The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s fascinator retailed by Janelle which is constructed of two joined circles and covered with net of the same colourLabel: Janellemilliners -- australia -- janell, milliners -- janell, women's clothing -- hats, fascinators, headwear

Hat was worn to the Spring Carnival races at Flemington Racecourse end 1980s - early 1990sSmall red straw hat or fascinator with large red feather and red veilingMiss Biernercostume, female headwear

HeadwearBeige net fascinator has 3 grosgrain ribbon bows and belonged to Lillian MacNaughtonfascinator, headwear, hats, netting

Colour photograph of Gertrude Perry on stage in a pink dress, she is wearing a pink fascinator. On the back "Wildflower" 1955.theatre, gertrude perry

Bought at local Op Shop for collectionWorn in 1950's for attendance at Church, parties, funerals and the like.Black satin 4.5cm fascinator (cocktail hat) shaped as a crown less hat, decorated with two ribbon bows at side and a 23cm black eye veil with spots.costume, female headwear

Clothing. Black net fascinator hat with two black velvet bows (8cm X 2cm) and scattered pairs of black velvet leaf shapes with decorative clear diamantes between them.costume accessories, female, black net fascinator

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a digger from the 1st Australian Field Hygiene Unit accompanies the Phuoc Tuy Province Health Inspector Vu Dien Thien, into a badly contaminated area of Long Dien Village, Phuoc Tuy Province. Children were always fascinated by the diggers at work.photograph, 1st australian field hygiene unit, phuoc tuy province, vu thien (health inspector), long dien village, gibbons collection catalogue, diggers, vietnamese children, denis gibbons

From the Chapman family photograph albumPhotograph on Card Backing Seated Woman with girl standing her hand resting on the woman's arm. Woman has fascinator and dark dress with puff sleeves, lace down bodice and dark tie around neck. Girls dress is purloined velvet with lace collar wide brimmed and ribband hat tied onto head "GRAM" Henderson and Mary

From the Chapman family photograph albumStudio Photograph on card Backing Drop background ferns rail rustic bench. Elderly woman sitting on bench - dark dress with puff sleeves. Dark fascinator tie/scarf. Holding bouquet. Young woman standing in dark suite long skirt fitted jacket - pockets unbuttoned. something attached to breast pocket, white blowers with bow tie. Great Grandmother Henderson (nee Mary Ann McCord and daughter Ruth

Allan Quinn travelled through the U.S.A in 1947, documenting everything he did and saw in letters he sent home to his mother, and photographs. This photograph is of the Cliff House restaurant, in San Francisco, which has a long history of it's own. Alan Quinn was fascinated with American life, and frequently visited tourist attractions as well as everyday places such as shops and cafes.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Cliff House restaurant in San Francisco. The photograph has been taken from a hill top opposite the restaurant, looking down to it and the ocean below. There are many cars parked outside the restaurant.On reverse: 11-11-47 handwritten in blue ink / K8 / A handwritten upside down in pencil below.photograph, 1947, allan charles quinn, usa, cliff house restaurant, san francisco

'Purim at Bialik', published in unknown newspaper, 21 March 1969. The newspaper clipping states: "Bialik College Pupils celebrated Purim with a puppet show, fancy dress, parade and songs. Here some of the children are shown watching the puppet play, Little Red Riding Hood. And pupils of Grade II were fascinated by the "evil wolf". Photographer: H. Leder Photos." Please contact [email protected] to request access to this record.shakespeare grove, celebration, visual and performing arts, judaism

Egg and nest collecting was considered a hobby for the 19thC Victorian gentlemen and the handwritten notes that often accompany the eggs can be as valuable to curators as the eggs themselves. Details have helped scientists understand the changes in bird nesting behavior in the past century and some of these historical eggs have also played a role in major scientific discoveries. Early settlers in Moorabbin Shire were fascinated by the new flora and fauna they found in the local and wider countryside.This is a typical collection of natural objects of an early settler in Moorabbin Shire 19thC when Charles Darwin inspired a general interest in the evolution of speciesA collection of bird eggs, nests and a seahorse in a wooden display box with a glass lid .bird's eggs c1900, bird's nests c1900, victorian era collectors, early settlers, pioneers, moorabbin shire, bentleigh, cheltenham, natural sciences, ornithology, darwin charles,

