The Fanning Family home, 'Sunnyside', was built in Loemans Road after William Patrick Fanning migrated from Thurles, Co Tipperary, Ireland. He was one of the early farmers in Bulla. He and his wife, Catherine had five children. Since he and his wife died their descendants continued to live at 'Sunnyside' in Bulla. The Fanning family were one of the early settlers in Bulla during European settlement.A photocopied black and white non-digital photograph of a man, lady and young girl standing behind a picket fence outside a weatherboard Victorian cottage with a galvanised iron roof. The family are smartly dressed in clothes fashionable in the 1890s.A label with 'The Fanning Family' printed on it has been stuck on the side of the photograph.'sunnyside', bulla bulla, fanning family, loemans road

Members of the Fanning family standing outside their house 'Sunnyside', in Loemans Road, Bulla. The Fannings were one of the early European families to settle in the Bulla township. A black and white mounted photograph of the Fanning family in front of a cottage with a picket fence.Printed on face: Matson and Frazer / 264 Little Collins Street Handwritten on back: Eric Boardmanmatson and frazer, photographers, eric boardman collection, fanning family, george evans collection

Eric Boardman CollectionThe Fanning family posed in a garden setting. There is a man, a woman, a young man, a young woman & 3 small girls. The dress is consistent with a date of the late 19th century. The photo is mounted on a grey cardboard matt. The matt is foxed and has pin holes top & bottom.eric boardman collection, matson and frazer, photographers, fanning family, george evans collection

Pictured are the Fanning family who were toll-keepers. The property on Geelong Road is now St Martins in the Pines which was gifted to the Sisters of Mercy by Alice Fanning.st martins in the pines, alice fanning, sisters of mercy, building, vehicle, persons, private dwelling

John McMahon is a long time Sunbury resident and served as a Shire of Bulla councillor. Edward Fanning's family were early European settlers in Bulla. The two men were guests at the opening of the Alister Clark Memorial Rose Garden in Bulla on the 12th December 1999.A non-digital coloured photograph of two men standing in an open area in front of a small bluestone building.edward fanning, john mcmahon, alister clark memorial rose garden, bulla

A picnic organised on the first of January 1928 on the grounds of the Duckett family home, Riversdale in Hawthorn. (See Jottings 90, January 1928) Mr Duckett , an ironmaster and manufacturer. In 2017 a link with a Mrs Marjorie Duckett (nee Mclennan) in the late 20th C confirmed her role as secretary of the Altona Op Shop which provided funds to the Mission in the late 20th C. An image was also found in Ship to Shore newsletter of the MTSV.The Ducketts had links to the McLennan family also supporters of the Mission. Connections and memberships with both families identified in the records and Archive. This image links to just one of the the strong local networks of MTS supporters and their substantial residential properties made available to host seafarer events and for leisure outings. small B & W photograph mounted in album depicts grip of seafarers and Mission to seamen hosts posed for photograph on verandah of large house in Hawthorn circa 1920s.Inscription found on page below: see title entryflying angel league, picnics, outings, melbourne-missions-to-seamen, ladies' harbour lights guild, riversdale, hawthorn, lhlg, reverend reginald weller, edward duckett, fan album

The Federation University Mt Helen Campus was once the farm of John Latta and his wife Elizabeth Ann Dean. The couple married in 1867 and had three children at the time of John Latta's death (Elizabeth Ann b.1870; Mary b.1873; John b.1875). Elizabeth later married George Downing, and had another six children. The house was situated in the vicinity of the current Administration and Caro Conference Centre buildings, surrounded by an orchard, and a well under the current Albert Coates Building (Union Building). The land was purchased by the Ballarat School of Mines for their tertiary division from the Stapleton family.Various items relating to the Federation University Mount Helen Campus, and the early settlers on the land, the Latta Family. .1) Parish Plan, including E. Latta, M. Fiscalini, R. Wynne, R. Nixon, J.U. Smith, J. Davis .2) Part of a 1930s ordinance map showing Ballarat, Buninyong and Greenhill .3) Contour Map with the first two Mt Helen Campus buildings included. .4) Drawing a a proposed campus plan .5) Latta Family negativemount helen campus, latta family, greenhill, e. latta, m. fiscalini, r. wynne, r. nixon, j.u. smith, j. davis, parish plan, john latta, elizabeth latta, george downing, elezabeth downing, green hill, pontresina, abraham baxter, g. dean, market gardens, jim downing, bob thornton, j. hateley, martin fanning, toll keeper, anne beggs sunter

