Photograph of Fairfield House, possibly during its restoration. House, Cellars and grounds were purchased and restored by Mrs Melba Slamen, the Great-Granddaughter of the original builder, George Francis Morris.Black and white photograph of Fairfield House.Written on back of photo: "S/S A [letter in circle] Fairfield"fairfield house, melba slaman, george francis morris, morris family

First owner of Fairfield House was George Francis Morris. This sketch is believed to be the concept sketch from the architects.Early coloured sketch of Fairfield House with a horse drawn carriage in front of the house.At bottom right of sketch: "Gordon & Gordon, Architects" fairfield cellars, fairfield house, wine industry, morris family

Photograph of Fairfield House and Cellars, possibly during its restoration. House, Cellars and grounds were purchased and restored by Mrs Melba Slamen, the Great-Granddaughter of the original builder, George Francis Morris.Black and white photograph of Fairfield House and Cellars, taken from the other side of the Murray Valley HighwayWritten on back of photo: "S/S A [letter in circle] Fairfield"fairfield house, melba slaman, george francis morris, morris family

Very faded early photograph of Fairfield House and Cellars.On back of photo: "Fairfield, Rutherglen" fairfield cellars, fairfield house, wine industry, morris family

Early black and white photograph of the front of Fairfield HouseOn foot of photo: "Homestead, Fairfield Vineyard" On back of photo: "The Australian Sketcher. 18 April 1889" fairfield cellars, fairfield house, wine industry, morris family

Black and white photograph of the rear of Fairfield House and the side of Fairfield Cellars.fairfield cellars, fairfield house, wine industry, morris family

Photograph taken before Melba Morris-Slamen started restoration of the buildings.Black and white photograph of the front of Fairfield House, heavily overgrown with vines, and obscured by trees and shrubs fairfield cellars, fairfield house, wine industry, morris family

Brochure publicising Fairfield House, Cellars and grounds after its purchase and restoration by Mrs Melba Slamen, the Great-Granddaughter of the original builder, George Francis Morris.Brochure printed on orange paper, folded into four pages, publicising the newly restored Fairfield Property.fairfield house, melba slaman, george francis morris, morris family

Article refers to the purchase of Fairfield House by Mrs Melba Slamen, the Great-Granddaughter of the original builder, George Francis Morris, and her plans to restore the derelict building and grounds.Black and white photocopy of a newspaper article: Old Mansion Will Live Again by Joan Fairbridge. fairfield house, melba slaman, george francis morris, morris family

Fairfield Vineyard was established by George Morris in 1859. In 1894 it was the largest vineyard in the southern hemisphere with 280 hectares under vines, storage a million gallons and 120 Chinese employees. it is also reported that Ned Kelly worked at Fairfield Vineyard Fairfield House is a historic Italianate mansion built in 1889 and restored in 1975.Black and white photograph of a Victorian era mansion, with a brick winery building with a three-arched roof to the right of the house.On back of photo: "Fairfield"wineries, north east victoria, wine industry, fairfield cellars, fairfield house

Three black and white photographs of old postcards, mounted on a sheet of decorative grey paper. Top one is an early depiction of Fairfield House. Bottom left one shows two oval photographs with a banner between them. Top one of these is of a wheat harvest, bottom one is of Lake Moodemere Gala Day. Bottom right one shows the Rutherglen water tower, after it had been decommissioned and the structure added to the top to make it look like a wine bottle.fairfield house, water tower, rutherglen winebottle, lake moodemere, harvesting

Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustrations taken from the Leader, Saturday 14 April 1894, page 31 On back of photo: "The Leader. April 14th 1894"wineries, wine cellars, wine industry, morris & sons, fairfield house, fairfield cellars

Date of issue confirmed on TROVE.Black and white photographic reproduction of a page of illustrations of Fairfield vineyards and cellars, taken from The Leader, April 14, 1894, page 31.On back of photo: "The Leader. 14 Apr 1894"wineries, fairfield cellars, fairfield house

Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustration taken from the Australasian, Saturday 23 March 1889, page 10.wineries, vineyards, fairfield house, prentice vineyard, viticultural college rutherglen, all saints

Photograph taken before Melba Morris-Slamen started restoration of the buildings.Black and white photograph of the front of Fairfield Cellars, heavily overgrown by vinesfairfield cellars, fairfield house, wine industry, morris family

Photograph taken before Melba Morris-Slamen started restoration of the buildings.Black and white photograph of the front entrance of Fairfield in a derelict condition.fairfield cellars, fairfield house, wine industry, morris family

Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustration taken from the Australasian, Saturday 23 March 1889, page 10.At top of photo: "Fairfield Press" On back of photo: "Australasian Sketcher? Jan [crossed out] April 24 1889"wineries, fairfield cellars, wine industry, fairfield house

Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustration taken from the Australasian, Saturday 23 March 1889, page 10.At top of photo: "Fairfield Fermenting House"wineries, fairfield cellars, wine industry

Artist Lindsay Edward and wife Jan built a house designed by Alistair Knox at 151 Old Eltham Road, Lower Plenty. See article on home designed by Alistair Knox for Lindsay Edward, teacher, at 151 Old Eltham Road, Lower Plenty. The home was originally featured on the cover of the January 1953 issue of Home Beautiful magazine and was revisited in the March 1969 issue. See registration record No. 01649. Lindsay Edward Biography: 1919: 26 August Lindsay Maurice Edward was born in Melbourne. 1937: 4 – 9 May Exhibition - Heidelberg art exhibition (SLV collection) 1939: Art student at the National Gallery of Victoria 1940: 7-14 October Exhibition Heidelberg art exhibition. (SLV collection) 1941: November - Exhibition Heidelberg Art Exhibition 1942: Lindsay was an art student living at this 14 Park Cres. Fairfield. Occupation Art student. He most likely painted this painting around this time. c.1942 – 1944: Enlistment for military service in World War 2 in Casino, NSW. 1944: Rank of Sergeant. 1944: Exhibition Seddon Galleries (Melbourne) 1945: Exhibition Seddon Galleries 1946: Exhibition Exhibition of Past Students of the National Gallery of Victoria 1947: Submitted “Self- portrait in the Archibald Prize, Art Gallery of NSW 1948: Lived in London for a year and married a fellow artist ? Knox. 1949: Returned from London 1949: Electoral Roll Residence– 16 Mount Street, Ivanhoe 1950: October Exhibition Stanley Coe Galleries, 435 Bourke Street, Melbourne 1951: 19 Nov. - 9 Dec. Exhibition An exhibition of present day art of Victoria Victorian 1951 Commemoration Committee in conjunction with the Victorian Artists' Society, 1951: (SLV Collection) 1953: October Exhibition Melbourne Contemporary Artists Exhibiton 1954: Exhibition Melbourne Contemporary Artists Exhibition 1958: Victorian artist and educator Lindsay Edward won the £500 prize for the wall decoration of the Queensland Library - . Edward was born in 1919 and had studied at the National Gallery of Victoria. In 1958 he was head of the painting section of the Royal Melbourne Technical College (now RMIT) and had only recently begun experimenting with mosaic. The Centennial mosaic covers a wall 68 feet (20.72 metres) in length and 14 feet (4.26 metres) high. In a Melbourne Age article in July 1958 Edward described the mural as ‘not a literal subject’ rather as ‘a basic formation of organic forms indicating growth and development’. 1960: Exhibition Eltham Art Show (SLV collection) 1963: Exhibition October 28-November 17 - Argus Gallery, 290 Latrobe Street, Melbourne and at Hassall's Roadside Gallery, Eltham and at Gallery A and at Russell Davis Art Gallery. (SLV Collection) 1963, 1967, 1977 and 1980: Electoral Rolls – Residence Old Eltham Road, Lower Plenty. Occupation Teacher 1966: Exhibition Art Show -Austin Hospital Appeal (Heidelberg) (SLV collection) 1970s: Head of Art Department RMIT where he established a fine art collection. 1982: Exhibition Bolitho Gallery Canberra http://nla.gov.au/nla.news-article116467780 1988: 28 July – Exhibition Recent Paintings Darwin Performing Arts Centre (SLV Collection) 1993: Exhibition Solander Gallery, Canberra 2007: January Died and is buried in Eltham Cemetery 2007: Obituary in Age Jun 2, 2007 - LINDSAY Edward's retirement as head of the fine art department at RMIT in August 1979 signalled the end of an important chapter in the art Sources: ART CONTEST. (1939, March 2). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article12103185 ART EXHIBITION AT HEIDELBERG (1941, November 25). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article8218682 ART EXHIBITIONS (1945, October 3). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article205639922 EX-GALLERY STUDENTS' SHOW (1946, October 15). The Argus (Melbourne, Vic. : 1848 - 1957), p. 3. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article22386440 https://www.artgallery.nsw.gov.au/prizes/archibald/1947/ Art World Busy (1949, February 26). The Argus (Melbourne, Vic. : 1848 - 1957), p. 12. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article22706197 http://nla.gov.au/nla.news-article22781141 ART NOTES (1953, October 13). The Age (Melbourne, Vic. : 1854 - 1954), p. 2. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article206462733 Design, color in art show (1954, October 5). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article23453359 https://artcollection.its.rmit.edu.au/?p=rmit-gallery-about Cinema (1993, October 7). The Canberra Times (ACT : 1926 - 1995), p. 7 (Good Times). Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article127509819 Queensland Centenary Artwork (includes image) http://queenswharf.org/places/former-queensland-state-library-wall-decoration-and-sculpture/ Eltham Cemetery http://www.elthamcemetery.com/index.php/search oil on paper board 31.5 x 37.5 cm signed "Edward" lower rightInscribed on back "The Malt House Lindsay Edward 15 Park Cres Fairfield"fairfield, malt house, lindsay edward, home beautiful, home beautiful magazine, alistair knox