Colour photograph or print of a group watching Richard Gilbert setting up the movie projector for the films at the Ballarat Tramway Museum 30th Anniversary dinner on 22/9/2002. On Kodak Royal Paper. Photo by Austin Brehaut. Caption supplied by Austin at the depot for the photo was "High Technology at the 30th Anniversary Dinner. Warren knows what is it, Peter and Sam are apprehensive, Richard is fascinated, Stephen isn't interested." In photo left to right are Peter Winspur, Sam Boon, Warren Doubleday, Richard Gilbert and Stephen Butler"On rear in blue ink "Home movie time at 30th Anniversary Dinner for BTPS 22.9.01. L-R Peter Winspur, Sam Boon, Warren Doubleday, Richard Gilbert and Stephen Butler"30th anniversary, dinner, btm, films

The general public was fascinated by the nightly 'Penguin Parade' on Phillip Island. Many articles have been written about the birds and the Penguin Parade attraction since the 1930s. So many people spent their summer holidays on Phillip Island in one of the many guest houses, then caravan parks and holiday homes and a visit to the Penguin Parade by them and their visitors was very common during their holidays. Articles tended to be a mix of basic penguin behavior information and anthropomorphic descriptions. Accompanying photographs were almost invariably taken by flashlight (now illegal), or of penguins taken from their burrows during daylight hours for photo opportunities. The article provides evidence of the level of knowledge about Phillip Island's Little/Fairy Penguins at this time. (approx 1960?)Photocopy of 2 page magazine article. Black print. Images poor quality due old photocopy.little penguins, fairy penguins, eudyptula minor, phillip island penguin parade, dorothy vernon, penguin rookery, penguin behaviour, phillip island tourist attractions

The mystery of the Portuguese Caravel, commonly known as the ‘Mahogany Ship’ is today regarded as legend and refers to an ancient wreck that is said to lie beneath the sand between Warrnambool and Port Fairy. Its location is currently unknown, but many people have searched for it through the years since the first reported sighting of an unidentified wreck in 1836. For over a century this mystery has fascinated Australians because the existence of such a vessel could throw light on the earliest phase of exploration of Eastern Australia by Europeans. The interest in the mystery was high enough for the Victorian Government to offer a reward in 1992 which was subsequently withdrawn a year later with no monies being paid.This item is historically significant because of its relationship to an ongoing mystery (the Mahogany Ship) that may throw light on the early exploration of Australia. The offering of a reward, 150+years after the first recorded sighting, by the Victorian Government points to the ongoing fascination with this subject to the Victorian people.A reward poster printed on calico. Even though the poster was created in 1992 it follows the regular structure of a reward poster from earlier times; the word REWARD in large print at the top, the amount $250,000 in bold type and an imagined drawing of the missing Portuguese Caravel.Printed text: REWARD Notice is hereby given that the Government of Victoria is offering a REWARD of $250,000 for the DISCOVERY of an international invader that has eluded authorities for more than 400 years. Believed to be a PORTUGUESE CARAVEL, this traveller is thought to be hiding somewhere along the world's most scenic coastal drive- Victoria's Great Ocean Road. Positive sightings could rewrite the HISTORY OF AUSTRALIA. More than 20 unconfirmed sightings have been reported since 1836. Description: Approx. 26 metres long, 12 metres wide, 20 metres in height, dark brown in colour. BOUNTY HUNTERS AND INTERESTED PARTIES SHOULD APPLY TO: FLAGSTAFF HILL MARITIME MUSEUM, PO BOX 574 WARRNAMBOOL 3280 OR TOURISM MANAGER, DEPARTMENT OF CONSERVATION & ENVIRONMENT, 8TH FLOOR 250 VICTORIA PARADE, EAST MELBOURNE 3002 BY ORDER OF THE VICTORIAN MINISTER FOR TOURISM. Printed image: back view of a Caravel in full sail flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, port fairy, portuguese caravel, mahogany ship, reward poster, victorian government