Part of a collection of items copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This bereavement card commemorates the life of Frances Goodyear Hooper (Fan) who died of burns aged 6 years. Digital copy of bereavement card.shirley fraser, frances goodyear hooper

c1900 Decorative silver, pewter or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x fan shaped gold metal filigree buckles with claspfootwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver, pewter, gold plated or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x fan shaped gold metal buckles joined by a clasp and with 2 bars at back footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

In 1910, Portland Knitting Company began in downtown Portland, Oregon, with a few hand-knitting machines above a tiny retail store. Little did founders Carl Jantzen, Roy and John Zehntbauer know that they would achieve both fame and controversy as swimwear pioneers. Producing a wool suit for a rowing team they began offering "bathing suits" in their catalog. Knit on sweater cuff machines, the suits became popular with swimmers. The demand increased for those "Jantzens" and the company name was changed in 1918 to Jantzen Knitting Mills. The suits were made of 100% pure virgin wool. Matching stockings and stocking cap completed the costume of the day. Early advertisements guaranteed the famous rib-stitch "gives that wonderful fit". c1930 Jantzen catalogs featured upcoming movie stars, including Loretta Young, Joan Blondell, Ginger Rogers, and Dick Powell. National magazines such as Esquire, the Saturday Evening Post, Life, and Colliers published advertisements illustrated by George Petty. 2010 Jantzen has achieved new levels of success this decade through social media, attracting thousands of fans around the world who share their own memories about their favorite Jantzen suits throughout the decades Early settlers and market gardeners established their families in Moorabbin Shire c1900 and after World War 1 soldiers were assisted to purchase land near the railway line. By 1930 the population had grown with new families who had other occupations - office workers in Melbourne, tradesmen, teachers, etc - and they raised their families in Bentleigh, McKinnon, Ormond, Moorabbin and Cheltenham.Early settlers and market gardeners established their families in Moorabbin Shire c1900 and after World War 1 soldiers were assisted to purchase land near the railway line. By 1930 the population had grown with new families who had other occupations - office workers in Melbourne, tradesmen, teachers, etc - and they raised their families in Bentleigh, McKinnon, Ormond, Moorabbin and Cheltenham. Clothing, men's swim costume wool, 'Jantzen' c1930 clothing, brighton, moorabbin, pioneers, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, dairy farms, fruit orchards, swimwear

Anne Dawson was a sister of Mrs Wally Gibbs and Mrs Alan Richardson. She was an aunt of the Slatters.This item has aesthetic significance and demonstrates the skill and craftmanship of the women of the earlt settler families.Fan-shaped oil painting on tin. Olive green background with 8 colourful flowers on front - 1 yellow,2 red with white tips, 1 dark red, 4 white and 1 variegated apricot. tin-painting art-craft

Archie Harker and Ruby Baker conducted their love affair through correspondence betwen England, where Archie lived , and Heathmont where Ruby lived. They became engaged in 1931 and Archie sent Ruby an engagment ring. He came to Australia on the Oronsay and lived in Carlton for a while. They were married in 1937, lived in Mitcham Ruby's sister Amy married Stanley Wieland hence the connection with the Wieland FamilyLetters from Archie Harker to Ruby Wilson on his voyage to Australia on the SS Oronsay (part of the Orient Line). One letter sent via Paquebot, and a fan-fold picture letter sheet with letter and shipboard photos sent via Airmail from Perth.

