Franklin J. Graham P. Pontonsunshine football club, football, team photograph

Until 1892 the first Catholic School in Wodonga, a simple wooden skillion which was erected behind the sanctuary of St. Francis’ Chapel, was overseen by Dean William Tierney of Beechworth, Father Michael O’Connor P.P. of Chiltern and his successor Father Charles Van Der Hayden. The lay teachers, Miss Fagan and Miss O’Leary. In 1892 four Sisters of Mercy from Albury were invited to make a foundation at Wodonga. On the 6th February 1892, Mother M. Aloysius Tierney (1864-1948), Sr. M. Gabriel Comins (1868-1945), Sr. M. Celestine Coyle (1871-1857) and a postulant Miss Mary Jane Conlan (1874-1939) (Sr. Mary Joseph) travelled by horse drawn cab from the Albury convent to a rented house in Hume Street. The parishioners of Wodonga were anxious for the nuns to have their own residence, and on the 19th March 1893, the foundation stone for St. Joseph’s Convent was laid and consecrated by Bishop Stephen Reville on behalf of Bishop Crane of Sandhurst. The convent was designed by architects Gordon and Gordon and built by Fraser and Wilson of Melbourne at a cost of £1000. Construction was expected to take three months. The Wodonga and Towong Sentinel of Friday 24 March 1893 included the following description of the Convent. “In the front is a handsome verandah, with an oratory on the right and a community room on the left. Entering the door, the reception and music rooms are met with on opposite sides, and there are five cells in succession at the back of the reception room, whilst on the other side of the passage the reverend mother's cell, the refectory, pantry, and kitchen are found. At the extreme rear of the building there is a linen room, a bathroom, and a servant's room, There is also a verandah on either side of the convent. The height of the walls is to be 12 feet and 13 feet”. The Convent was officially opened on Sunday 13 August 1893 St Joseph’s Convent became part of St Augustine’s school in 2001.These images are significant because they capture the history of an important religious building in Wodonga, Victoria.Three black and white photographs of St Joseph's Convent in Wodonga in the early 1900s.sisters of mercy wodonga, st joseph's convent wodonga, st augustine's church wodonga

My name is Tammy Gilson and I am a descendant of Wadawurrung people on Mums side, Marlene Gilson and my dear Nan, Rita Fagan from the Dalton line of our apical ancestor, John Robinson. For that I pay my respects and acknowledge my ancestors and all Elders. In Wadawurrung wurru, meaning language, the wurru name of a cloak walert walert signifies the reclaiming of language that hasn’t been spoken fluently since colonisation. Wadawurrung kinkinbil people relied on possum fur to create cloaks to wear for warmth, ceremony, adornments and medicine. Possum fur was used widely amongst neighbouring First Peoples particularly from colder parts of Victoria given the harshness of climate and particularly in Gordon where the elevation is 650m above sea level. The walert walert denotes a continuum of cultural practice and identity, can be viewed as secret and sacred and today viewed as contemporised practice of history acknowledging transfer of knowledge, practice and kinship. My experience of possum skin cloak revival was in 2014 through Traditional Ceremony, Tanderrum, where I was chosen to make several cloaks to be worn by the Elders including my Mum. This is where I learnt technique and design elements that remain present and relevant to lived experience. My work is an example of how culture and connection gives purpose and embeds a beautiful sense of belonging. Each design panel holds a visual voice, a narrative that speaks to identity and kinship. Symbols and line work are found on old artefacts that indicate belonging to Wadawurrung people. The water marks and mountain patterns were passed on to me from Mum and her grandma. Continuing this practice is for future generations as the walert walert holds significant healing properties. Making them and sharing knowledge aims to strengthen our Culture and bring family together. There is nothing like a good yarn while sewing or weaving and this is what the Elders do, and my ancestors always did together, sitting around sharing their way and teaching. Possum skin cloak consisting of twenty four pelts, stitched together with thread. Cloak features Wadawurrung designs in red, orange, white and black ochre.possum skin cloak, wadawurrung, first peoples, culture, tammy gilson, identity, tradition, design, walert walert

My name is Tammy Gilson and I am a descendant of Wadawurrung people on Mums side, Marlene Gilson and my dear Nan, Rita Fagan from the Dalton line of our apical ancestor, John Robinson. For that I pay my respects and acknowledge my ancestors and all Elders. In Wadawurrung wurru, meaning language, the wurru name of a cloak walert walert signifies the reclaiming of language that hasn’t been spoken fluently since colonisation. Wadawurrung kinkinbil people relied on possum fur to create cloaks to wear for warmth, ceremony, adornments and medicine. Possum fur was used widely amongst neighbouring First Peoples particularly from colder parts of Victoria given the harshness of climate and particularly in Gordon where the elevation is 650m above sea level. The walert walert denotes a continuum of cultural practice and identity, can be viewed as secret and sacred and today viewed as contemporised practice of history acknowledging transfer of knowledge, practice and kinship. My experience of possum skin cloak revival was in 2014 through Traditional Ceremony, Tanderrum, where I was chosen to make several cloaks to be worn by the Elders including my Mum. This is where I learnt technique and design elements that remain present and relevant to lived experience. My work is an example of how culture and connection gives purpose and embeds a beautiful sense of belonging. Each design panel holds a visual voice, a narrative that speaks to identity and kinship. Symbols and line work are found on old artefacts that indicate belonging to Wadawurrung people. The water marks and mountain patterns were passed on to me from Mum and her grandma. Continuing this practice is for future generations as the walert walert holds significant healing properties. Making them and sharing knowledge aims to strengthen our Culture and bring family together. There is nothing like a good yarn while sewing or weaving and this is what the Elders do, and my ancestors always did together, sitting around sharing their way and teaching. 9144.1 - Digital colour film featuring Wadawurrung woman Tammy Gilson speaking about the walert walert (possum skins cloak) she made for the National Wool Museum Collection, and the cultural practice of making cloaks. Film is 7 minutes and 3 seconds in length. 9144.2 - Digital colour film featuring Wadawurrung woman Tammy Gilson speaking about the designs which feature on the walert walert she made for the National Wool Museum Collection. Film is 14 minutes in length.possum skin cloak, wadawurrung, first peoples, culture, tammy gilson, identity, tradition, design, walert walert