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Monochrome postcard showing two men in a rowboat on the River Yarra at Kew in the area of Macaulay's Boat Shed.Handwritten later annotations: "Reg No KH-384. Yarra towards Fairfield. Macaulay's Boat House, Kew"postcards - kew (vic), river yarra - kew (vic), sport and recreation - kew (vic), recreation - kew (vic), boat sheds - kew (vic)

4 photos of number 225, Fairfield Hall redbrick tower house, cnr Younger Avecaulfield south, north rd, younger ave, fairfield hall, houses, o’donnell, jenny

The Pipe Bridge was constructed to bring fresh water from Fairfield to Kew. This bridge was destroyed in the 1934 Flood and later reconstructed.Early sepia real photo postcard of the first Pipe Bridge bringing water from the Yan Yean Reservoir to Kew. The site is upriver of the original Macauley's boathouse. Obverse: "River Yarra near Macauleys' Boat House Kew". Reverse: "(Pipe Water Line) / Kew to Fairfield above boat house / Pipe Bridge / Received from L. Bennett 1980".bridges - kew (vic.), bridges - yarra river -- kew (vic.), pipe bridge

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan 1996 by Andrew Ward https://www.gleneira.vic.gov.au/media/4777/heritage_mment_plan_vol_3b.pdf (as of 27/01/2021) - p90 An imposing single storeyed Italianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted corner bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations.Victorian Heritage Database (as of 27/10/2020) - HO49 225 North Road Caulfield South https://vhd.heritagecouncil.vic.gov.au/places/42426 "Maniar" (?) is a substantial late Victorian Italianate villa with tower and extensive grounds built for Frederick Curwan, an inspector of the National Bank, in 1890. It is aesthetically and historically important. An imposing single storeyed ltalianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted comer bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations. It is aesthetically important as an imposing and substantially intact villa residence demonstrating the changing architectural fashions of the 1890's, evidenced by the use of face brickwork and fretted gables in the Queen Anne manner. It is historically important for the manner in which it demonstrates the lifestyle to which a businessman could aspire during the boom period.Page 150 of Photograph Album with four landscape photographs of Fairfield Hall on North Road.Handwritten: "Fairfield Hall" 225 North Rd cnr Younger Ave [top right] / 150 [bottom right]trevor hart, jenny o'donnell, verandah, porch, tower house, tower, mansion, three storey tower, bichromatic brickwork, fairfield hall, 1890's, george jobbins, conical roofed projecting corner bay, conical roofed bay, timber ceilings, north road, younger avenue, frederick wallis curwan, curwan, italianate, queen anne, australian homestead, arched windows, curved windows, columned parapet, return verandah, fairfield estate, fairfield street, slate roofed, red brick, polychrome bricks, victorian style, cast iron work, caulfield south, maniar, house names

Four unattributed colour photographs taken 30/05/1981. Three of the photographs (130mm x 90mm; 130mm x 90mm; 90mm x 130mm) depict the exterior of Fairfield Hall and one photograph (90mm x 130mm) depicts the auction board advertising the auction of the property to be held on 04/06/1981. A handwritten note on the back of the photograph of the auction board provides that the house sold for $431,000.fairfield hall, victorian style, architectural styles, fireplaces, stained glass, architectural features, caulfield south, north road, towers

Owner 1960s: Alfred and Jean Chamberlain (Fairfield APM)The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, pryor street