Drawing Room of Glen Isla showing beautiful Antique furniture. Large mirror above Marble Fire Place. Shelves with Porcelain Vases. Two Marble busts, open Fan in Hearth. Many Photographs on walls.Interior Photograph of Glen Isla Drawing Roomlocal history, photography, photographs, slides, film, buildings, historic, glen isla drawing room, phillip island, sepia photograph, mrs emma anderson jacobs

Drawing Room of Glen Isla showing beautiful Antique furniture. Large mirror above Marble Fire Place. Shelves with Porcelain Vases. two Marble busts, open fan in Hearth. Many Photographs on walls.Interior Photograph of Glen Isla Drawing Roomlocal history, photography, photographs, slides, film, buildings, historic, glen isla drawing room, phillip island, sepia photograph, mrs emma anderson jacobs

EXHIBITION in the DOME The Sea is All Around Us - Margaret Woodward 11-21 May 2015 Dome Gallery – Mission to Seafarers, 717 Flinders Street, Melbourne, Australia. 37 º 49'21" S 144º 57'03"E Hours: Daily 11.00am - 4.00pm The sea is all around us is a multi-layered event which will create a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event will acknowledge and raise awareness of the working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery will become an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery will be inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation will be given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland will continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. For more information visit the website: sensingtheremote.net Margaret Woodward is Associate Professor of Design at Charles Sturt University For a fortnight in May 2015, Margaret Woodward was ‘in residence’ at the Mission to Seafarers Norla Dome Gallery with her participatory installation project "The Sea is All Around Us". The floor of the gallery became a large scale compass. Seafarers were welcomed to the gallery their ships, journeys and destinations were recorded and mapped on the floor drawing. Seafarers were welcomed with cake and souvenir mugs of tea. These mugs, a momento for the seafarers, were inscribed with a scannable QR code and an invitation for seafarers to record their journeys on a dedicated project website. Around 120 souvenirs are now continuing their journey by sea and seafarers have scanned the mugs from locations including Singapore, Brisbane, Fremantle, Adelaide, Busan and Johor! After the exhibition Margaret Woodward was able to follow the seafarers' whereabout: ""The Sea is all Around Us". I am in awe of where this project might go, well done Margaret. One week has passed since finishing up at the Mission to Seafarers Victoria. Today I check my website and can see that the cup-carrying seafarers are reaching warmer climates, they tell me it’s getting hot as some are already in Suva and Port Lautoka. I’ve watched the souvenirs travel and fan out from Melbourne, some West to Adelaide and Fremantle, others going north to Sydney Brisbane, Singapore and Busan. Another seafarer scans in from Changi Airport, excited to be going home for some time with his family in the Phillipines. I keep an eye on my ‘fleet’ of 22 ships that visited the Dome Gallery, and see where they are on the Live Shipping website, watch some of them sail up the coast of Western Australia and marvel at the steady pace this journey takes. I am so used to flying over coastlines and countries in a matter of hours, impatiently watching the tracking screen from my airline seat, this shipping pace seems so much more real, so much more of a passage. I feel connected to these ships, to the people on board, to know that an object has passed from my hands to theirs, now holding in it my cargo of concern."margaret woodward, installation, exhibition, norla dome, 2015, sea voyage, sea journey, cultural events

The Great Crested Grebe is the largest bird in the Grebe family. It has a long neck with a black crown and orange/black "fans" on the sides of the face. This bird can be found in all Australian states and territories and typically resides in open bodies of fresh water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Great Crested Grebe in a tall position standing on a wooden pedestal. It has a long neck and bill with coloured plumage. The crest is black with orange and black cheek "fans" on the sides of the face. The eyes are made of glass and are a red/black colour. On paper tag: "[Austra]lian... [G]rebe... [pa]ge, 42" taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great crested grebe

These two important books are part of a series produced in the 1880s but they have widely-different content. One describes the natural history of the Parish of Selborne in the County of Hampshire in England. It was written by the British naturalist and ornithologist, Gilbert White and first published in 1789. Since that time it has been republished over 300 times right up to the present day. It is notable for its charm and simplicity and for its description of a pre-industrial England. The other is by the American author, Walt Whitman, first published in 1871. It is a major work of comparative politics and expounds on the influence of the Louisiana Purchase and the expansion of the American spirit and character. It also denounces the post-Civil War materialism that had spread at that time in America. These books are of interest because of their antiquarian nature but they are mostly of local Warrnambool interest because of their inscriptions. The books belonged to William Hugh McMahon (1862-1936). William McMahon commenced a legal practice in Warrnambool in 1894, firstly in Liebig Street and later in Kepler Street. He was a prominent lawyer in Warrnambool for 30 years and a staunch adherent of the Presbyterian Church. He and his family lived at ‘Glenrye’ at the corner of Ardlie Street and Botanic Road, a site where the St. John of God Hospital was later established. These two accompanying volumes are in the Camelot Series (1887 and 1888). They are hard cover books with red covers and two ornamental patterns on the front cover (stylized urn and fan shapes). The urn pattern is repeated on the spines. ‘The Natural History of Selborne’ has 366 pages (a Preface and Chapters on the Natural History of Selborne, a Naturalist’s Calendar and Observations on Various Branches of Natural History) and ‘Democratic Vistas’ has 175 pages (a Preface and 12 Chapters). The latter has the remains of a label stuck to the front cover. The handwriting on the inside first pages are in black ink.1277.1: ‘W.H.McMahon, June 24th 1889, Warrnambool’ 1277.2: ‘W.H.McMahon, Sept. 4th 1891, Warrnambool’ gilbert white, english natural history, walt whitman, american politics, william mcmahon, solicitor, warrnambool., warrnambool history