The general public was fascinated by the nightly 'Penguin Parade' on Phillip Island. Many articles have been written about the birds and the Penguin Parade attraction since the 1930s. So many people spent their summer holidays on Phillip Island in one of the many guest houses, then caravan parks and holiday homes and a visit to the Penguin Parade by them and their visitors was very common during their holidays. Articles tended to be a mix of basic penguin behavior information and anthropomorphic descriptions. Accompanying photographs were almost invariably taken by flashlight (now illegal), or of penguins taken from their burrows during daylight hours for photo opportunities. This article, written in the 1950s, describes the management of the Penguin Parade at that time as being run by the Penguin Preservation Committee. This was before the Phillip Island Council took over running the Penguin Parade. The article provides evidence of the level of knowledge about Phillip Island's Little/Fairy Penguins at this time. (1957)single full-page magazine article, black ink on white paper. Photocopied from original, so photos appear as black and white.little penguins, fairy penguins, eudyptula minor, phillip island penguin parade, dorothy vernon, penguin rookery, penguin behaviour, phillip island tourist attractions

Michael and Wendy Wilson have been living in Eltham for fifty years. Recently Michael decided to write what is an engaging and entertaining journey through Michael and Wendy’s life. He recounts his love of Wendy, his family, friends, and his many acquaintances, as well as his love of Eltham and district. Kate Palmer AM, wrote the forward for this book saying, “…it is a window into the world of a true craftsman, an award winning master goldsmith - an artisan who can transform precious metals, wood and gold into exquisite sculptures, jewellery and works of art”. Kate also says “This book is a tribute to Michael Wilson. A man who is fascinated by the world around him and who is inspired by his experiences in that world. Every piece tells a story – about emotion, about a man and his dreams and his fascination for all things engineering.” Michael also recounts his extensive love affair with things with four wheels, from billy carts as a boy, to the various cars he has enjoyed, particularly his favourite Lotus 7, which he states is “a sophisticated billy cart”. He also shares many memorable experiences with others pursuing automotive escapades. It is well written, informative, and just an amazing life story, a very personal record of a life well explored and well lived. - EDHS Newsletter Feb 2024."For the Eltham District Historical Society, Best Wishes, Michael"autobiography, eltham, goldsmith, jeweller, michael wilson. biography, artists, memoir

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Trevor Prescott - Geelong Field Naturalists Club From his earliest years, Trevor Pescott has been fascinated by nature. In 1961, he was part of an active group that re-established the Geelong Field Naturalists Club. And in the 1970s he was also one of the founding members of the Geelong Environment Council. For more than half a century he has been a passionate advocate, observer and chronicler of Geelong’s changing environment. Since 1960, he wrote the weekly column “By Field and Lane” in the Geelong Advertiser. He has written several books on nature in the Geelong region, including Birds and Botanists: A Field Naturalists History of Geelong. He remains passionate about the flora and fauna of the Geelong region organising fauna surveys every month as member of the Geelong Field Naturalists Club amongst many other activities. Photo at Trevor’s Belmont home by Nicole Marie.Image showing an environmental portrait of a man holding a book with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize

John Alfred Lyell "Alf" Haeusler was born on 3rd February 1922, and was the only child of Louis and Ilma Haeusler. He lost his mother Ilma at the age of six and was raised by his father and his Aunt Nellie. He was a quiet lad with a limp, possibly caused by an illness early in life, later diagnosed as polymyositis. As a young boy, Alf was fascinated by electricity and radios. Like his father Louis, Alf had the ability to engineer and fabricate almost anything using humble materials, from mending the broken handle of a teapot, to making a toy xylophone, a homemade crystal radio set or a homemade drill. Alf attended Wodonga West School No.1058 until the eighth grade. Due to his medical condition, in order to avoid the two-mile walk to school, Alf travelled by pony, which was hired from another student, Tom Ardern for sixpence a week. The two boys remained lifelong friends. Tom Ardern died in Wodonga, Victoria on 10th January 1996 and Alf Haeusler died on 5th October 1997. The Haeusler Collection consisting of manuscripts, personal artefacts used by the Haeusler family and a set of glass negatives was bequeathed to the Wodonga & District Historical Society. It offers a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community in the early 20th century.This photo is significant because it depicts an important aspect of the early life of Alf Haeusler of Wodonga.Framed black and white image of two boys on horseback on their way to school.haeusler family of wodonga, thomas ardern, alf haeusler