During WW1 soldiers communicated with family in Australia. When they were not required 'in-the-field' they occupied themselves with souvenirs and art work. This includes his ration book and tickets, and artwork consisting of 2 leaves, a fan and Xmas Card all attached to a white piece of paper. This collection may have been attached to the paper by family in Australia or by Percy before his return.Pte. Percy Sutton No. 3942 served in France in WW1. He joined the army on 3rd August 1915, aged 19 years and 5 months and was in the 8th Battalion. He was a railway employee, son of Margaret Sutton of William St, Wodonga. He was 5 feet 7and a half inches tall and a Methodist. He was discharged on 13th April 1919. He was born on 27th January 1897, the son of George and Margaret (nee McIntyre) Sutton. He returned to Wodonga. He died on 29th May 1971 at Mt Beauty in the Kiewa Valley. Attached to white paper a collection of souvenirs from WW1. It includes a Ration book and tickets, 2 gum leaves with French coloured ribbons, a fan inscribed with 'Forget me Not' and a 'Christmas Greetings' Card.On the Ration book - "Sutton, P. Pte. No. 3942". End of Leave or Duty: "7-1-19". Signed: "G.E.Tait" Stamped: "No. 1 Command Sutton Veny"pte. percy sutton, ww1 soldier

Personal fan of Asian origin used by early immigrant family living in Kiewa Valley and indicative of the mixed heritages within the Valley. Personal Fan of vintage circa 1920s suggests middle to upper socio-economic levelHistorically this item places certain ethnic group in the Kiewa Valley circa 1920's - 1950's. This personal fan indicates that it may have belonged to a middle class person with greater leisure time than that of a working class. The multicultural fabric of the region is also highlighted.Personal hand fan (slide out sideways open). Cardboard screen on wooden spine frame. Main side bright coloured green trees on golden red and royal blue background. Wispy silver lined clouds, black branches and brown earth with moss. Flip side gold speckled on white background Bamboo like sliversfan, personal fan, cooling, oriental, hand fan

This money box is believed to be an antique Prattware piece modelled on a n English Methodist Chapel. It was a gift to a young girl, Sarah Ann Esam born in 1850 in Lincoln, England. Her parents John and Ann Esam emigrated to Australia in 1865 with six children one of whom was Sarah. John Esam became well known in Warrnambool as an engineer and windmill maker. His best known windmill is the one he made for "Lyndoch". Sarah Ann Esam died in Henna Street, Warrnambool in April 1915 on Easter Monday. This money box is of considerable significance because of its age, its artistic attractiveness and its connection to the Esam family who were prominent in Warrnambool in the 19th century. This glazed piece of pottery is a child's money box modelled on an English Methodist Chapel. It has a blue tiled roof with yellow edges, a slot for coins at the back.and two chimneys at each end of the building. The primary colour of the cottage is white It has two storeys, the upper one has six lead light windows framed with yellow and the ground storey has two brown doors with lead light fan windows. There is a pink colored figure standing in one corner of the base. The base is green representing grass. The edges of the base feature blue crosses interspersed with yellow dots. The black inscription on the front is artistically written. One chimney is damaged.as are the four base corners. S. ANN. ESAM. Born August 8th LINCOLN 1850esam, money box, prattware

This early 1900's tin which contained loose leaf blended tea was imported into Australia by those tea merchants who wanted to provide the Australian tea drinkers with quality tea. It could well be early Lipton distributors to both city and rural clients and consumers. This was in a period when most rural families were heavy tea drinkers. It was well before the introduction of coffee as a drink (especially instant) for the early morning, after meals and general "drink any time" pick me up beverage.This relatively large tea tin marks a period in time when loose leaf tea was in great demand and large quantities were not only used by families but also restaurants, workers mess halls and remote large rural families. The ability to obtain a quick tea supply in semi remote rural areas such as the Kiewa Valley was not possible due to the factors of all weather road access and the economics of traders going out of their way. Stocking up with important beverages, such as tea, was a "one of those things" that early rural communities had to endure with. Bulk storage tins such as this item were not only a requirement but also offered storage for other household items. This usefulness was not overlooked by the "canny" rural family.This large metal tin container was specifically manufactured for the kitchens requiring a bulk storage "bin" type of loose leaf tea content. When emptied, it could also be used as a general kitchen storage container for other bulk consumables.On the front side and in the background, there are three sketches of Egyptian pyramids(increasing in size from left to right). At the forefront there is a camel "train" loaded with supplies and handlers, making their way over the sandy desert going towards a large sign(in a freehand script) "PYRAMIDS BLEND". The left side "Specially Selected" and underneath "PURE TEAS" below this and within a circle is the figure of a Geisha clad of Asian appearance (with a fan in a raised hand with boxes(of varying sizes) around her. All these are in (off white design and wording on a green background. On the back in green print on off white background "PYRAMIDS BLEND" and underneath "OF SPECIALLY SELECTED PURE TEAS". On either side are columns of similar print. To the left "THESE UNRIVALLED BLENDS ARE GUARANTEED TO CONTAIN ONLY PURE TEAS".To the right "SPECIALLY SELECTED FROM THE CHOICE GROWTHS OF CHINA INDIAN & CEYLON". Below both columns is "for delicacy & fragrance of flavor, combined with great strength, and are confidently recommended to the public as the best values in teas obtainable" On the last side is a sketch of an " Indian encircled, holding a staph with palm trees in the background and four tea containers on his left, with "PYRAMID BLEND" as a subject heading. There are two Oxen pulling a two wheeled cart with a load of six large boxes. On lid and barely readable "FIVE POUNDS NET"loose leaf tea containers, food storage tins, kitchen tidies

Eleanor Hinde (1842-1902) was born in Lancashire England. In 1858, Eleanor married Richard Reynold in the Forest St. Wesleyn Methodist Church in Sandhurst. They both gave their address as Sailors Gully Goldfields. They had seven children together. Richard was a skilled tradesman. After he died in 1872 from lung disease, Eleanor married Arculus Opie. Eleanor owned a property on the corner of Gladstone and Stanley Streets which later became an electrical substation. She sold poultry and eggs and preserves. One of Eleanor's sons, William John, married Anna (Annie) Jorgensen, and one of her daughters. Amelia, married Anna's brother Thomas Joynes Jorgensen. The Jorgensens founded and managed Jorgensen and Sons foundry and engineering works. Peter Jorgensen (1849-1914), was a mining contractor, he lived at, "Bro," Russell street, Quarry Hill. His firm was Jorgensen and Sons, mining contractors. He was a native of the Island of Alsen, Denmark. He left Denmark in the year 1861, embarking at Hamburg in a small sailing Ship. The four folders contain family history documents and photos of the descendants of Eleanor Hinde. This item contains the following documents: 10891.1a There are two photos of Eleanor sitting on a chair with a fan in her hand. The smaller photo has inscribed on its back "Opie, nee Reynolds"; the larger photo has: "Eleanor Hinde Mrs Reynolds/Mrs Opie, Mother of seven Reynolds children, Mother of two Opie sons, All children lived long lives. 10891.1b Notes on Eleanor Hinde by her Great-granddaughter Ruth Pendavingh - Eltham Victoria March 2008 10891.1c Family card Sheet for Richard Croom Reynolds and Eleanor Hinde. There are handwritten notes on the sheet. 10891.1d Letter to Richard Reynolds in 1872 from his friend Thomas Hayward 10891.1e Family Tree of Eleanour and Richard from Ancestory.com public trees 10891.1f List of descendants of Richard Reynolds and Eleanor Hinde. It includes places lived. 10891.1g PDF File - Family History Report - Descendants of Richard Reynolds and Eleanor Hinde and their seven children (Contact the Bendigo Historical Society for Access) 10891.1h PDF File - Family History Report - Descendants of Archelaus Opie and Eleanor Hinde and their seven children. (Contact the Bendigo Historical Society for Access) 10891.1i PDF File - Family History Report - Descendants of Archelaus Opie and Eleanor Hinde and their seven children. Their Child Louisa Rynolds who married Thomas Richard Preston in 1909 and had a daughter (Contact the Bendigo Historical Society for Access) 10891.1j PDF File - Hand Written Notes - two pages - Descendants of Archelaus Opie and Eleanor Hinde and her two husbands, Richard Reynolds and Archelaus Opie (Contact the Bendigo Historical Society for Access)bendigo, sandhurst, peter jorgensen, eleanor hinde, eleanor reynolds, eleanor opie, reynolds collection