Benjamin Rank was considered by many to be the father of plastic surgery in Australia. He was born on 14 January 1911 in Heidelberg, Victoria, where his father, Wreghitt Rank, owned a grain store and mill. His mother was Bessie née Smith. He was educated at Scotch College, Melbourne, and Ormond College, University of Melbourne, graduating with many honours and prizes. He did a two-year residency in the Royal Melbourne Hospital before going to London to specialise in surgery. There he did junior posts at St James' Hospital, Balham, but soon became fascinated by the new specialty of plastic surgery and was appointed assistant plastic surgeon at Hill End (Bart's EMS unit). Joining the Royal Australasian Army Medical Corps in 1940, he commanded their plastic surgical unit in Egypt. In 1942, he returned to Australia to set up a plastic and maxillofacial unit at Heidelberg Military Hospital. Among the patients treated there was one Flight Lieutenant John Gorton, who went on to become Prime Minister of Australia. In 1946 he was the first honorary plastic surgeon at the Royal Melbourne Hospital. He spent much time overseas and was instrumental in setting up the specialty of plastic surgery in India, for which he set up 'Interplast' - a charity supported by the Rotary Clubs to offer training and expertise to Asian and Pacific nations. He was the Sims Commonwealth Travelling Professor of the College in 1958, Moynihan lecturer in 1972, President of the British Association of Plastic Surgeons in 1965 and President of the Royal Australasian College of Surgeons from 1966 to 1968. He made important contributions to the study of Marjolin's ulcer, radiation carcinoma, and the transition from benign to malignant melanoma. He also made a major contribution to hand surgery, and his textbook Surgery of repair as applied to hand injuries (Livingstone, 1953) ran to four editions. He wrote extensively, including an autobiography, and was a talented painter. He was a tireless campaigner for no-fault motor accident insurance and was President of the St John Ambulance Association. He married Barbara Lyle Facy in 1938. They had one son Andrew, and three daughters, Helen, Julie and Mary (one of whom became a nurse). He died on 26 January 2002. Reference; https:livesonline.rcseng.ac.uk surgeon, sir benjamin rank, heidelberg military hospital, plastic surgery, royal melbourne hospital

The Mahogany Ship is today regarded as a legend and refers to an ancient wreck that is purported to lie beneath the sand beside Armstrong Bay, several kilometres west of Warrnambool, Its location is currently unknown. For well over a century the mystery of this ship has fascinated Australians because the existence of such a vessel could throw a different light on the earliest phases of exploration of eastern Australia by Europeans. The story is that in January 1836 a party of whalers from Port Fairy travelled to the mouth of the Hopkins River in search of seals. Their boat overturned and one man was drowned. The three survivors were walking the 30 kilometres back to Port Fairy along the coast when, about halfway along, they discovered the wrecked ship in the dunes. It is said that Captain John Mills, who was in charge of the whaling station at Port Fairy promptly visited the wreck with several of his men, including Hugh Donnelly. Donnelly who was the originator of that version of events is now regarded as unreliable. Local history researcher Joan Fawcett believes Donnelly could not have visited the wreck in 1836 because he did not arrive in Victoria until 1841. The "mahogany" description can be traced to a letter from Port Fairy builder, architect and surveyor John Mason and published in the Melbourne Argus in 1876. He said he had seen the hull in 1846 and it "had the appearance of either cedar or mahogany." In 1884 Argus journalist `The Vagabond' wrote that the hull was built of "Spanish mahogany" and six years later Mason wrote another letter saying it might not have been mahogany but red gum or ironbark from New South Wales. He was too late with this new description as the wrecks mahogany tag was here to stay all through the hull was not visible as it had disappeared beneath the shifting sands by 1880. A more reliable account was later presented by the former editor of the Warrnambool Examiner, historian Richard Osburne, who wrote about the wreck in his book History of Warrnambool (published 1887). In it the author remembers to have noticed a wreck in the hummocks between Belfast and Warrnambool, in 1847 or 1848; he stated it was much nearer Warrnambool than Belfast, now known as Port Fairy, going on to state “in fact, it was only two or three miles from the former place, to the west of the big hummock which was supposed to fill Warrnambool Bay with drift sand washed by the Merri River before the cutting was made.” Osburne followed up with a letter to the Port Fairy Gazette on June 25, 1876, during a period of heightened interest in the wreck, although he was unsure of the provenance of the ship he went on to state in his letter. “The old wreck was, in fact, miles away from the Port Fairy beach, and only about four miles from Warrnambool. In the years 1847 and 1848. I have often seen the wreck and I regret to say I do not believe she was a foreign ship at all.”The ship model is significant for its association with the Warrnambool story of what is now referred to as the Mahogany Ship, an ancient shipwreck. The model is significant as it is an interpretation of a Portuguese caravel and possibly associated with the early history and exploration of Southern Australia. The model is a fine example of a hand crafted ship made from plans, not from a kit. Some of the materials used for the model are significant to the Gembrook community in that the timber used is a portion from a 30-meter pine tree that fell onto and destroyed the 120-year-old Gembrook church building. The model is also a dedication to Edward Kermond, who grew up in Warrnambool and claimed to have seen the shipwreck in the dunes when he was a lad in the late 19th century. (See note section of this document for further information on the creator and donation of the subject item).Ship model, an interpretation of a mahogany Portuguese carvel vessel in a glass display case with wood frame and a description plaque. Model is made from dark stained wood. The three masted vessel is fully rigged, with a Portuguese-like flag on mast. Plaque is rectangular, free standing on a pedestal. The model was handmade by Joe Hilder (Senior) in 1999 from flooring obtained from the Gembrook Uniting Church in Victoria. Inscriptions, hand written, under base of case and on plaque.Under base, black felt tip pen “Ship & Case made From / Flooring from Gembrook uniting Church, Flattened in 1999 / By Large Pine Tree.” On plaque, white paint "This interpretation of the Fabled Mahogany Ship was made by Joe Hilder, Gembrook Vic. is displayed in the memory of the late Edward Kermond (Ted) 1887-1973, a Warrnambool son who claimed to have seen the original ship as a child." flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model, mahogany ship, mahogany ship story, portuguese caravel, joe hilder, edward kermond, ted kermond, gembrook uniting church, gembrook storm 1999, port fairy whalers, belfast whalers

Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren

White hard covered book. Biography by daughter-in-law of Stanley Porteus, pioneer of modern psychology and one-time resident of Ringwood, Victoria. SUMMARY NOTES. Stanley David Porteus was born in Box Hill, Victoria, Australia in 1883, the only son of a Methodist minister. Like other now large suburbs of Melbourne such as Canterbury, Mitcham and Ringwood, Box Hill was a mere village. Each was surrounded by bush. He grew up like most Australian boys with a love of sport and, although lightly built, did quite well at Australian Rules football and was above average at cricket. He became a schoolteacher with the Victorian Education Department. Promotion within the department depended on experience gained at teaching in tiny rural schools so he applied for such a position at Glenaladale, on the Dargo Road, some 35 miles north west of Bairnsdale. He walked about 6 miles from the nearest railway station at Fernbank to find the school surrounded by virgin forest with only one dwelling in sight. Attached to the school were lean-to rooms that were to be his residence for the next 2 ½ years. He was fascinated by the nearby Den of Nargun and Bull Creek, which joined the Mitchell River in a deep gorge containing a profusion of rainforest vegetation. While at Glenaladale, he met Frances Evans who became his wife. To seek promotion, he left Glenaladale and taught at Leneva and Benambra. While at the latter school, he learned of a position becoming available as superintendent of special schools in Melbourne. As the available means of transport, coach and horses to Bairnsdale, then by train to Melbourne, would not get him to Melbourne before the close of applications, he borrowed a bicycle and rode through the bush to his in-laws home at Lindenow and thus made it before the deadline. He was successful in his application and it set him on a course that lead to him becoming Australia's first Clinical Psychologist. His work, particularly, the development of the Porteus Maze Test, attracted the attention of American educators and he was offered an appointment for a year at Vineland Training School in New Jersey. On a stopover in Honolulu, he was impressed to the extent that he expressed a desire to work there. Not the least of its attractions was the mix of races that offered opportunities to study psychological differences, if any, between various races. His wish was to be granted unexpectedly as he was, in 1919, invited to Honolulu to set up a Psychological and Psychopathic Clinic at the University of Hawaii. From his home in the hills north of Honolulu, on December 7th 1941, he saw the Japanese attack on Pearl Harbour. He lived there until his death in about 1980.

Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events