Advertising material in the form of a circular fan, with mountain scene on one side, advertising: C.A. Baggaley, Covent Garden Fruiterer and Confectioner Mitchell Street, Bendigobaggaley family, advertising sign, bendigo businesses

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO59 Glenmoore, 1 St Georges Road Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35202 as at 30/10/2020 "Glenmoore" is locally significant as a surviving mid nineteenth century villa residence in the then fashionable bi-chromatic brick form. It is also important as the home of Hugh Moore who built several shops in nearby Glen Huntly Road and which remain as important contributors to the architectural character of the Elsternwick Shopping Centre.Victorian Heritage Database citation HO59 Glenmoore, 1 St Georges Road Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35202 An imposing two storeyed villa in bichrome brick with two storeyed timber posted verandah, coupled with cast iron lace frieze, spandrels and central tympanum enrichment. The hipped roof is in slate and has a prominent crean1 brick chimney stack forming part of the facade. Openings are flat arched although the entrance is round arched with a fan light. The south elevation has bayed windows. Two storeyed hip roofed additions are sympathetic and attached on the north side and at the rear. Inside, the staircase and stained glasswork with initials "HM" and family coat of arms are important surviving elements. INTEGRITY: Good, timber outbuildings of an early date, mature and spacious front garden includes early palm trees. Alterations include reconstruction of facade verandah including tiled pavement and front door on east side. Interior has a high level of integrity. Original grounds included adjoining "Carramar".Page 178 of Photograph Album with three photographs of Glenmoore, St Georges Road. Handwritten: "Glenmoore" 1 St George's Road [top right] / 178 [bottom right]trevor hart, chimneys, porch, mansion, slate roof, return verandah, stained glass, cast iron frieze, glenmoore, 1860's, hugh moore, glenmoore estate, double storey, elsternwick shops, st george's road, thomas watts, elsternwick, victorian style, protruding bay windows, cast iron work, bi-chromatic bricks, gardens, balconies, moore's buildings, glen huntly road, stairs, house names

Bound illustrated book with marbled paper cover and leather spinenon-fictionVintage book intended to offer 'plain and easy directions" for treating various physical disorders across all ages. As the book dates from 1825 information is for historical interest onlymedical treatment - history, first aid - history

Yields information and has a strong association with those involved in the 18-9-2011 BTM Family fun day.Pages 1 and 3 of The Courier, Ballarat, Monday Sept 19, 2011 featuring photographs and an article on the BTM Family Fun day, titled "On track for a tram ride into history". Has a photograph of Roger Salen standing in front of No. 27 on the depot fan, as MC of the event on page 3 and photo of 40 on access track on front cover. Photos by Jeremy Bannister of The Courier.btm, family fun day

Pages 42 of The Courier, Ballarat, Monday Sept 30, 2011 featuring photographs of people attending the BTM Family Fun day, titled "who's in it today? " / "Tramway". Has a photographs of Roger Salen standing in front of No. 27 on the depot fan, as MC of the event , Neil Lardner, Alan Bradley and Christopher Mitchell. Photos by Jeremy Bannister of The Courier. See Reg item 50?? for prints of these photos from The Courier's web site.btm, family fun day